Category Archives: Reading

Printed for the Shelf Alone

Can books be too gorgeous to read? I would say yes, but I still want to leaf through them and feel bad about not using them. A book may be too pretty to read, but ink, no matter where it’s printed, is meant to be read. So I suppose pretty books should have blank pages.

More on Reading the Bible

My cousin, blogging at The Cruciform Life, writes about reading the Bible two different ways:

In his lecture (which is well worth listening to), Keller describes two ways of reading the Bible. When we read the Bible diachronically, we read the text “along the chronos…along the timeline of the Bible from Genesis to Revelation, in which case the Gospel (read diachronically) is: Creation, Fall, Redemption, Restoration.” We might also read the Bible synchroncially that is “across the grain…you can look at it topically: what does the Bible say about God?…about sin?”…etc. If you read the Bible in this way, says Keller, “the Gospel is: God, Sin, Christ, Faith, not works.” Keller argues that “you’ve got to read the Bible both ways.”

I recently found a second confirmation of this “both/and” view in Paul David Tripp’s new book A Quest for More: Living for something bigger than you. . . .

How do you read the Bible? I keep wanting to read it through from cover to cover, and I keep failing to discipline myself to do it. Most recently, I’ve picked a book to read through, sometimes repeating parts of it. But I recognize that I need the discipline of regular Bible reading, regardless my approach.

Rich Language

By way of Frank Wilson, here are a couple posts from Patrick Kurp of Anecdotal Evidence. First, he reads mostly poetry and non-fiction lately, in part because he can’t hack bad modern fiction. Second, he describes a “theology of language.”

Klavan nails it again

It hailed today. Again. Bigger hail this time, and it lasted longer.

Clearly, we have offended Divine Providence. In the spirit of all modern politics, I shall not hesitate to call for full confession of all our corporate sins, just as long as the sins I’m talking about are those of the party I’m not in.

Through the good offices of a friend, I got a replacement for the lost grill on Mrs. Hermanson, my ’98 Chevy Tracker, today. He even put it on for me. It’s maroon, while Mrs. Hermanson is white, which makes her look a little like a circus clown’s face. But my last two cars have been white, and I’m kind of hungry for some color on my ride.

Also, painting it would be like, you know, work.

Tonight I’ll pack her up so I can get an early start for Story, City, Iowa tomorrow. It’s supposed to rain all night, and continue raining tomorrow, and in Story City they project a 50% chance of rain Friday and Saturday. So I have a feeling this isn’t going to be the best weekend ever.

But I promised to be there, and we Vikings keep our vows.

By way of Libertas, here’s another incisive piece by novelist Andrew Klavan, this one from City Journal. It’s about children, and what our culture is doing to them.

The teacher told me that she once had to explain to the class why her last name was the same as her father’s. She dusted off the whole ancient ritual of legitimacy for them—marriages, maiden names, and so on. When she was done, there was a short silence. Then one child piped up softly: “Yeah . . . I’ve heard of that.”

I think our culture, which probably prizes children more than any in the history of the world, nevertheless sins against those children by hitting them from two sides. On the one side, the sexual “options” we give their parents deny them the security of stable homes. But we figure, “That’s OK. The state can parent them.” Only the state’s a lousy parent. So the kids end up with (at least) two sets of dysfunctional families.

But the heart of Klavan’s article is a call to creative conservatives to make a cultural impact that will show the kids there’s a different way.

Conservatives respond to this mostly with finger-wagging. But creativity has to be answered with creativity. We need stories, histories, movies of our own. That requires a structure of support—publishing houses, movie studios, review space, awards, almost all of which we’ve ceded to the Left.

Heller bombed in the 21st century

Rich Horton at Blue Crab Boulevard links to this story about a woman in Japan who sneaked into a guy’s apartment, made a living space for herself above his closet, and lived there for a year before being discovered.

If that doesn’t get made into a movie (at least for cable) somebody isn’t paying attention.

Phil linked yesterday to a list of “cult books.” When I commented, the subject of Catch-22 came up. Which led me to think about the little I’ve read of Joseph Heller’s work.

It adds up to two things—Catch-22 and his play, “We Bombed In New Haven.”

Catch-22 (as far as I recall, for those of you who’ve had better things to do with your lives than read it) is a surrealist satire on military life in World War II. The central point of the story is that when you go to war, people try to kill you. Therefore you shouldn’t go to war. It’s a pacifist argument without even the nobility of very much concern about the lives of others. The main character is primarily interested in staying alive himself. Continue reading Heller bombed in the 21st century

Lists, Cults, and Men

Sherry is talking about book lists again. This time she points out an article on cult books, quoting a description of the difficulty in defining a cult book. I say it’s any book which quotes from, alludes to, or can be even slightly argued to have been influenced by The Hitchhiker’s Guide to the Galaxy. Seriously, can anyone argue with that definition?

Sherry also links to a so-called essential man’s library. Probably worth checking out should you find a spare minute. Just kidding, dudes–I mean, men. That’s a good list. I love those photos.

But speaking of cults, Sherry comments freely on When Men Become Gods by Stephen Singular, a book on Fundamentalist Latter Day Saints and the raid on Yearning for Zion Ranch.

An Abel Jones moment

Here’s another little snippet from an Abel Jones mystery by Owen Parry, Rebels of Babylon. I need to set the scene up a little. Jones, a strict Methodist, made a point in the earlier books of saying that he disapproved of novels, since they were made up entirely of lies, and were a frivolous waste of time. But recently he made the discovery of Great Expectations by Charles Dickens, and was completely won over—providing the novel was morally upright, of course.

In Rebels of Babylon he makes the acquaintance once again of Barnaby B. Barnaby, an English “gentleman’s gentleman” who had told him in Call Each River Jordan that he was a great reader—but only of one book. He read The Pickwick Papers again and again, comforted by its predictability.

In this scene, Jones tries to persuade Barnaby to try Great Expectations. (Ever try to recommend a book to a friend who wasn’t interested? I’ll bet you never got quite the response Jones gets):

Mr. Barnaby shook his head, slowly but with decision. “I couldn’t do it, sir. Really, I couldn’t. It’s all too awful and ’orrible. I couldn’t bear to undertake the experience of more suffering. And people always suffers in a novel, sir, if it’s worth the ink and paper…. I’ve even ’ad to give up reading Mr. Pickwick, I ’as. I couldn’t bear it no more, knowing as ’ow all ’is ’appiness is bound to be torn from ’is bosom. Not all Sam Weller’s wits can’t save the poor man, sir. ’E goes to ’is sufferings over and over again. Without end, sir, without end! As if that Charlie Dickens ’as trapped ’im forever in the pages, so ’e can’t never escape…. A writer fellow must be ’orrible wicked, sir, to go killing folks with ink and making everyone suffer for ’is pleasure. And for profit, sir! The scribblers takes money to make the innocent suffer in their books. It just ain’t right to do a thing like that.”

That says it about as clearly as it could be said, I think.

This is the last Abel Jones book published to date, and I wish I could get information on the next. I searched the web, and found an interview with Parry (actually Col. Ralph Peters) in which he projects a series of about twelve books. But where each previous volume ended with the note, “The adventures of Abel Jones will continue in _______________,” this one just says, “The adventures of Abel Jones will continue.” And this one came out in 2005. That’s getting to be a three year hiatus, which is too long for a series, as I can tell you with some authority.

I may have given the impression, in my previous review of Honor’s Kingdom, that these are Christian books. They aren’t. They’re books about a Christian (and sometimes the author gets the theology badly wrong), but the Christian is a likeable and admirable one, which is relatively rare in contemporary fiction.

This book goes deeper than previous episodes into an analysis of Jones’ faith, and the author makes it clear that much of Jones’ rigor rises from some deep, repressed fears. It’s possible future books may cross the line for me, and I’ll feel compelled to give up on the series.

But I’m willing to take that chance with the wicked writer fellow, for now.

An excerpt:

From Owen Parry’s Call Each River Jordan: Chapter One (a passage describing the Battle of Shiloh):

Set down like this, all reeks of sense and knowledge. But I was not a thinking man that day. In battle, men survive who learn to act. Thinkers perish, or, at best, they fail. They hesitate, and die. No, I had not the selfhood ink pretends, but was a beast trained by a master’s hand. Forever a creature of the regiment I was, though I had long hoped elsewise. I was, again, the boy in the scarlet coat, streaming with the gore of Chillianwala, and grinning at the slaughter and the triumph. That was Britannia’s legacy to me, brought to my new land as a fateful cargo.

I was not myself upon that field, see. Not the Abel Jones I had constructed across the years I wore no uniform. Not the man I prayed that I might be as I approached the age of thirty-four. Not the loving husband and father, the dutiful Methodist clerk. I fell down. And Jones the Killer rose up like a ghost, bloody as the Kashmir Gate at Delhi.

But let that bide.