Category Archives: Reviews

A Viking's Story, by John Andrews

A Viking’s Story is a privately published novel by a Wisconsin resident (under a pseudonym), available inexpensively in electronic formats only. I bought it in the first flush of Kindle enthusiasm (order a book, have it ready to read in about five seconds!), and I’m not sorry I bought it.

It’s the story of Harald Fairhair (also known as Harald Finehair), traditionally the first king of a united Norway. Andrews combines the traditional story of Harald, as recorded in the sagas, and weaves into it the findings of modern historical scholarship and archeology. The result is a generally coherent fictional memoir, as Harald himself dictates his life story to an English priest never mentioned in the actual historical record.

The result hangs together pretty well. I think this book would be a good introduction to the Viking Age for a general reader looking to learn more about that period. In my opinion, the author underestimates the superstition of a real Viking. Also, he falls into the rookie error of trying to convey emotion with exclamation points! But these are minor errors, and all in all the book was enjoyable.

The issue of Christianity does come up, and I have to give Andrews credit for evenhandedness in that department. The priest/amanuensis, to the extent that we come to know him, is relatively tolerant and reasonable. Harald himself, of course, scorns the religion (though he does admire its bureaucracy), which is entirely consistent with what we know of him.

A Viking’s Story is not a great Viking novel, but it’s pretty good, and has the special advantage of copious and up-to-date research (mostly. I found some things to quibble about, but I could be wrong about some of them myself).

Suitable for teens and up.

The Gray and Guilty Sea, by Jack Nolte

The Gray and Guilty Sea

It was a shrewd marketing move for author Jack Nolte to entitle his first mystery novel The Gray and Guilty Sea. It makes it nearly irresistible for an old John D. MacDonald fan like me, still suffering the Aching Purple Bereavement of going a quarter century without another color-coded Travis McGee novel.

On the other hand, he set a high bar for himself through the implied comparison. Many fictional detectives have been touted as “the new Travis McGee” since MacDonald’s death, but (in my opinion) none of them has quite lived up to that standard.

Nolte’s detective, Garrison Gage, doesn’t, either.

But he’s still pretty good. Continue reading The Gray and Guilty Sea, by Jack Nolte

The People Of the Mist, by H. Rider Haggard

The People Of the Mist

Michael Palin, formerly of Monty Python’s Flying Circus, pretty much ruined the term “ripping yarn” with a satirical TV series he did, years back. In spite of him, though, there is such a thing as a ripping yarn, and The People Of The Mist by the Victorian romancer H. Rider Haggard eminently qualifies as one of that class.

As I read The People of the Mist, the thought that kept recurring to me was, “Why hasn’t this book ever been made into a movie?” The author’s most famous work, King Solomon’s Mines, has been filmed numerous times, but TPOTM contains pretty much all the elements that made KSM so exciting, with the addition of a girl in the original story (movie versions of KSM generally insert one). Not only that, her relationship with the hero is one of those love/hate, “you make me so mad I could kiss you” affairs that filmmakers love. Plus there’s spectacle aplenty. Continue reading The People Of the Mist, by H. Rider Haggard

The Danger, by Dick Francis

Danger
I wasn’t all that enthusiastic about the last Dick Francis novel I reviewed, The Edge, so in justice I want to report on reading his 1984 novel, The Danger, which was a very different reading experience, and the very best Francis I’ve read to date.
The hero of The Danger is Andrew Douglas, an agent for a low-profile English enterprise called Liberty Market. Liberty Market is in the business of assisting the families of kidnap victims. They use their agents’ paramilitary skills to rescue the victims if possible; otherwise they do everything they can to make the ransom process as secure as possible.
At the beginning of this story, that process has broken down for Andrew. He is supervising, in collaboration with the police, the ransoming of an Italian heiress who is also a celebrity jockey, Alessia Cenci. Some of the police try to arrest the kidnappers prematurely, leading to a hostage situation and imminent danger to Alessia. Andrew, however, is able to negotiate the tensions down, and Alessia is finally released.
Because of his hard-won understanding of her post-traumatic stress, Alessia bonds with Andrew as she goes through the recovery process. When she goes to stay with a friend in England, she and Andrew are able to see more of each other, and she ends up helping him when he’s called on to rescue the toddler son of the owner of a champion race horse. Andrew suspects that a very intelligent, ruthless criminal is targeting members of the racing community for kidnapping, and that suspicion is validated when the chairman of the British Jockey Club is kidnapped in Washington, DC.
Andrew is the kind of hero you expect from a Dick Francis novel—brave, competent, decent and self-reliant. What sets this book apart, in my view, is the work the author clearly did on understanding the psychology of kidnap victims, and the stages of recovery. The section where Andrew helps to draw the horse owner’s rescued little boy out of his prison of fear is genuinely moving.
Highly recommended. Cautions for some adult language and mild adult situations.

If the Dead Rise Not, by Philip Kerr

If the Dead Rise Not

Writers, especially lady writers from New York, were thin on the ground at the Adlon that month. It probably had a lot to do with the fifteen-mark-a-night room rate. This was slightly cheaper if you didn’t have a bath, and a lot of writers don’t, but the last American writer who’d stayed at the Adlon had been Sinclair Lewis, and that was in 1930. The Depression hit everyone, of course. But no one gets depressed quite like a writer.

Such delightful passages as this show up pretty regularly in Philip Kerr’s novels, and (in my opinion) If the Dead Rise Not offers more than the average. I liked it. A lot. Not only for the writing, and the fascinating narrator, soul-weary German detective Bernie Gunther, but for something else I think I detect in the text. A spiritual element.
Of course I have to be cautious in saying that. I knew a man once who saw God, not only in every leaf and flower, but in every book he read and movie he saw. All the writers, he was convinced, must be Christians, because he saw Christian messages in all their stories, and it wasn’t possible they’d meant something else altogether and he’d taken it wrong.
But still there’s something here… I think. Continue reading If the Dead Rise Not, by Philip Kerr

Proud To Be Right, edited by Jonah Goldberg

Proud To Be Right



First of all the disclaimer:
I got my copy of Proud To Be Right: Voices Of the Next Conservative Generation from our friend Rachel Motte of Evangelical Outpost, one of the book’s contributors.

Proud To Be Right is an anthology of essays by various young conservative writers, all edited by Jonah Goldberg of National Review Online. At 247 pages, I found it an easy read, and I zipped through it in a couple days. It’s difficult to make a summary statement about the contents, though, because a very wide range of views is showcased here. You’ve got Bible conservatives on one end, and atheist libertarians on the other. You’ve got supporters of the War On Terror, and an isolationist. You’ve got a stay at home mother and a gay marriage advocate. My primary reaction, as an obsolescent Baby Boomer, is that if these young conservatives ever win the political war and kill big government liberalism forever, they will immediately split into factions, and the new political divisions will be as sharp as the old.

There are some excellent essays here. I was impressed with “A Noncomforming Reconstruction” by Justin Katz, a poetic meditation on the preservation of culture, using the restoration of an old house as a metaphor. Rachel Motte’s “Liberals Are Dumb: And Other Shared Texts” is an extremely thoughtful warning to think beyond bumper stickers and slogans; to treat people and arguments with respect: “My generation’s forebears were fortunate in that their elders were willing to tell them when they were ignorant—but for our entire lives, our elders have been too busy trying to emulate us to even realize how poorly they taught us.” (This essay may really be the most valuable of the collection, and I don’t say it just because Rachel’s a friend. The kind of snarky thinking she decries is precisely what’s wrong with some of the other essays in this book.) “Immersion Experience” by Caitrin Nicol is another good essay, a defense of homeschooled kids combined with an appreciation of her liberal friends. I also enjoyed “Ducking the Coffins: How I Became an Edu-Con” by Ashley Thorne, a memoir of her experience as a student at King’s College, a classical curriculum college in Manhattan.

At the other end of the spectrum, there were a couple essays I actively disliked. Pride of place, needless to say, goes to “The Consistency of Gay Conservatives” by James Kirchick. This is a remarkably dysphoric piece, entirely lacking in humor, self-questioning, or charity. His thesis is that many gays have decided that the Republican Party is a more useful vehicle to get them to their goal than the Democratic Party, so they claim this territory in the name of the queens. We’re here, we’re cheerless, get used to it. He makes no attempt to soft-peddle his contempt for the knuckle-draggers in flyover country who refuse to get with the program.

“The Leptogonians: Growing Up Conservative in a Disrupted Decade” by James Poulos, is almost unreadable, at least for someone not current with hipster culture. I suspect it may be a brilliant and tightly-knit rhetorical tour-de-force, but I have no way of telling.

“The Smoker’s Code” by Helen Rittelmeyer performed the almost impossible task of nearly destroying my long-standing sympathy for smokers in a tobacco-hating culture. Its argument seems to be that we should concentrate more on finding ways to look cool than on constructing reasoned and convincing arguments.

The rest of the essays fall somewhere in between. My overall take-away is that the term “conservative” doesn’t seem to have much positive meaning anymore. The only thing these writers have in common as a group is their rejection of big government. Our country could change into something almost unrecognizable, and it would still be considered a conservative victory by the standards of many of these writers.

I wonder what Jonah Goldberg actually thought about this collection (I discount what he says in his introduction, of course). The book is educational. I’m not sure it offers great hope for the future of conservatism.

The One From the Other, by Philip Kerr

The One From the Other

I was looking for an excuse to buy more of Philip Kerr’s Bernie Gunther books. The acquisition of a Kindle provided it. Glad I did, though The One from the Other is far from my favorite of the series.

The Bernie Gunther novels, in case you’re not familiar with them, are classic Hardboiled mysteries in the Raymond Chandler tradition, except that they’re set in Germany, beginning in the 1930s. Bernie, the hero, is a sometime policeman and sometime private detective, a decent man living a life of quiet desperation, trying to retain both his pulse and his integrity in an increasingly Kafkaesque environment. His success at the latter has been mixed, at best.

After a flashback prologue, The One From the Other opens in 1949. Bernie is attempting, with no success, to run a hotel in Dachau. After a strange encounter with an American CIA agent, he admits he’s in the wrong business and moves to Munich, to set up shop as a detective again. He moves his wife, who is institutionalized with clinical depression, to that city as well, where she soon dies.

He is hired by a beautiful woman to look for her husband, a fugitive war criminal. A Catholic, she wants to remarry and needs proof of his death. This sets Bernie on a convoluted trail that leads him to discover dead bodies, get beaten up and shot at, and lose a finger. Gradually a complex conspiracy is revealed, involving a secret organization of ex-Nazis, the CIA, and the Catholic Church.

Frankly, I thought Kerr leaned too much on plot clichés this time out. Sinister CIA and Roman Catholic conspiracies have been done to death, and have (frankly) gotten offensive. He might have tried to surprise us a little.

But all that is redeemed, for me, by the interesting character of Bernie Gunther and the remarkable hard-boiled prose, such as this:

Starnberg itself was a smallish town built in terraces at the north end of the Würmsee…. The sapphire blue water was studded with yachts that shone like diamonds in the morning sunlight. It was overlooked by the ancient castle of the dukes of Bavaria. “Scenic” hardly covered it. After only a minute of looking at Starnberg, I wanted to lift the lid and eat the strawberry crème.

As I said, not the best Bernie, but an entertaining read nevertheless. Cautions for language and adult themes.

Meadowland, by Thomas Holt

Meadowland
The Thomas Holt who wrote Meadowland is the same person as the Tom Holt whose humorous mythical books, like Who’s Afraid of Beowulf and Expecting Someone Taller, I’ve praised before in this space.
The same wit is in evidence in Meadowland, his 2005 novel about the Viking discovery of America, but all in all it’s a very different kind of book.
The narrator is John Stetathus, a eunuch and accountant in the service of the emperor of Constantinople in the year 1036. He is commanded to accompany a shipment of gold through Greece to Sicily, along with three members of the emperor’s personal army, the famous Varangian Guard, made up mostly of Norsemen. One of the guards is a large and rather dull young man called Harald Sigurdson, whom Viking buffs will immediately recognize as the future King Harald Hardrada of Norway. The other two are Kari and Eyvind, a pair of elderly Icelanders. Continue reading Meadowland, by Thomas Holt

Snow on the roof, Blood On the Sun

Blood On the Sun

Tonight was Part Two of the heavy snow drill. First you blow out the driveway. The second evening, you rake snow off the roof, so that ice dams don’t build up and cause damage. This, unfortunately, causes snow to fall onto your driveway again, because your roof directly overhangs it on one side (if you’re me). Also the snow plow came by today and pushed its usual glacial detritus into the driveway entrance. So that has to be done too.

It would make more sense, of course, to rake the roof first, and avoid blowing out the same section of the driveway twice. But because of the early dark this time of year, that’s not practical unless I want to work by starlight. (Hint: I don’t. Especially when it’s cloudy.) Anyway, the snow plow never comes until that second day, so I have to roll it out and rev it up anyway.

Came in to make supper, and discovered my microwave oven is dead. And yes, I checked the circuit breakers. And I tried it in another outlet. And I tried something else in that outlet.

Tomorrow night: A trip to Sam’s Club. I’m a bachelor. Without a microwave, I’ll starve to death.

No soon. But eventually.

Just a quick review of a book recently finished—the late Stuart M. Kaminsky’s CSI: NY: Blood On the Sun. TV tie-in books can be pretty bad, but this is Kaminsky. He elevated anything he touched.

The plot involves the murder of a rabbi, shot execution-style and then crucified to the floor of a room in his synagogue. Then a suburban husband and wife are found murdered in their home, along with their teenaged daughter, who was molested before death. Their young son is missing, and some of the clues point to him as the killer.

I have a vague idea that I bought this book when it was first published in 2006, and then set it aside when I realized it would be dealing with the issue of Messianic Judaism. This is a sensitive subject, and I feared that even an author of Kaminsky’s understanding would be unable to treat it fairly. I’m happy to report I was wrong. I’m confident Kaminsky’s view of Messianic Jews was very different from mine, but I thought he handled the subject, and the characters, with great decency.

An enjoyable book. Better than the show it was based on.

Eirik Bloodaxe, by Gareth Williams

Eirik Bloodaxe

The name Eirik Bloodaxe conjures an obvious image of a great Viking warrior. This use of Eirik’s name to personify Vikings in general can be clearly seen from the way that the Jorvik Viking Centre, which mostly deals with the peaceful activities of the great Viking settlement at York, for many years sold a range of “Erik Bloodaxe” products showing a bearded Viking warrior (pp. 8-9).

Eirik (or Erik) Bloodaxe is one of the most famous Vikings of all time, right up there with Erik the Red, but that fact is due, alas, more to the evocative nickname he enjoyed than his actual achievement or the historical record. In point of fact, we don’t know a lot about this man. Was the Eirik Bloodaxe who ruled Norway and was driven out by Haakon the Good the same Eirik who showed up a few years later as king of York in England? Most historians think it likely, but there’s some dispute. Did he rule York once, twice, or even three times? The record is confusing and contradictory. Did he die in England or in Spain? Is he buried in Norway? Opinions differ.

This short volume (133 pages, including notes), Eirik Bloodaxe by Gareth Williams, Curator of Early Medieval Coinage at the British Museum, is the first attempt ever to write a biography of this shadowy figure, remembered as simultaneously a ruthless warrior and a hen-pecked husband. As a serious work of scholarship, it cannot give a complete or definitive story, but it’s valuable in compiling what we are able to know about the man, as well as discussing the many lacunae and contradictions in the record. In describing Eirik’s world and the forces that shaped him, it also provides valuable information to the reader on the story of Eirik’s father, Harald Finehair of Norway, and his achievement.

The book is handsome to look at, featuring excellent illustrations, many in color. The prose is clean and the editing (generally) good. As a specialized work on a relatively minor historical figure, it may not appeal to the general reader, but the serious Viking enthusiast will want to have it on his bookshelf.