Category Archives: Reviews

Dark Quarry, by David H. Fears

[Cover art omitted, because it might embarrass some of our readers.]


I liked the way her hips swayed hard. She was a chiropractor’s dream.

I’m rooting for David H. Fears. He’s attempting to revive the classic hard-boiled mystery in his Mike Angel novels. On the basis of Dark Quarry, the first in the series, I’d say his reach still exceeds his grasp a bit, but he’s close enough to persuade me to come back and see how he progresses.

Dark Quarry is set around the year 1960. It starts, in a sense, where The Maltese Falcon ended, if you imagine that Sam Spade had agreed to “play the sap” for Brigid O’Shaughnessy. New York private eye (he later relocates to Chicago) Mike Angel finds Kimbra Ambler, a woman he’s been shadowing for a client, standing over the body of her abusive husband, whom she’s just shot. Instead of turning her in, he lets his heart guide him and assists her in getting rid of the body.

Later she comes back to try to kill him, but he disarms her, then just sends her on her way, still starry-eyed about her.

Because that’s the kind of mug Mike is. Continue reading Dark Quarry, by David H. Fears

A Question of Blood, by Ian Rankin

My new custom of searching out free and cheap books for my Kindle (for instance here) has introduced me to several authors I hadn’t read before, and reacquainted me with some I’d lost track of. One of the latter authors is Ian Rankin, Great Britain’s foremost writer of police novels. A Question of Blood was a welcome reunion, and well worth the read.

As the story begins, the police are investigating the death of a petty criminal in a house fire. This criminal had recently been harassing Inspector Siobhan Clarke, friend and colleague of the continuing hero, Edinburgh Detective Inspector John Rebus. So eyebrows are raised when Rebus comes in to work with burned hands.

Considering Rebus’s already equivocal standing with his superiors, it strains credibility somewhat for the reader to believe he’s allowed to continue on duty, examining the murder of two students at a private school (and the wounding of another) by a former SAS commando.

It’s even harder to believe when we are informed that one of the victims was the son of Rebus’s cousin.

But the fulcrum of the Rebus series is his talent for working his way around his superiors and getting away with it, based on results. His inquiries bring him into contact with “emo” teenagers, street gangs, drug smugglers, military intelligence agents, and a politician campaigning for stricter gun control laws (it greatly increases my esteem for Rankin that this politician is portrayed as pretty slimy).

John Rebus is a fascinating character, hiding deep psychological scars under a brilliant mind, a hair trigger temper, and rash decisions. His relationship with Inspector Clarke is also interesting, as they both care for each other, but care for their jobs more.

Recommended for adults.

Film report: "The Viking" (1928)

This isn’t exactly a review, because I try to limit reviews, as such, to things our readers can actually buy or rent. The only place I know of where you can access the 1928 movie, The Viking, is on the web site where the friend who lent me the DVD he’d burned found it—and I won’t link to that site because it’s, frankly, mostly porn.

The Viking isn’t porn, though. What it is, is an interesting artifact of movie history—if I understand it right (the explanations on web sites are a little confusing), the first full technicolor movie with a sound track. Mind you, it’s not a dialogue sound track. Just music—the old black dialogue cards tell you what people are saying. Although MGM distributed it, it was actually made by the Technicolor Company, in order to demonstrate their new process (did you know there was technicolor before there were talkies? I didn’t). The color process hasn’t been perfected yet—the yellows and greens aren’t right—but it must have been pretty impressive at the time.

The story is about Leif Eriksson (spelled Ericsson here), very loosely based on the Icelandic Vinland sagas. Leif (played by Donald Crisp, who would eventually become one of Hollywood’s most successful and long-lived character actors) seems to be the lead character, although (somewhat awkwardly for the plot) he doesn’t get the girl. Continue reading Film report: "The Viking" (1928)

The Good Book Club, by Rick Dewhurst

When Rick Dewhurst’s new P.I. Jane Sunday is first hired, she is asked to acquire evidence on her senior pastor, who is alleged to be adulterous. For the good of his daughters and the congregation, the pastor must be found out. Within days, the junior pastor of the same Vancouver church is found naked and dead in his swimming pool. As the ugly church politics unravel, Jane uncovers some very twisted people in a large network of corruption.

Dewhurst’s third novel isn’t a comedy like the other two. Jane’s sarcasm spices up almost conversation she has, but the story is serious, straight-forward detective fiction mixed with 1/3 cup of chick lit romance. It all weaves together pretty well. The villains have too much vinegar, particularly the boss of the pack. He comes across as Jabba the Hut.

But I’m not sure this novel is essentially about the murder mystery or the development of the 40-year-old female detective. It’s title, The Good Book Club, draws attention to the dozen or so pages that describe a women’s book discussion group. They chatter about The Great Gatsby, The Shack, and The Grapes of Wrath while the mystery unfolds, each from distinct perspectives which may be meant to represent the schemes in the visible church. Continue reading The Good Book Club, by Rick Dewhurst

Short story review: "For Conspicuous Valor," by Darwin Garrison

Disclaimer: Darwin Garrison, the author of For Conspicuous Valor, is a friend and a reader of this blog.

A novelty in publishing which has come in with the e-book, almost unremarked, is the e-story. Where we used to go to the pulp (and slick) magazines for our short science fiction, today we can often find such stories at low prices for downloading to our Kindles or Nooks. The downside is that, in the absence of traditional editorial apparatus, we’re often not sure whether we’ll be getting good work or vanity-published dreck.

For Conspicuous Valor is good work.

The main character is Megan Williams, a 17-year-old girl growing up on a farm on a distant earth colony planet. The daughter of a war hero killed in combat, she dreams of being a Ranger herself, fighting the “Pexies,” or “Post-Expansionists,” a ruthless enemy that seems to be analogous to the Communists of our time.

As the story begins, she is babysitting her younger sister and baby brother when a genetically-engineered “direfox” sneaks into the yard and drags her brother off. Megan pursues them at a run, followed by her one-legged uncle Nate, who has been looking after the family. The peril is overcome, but Megan doesn’t cover herself with honor.

Her decision, later that evening, to go out and hunt the direfox down on her own leads to a frightening discovery and a night of personal testing.

My only problem with the story rises from my personal objection to the idea of women in combat. Other than that, the story is well-told and engaging, the characters realistic and multi-layered. I enjoyed it, and recommend it for all readers.

Nordic Nights, by Lise McClendon

I have to assume that Lise McClendon, author of Nordic Nights, must be of Norwegian ancestry, partly because “Lise” is the Norwegian way to spell the name, and partly because her wry depictions of Norwegian-American (and genuine Norwegian) characters in this pleasant mystery novel are spot on.

It would be ridiculous to make plagiarism accusations, but I thought the parallels to my own novel (in a different genre), Wolf Time, were remarkable. As in my book, the home town (Jackson Hole, Wyoming here) is visited by a prominent Norwegian cultural figure (here a painter named Glasius Dokken), and the action comes to revolve around the discovery of a rune stone related to the Kensington Rune Stone of Minnesota.

But here the hero is Alix Thorssen, Jackson Hole art gallery owner. She has agreed to help organize the titular Nordic Nights festival, a civic winter celebration. Her own gallery will be the site for the display of an epic set of murals on Viking themes, painted by Dokken. But the first night of the festival, Dokken is murdered in a hotel room (not his own), and Alix’s stepfather is accused of killing him. Alix’s own suspicions lean toward a mysterious fortuneteller from Minnesota who claims to read mystic meanings in runes.

In my experience, mysteries written by women tend to be rather different from mysteries written by men, and I generally avoid the former. I picked this one up because of its Scandinavian themes, and I thought it was both well done and accurate in its research in things Scandinavian (even things Viking). Scandinavian reserve as a character trait is a constant, serio-comic theme. Still, it read like a women’s book to me (I was frequently disturbed by Alix’s disregard for her own safety), so I mainly recommend it for female readers.

Mild cautions for language and sexual situation apply, but most readers (especially female readers) will find a lot to enjoy in Nordic Nights.

Temporary Duty, by Ric Locke

First of all, the disclaimer: Although I didn’t get the book free, I should probably note that Ric Locke is a Facebook friend, and has been giving me helpful advice on e-publishing, at which he has been (very deservedly) successful.

I have good and not-so-good things to say about Temporary Duty, but I’ll start with the good.

Considering its length and its price ($2.99 for the Kindle book), Temporary Duty is one of the best reading entertainment values you’ll find today. It’s quite long, and it’s simply lots of fun. If you go back far enough to remember the sheer pleasure of the old space opera novels, like Heinlein’s juveniles, that same pleasure is here in abundance—the wonder of space, the fascination of exotic aliens and strange cultures, the excitement of human ingenuity applied to interstellar challenges. You’ll have a good time reading this book.

For the negative… well, I’ll leave that for further along.

The time is about 40 years in the future. There have been big changes in the world. A terrorist war and a financial collapse have turned America into a highly regulated, rigidly stratified society. The American military mirrors that stratification. There’s very little mobility between the upper and lower ranks.

So when history’s first alien contact occurs, and the aliens—the mercantile Grallt—ask for an advance party to prepare quarters on their ship for the humans who have contracted to join them on their merchant voyage, the Navy asks for two initial volunteers. They are to be lowly Petty Officers, and their duties will be simply to clean the place up and make it ship-shape. Still, John Peters and Kevin Todd are eager to volunteer, partly for the adventure and partly for the (seeming remote) possibility that they’ll be able to better their prospects. Continue reading Temporary Duty, by Ric Locke

DVD review: "Troll Hunter"

Since I’m in the middle of a course of antibiotics to kill off my bronchial infection, I took the excuse to spend most of the weekend in bed, watching movies on Netflix. Picked off a couple I’d been meaning to get to, the Norwegian movie Troll Hunter being one of them.

This is an interesting movie. The one thing you need to understand when you approach it—and I suspect some people will miss this—is that it’s a comedy. A particular kind of Scandinavian comedy, and an extreme example of its kind.

To a very large degree (and you’ve probably have noted it in my own writing), Scandinavian humor is dry. We love to tell a story that gets increasingly ridiculous, straight-faced. To put it plainly, we may be laughing with you or at you, or both, depending on your reaction. We judge your intelligence by how long it takes you to grasp the absurdity.

That’s what Troll Hunter does. It’s kind of like a cross between The Blair Witch Project and The Office.

At the beginning we are following three Norwegian college students doing a documentary journalism project. They think they’re following a bear poacher, which would be dangerous and ill-advised enough on the face of it. But when they follow him into the woods one night, he suddenly shouts, “TROLL!” and they find themselves scrambling away, with a huge, three-headed creature at their heels. They escape, but one of their members is bitten. Continue reading DVD review: "Troll Hunter"

"The Reversal," by Michael Connelly


I felt what Maggie had tried to describe to me on more than one occasion when we were married. She always called it the burden of proof. Not the legal burden. But the psychic burden of knowing that you stood as representative of all the people. I had always dismissed her explanations as self-serving. The prosecutor was always the overdog. The Man…. I never understood what she was trying to tell me.

Until now.

I still haven’t entirely warmed to Michael Connelly’s “Lincoln Lawyer” character, Mickey Haller, who strikes me as somewhat irresponsible (a useful quality, perhaps, in a criminal defense lawyer).

But The Reversal, “A Lincoln Lawyer” novel, is as much a story of Mickey’s half-brother, police detective Harry Bosch, as it is one of Mickey’s, so I had no problem getting on board. And the story as a whole seemed to me as engaging and sympathetic as Connelly has written in some time.

It begins with Mickey doing something he’s always sworn he’d never do—go to work (on a temporary basis) as a county prosecutor, making and presenting a case against a convicted child murderer. DNA evidence has won the convict a new trial, but the District Attorney’s office still believes they have the right man. The most important element of their case is the eyewitness, the victim’s older sister, who was only a child at the time.

Mickey agrees to do the job—just this once—on the condition that he gets his ex-wife, prosecutor Maggie MacPherson, as his associate. (He wants to improve his relationship with her.) With Harry Bosch as chief investigator, it makes the entire prosecution a family affair.

The narration switches back and forth from Mickey’s point of view (presented in the first person) and Harry’s (in the third person). The alternation makes an interesting counterpoint. Mickey is all about tactics and strategies, intuiting the Defense’s moves on the basis of his own considerable experience on that side of the courtroom. Meanwhile Harry runs down leads and dogs the suspect in his accustomed, obsessive way, his focus always on his duty (or vocation), as an officer of society itself, to see justice done and the evil removed from our midst.

This being fiction, of course, even the best courtroom strategist can’t foresee, or prevent, the big surprise that takes the story’s climax out of the safety of the courtroom and into the perils of a city full of innocent bystanders.

The Reversal is an excellent thriller from a master storyteller. Recommended for adults. Cautions for language and icky stuff.

DVD review: "Buck"

Full disclosure: This should probably be called a Netflix review rather than a DVD review, but I can’t link to Netflix on Amazon.

Full disclosure number two: I’m not a horseman. I’ve ridden some, and generally managed not to fall off, and my brothers and I had a pony when we were kids. But I know I’m a tenderfoot. I qualify in no way to evaluate the horse training methods discussed in this excellent documentary.

It sure makes a good story, though.

Buck Brannaman, the subject of Buck, is one of the most famous proponents of what might be called the “new school” of horse training, an approach that concentrates on understanding the horse’s fears, calming those fears, earning the animal’s trust, and then becoming its thoughtful master. Buck seems to be able to take all but the most damaged animals, and fairly quickly to gentle them and get them doing what he wants them to do.

He was one of the inspirations for the book The Horse Whisperer, and served as technical consultant and stand-in for Robert Redford’s movie adaptation. Nowadays he travels the country nine months out of the year, conducting four day seminars on horse training.

The most remarkable and moving aspect of this film is its treatment of the abuse Buck and his brother suffered at the hands of their father, after their mother’s death. Fortunately they were removed from his care and placed in a loving foster family where they gradually learned to trust grownups again. Buck explicitly links this experience to his approach to horse training, feeling that he understands the horses’ fears (they’re essentially afraid that we’re predators trying to eat them) on a profound level.

With all I’ve heard of “Horse Whisperers,” I was half prepared for a lot of new-agey, PETA-style sentimentality and romanticism in the the film’s treatment of horses. I’m happy to report that there’s none of that here. Buck still considers himself a cowboy, and an important part of his technique is getting the horse (and its owner) to understand who’s supposed to be the boss. A dangerous horse must be put down, for the sake of humans.

This is a fine, moving documentary. I recommend it. I think there’s a little rough language, but I don’t have a strong recollection of it.