You might think any kid who can excel in school would have a few fans cheering him on, but for many black students across the country, academic achievement is equivalent to community betrayal. “[Other students] feel they’re supposed to be cool, and cool is not supposed to be making good grades in school,” reports a Norfolk, Virginia newspaper article from 2006, quoting Courtney Smith, who became a journalism major at Norfolk State. She didn’t care that the other students said she thought she was white and better than them. She just wanted to excel, but what does “acting white” have to do with that?
This idea, that some black students believe they have better things to do than to study hard, is the subject of Stuart Buck’s book, Acting White: The Ironic Legacy of Desegregation, released this week from Yale University Press. The anecdotal evidence is overwhelming, and studies back it up. The idea of “acting white” abounds within evenly integrated schools. Where students are mostly white or mostly black, Buck says they are more-or-less forced to get along, but in schools with black vs. white student ratios that are close to even, black students tend to define themselves against the academic achievers.
Buck’s presentation of the groupthink dynamic makes the book for me. It’s fascinating to read how group psychology can emerge wherever young people can be divided, regardless the meaning of the groups. Instinctively, people will favor their group over other groups, even when there’s no intrinsic strength in their group. It’s us vs. them, whoever they are. That’s the dynamic at play when black students accuse other black students of “acting white.” Humans are tribal, Buck observes, and homophily or friendship with those like you is strong within races and ethnicity groups. I think it’s fairly strong among political parties too. Continue reading Is Black Achievement in School "Acting White"?
Category Archives: Reviews
This just in
At Evangelical Outpost, Rachel Motte reviews West Overesea.
Faceless Killers, by Henning Mankell
I caught a few minutes of a BBC dramatization of one of the Kurt Wallander mysteries this season, but I was distracted and don’t even remember which story it was (it might even have been this one, the first novel of the series). Still, I’ve decided I need to acquaint myself with the booming Scandinavian mystery scene, and so I picked up Faceless Killers. I enjoyed it, with some reservations.
The hero is Detective Kurt Wallander, a policeman in the rural town of Ystad (pronounced EE-stad), Sweden. Wallander is no McGarrett, no supercop. He’s barely keeping it together, in his personal life and his profession. His wife recently left him, which spun him into depression and heavy drinking. His adult daughter simply disappeared from his life, though she makes occasional contact. His artist father is sliding into dementia. Meanwhile at work, it’s his bad luck to be the senior detective on the squad (his superior is on holiday) when an elderly farm couple is brutally murdered in their home. A whispered statement by the female victim suggests a “foreigner” was responsible. Somehow the word gets out, and there are reprisals against local refugee camps.
Wallander manages to do his job creditably, but sometimes it’s touch and go, thanks in particular to exhaustion and imprudent drinking. Leads are followed until they play out, and Wallander manages to get himself pretty severely beaten up more than once. There’s even an almost-comic car chase, in which Wallander follows a suspect driving a stolen car, in a commandeered horse van.
The story lost some steam toward the end, though I had no trouble sticking with it. As a conservative American, I had mixed responses to the ethos of the story. Wallander is surprisingly conservative (it seems to me) for a Swedish cop. Although heartily anti-racist, he has serious doubts about Sweden’s open borders policy, a sentiment which sat pretty well with me. On the other hand, as a typical Swedish civil servant, the idea of a right to bear arms is entirely foreign to his universe. I had a hard time, puritanical American that I am, swallowing his guilt-free pursuit of another man’s wife.
Still, it was an interesting story, and not quite what I expected. I may read more Henning Mankell.
A note on the translation—it could have been a lot better. The translator opted too often for literalism over idiom, and the story suffered for it. I need to get into the translation business. It would appear they need me.
Always Say Goodbye, and Bright Futures, by Stuart M. Kaminsky
In March of 2009, mystery author Stuart M. Kaminsky moved with his wife from his Sarasota home to St. Louis, Missouri, in order to wait for a liver transplant (he’d contracted hepatitis during service as a military medic in France in the late 1950s). Two days later he suffered a stroke, making him ineligible for the surgery, and he passed away the following October.
The online accounts of his death I’ve read give no hint how (or whether) Kaminsky’s health affected his writing plans. But these last two novels in his Lew Fonesca series (my favorite of his four detective series) possess an elegiac quality, as if the author was tying up loose ends.
I’ve told you about Lew Fonesca before. He’s a bald, skinny process server in Sarasota, Florida. During most of the series, he lives in the back room of his tiny office, next to a Dairy Queen. He gets around chiefly by bicycle. He doesn’t want to own anything, and he doesn’t want people in his life. He’s chronically depressed, overcome by the death of his wife, in a hit-and-run accident in Chicago a few years back. He drove south until his car broke down in Sarasota, and settled where he stopped.
And yet he doesn’t stay alone. Over the course of the books he acquires a staunch friend in the old cowboy Ames McKinney, who backs him up in tight spots. An old woman he once helped took in an unwed mother he rescued, and now he’s sort of an unofficial godfather to the baby. He has a girlfriend. There’s a “little brother” (who likes going around with him because shots tend to get fired). A therapist. And (in the final book) a Chinese man who sleeps on his floor, for reasons you’ll have to read the novels to learn.
You might think these books would be depressing. They’re not. In fact—it occurred to me while reading Bright Futures—they’re actually rather funny. Lew Fonesca, like some farcical Job, is the butt of a cosmic joke. The God in whom he claims not to believe (he’s a lapsed Episcopalian) seems to be playing games with him. Continue reading Always Say Goodbye, and Bright Futures, by Stuart M. Kaminsky
Reading report: Lokes Lek, by Edvard Eikill
Once again, I offer something more in the line of a reading report than a book review, because (alas) the novel I’ve just finished reading isn’t available in English.
My friend Baard Titlestad of Saga Publishers sent along a copy of Edvard Eikill’s Lokes Lek, personally autographed for me by the author. I was fascinated and moved by what I read in its pages.
Lokes Lek (Loki’s Game) isn’t precisely a Viking book, but is set about a century after the death of Erling Skjalgsson, hero of my books. Indeed, Erling’s descendents at Sola are part of the story.
When Norwegians look back at their history, they see a Golden Age beginning with the Viking raids, and ending with the death of King Sigurd Jorsalfar (the Crusader). King Sigurd did mighty deeds in the Mediterranean as a young man, then settled down to a peaceful joint rule with his brother Øystein the Good, one of the country’s most beloved rulers. After Øystein’s death, Sigurd ruled alone, sometimes heedlessly, but there was peace in the land and the people loved him. Continue reading Reading report: Lokes Lek, by Edvard Eikill
Another movie review: Into Temptation

It’s been a couple weeks since I watched the movie Into Temptation, and I’ve been postponing writing about it, as one postpones making a routine dentist appointment, or flipping one’s mattress. I feel about it as I do about some people—very nice people whose souls are in danger through loss of the content of their faith.
I first learned of Into Temptation because James Lileks’ little girl is an extra in one of the scenes (it was filmed here in Minneapolis), and he wrote about it over at the Bleat. Then I read some very enthusiastic reviews somewhere online, and decided it was worth checking out. Short review: It was a nice movie. It was a well-made movie, featuring some fine performances. It was also heterodox, targeted to adherents of the Oprah wing of Christianity.
I’m surprised it didn’t get wider distribution. It would seem to be the perfect film for mainline Christians. Continue reading Another movie review: Into Temptation
Movie review: Ordet, dir. by Carl Theodor Dreyer

I had the idea that I’d read about the film Ordetover at Big Hollywood, but a search of their archives shows that that isn’t true. So I’m not sure where I learned about it, but I was impressed enough to place it in my Netflix cue.
Considered one of the masterpieces of one of the world’s great directors, Carl Theodor Dreyer, Ordet (The Word) is a movie that makes demands on the viewer (and not only because it’s in Danish and subtitled). It’s glacially slow by contemporary standards, and will shock many viewers with its treatment of subjects that, in our day, would only be handled in the cheesiest, low-budget Christian films. But I found myself increasingly engaged as the story went on, and was deeply moved by the end. Continue reading Movie review: Ordet, dir. by Carl Theodor Dreyer
The Redbreast, by Jo Nesbo

‘It’s an historian’s duty to uncover, not to judge.’ He lit his pipe. ‘Many people believe that right and wrong are fixed absolutes. That is incorrect, they change over time. The job of the historian is primarily to find the historical truth, to look at what the sources say and present them, objectively and dispassionately. If historians were to stand in judgment on human folly, our work would seem to posterity like fossils – the remnants of the orthodoxy of their time.’
This snippet of dialogue is delivered by one of the characters in the novel The Redbreast, by Jo Nesbø. I’m having trouble deciding exactly what to think about this book, but that passage seems to me about as close to a statement of the author’s world view as I can find (I may, of course, be entirely mistaken). Nesbø seems to believe that moral choices are extremely important, but who’s to say what the right ones are? Continue reading The Redbreast, by Jo Nesbo
Denial, by Stuart M. Kaminsky

I’ve written about the Lew Fonesca books before, perhaps my favorite of the late Stuart M. Kaminsky’s detective series. It occurs to me that my personal fondness for Lew may rise in part from the fact that he’s a fellow depressive, and that some readers may be put off by that. Perhaps it should be noted that although the hero of these books is a depressive, the books are not necessarily depressing. There’s a lot of comedy here (some of it pretty black), and wry humor. Lew is sad, but he knows when he’s being ridiculous.
In any case, I want to do what I can to raise Kaminsky’s profile in the world, while some of his books are still in print. They’re worth reading.
Denial begins with Lew locked in the office which is also his home, refusing to speak to any of his friends. Finally his therapist talks her way in, persuading him to tell her what’s kneecapped his spirits even more than usual.
The body of the story is his account of two detective jobs he was hired for (Lew isn’t actually a private investigator. He’s a retired prosecutor’s investigator from Chicago, now eking out a living as a process server in Sarasota, Florida. But people keep bringing problems to him). One job is a serious one, trying to find out who fatally ran down a teenage boy with a car. The other is almost comic—a lady in a nursing home insists she saw someone murdered in one of their rooms, and wants him to prove she’s not senile.
Lew sets about the jobs in his usual quiet, methodical way, with his friend Ames McKinney, a latter-day Gary Cooper from Texas, providing backup and bodyguard service.
Feathers will be ruffled. Secrets will be uncovered.
People will die.
In the end, Lew makes a life-changing resolution. I’m going to order the next book tonight, because I really want to find out how that goes.
Highly recommended.
No Second Chance, by Harlan Coben

I like Harlan Coben better with each novel of his I read. I found No Second Chance a superior thriller, dispensing big doses of those truths of the heart that mean so much to me in a story.
Dr. Marc Seidman was a successful plastic surgeon (the kind who repairs cleft palates for Third World children) when he was shot and nearly killed in his home. He has no memory of his attacker. All he knows is that when he regained consciousness in the hospital, his wife was dead (also from a gunshot wound) and their six-month-old daughter Tara had vanished without a trace.
The police have nothing. Marc himself is a suspect, but only under one of many scenarios, all of them unsatisfactory.
Then there’s a ransom call. He’s to bring a sum of money to a certain location, and not to involve the police. “There will be no second chance.”
In consultation with his wealthy father-in-law, who provides the cash, he decides to bring the police in. The result is disastrous. The money is taken, but Tara is not returned. The kidnappers call to say that’s because they called the cops.
Marc clings to the dream that Tara is alive somewhere. He begins an investigation of his own, bringing in a friend from the past, a former girlfriend recently fired by the FBI.
The plot of this book is extremely convoluted, and (to be honest) objectively unlikely. But the author’s strength is in his examination of the passions, loves, fears and hopes that drive the characters to make their different choices. The story has emotional logic, and it kept me turning the pages, anguishing with the protagonist.
Highly recommended.
