Category Archives: Reviews

Prester John, by John Buchan

Prester John, by John Buchan

I remember there was a copy of Prester John in the library of my childhood elementary school (something which wouldn’t happen nowadays, for reasons which will appear). Its cover, as I remember it, featured a painting in the style of N. C. Wyeth (perhaps one of Wyeth’s own) of a bound white man being led across the African veldt by a black man on a horse. My tastes in those days didn’t run to African stories, so I gave it a pass. But in the years since then I’ve become a Buchan enthusiast, and when I found it for free in a Kindle version I snapped it up.

John Buchan was one of the inventors of the modern thriller novel, elevating the genre from the level of earlier (and excellent in their own way) writers like H. Rider Haggard to new realism, seriousness, and economy of language. His most famous work is The 39 Steps, adapted out of all recognition by Alfred Hitchcock, but he wrote other excellent novels. I’m particularly fond of the Richard Hannay books.

Prester John is not part of that series. It will never be widely popular again because, fine as it is purely as a story, it strongly promotes attitudes toward race which are (rightly) offensive to the modern mind. Continue reading Prester John, by John Buchan

Open Season, by C. J. Box

I picked up Open Seasonbecause Hugh Hewitt recommends the author, C. J. Box. It was an enjoyable enough read, but I wouldn’t put Box in the first rank of mystery writers. Maybe it’s just because I’m such a tenderfoot, not sharing the author’s love of the great outdoors (though I like Stephen Hunter’s Bob Lee Swagger novels, which have plenty of fresh air, very much).

Joe Pickett, the hero, is a game warden in Wyoming. It’s what he’s always dreamed of doing, but things aren’t going smoothly. The pay is low and he has a wife and two daughters to support (another child on the way). On top of that, he makes a couple “bonehead moves” early on, like ticketing the governor for fishing without a license and (this is how the story starts) allowing a poacher to take his revolver away from him.

Still, he believes he’s getting the hang of things when the same poacher who took his gun away shows up one morning, shot dead on Joe’s wood pile. The only clue to his murder is a cooler containing the scat of unknown animals. Then two other “outfitters” are found murdered in a mountain camp, and Joe and two other officers get into a gun fight with the presumed killer. Continue reading Open Season, by C. J. Box

Flashman On the March, by George MacDonald Fraser

This must perforce be the last Flashman book by George MacDonald Fraser, as the author died in 2009. (I wonder if there’s been any talk of another writer taking up the mantle. I wonder if another writer could do it properly. We’ve all been waiting a long time for Flashman’s Civil War adventures, which in terms of pure chronology would almost immediately precede this story.)

When we join Sir Harry Paget Flashman at the beginning of Flashman On the March, he’s desperately attempting to get out of Trieste, where he recently arrived as a refugee following a stint as an officer of the Emperor Maximilian of Mexico (poor Maximilian!). He runs into an old acquaintance, a British diplomat who is trying to find someone to protect a shipment of silver to Suez, for delivery to Gen. Robert Napier. Napier is buying support from various African tribes against King Theodore of Abyssinia (today known as Ethiopia). Theodore, who Flashman will come to describe as the maddest monarch he ever met—which is saying a great deal–has kidnapped a number of Europeans, and Napier is leading a relief force. Continue reading Flashman On the March, by George MacDonald Fraser

Witness, by Whittaker Chambers

It is probably the measure of Whittaker Chambers’ success that he’s largely forgotten today, except in conservative circles. If his enemies had found a way to satisfactorily discredit him, he’d be included in the Rogues’ Gallery of Red Scare Crazies, like Sen. Joseph McCarthy and the members of the John Birch Society. But in fact his witness has stood the test of time (especially since Soviet intelligence files were made available to the public). So he has been ignored, made a non-person in the Stalinist tradition.

The title of his autobiography, Witness, has a double meaning. Its obvious reference is to his testimony, as a former Communist, before the House Committee On Un-American Activities in 1948. In that testimony he named several people he knew to be Communists, or Communist collaborators, in high government positions. In particular he named Alger Hiss, a state department official who had played a major role in the establishment of the U.N. When Hiss sued Chambers for libel, Chambers produced documentary proof that Hiss had lied about their association. In the end Hiss went to prison for five years, for perjury (his espionage activities fell outside the statute of limitations).

But the second meaning of the name Witness is Chamber’s confession of his Christian faith, a faith he adopted about the same time he left Communism (he became a Quaker). Those who know Christian history will immediately think of the ancient Greek word for “witness,” which is martyr. Although he does not mention that connection, Chambers makes it plain that when he went to the government to inform on his former comrades, he expected that the Communists would try to kill him, and that the government would very likely indict him for his espionage activities. He expected his life to be ruined, but he felt that was the duty he had to perform, the ministry to which God had called him.

He was not a perfect witness. His memory was sometimes inexact when testifying about events more than a decade in the past. He held back, at first (to the point of perjuring himself), the fact of his and his friends’ spy work for the Soviets. At one point the pressure became so great that he attempted suicide.

But he persevered by grace, a dumpy, not very photogenic celebrity, the butt of many jokes and the target of endless slanders. He came through at last, a little the worse for wear, to return to his beloved farm and family.

Witness is a moving book. It’s a long book, and the later parts featuring long transcripts from the Senate hearings sometimes make heavy reading. But he was a fine writer with a sensitive spirit, and the impression the reader comes away with is, most of all, what a great lover he was—of nature, of his family, of his country, and of his God.

Economics is not the central problem of this century. It is a relative problem which can be solved in relative ways. Faith is the central problem of this age.

Highly recommended.

Sloth, by Mark Goldblatt

One of the most interesting tricks of the mystery writer is “the unreliable narrator.” When you aren’t sure if you can believe what the storyteller tells you, it adds a whole level to the puzzle.

Author Mark Goldblatt has added a further level of complexity. Not only does the narrator of Sloth (re-released last year by Greenpoint Press) sometimes deceive the reader, he may in fact not even exist. He never tells us his name. The only name he ever uses in the story (one chosen in order to deceive the woman he loves) is Mark Goldblatt, the name of the actual author of the book. But he didn’t borrow it from his author. He borrows it from his friend Zezel, who is an author and uses it as a pseudonym. (Or is he and does he?)

You see the kind of book we’re dealing with here?

Mark Goldblatt (the real one, I mean. S. T. Karnick assures me he actually exists, and that’s good enough for me) has written a parody of postmodern novels in which he out-deconstructs the deconstructors. Layers of meaning and misdirection are everywhere (as well as a lot of word play and fairly low humor).

The unnamed hero’s initial challenge is to convince a girl he’s never met—a girl he knows only through the television screen—that he’s not insane. A resident of a Manhattan apartment, he’s fallen in love with Holly Servant, a model/exercise instructor on a cable TV show out of California. He writes her erudite, impassioned love letters, not really expecting a response, but desperately hoping she’ll at least read them and bestow on his passion the dignity of her recognition.

When she eventually does reply, he attempts to impress her by assuming the Mark Goldblatt (fictional in two senses) identity.

“But since you’ve inquired, I will confess that I am in fact a journalist. It’s a point of considerable humiliation for me. For what is a journalist except a liar in denial? Truth is the single greatest threat to my livelihood, the sword poised eternally overhead, for if ever the reader asks himself, Should I trust the words? then I am lost.”

Meanwhile, the narrator comes under suspicion in the murder of a male prostitute in his neighborhood, and is questioned by a detective named Lacuna (I kid you not).

And his friend Zezel (their relationship just skirts the edges of homoeroticism, but this may be because the narrator actually is Zezel. Or perhaps he does exist, and the narrator doesn’t. Zezel sometimes sneaks into the narrator’s apartment, turns on his computer, and enters falsehoods [or are they?] into the manuscript, another layer of uncertainty in the narrative) is having an affair, and his spurned wife throws herself at the narrator.

Sloth is a wickedly funny, challenging and brilliantly written novel by an author of rare wit and creativity. Great fun for sophisticated readers (hey, I enjoyed it, so you don’t have to be all that sophisticated). Cautions for language and sexual situations.

The wit of Stillman


On Sunday I watched my weekly Netflix rental, this one a movie I’d only seen once before—Whit Stillman’s Metropolitan.
I’m going to have to buy the whole Whitman trilogy, delightful films that yield increasing rewards with each viewing. Stillman is apparently a Christian of some kind (for years he’s been trying unsuccessfully to do a movie about believers in the Caribbean. Metropolitan opens with the chords of “A Mighty Fortress Is Our God”).
Stillman delights in turning cultural expectations on their heads. In Metropolitan, his first film, he portrays Manhattan “Yuppies” (one character insists they ought to be called “Urban Haute Bourgeouise”) as sympathetic and even mildly disadvantaged. In Barcelona, two American cousins, a businessman and a naval officer, deal with the European narrowmindedness and prejudice. And The Last Days Of Disco, set in Manhattan in a strangely ambivalent time period, celebrates the discotheque as a place of joy and a strange kind of innocence.
At one point in Metropolitan, Tom Townsend (Edward Clements) quotes a Lionel Trilling review of Mansfield Park to debutante Audrey (Carolyn Farina), in order to explain his dislike for Jane Austen. Audrey asks him what books of Austen’s he’s read. He says, “None. I don’t read novels. I prefer good literary criticism. That way you get both the novelists’ ideas as well as the critics’ thinking. With fiction I can never forget that none of it really happened, that it’s all just made up by the author.” The great joke is that the film itself is pure Jane Austen, though the comedy of manners has been transported to a small fortress of civility in a barbarian land. Continue reading The wit of Stillman

A Viking's Story, by John Andrews

A Viking’s Story is a privately published novel by a Wisconsin resident (under a pseudonym), available inexpensively in electronic formats only. I bought it in the first flush of Kindle enthusiasm (order a book, have it ready to read in about five seconds!), and I’m not sorry I bought it.

It’s the story of Harald Fairhair (also known as Harald Finehair), traditionally the first king of a united Norway. Andrews combines the traditional story of Harald, as recorded in the sagas, and weaves into it the findings of modern historical scholarship and archeology. The result is a generally coherent fictional memoir, as Harald himself dictates his life story to an English priest never mentioned in the actual historical record.

The result hangs together pretty well. I think this book would be a good introduction to the Viking Age for a general reader looking to learn more about that period. In my opinion, the author underestimates the superstition of a real Viking. Also, he falls into the rookie error of trying to convey emotion with exclamation points! But these are minor errors, and all in all the book was enjoyable.

The issue of Christianity does come up, and I have to give Andrews credit for evenhandedness in that department. The priest/amanuensis, to the extent that we come to know him, is relatively tolerant and reasonable. Harald himself, of course, scorns the religion (though he does admire its bureaucracy), which is entirely consistent with what we know of him.

A Viking’s Story is not a great Viking novel, but it’s pretty good, and has the special advantage of copious and up-to-date research (mostly. I found some things to quibble about, but I could be wrong about some of them myself).

Suitable for teens and up.

The Gray and Guilty Sea, by Jack Nolte

The Gray and Guilty Sea

It was a shrewd marketing move for author Jack Nolte to entitle his first mystery novel The Gray and Guilty Sea. It makes it nearly irresistible for an old John D. MacDonald fan like me, still suffering the Aching Purple Bereavement of going a quarter century without another color-coded Travis McGee novel.

On the other hand, he set a high bar for himself through the implied comparison. Many fictional detectives have been touted as “the new Travis McGee” since MacDonald’s death, but (in my opinion) none of them has quite lived up to that standard.

Nolte’s detective, Garrison Gage, doesn’t, either.

But he’s still pretty good. Continue reading The Gray and Guilty Sea, by Jack Nolte

The People Of the Mist, by H. Rider Haggard

The People Of the Mist

Michael Palin, formerly of Monty Python’s Flying Circus, pretty much ruined the term “ripping yarn” with a satirical TV series he did, years back. In spite of him, though, there is such a thing as a ripping yarn, and The People Of The Mist by the Victorian romancer H. Rider Haggard eminently qualifies as one of that class.

As I read The People of the Mist, the thought that kept recurring to me was, “Why hasn’t this book ever been made into a movie?” The author’s most famous work, King Solomon’s Mines, has been filmed numerous times, but TPOTM contains pretty much all the elements that made KSM so exciting, with the addition of a girl in the original story (movie versions of KSM generally insert one). Not only that, her relationship with the hero is one of those love/hate, “you make me so mad I could kiss you” affairs that filmmakers love. Plus there’s spectacle aplenty. Continue reading The People Of the Mist, by H. Rider Haggard

The Danger, by Dick Francis

Danger
I wasn’t all that enthusiastic about the last Dick Francis novel I reviewed, The Edge, so in justice I want to report on reading his 1984 novel, The Danger, which was a very different reading experience, and the very best Francis I’ve read to date.
The hero of The Danger is Andrew Douglas, an agent for a low-profile English enterprise called Liberty Market. Liberty Market is in the business of assisting the families of kidnap victims. They use their agents’ paramilitary skills to rescue the victims if possible; otherwise they do everything they can to make the ransom process as secure as possible.
At the beginning of this story, that process has broken down for Andrew. He is supervising, in collaboration with the police, the ransoming of an Italian heiress who is also a celebrity jockey, Alessia Cenci. Some of the police try to arrest the kidnappers prematurely, leading to a hostage situation and imminent danger to Alessia. Andrew, however, is able to negotiate the tensions down, and Alessia is finally released.
Because of his hard-won understanding of her post-traumatic stress, Alessia bonds with Andrew as she goes through the recovery process. When she goes to stay with a friend in England, she and Andrew are able to see more of each other, and she ends up helping him when he’s called on to rescue the toddler son of the owner of a champion race horse. Andrew suspects that a very intelligent, ruthless criminal is targeting members of the racing community for kidnapping, and that suspicion is validated when the chairman of the British Jockey Club is kidnapped in Washington, DC.
Andrew is the kind of hero you expect from a Dick Francis novel—brave, competent, decent and self-reliant. What sets this book apart, in my view, is the work the author clearly did on understanding the psychology of kidnap victims, and the stages of recovery. The section where Andrew helps to draw the horse owner’s rescued little boy out of his prison of fear is genuinely moving.
Highly recommended. Cautions for some adult language and mild adult situations.