Category Archives: Writing

The enemy with a thousand faces

If you follow our comments (each to his own taste) you’ll have noted an exchange following Phil’s “Questions” post, in which I talk about my personal emotional problem with shame. It’s an awkward sort of conversation, as I no doubt appear partly self-pitying and partly just perverse, responding to everything with a one-size-fits-all, “That makes me feel ashamed.” Although I can see how it might look as if I was playing a game, let me assure you that I’m dead serious. That’s what it’s like to have a shame problem. Whatever you think about anything, good or bad, helpful or worthless, shame is always there, in some different form. It’s a ubiquitous, protean enemy.

Thinking about it this evening, it occurred to me that that would make a great theme for a fantasy story. I could have a villain who was a shape-changer, who follows the hero wherever he goes, and confronts him again and again in different disguises.

And then I realized, with a shock, that I’d already written that story. My new book (which, in case you’ve forgotten, is called West Oversea) features a villain who’s a shape-changer. He follows Erling Skjalgsson wherever he goes, even in a voyage to North America, and confronts him again and again in a variety of disguises.

I wrote an allegory on my own condition, and didn’t even realize it.

I’ll figure out a way to feel ashamed of that, too….

A Good Reason to Write

Andrew Peterson links to an essay by N.D. Wilson for good reasons to write fiction. “For many children, the only nobility, the only joy, the only strength and sacrifice that they see firsthand comes in fiction,” Wilson claims.

Blogging Gets You Writing

Frank Wilson writes about blogging and creative writing. “If there is any benefit to be derived from blogging it starts with the doing of it. Writers write. Blogging is a good way of finding out if you have what it takes to sit down at regular intervals and write something. For someone like me, who already has deadlines to meet, it’s a good way to start the work day, like practicing scales.”

Still, I feel the need to write fiction or prose more, and blogging pulls me away from that. I want to pray more too. So I need to watch my time use.

When the Writer Gets in the Way

Frank links to short story blogger Charles May, who reviews a book by Robert Boswell in a post called, “Robert Boswell, Heyday of the Insensitive Bastards and The Half-Known World.” Charles notes that author Boswell teaches writing and that fact seems to come through in this book of stories.

In the story “A Sketch of Highway on the Nap of a Mountain,” Boswell uses the point of view of a woman who seems to have had a stroke, or maybe she is just a modern Mrs. Malaprop” who makes numerous language errors, such as “I get irrigated with my life,” “He begins happily dissembling our past,” “I’m at the car, divulging a black boom box.”

They are funny, and Boswell seems to be having a great time inventing them, but the story seems to be mainly an excuse for demonstrating his cleverness in inventing them.

The Glory of the Unfinished

Earlier we talked a bit about the completion of the morbidly long fantasy series The Wheel of Time. Today, Stephen Moss writes about newly discovered unfinished works by the late Michael Crichton. The publishers wants to get those babies finished up, but Moss argues against that.

Leave his work be: publish it as he left it, and let Crichton fans try to work out his intentions for themselves. The urge to complete – exemplified by the numerous attempts to conclude Charles Dickens’ unfinished novel The Mystery of Edwin Drood – is based on a misconception: that only a finished work is of interest. The reverse is true: unfinished works are often the most interesting of all.

Any one here read C.S. Lewis’ unfinished works, The Dark Tower and After Ten Years? As we all know, if Lewis did it, then it’s been done right.

Reading through the Proofs

Lars isn’t the only one reading proofs lately. Author A.L. Kennedy writes about reading through the proofs of her new short story collection. Proofs, she says, “are also a source of almost primal panic for the writer.”

If your proofs are awful, wrong, badly-spelled, oddly-italicised and otherwise dysfunctional, they are a very real demonstration of both your complete powerlessness within the editing process and your witless lack of talent within the writing process. They alarm, containing, as they do, all manner of peculiarities and absurdities which have been added by strangers for no clear reason, along with the plethora of screw-ups which are utterly your own fault. How did you miss that non-agreeing verb? Did you ever know what this final sentence means?