Category Archives: Authors

Ray Bradbury Says, It Wasn’t About Censorship

Ray Bradbury tells LA Weekly that many critics have missed the point of his book:

Fahrenheit 451 is not, [Bradbury] says firmly, a story about government censorship. Nor was it a response to Senator Joseph McCarthy, whose investigations had already instilled fear and stifled the creativity of thousands. . . . Bradbury, a man living in the creative and industrial center of reality TV and one-hour dramas, says it is, in fact, a story about how television destroys interest in reading literature.

As a follow-up, Frank makes a couple points on this conversation.

O frabjous day!

This has been a good day. I’ll say it openly, knowing it’s entirely contrary to my idiom, and throwing myself open completely to all kinds of joshing from commenters.

The air conditioning guy came today to do the warranty work. I had to take the afternoon off work to be here.

The first pleasant surprise was that, instead of just replacing the condenser (as I’m sure the woman on the phone said) he replaced the whole unit.

The second pleasant surprise was that he asked for no more than the regular deductible in payment. The woman on the phone had said there’d be extra charges for parts.

Oh, I expect the other shoe will drop in a couple days, and some kind of horrendous bill will hit me like a cosh to the back of the head, but for today life is good.

More snippets from The Collected Letters of C. S. Lewis, Vol. III:

From a letter to Mary Van Deusen, July 7, 1955:

Don’t let anyone bully you into avoiding sentences with a preposition at the end! It’s an arbitrary rule that most great writers took no notice of. The Authorized Version and E. Burke thought a preposition a very good word to end with. So there!

From a letter to Mary Willis Shelburne, Sept. 8, 1956:

…(that journalists can be saved is a doctrine, if not contrary to, yet certainly above, reason!).

From a letter to Martin Kilmer, Jan. 22, 1957

The (Narnia) books don’t tell us what happened to Susan. She is left alive in this world at the end, having by then turned into a rather silly, conceited young woman. But there is plenty of time for her to mend, and perhaps she will get into Aslan’s country in the end—in her own way.

From a letter to Clyde S. Kilby, Feb. 10, 1957:

The children (in Till We Have Faces) made mud pies not for symbolic purposes but because children do.

From a letter to Francis Warner, July 15, 1959:


So many people, when they begin ‘research’, lose all desire, and presently all power, of writing clear, sharp, and unambiguous English. Hold onto your finite transitive verb, your concrete nouns, and the muscles of language (but, through, for, because etc.).

A good weekend to all of you.

Lewis-ly translated

It isn’t every day I get a cartoon dedicated to me. Thanks, Phil.

Now try and get your comment utility fixed.

Haven’t live-blogged The Collected Letters of C. S. Lewis, Vol. III, for a few days. I’m still at it. I’ve gotten through Lewis’ death, thinking dark thoughts of mortality, and now I’m in the resurrection land of the Supplement section, where Hooper prints some letters he left out of the earlier volumes, then decided he wanted to include after all. After this comes the “Great War” supplement, in which all Lewis’ letters to Owen Barfield, arguing about Theosophy, are gathered in one place.

Anyway, here are a few excerpts that interested and/or amused me:

From a letter to Mary Van Deusen, Oct. 3, 1953:

It is hard, when difficulties arise to know whether one is meant to overcome them or whether they are signs that one is on the wrong track.

From a letter to Dom Bede Griffiths, Jan. 30, 1954:

The trouble with Thackeray, is that… all his ‘good’ people are not only simple, but simpletons. That is a subtle poison wh. comes in with the Renaissance: the Machiavellian (intelligent) villain presently producing the idiot hero. The Middle Ages didn’t make Herod clever and knew the devil was an ass. There is really an un-faith about Thackeray’s ethics…. No conception that the purification of the will… leads to the enlightenment of the intelligence.

From a letter to Katharine Farrer, Feb. 3, 1954:

The bearings of this are wide, as you’ll see if you reflect on the difference between drawing a nude and verbally describing it, or the impossibility of mentioning Cheko-Slovakia (is that how you spell it) at the apex of a lyric however deeply one may feel about that country.

From a letter to Chad Walsh, Dec. 3, 1955:

I’ve often thought that if I wrote a play I’d do it in verse but type it as prose. In the present state of the human ear no publisher, manager, actor, or audience wd. recognize it, not even if it was in heroic couplets or the metre of Hiawatha.

One thing that constantly exercises my limited powers of charity throughout these books is the fact that Lewis consistently spells “all right,” “alright.” I personally consider “alright” an atrocity against the English language. However, as one quickly learns in reading the letters, Lewis wasn’t a very good speller.

In relation to that, it’s often been said that Lewis had a photographic memory. Someone who knew him wrote somewhere (I can’t find it; I can never find the Lewis reference I want. No photographic memory here) that if you named a page number from any book Lewis had ever read, he could recite the contents of that page verbatim for you. This would seem to be an exaggeration. He uses many quotations in the letters, and the notes show that they’re only approximately correct, like his spelling. His memory was obviously phenomenal, but it wasn’t exact.

Irony defined

I can’t find a reference in The Collected Letters of C. S. Lewis, Vol. III right now, but in a couple of the letters Lewis expresses his deep dislike for the “modern” fashion of printing book titles sideways on book spines, so that you have to tilt your head to read them on the shelves.

He likes his titles printed so they’ll read horizontally, straight across.

The current volume of this series features a spine over 2 ½ inches wide. If they’d called the book The Collected and Edited Letters of the Immortal Clive Staples Lewis, Copiously Annotated and Furnished With Supplements Containing Previously Unknown Letters As Well As the Entire Body of the “Great War” Correspondence With His Friend Owen Barfield, they still could have almost fit that title in one line across such a massive spine.

But they print the title sideways, so you have to tilt your head to read it on the shelf.

“There’s glory for you,” as Humpty Dumpty would say. Even if you’re C. S. Lewis, world renowned and up on a pedestal only a little below St. Paul’s level in the eyes of many Christians, you still can’t get a publisher to print your covers the way you want them to.

Rest in Peace, Jerry Falwell

Rev. Jerry Falwell has passed away. He wrote Building Dynamic Faith about 12 years ago. He was a critical influence in American religion and politics, though I doubt I am following his lead exactly.

Update: Larry Flint had kind words to say about Falwell yesterday. “My mother always told me that no matter how much you dislike a person, when you meet them face to face you will find characteristics about them that you like. Jerry Falwell was a perfect example of that. I hated everything he stood for, but after meeting him in person, years after the trial, Jerry Falwell and I became good friends. He would visit me in California and we would debate together on college campuses. I always appreciated his sincerity even though I knew what he was selling and he knew what I was selling.”

Annie Dillard on Rewriting

Publishers Weekly asks author Annie Dillard, “Isn’t it hard to kill off your own characters and writing?”

I’ve made the decision many times. Of course, I always save them in a file. And then I got to the part that was really interesting: shaving the book by the syllable. If there was a three-syllable word, I’d say, is there a two syllable word for this, etc. That was really fun.

Dillard has a new novel coming in June called, The Maytrees.