Category Archives: Fiction

Would They Defend Salman Rushdie’s ‘Verses’ today?

If Salman Rushdie’s The Satanic Verses were first released today (assuming even that is possible), would the literary world defend Rushdie as they did in 1989? He doesn’t think they would.

“Instead of realizing that we need to oppose these attacks on freedom of expression, we thought that we need to placate them with compromise and renunciation,” he said.

When the PEN American Center moved to honor Charlie Hebdo with a freedom of expression award, over 200 writers signed a letter of protest. Rushdie reached out to one of them, who replied to say he would defend Satanic Verses and that Hebdo was a different situation. They were accused of racism, but Rushdie was accused of blasphemy.

“It’s exactly the same thing,” Rushdie said. “I’ve since had the feeling that, if the attacks against The Satanic Verses had taken place today, these people would not have defended me, and would have used the same arguments against me, accusing me of insulting an ethnic and cultural minority.”

In a 1991 talk, Rushdie said, “Throughout the Muslim world today, progressive ideas are in retreat. Actually Existing Islam reigns supreme, and just as the recently destroyed Actually Existing Socialism of the Soviet terror-state was horrifically unlike the utopia of peace and equality of which democratic socialists have dreamed, so also is Actually Existing Islam a force to which I have never given in, to which I cannot submit. There is a point beyond which conciliation looks like capitulation. I do not believe I passed that point, but others have thought otherwise.”

Is Everyone Real Nice When You Get to Know Them?

Anthony Daniels talks about his concept of Harper Lee and the memories To Kill a Mockingbird provoke for him.

In To Kill a Mockingbird, the blacks in the courtroom stand when Atticus, who has just defended Tom Robinson vigorously and decisively but unsuccessfully against a false and malicious charge of rape, goes by, such is their grateful respect for him. The next day Atticus receives a large quantity of such humble presents as very poor people are able to give. And when the children, Scout and Jem, are taken by Calpurnia, the family’s black cook, to the church for blacks, they are treated virtually ex officio as very special. These are similar to experiences I had in South Africa and in other parts of the continent.

He eventually draws it down to questioning the novel’s conclusion, that “most people are real nice when finally you see them.”

‘Flashback,’ by Dan Simmons

It was a spooky experience, reading this book. Not because of its inherent scariness (though there’s plenty of that), but because I started reading Flashback just about the time President Obama signed his nuclear arms deal with Iran, and finished it in the aftermath of the Chattanooga terrorist killings.

Both events resonated with this story.

In the world of Flashback (which might be compared to the world I envision at the end of my novel Death’s Doors, but more fully realized), the United States still exists, but barely. Texas has seceded, and the Nuevo Mexican Reconquista has torn away other southwestern states. Order in the US is maintained by several Japanese corporations, and American soldiers fight as mercenaries in various world conflicts, the major source of what’s left of US federal revenue. Israel no longer exists, and the Islamic Caliphate is on the march world-wide.

Most Americans don’t even care. They are addicted to a new drug called Flashback, which enables its users to experience their happiest memories in full detail.

Nick Bottom (same name as the character in Shakespeare’s Midsummer Night’s Dream), is a Flashback addict. He will lie, steal, and betray his friends in order to get a little more of the drug, so he can spend time again with his beloved wife.

He used to be a top detective with the Denver police department, but after his wife’s death he descended into addiction, sending his young son to live with a grandfather in Los Angeles.

Then one day he gets an offer too good to refuse. The Japanese “protector” of Denver promises to pay him well to learn who murdered his own son several years ago. At first Nick, junky that he is, tries to take the money, buy Flashback, and hide away, but these people are smarter than he is. Eventually he begins to take a real interest in the mystery. Then he discovers the puzzle is closer to home than he imagined. Then he begins to care about other people, including the son he abandoned.

Flashback is a long book, but it sucked me in. It’s splendidly crafted, with artful allusions and foreshadowings. It provides a frightening picture of the near future that’s all the more disturbing for its plausibility. And there’s a twist at the end that genuinely scared me.

Cautions are in order, mostly for language and violence. It’s a peculiarity of this book that Christianity seems hardly to exist anymore. I sometimes wondered if the Rapture had happened, but I saw no hint that author Simmons had that in mind.

The Vicious Satire of Lolita

abandoned dollPeter Leithart quotes from an Ira Wells piece on how we’ve forgotten who Lolita originally was, the 12-year-old victim of a monster.

Forgetting Lolita is also a problem because the book has never been as relevant: “the novel itself constitutes a vicious satire of a culture that fetishizes young girls . . . while simultaneously loathing pedophilia as an absolute moral evil on par with genocide.” We are that culture.

Rediscovering Pluto

Clyde Tombaugh had only graduated from Burdett High School in Burdett, Kansas, when we applied for a position at Lowell Observatory in Flagstaff, Arizona. His family didn’t have the money to send him to college, so he studied on his own, assembled a portfolio, and presented himself to the observatory director, V. M. Slipher. While working there as a photographic assistant, he discovered two comets and variety of other stellar objects including Pluto.

We haven’t had a good look at the once-and-future-planet until today. NASA’s New Horizons probe is passing by Pluto, carrying Tombaugh’s ashes and sending photos back to us. Will we discover the truth of what many sci-fi authors have written about this place over the last 85 years? Gregory Benford describes some of those details.

In his first novel, World of Ptavvs, Larry Niven depicted an astronaut landing in the Plutonian atmosphere, his vessel’s hot exhaust releasing the frozen methane and oxygen and causing the entire planet to burst into flames. In a later story, Niven imagined an even odder fate. A stranded astronaut freezes, only to find that his nervous system has become superconducting and that he can still think, frozen solid. . . . My own 2006 novel, The Sunborn, has small, smart creatures thriving along the shore of Pluto’s supposed nitrogen sea.

‘Gutshot Straight,’ by Lou Berney

Shake wondered how long before they opened a Vegas-themed hotel and casino that was an exact replica of the city around it, including a replica of the Vegas-themed hotel itself, and so on down to microscopic infinity.

Impressed as I was by Lou Berney’s The Long and Faraway Gone, which I reviewed a few inches below, I wondered how much I’d like Gutshot Straight, his first novel, which was advertised as a comic crime story.

I liked it enough to laugh out loud more than once while reading it – in a restaurant – something that hasn’t happened to me in years.

Charles “Shake” Bouchon, the main character of the novels, is just finishing up a prison stretch for Grand Theft auto when we first meet him. He’s an accomplished “wheel man,” a getaway driver. But he’s decided he’s getting too old for that sort of thing. It’s a sucker’s game. He wants to go straight. Open a restaurant, if he can.

But when an old friend, the beautiful head of the Los Angeles Armenian mob, asks him to do an “easy” job for her, he figures what can it hurt? He can use the money. All he has to do is drive a car to a particular address in Las Vegas, and deliver a briefcase to the man who’ll meet him there.

You won’t be surprised to learn that it turns out a lot more complicated than that. Shake finds himself in a situation where he has the choice of looking the other way, or saving a life. He saves the life, and then the fun begins.

The action centers around a bogus religious relic (I won’t spoil the fun by telling you what it is), which is no less precious, thanks to its mere age, for being a fraud (I assumed author Berney had invented it, but apparently it actually exists, or did exist). All kinds of bad people are hunting for it, and they covet it enough to torture and kill to get it.

Doesn’t sound like a comic novel? Well, it’s all in the presentation. Years ago people recommended the author Elmore Leonard to me, based largely on his sharp dialogue. But I never warmed to Leonard. He’s a cold-blooded writer (or so I perceive him). I don’t care about his characters.

Gutshot Straight is kind of like Elmore Leonard by way of P. G. Wodehouse. I don’t mean the inimitable Wodehouse diction, which wouldn’t work here, but the Wodehouse kind of story. Where some dim young man is pressured or blackmailed into kidnapping a pig or stealing a silver cow creamer, and only manages to carry the job through because he’s surrounded by idiots and lunatics, running around like characters in a French farce. The chief female character and love interest in this book is right out of Wodehouse – a spunky, fearless, utterly amoral female dynamo who knocks Shake for a loop. And one character in the second book, Whiplash River (which I’m still enjoying reading), “Harry” the retired Cold War spook, is essentially Uncle Fred with a gun.

And the presentation is in no way cold-blooded. Berney excels at treating characters, even sociopathic ones, in three-dimensional ways.

I never wanted this book to end. The publisher charges too much for it, even in the Kindle edition, but I wouldn’t have missed it.

Cautions for language and violence.

S.D. Smith’s Warrior Rabbits

S. D. Smith’s second book of rabbits with swords is being released on Monday. The Black Star of Kingston promises to be as stirring as The Green Ember, as this review states, “It’s a heroic story, demonstrating what happens when an ordinary individual (Like Fleck the miner) follows his convictions and rises to what can only be called heroism.”

Another reader says it’s “jam-packed with harrowing adventure, startling courage, and the luscious vocabulary we all love in Smith’s stories.”

Of The Green Ember, Smith says, “Personified animals make big, dangerous themes easier to digest for younger kids. This story is a bit of a throwback to a time when storytellers were more eager to ennoble virtue, while at the same time it’s just a fun tale.”

I’m sure it is.

‘The Long and Faraway Gone,’ by Lou Berney

The past had power. The past was a riptide. That’s why, if you had a brain in your head, you didn’t go in the water.

Ring the steeple bells! Festoon the festal bunting! Declare a bank holiday! Lars has discovered a new favorite author!

I’d never head of Lou Berney before. I think I downloaded The Long and Faraway Gone because they offered a deal for the Kindle version. But you can now list me among this guy’s faithful fans. I wish he had more published novels to date.

At first glance, The Long and Faraway Gone is simply a superior example of a subgenre that appeals to me (though frequently disappointing), what I might call the “personal cold case” story, where someone investigates a crime that touched them long ago, discovering the ways in which memory (and people, including oneself) mislead and lie.

But author Berney takes a fresh approach from the beginning – this is a two-strand story, concerning two separate murders connected only by general location and date. The two narratives run parallel through the course of the book, only brushing against each other in passing.

One strand centers on Las Vegas private detective Wyatt Rivers. He agrees to do a favor for a friend – fly to Omaha for one day to help a friend who runs a music club, who’s been plagued by acts of vandalism. Only – oh, wait – it’s not Omaha. It’s Oklahoma City. Wyatt, who has already agreed to the favor, is dismayed. Oklahoma City is the one place in the world he doesn’t want to go. Because years back, when he was a teenager and had a different name, he was one of a group of employees herded into the projection room of a small movie theater. The robbers shot them all to death – except for Wyatt. Ever since that night, he’s been living with survivor’s guilt, the memory of the girlfriend who was killed, and the obsessive question – “Why me? Why did they spare my life?”

Julianna Rosales’ life changed that same summer, at the Oklahoma State Fair, when she was only six years old. Her beautiful older sister, Genevieve, had left her alone “for just fifteen minutes” while she went to try to score some cocaine, and vanished from the face of the earth. Since then Julianna has lived without close relationships, or any purpose other than discovering the truth about Genevieve. An old photo posted on Facebook leads her to a string of new clues, and into great danger.

We follow these two wounded people as they turn over the stones of their pasts and learn that memory is fallible, and people are not always what you think they are – for better and for worse.

I enjoyed this novel immensely. The writing was flawless, the dialogue and characterization sharp and textured and layered, the plot resolutions believable. There’s great humanity, and great human compassion, in Lou Berney’s writing.

I think you could even make an argument for a kind of Christian subtext. The self-identified Christians who occasionally show up in the story can be silly, but are generally well-meaning, though the chief Christian character, for some reason, uses the “f” word a lot.

Some rough language, as you’ve already guessed from the paragraph above, and “adult” themes. But on its merits I recommend this book highly. One of the very best I’ve read recently.

‘The Mercy of the Night,’ by David Corbett

Simply because it provided me with a novel reading experience, I need to review David Corbett’s The Mercy of the Night. You may or may not want to read it yourself, but if you do, I think you’ll remember it.

Whether that’s a good thing or not, you’ll have to decide for yourself.

The story, set in a bankrupt, economically distressed small city in northern California, focuses on two troubled souls.

One is Jacqui Garza, a young prostitute, recently escaped from a court-ordered halfway house program. Ten years ago, Jacqui was a celebrity. She had been kidnapped by a sexual predator, but managed to get free. Yet in a sense she never got away at all. Now she’s a witness in a murder, sought by the police and the killers both.

The other is Phelan Tierney, a widower and suspended lawyer working as an investigator. He volunteers as a tutor at the halfway house, and is desperately trying to find Jacqui. Among all the girls he tutored, she showed the greatest promise, but also seemed the most lost. He’s become obsessed with her, to the point where it threatens his relationship with his girlfriend.

Though there are those who wish to harm Jacqui, her greatest enemy is herself, her conviction that she deserves nothing good, and will never get anything good.

The Mercy of the Night is a very well-written book, with excellent characters and dialogue (the climax, I think, was a little rote, but not excessively so). But what struck me most in my reading was that I found the book impossible to enjoy. The miasma of failure and doom that hangs over the gray town is palpable in every line. I was certain as I read that this whole thing could only turn out badly.

In fact (small spoiler here), it didn’t end up quite as badly as I feared. But I’m not sure the author intended the book to be as hard to read as it is, from an emotional point of view. I nearly put it down more than once, out of simple dread. (Your mileage, of course, may vary.)

But it’s a well-constructed and well-realized novel. Cautions for violence, moderately explicit sex scenes, and lots of profanity. There seems to be a theological subtext, but it’s postmodernist.

A Literary Guide to MMA Fighting

“Kerry Howley’s debut is a riotously entertaining and piercingly perceptive account of the contrasting lives and dreams of a pair of Iowa-based fighters whose battles in the ‘Octagon’ become the vehicle for a philosophical treatise on the nature of glory.” (via Prufrock)

MMA