Tag Archives: thriller

Phantom Thriller: Review of Phantom Orbit by David Ignatius

Guest review by Adam H. Douglas

David Ignatius’ new novel, Phantom Orbit (2024), is like a Zen koan asking: When is a thriller not a thriller? 

Let me explain.

Those of you familiar with Mr. Ignatius know he is a renowned reporter for the Washington Post who writes a twice-weekly column there. He is also the author of several works of fiction, mostly thrillers. Personally, I wasn’t familiar with his creative writing until I picked up this new novel. 

As you might expect, his writing skills are very good. The man can craft the textures of a wide variety of global cultures and wield national idioms with a time-honed and deft ability. His professionalism shines through on every page. 

That’s the good part. 

On the flipside, this was a frustrating, meandering read that I would’ve given up on about a quarter of the way through if not for a sense of masochistic curiosity that made me wonder how long it would remain so pointless.

Three Decades of Backstory 

The story of Phantom Orbit follows three characters over three decades, from the mid-90s to the current time. 

Our first hero is Ivan Vladimirovich Volkov, a one-time student of astronomy and astrophysics at Tsinghua University (Beijing), who is feeling the effects of the dissolution of Soviet Russia. As a young man studying hard, he hooks up with a visiting American woman named Edith Ryan—our second heroine. The two have an intense romantic relationship that ends in a tearful separation. 

Ivan greatly regrets the breakup yet wonders if he might’ve dodged a bullet. After all, there were subtle indications that the young woman might’ve been a CIA operative. 

Our third character is Professor Cao Lin, a distinguished researcher and member of the Academy of Sciences who eventually becomes head of a committee on “special projects” that reports to the Central Military Commission. Essentially, he’s there to get China’s spy/intelligence space program working, including attacking the Americans by whatever means they can manage. 

Promises to Keep

Phantom Orbit commits what I consider to be one of the most grievous sins for thriller novels (or indeed any novel genre if you get right down to it): Failing to follow through on its promises. 

The book is marketed as a taut page-turning thriller that is part The Martian, part The Da Vinci Code. The dust jacket teases us with the story of a Russian student (Ivan) stumbling upon an “unsolved puzzle” contained in the writings of the famous 17th-century astronomer Johannes Kepler. Ivan brings this puzzle to a prominent scientist within China’s space program, expressing his determination to find the solution that could have “significant implications for space warfare.”

Sounds intense and dynamic, right? Moreover, the book’s prologue is practically textbook-format for attracting thriller aficionados. Here’s a summary:

Continue reading Phantom Thriller: Review of Phantom Orbit by David Ignatius

Well-Crafted Start to a Series: Memory Man by David Baldacci

Guest Review by Adam H. Douglas

Memory Man is the first book that launched a best-selling series of novels by David Baldacci back in 2015. It’s a tight, expertly crafted novel that effectively achieves what it sets out to do—to give us a creepy, thrilling read that keeps you guessing until the end.  

Amos Decker, a former football player turned detective, suffers a life-altering tragedy when he discovers the brutal murder of his wife, Cassie, his young daughter, Molly, and his brother-in-law, Johnny, in their home. Returning from a fruitless stakeout, Decker finds Johnny with his throat slit, Cassie shot in the head, and Molly strangled. Baldacci’s well-honed writing skills describe the scene with a haunting efficiency.  

Fifteen months later, we find Decker living in a state of emotional numbness, his life in disarray, drifting in and out of homelessness. He desperately wants to die but cannot seem to find the will to kill himself. 

Not sure what else to do with his broken existence, he becomes a private investigator and scrapes by on low-paying cases. The trauma of losing his family never leaves him, intensified by his unique condition—hyperthymesia—which forces him to remember every detail of his past. He can’t forget anything, including the faces of his dead family.

As Decker struggles with the weight of his loss, his old partner—a great tough-as-nails supporting character named Mary Lancaster—tracks him down to let him know that a man named Sebastian Leopold has walked into police custody and confessed to the murder of Decker’s family. 

The confession sparks conflicting emotions in Decker—anger, suspicion, and a desperate need for closure. Decker questions the man’s motivations and credibility while revisiting the crime that destroyed his life.

Worse still, the chaos of the situation is intensified by a nearby high school shooting that leaves several dead. Incredibly, the shooter escapes and is still at large. Local police are baffled by the crime and are strained almost to the breaking point. Based on Lancaster’s recommendation, they take on Decker as a consultant to help solve the case. 

But Decker is beginning to suspect that the cases are linked. And that Decker himself might be the ultimate target of the mass killer.  

Bestselling author and former lawyer David Baldacci is widely known for his thrillers and suspense novels featuring complex characters, fast-paced plots, and legal or political themes. His debut novel, Absolute Power (1996), was adapted into a film starring Clint Eastwood. He’s written over fifty novels in almost thirty years.

In short, Baldacci knows his stuff. And it shows here. 

Memory Man is a solid, tight thriller that keeps you turning pages and guessing almost the whole way through. It’s no wonder why this novel—with its complex, gritty lead character—launched a best-selling series of seven books so far (Note: the eighth is due to drop sometime this year). 

The book’s main failing appears when we finally learn the solution to how the school shooter escaped. Rather than a revelation, the killer’s motives and methods come across as a somewhat unnecessarily intricate plot point that confuses more than entertains. 

True, this is a common problem with villains in American thrillers, which the public demands must create ever-increasingly complex and psychopathic plans to torture our heroes both mentally and physically. So, I’ll easily overlook this minor hiccup in what is ultimately a very worthy read. 


Guest Bio: Adam H. Douglas is a full-time writer and ghostwriter with over two decades of experience in nonfiction, science fiction, speculative fiction, and horror fantasy fiction. Adam’s award-winning short stories have appeared in various publications, including the Eerie River Publishing anthology “It Calls From the Doors,” I/O Magazine, Forbes, Business Insider, and many more.

Photo by Klim Musalimov on Unsplash

Had the Crew Dealt in Books They Would Have Gone Broke

An original limerick for your weekend.

A ship with a creative crew
would trade in Newport and ports new
their haphazard wares,
their slapdash and spares,
for the loan on their ship had come due.

Live within your means, readers, and stay ahead of any judicious loans you take out. And now, on with the links.

2023 Books: Bookseller and podcaster David Kern offers “eight novels published in 2023 that I’ve been handing to people because they remind me why I love novels in the first place.”

And more recommendations, this time of the spy-thriller nature from John Wilson—”more than enough regional and global conflicts to keep spies and spymasters busy and readers turning the pages.”

Writing in the Woods: The writing life can take many forms, like when a friend lets you live in a cottage on their land for a summer.

Writing about Magic: During the Renaissance, the practice of and the writing about magic produced mixed results. “Renaissance magicians were often bookish.” Sounds like Mr. Norrell.

Photo by Hector John Periquin on Unsplash

Verse-picking, Lying, Singing in Cherokee, and Fiction as Discipleship

I’ve been doing these Saturday blogroll posts for a while now, and I’m always happy to see a kind of theme emerge from the articles to which I link. This post will be more random. Sorry.

What do Red Letter Christians who disparage Paul’s words in favor of Jesus’s quotations do with the fact that Matthew, Mark, Luke, and John wrote the gospels, not Jesus himself? Jesus didn’t write anything. If you say the biblical authors may have gotten their letters wrong, it applies throughout. Or are we saying that only the parts I dislike and challenge my modern sensibilities are the parts that probably are not inspired Scripture?

Music: “There are all these different metal bands out there from Scandinavia who incorporate Viking and pagan culture into their art. I always wondered why no one that I knew of had done that with Native American culture.” Album Offers Today’s Hits — Sung in Cherokee (nextcity.org)

That’s cool in a sense, but I don’t listen to metal. Here’s a new musician singing songs I do listen to: Colm R. McGuinness sings The Rocky Road to Dublin

And I don’t know who needs to hear this, but, uh, God’s gonna cut you down.

Thrillers: 10 Best Adaptations of Legal Books to Film of All Time

Ombudsman: Media Mistakes in the Biden Era: the Definitive List | Sharyl Attkisson

Reading Fiction: Should we read fiction as part of our discipleship?

We who belong to the church, who have cognitively accepted the Unseen Reality, as Evelyn Underhill described it, also suffer from constricted imaginations. The disenchantment we have all undergone as products of the modern world has critically stunted our spiritual development, our knowledge of ourselves, our hopes and dreams for God in the world.

Photo: I-84 near Hammett, Idaho. 2004. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

‘The Stranger,’ by Harlan Coben

Harlan Coben is a remarkable writer of thrillers. It has been noted that he avoids profanity in his dialogue, and his use of violence is pretty restrained. Nevertheless he is capable of producing books as shocking as any you will ever read, in their own way. The Stranger is Hitchcockian in its portrayal of a very ordinary man thrust into a world of lies and mortal danger, and raises societal and existential questions as well.

Adam Price is no man of action. An easygoing type, he’s a successful eminent domain lawyer, living in a prosperous New Jersey suburb. He loves his beautiful wife and his two teenage sons. He’s “living the dream,” as one of his friends likes to say.

But, as the author is careful to emphasize, “dream” is precisely the word for their lives. Their security is insecure, their happiness fragile. Adam learns this first hand when a stranger sidles up to him after a youth lacrosse league meeting at the local American Legion, and tells him, “You didn’t have to stay with her.” Then he gives him information to prove that his wife has lied to him about something that matters deeply in their relationship.

It’s not just him who’s receiving such messages, Adam learns in time. There are people who search the internet, ferreting out secrets and blackmailing people, self-righteously believing they’re fighting the good fight against hypocrisy.

And they’re not even the worst ones….

Besides questioning our illusions of security and secrecy in the modern world, The Stranger also raises interesting questions about what they call “hacktivism” nowadays. This book is as relevant as anything you’ll read this year.

It drew me in. It fascinated me. It broke my heart. Highly recommended.

Klavan and the Imp of the Perverse


Today, Andrew Klavan announced the release of his new young adult thriller, Nightmare City. In an interesting post on his approach to writing for that market, he makes some cogent points:

Criticize the selling of self-destructive behavior to the young and you’re “puritanical,” or “slut-shaming,” or being “unrealistic about the modern world.” But in fact, this effort to normalize the degraded is itself perverse in the extreme. It’s the incarnation of that imp within who urges us to do ill to what we love the best: ourselves and our children. The people who peddle this trash curse those who dare to criticize them so loudly precisely because they know they are doing wrong and can’t stop themselves. Believe me: the person who accuses you of “slut-shaming,” is herself deeply ashamed.

The term “The Imp of the Perverse” is a reference to story by Poe.

The Severance Kill, by Tim Stevens


I reviewed a previous novel by Tim Stevens, Ratcatcher, a while back. I liked it, but thought it went a little over the top, demanding the kind of suspension of disbelief that’s better suited to action movies. Severance Kill dials the improbabilities back a little while remaining a fast, tense, wall-to-wall action story.
Martin Calvary works for a top-secret English intelligence organization called the Chapel (and yes, I’m sure the names are significant). The Chapel specializes in assassinations, deniable by the government. Martin joined up after a military stint in Bosnia, where he spared someone’s life with horrific consequences. For a time he was content to kill the bad guys good and dead.
But recently he’s grown weary of the exercise. Perhaps they deserve to lose their lives, but does he have the right to take them?
So he quits. Only his boss has incriminating evidence on him. He wants one more job out of him. There’s an English traitor, a defector to the old Soviet Union. It’s been decided he has to die. If Martin will just do this one, he can walk away free.
Martin doesn’t trust his handler, but he goes to Prague to do the job. Before long he’s tangling with Russian spies, Czech mobsters, and a group of naïve young activists. Martin gets attacked repeatedly, captured, and tortured, gradually figuring out he’s been lied to, and setting a trap of his own.
Severance Kill is not for the squeamish. There’s lots of violence – the scenes of Martin’s torture are particularly intense. As in Ratcatcher, one wonders how the hero can continue functioning physically, but it’s less of a stretch this time out. The plot doesn’t bear close analysis, but taken as an action romp the book works very well indeed. The characters are especially good. Recommended for those who like this sort of thing (I do). Cautions for the aforementioned violence, some sex, and language.

Fade Away, by Harlan Coben

Myron Bolitar, Harlan Coben’s sports agent mystery hero, is primarily a sports agent and (supposedly secretly) a former FBI agent. Once a top NBA draft pick, almost guaranteed a highly paid career and all the perks, he got injured in a pre-season game and never had the chance to play in a major league game.

But in Fade Away, he is to get his chance. A team owner who is also an old friend asks him to join his team temporarily – not actually to play (much), but to sit on the bench, schmooze with the players, and try to figure out what happened to Greg Downing, one of the stars, who has disappeared.

Myron agrees and begins an investigation that will lead to threats and further murder, and will uncover secrets involving drugs, old 1970s radicals and a betrayal in his own life. The plot gets pretty complicated.

But the great joy of this book – even for someone as apathetic toward sports as me – is Myron’s personal character arc. Though established in his new career, a competent, successful, and even dangerous man, once he’s on the basketball court it’s (emotionally) as if he were a kid again. The passion, the love of the game, the competitive instinct, are all back in full force, and his inevitable disappointment is all the crueler for it. This gave the book a genuine poignancy that made it moving indeed, simply as a piece of literature.

As usual with Coben, there are adult themes, but they’re handled in a fairly civilized manner. Highly recommended.

Killer in the Wind, by Andrew Klavan

See, I’d seen that look before. That wrinkled nose, that laughing sparkle in the eyes. In the movies, evil guys laugh out loud. Bwa-ha-ha. Or they chuckle suavely, swirling their drinks in their glasses. But this is the real deal, the real look most monsters have. A sort of cute, dainty, delicate recoil from speaking the thing out loud. The forbidden joke of it.

Are we being naughty now?
I know you’re used to seeing me review Andrew Klavan’s books, and I know you’ve come to expect me to praise each one to the skies. Nevertheless, I want you to believe me when I say that it’s been a long time since I actually stayed up late in bed with a book, unable to put it down except by a strong effort of the will.
Killer in the Wind is one of the most compelling thrillers I’ve ever read.
The hero, Dan Champion, is a former commando, a former New York City police detective, and a certified hero. Now he’s part of the police force in a small town in downstate New York. He’s dating a local waitress, a nice woman whose love he’d like to return. But he can’t commit. He can’t commit for a reason he himself knows is crazy. Three years ago, in the course of an undercover investigation, he had a hallucination under the influence of drugs. In the hallucination he encountered a woman named Samantha, whom he can’t get over. Even though he knows for a fact that she doesn’t exist.
Except that one day Samantha shows up in the flesh. She says one thing to him – “They’re coming after us” – before disappearing again.
Is this a real-world mystery, or a supernatural thriller? The borderline seems vague sometimes, and that’s no accident. Klavan likes to explore those boundaries. Some of the reviews on Amazon suggest that certain readers don’t get this. They take the uncertainty as over-the-top storytelling. But it’s not. It’s the author’s way of exploring the wonder of life itself – that all of us are living in an improbable world, a world impossible to explain by purely rational methods. For good and evil.
My own reaction to Killer in the Wind may not be yours. I’m pretty sure I was emotionally affected by the way it dealt with areas of human evil of which I have some personal experience.
But even if that’s the case, I can still recommend Killer in the Wind without reservation. It’s a tight, tense, deeply moving thriller with characters as real as your own family.
Cautions for rough language, sex, and violence.

The Scarred Man, by Andrew Klavan

I’ve actually reviewed Andrew Klavan’s novel The Scarred Man (written under the pseudonym Keith Peterson, and recently released as an e-book by Mysterious Press) before on this blog. But I want to direct your attention to these books, and I re-read it recently, so it can’t hurt to discuss it again.

Mike North, the hero and narrator, is a young news reporter in New York City, and a very good one (this was written back before the internet holed the newspapers at the waterline). He is assistant to a legendary newsman named McGill, who asks Mike to come along upstate with him to spend Christmas at his home, since he (Mike) has no family. Mike agrees, and while there he meets McGill’s daughter Susannah, and falls so deeply and suddenly in love that everyone in the room can read it on his face. Susanna returns his feelings and they get along very well (including a sexual encounter under the Christmas tree while everybody else is sleeping) until somebody suggests telling ghost stories. Mike, on an impulse, makes up a story off the top of his head—about a sinister man with a scarred face, who dogs another man’s steps.

Suddenly Susannah is screaming, “Stop it! What are you doing to me?” She flees to her room, and the next morning she’s gone back to school.

It takes a few weeks before Mike realizes he has to go up to Susannah’s college and talk to her.

And as he pulls into the entrance to her college, he sees the scarred man from his story in his headlights.

I think this is one of the best set-ups for a thriller I’ve ever read. What’s especially great is that The Scarred Man is not a supernatural story. Everything that happens has a rational explanation. And it’s up to Mike and Susannah to figure it out, because the mystery involves the upcoming execution of a man who may not deserve to die. And the Scarred Man is still out there, dogging their steps, carrying the answers to their personal mysteries – which they may or may not want to learn.

On my second reading, I didn’t think the balance of the book was quite as great as the set-up, but it would be very hard for any story to meet that standard. Klavan fans who know him best from his current books should be warned that this is the early, liberal Klavan. He doesn’t slander conservatives, but the cultural insularity of his background shows through, especially in the addition of a character whom we are supposed to believe is a Christian fundamentalist preacher, even though his speech is peppered with obscenities. This is a fundamentalist preacher as imagined by a New Yorker who’s never actually met one. Attitudes toward sex may also offend some readers.

But it’s a great story, and one that will stick with you. Highly recommended.