What to say about the third book in Jeffrey Overstreet’s The Auralia Thread fantasy series, Raven’s Ladder? It’s difficult to decide, really, because these books are in a class by themselves, unlike anything you’ve ever read. Most fantasies are derivative to one degree or another. The Auralia Thread is a thing unto itself. It reminds me a little of Mervyn Peake’s Titus Groan books, but the resemblances are remote, and very few of you will have read them anyway.

Although the story isn’t locked into one location, the bulk of Raven’s Ladder takes place in the city-state of Bel Amica, which we’ve known only by reputation in the previous books. Since most of the Bel Amicans we’ve met already were favorable characters, one is inclined to think well of the place. But the rottenness in sophisticated, luxurious Bel Amica is as serious as was the rottenness in the ruined kingdom of Abascar. It’s just a decay of a different kind. Continue reading Raven’s Ladder, by Jeffrey Overstreet →

You can generally tell when my budget situation is getting tight by the way I start reviewing “classic” books, downloaded for free to my Kindle. And so we come to one of the first English mystery novels, Wilkie Collins’s 1859 book, The Woman in White.

I enjoyed The Woman in White, but found it frustrating at the same time. The story’s compelling, the characters wonderful, but (although I think I’m better suited to handle old fiction than most readers today) I found the Victorian conventions aggravating. Also, like any pioneering work in a genre, the author isn’t entirely sure how to handle his material, and does things which later writers, working in an established tradition, would never waste time on.

The Woman in White centers on two women who physically resemble each other, leading to tragic consequences. The first is Anne Catherick, who, when the hero, artist Walter Hartright, first encounters her, has recently escaped from an insane asylum. Hartright, unaware of this, chivalrously helps her find her way in London. The second woman is Laura Fairlie, a prospective heiress for whom Walter is soon hired to be drawing tutor. He falls in love with her without delay. But Laura is betrothed to a man of “her own class,” who eventually turns out to be an utter scoundrel. And so the foundation is laid for a diabolical plot to deprive her of her fortune and (perhaps) her life. Continue reading The Woman in White, by Wilkie Collins →

Lars has already reviewed Mark Bertrand’s detective novel, Back on Murder, so it may already be on your To-Read list. I finished it Friday and loved it. At the start of the novel, Roland March is “a suicide cop,” the officer in the homicide department who does the legwork no one wants to do after a fellow officer kills himself. Though March made a name for himself years ago and had the respect of whole department, his one famous case killed a part of him and has been dragging him down ever since. When a house full of gang members is found shot up, March notices a detail that sticks with him, irritating him into taking risks that only further distance him his teammates. But will those risks pay off?

Layer onto the murder case the disappearance of a beautiful blond teenager, one who looks like the other good-looking teenagers you’ve seen on national news, but this one is the daughter of godly widow, a pillar of her Houston mega-church. Is it possible the two are related, or is March just hoping for another high-profile case to put his career back on track?

The novel’s title sums up the detective’s ambition, that is, to be fully restored in the Homicide department, no longer a burn-out and convenient scapegoat for odd police jobs. He wants respect. He wants to be trusted as the lead on another murder case, not just suicide clean-up work.

As the story develops, we see the great pain March carries and shares with his wife, Charlotte. He’s continually dropping hints about it, and the narrative gradually reveals without telling too much. It’s impressive really. Bertrand has a strong novel here, and I look forward to the next two. March definitely has staying power.

I reviewed Tom Lowe’s first Sean O’Brien mystery, A False Dawn, a while back. I liked the writing (though a copy editor might have been profitably employed) as well as the characters, but felt the story was weakly constructed and fell apart toward the end. My report on the second book in the series, The 24th Letter, is that the storytelling has improved, but I still wonder that St. Martin’s Press would have purchased the manuscript. Author Lowe shows substantial progress in his craftsmanship, but he’s still writing at a high amateur level, in my opinion.

This time out, retired Miami police detective Sean O’Brien is contacted by an old friend, a Catholic priest. The priest tells him he has been told by a prisoner—who was recently wounded by a sniper while on the way to testify in a drug trial—that a man O’Brien himself put on death row for the murder of his girlfriend is in fact innocent. The prisoner will soon give the priest a written confession, detailing where vital evidence is hidden.

But soon both the prisoner and the priest have been murdered, and O’Brien, conscience-stricken that he might bear responsibility for the execution of an innocent man—works against the clock to unravel a convoluted mystery before the date of execution. Continue reading The 24th Letter, by Tom Lowe →