Category Archives: Fiction

At First Sight, by Stephen J. Cannell

Author Stephen J. Cannell explains, in his Acknowledgments at the beginning of At First Sight, that he came up with the idea for the book while reading Andrew Klavan’s interesting and risk-taking novel, Man and Wife. He decided he needed to take some risks of his own in novel-writing, and so sat down to write a book different from his usual output. The result is nothing like Man and Wife, but it’s entertaining (and valuable, I think) in its own way.

The main character and primary narrator is Chick Best, a California dot com millionaire. He has a beautiful home, expensive cars, a beautiful wife and daughter. At first he seems a decent, amusing guy, too, with a self-deprecating sense of humor.

But gradually the picture darkens. His business is on the downslide, and he blames everyone but himself. He’s sick of his wife, and his daughter is a disaster waiting to happen (he never wonders why). He’s living far beyond his means, desperately trying to sustain the exterior trappings and the envy of others that, he imagines, are all that make life worthwhile.

While on a vacation in Hawaii, he and his wife meet Paige Ellis and her husband, and Chick is bowled over. Paige is naturally beautiful and sweet, in a way that his wife, for all her expensive physical training, can’t match. After they return to their separate homes, Chick can’t stop obsessing about Paige. Continue reading At First Sight, by Stephen J. Cannell

Editors Talk Christian Fiction Trends

Publishers Weekly has a panel discussion of editors from Christian publishers, talking about trends in Christian fiction. Issue-driven books are waning a little. Romance within closed communities is big now. Speculative fiction is still being read.

Barbara Scott of Abingdon said, “Calling a novel ‘chick lit’ seems to be the kiss of death these days in publishing, but if an author is interested in writing about younger characters, it can be done by deepening the story. Pure fluff is out; authenticity is in.”

The Girl Who Played With Fire, by Stieg Larsson

If there was ever an author whose work I ought not to enjoy, it would be the late Stieg Larsson. A Swedish journalist whose field of concentration was right-wing and “hate” groups, he was (as far as I can determine from net research) a lifelong, devoted Communist.

And yet I loved his first mystery, The Girl With the Dragon Tattoo, and I snapped up The Girl Who Played With Fire as soon as it came out in paperback, zipping through its 724 pages in a couple days.

I think it’s a case of “the enemy of my enemy.” Both I and the author view contemporary Sweden as an unsatisfactory country, but from opposite viewpoints.

The central character of this book, even more than of the first in the series, is Lisbeth Salander, a brilliantly realized character. Lisbeth is a tiny young woman, often mistaken for a teenager, multipally tattooed and pierced (though we’re told she’s removed one tattoo now, and stopped wearing most of her studs and rings). She’s an off-the-charts genius who works on Fermat’s Last Theorem in pencil, in a notebook, in her spare time. She’s also a world-class computer hacker, skilled in self-defense, socially inept, and slightly crazy, having been the victim of horrendous betrayal and abuse as a child—a history that forms an important element of the plot of this book. Continue reading The Girl Who Played With Fire, by Stieg Larsson

Interview with Joshua Weigel

Joshua Weigel directed The Butterfly Circus, which we linked to a while back. He says, “We have already had quite a few people approach us about turning The Butterfly Circus into a feature film and we will be spending the coming months writing the feature script. From the start we had a much bigger story in mind and feel it has the potential to be even better as a full length feature.”

I wish him the best.

But what do you call the thing beneath it?

Just when I was wondering what to blog about, Loren Eaton at I Saw Lightning Fall uses… that word!

He links to an interesting book review by Newsweek’s Jennie Yabroff, dealing with the thorny subject of… subtext!

The title in question is Joshua Ferris’ The Unnamed, a novel about a lawyer struggling with an undiagnosed compulsion to endlessly walk until he keels over. An odd and evocative premise, one that Yabroff wrestles with mightily. She initially wonders if the affliction may be a metaphor for environmental destruction or the search for the divine or the nature of addiction, but concludes that it doesn’t really matter. “What if the book is about nothing more than a man who takes really long walks?” she muses before launching into a discussion about the dangers of overanalyzing….

This leaves me no choice but to quote one of the best movies of the 1990s, Whit Stillman’s brilliant Barcelona, the story of two American cousins grappling with cultural differences, sexual mores, love, and anti-Americanism in 1980s Spain. This movie contributed one of the greatest bits of dialogue ever placed in two actors’ mouths:

FRED: Maybe you can clarify something for me. Since I’ve been, you know, waiting for the fleet to show up, I’ve read a lot, and–

TED: Really?

FRED: And one of the things that keeps popping up is this about “subtext.” Plays, novels, songs–they all have a “subtext,” which I take to mean a hidden message or import of some kind. So subtext we know. But what do you call the message or meaning that’s right there on the surface, completely open and obvious? They never talk about that. What do you call what’s above the subtext?

TED: The text.

FRED: OK, that’s right, but they never talk about that.

Note to self: Must get the DVD.

Long Lost, by Harlan Coben

Long Lost

I didn’t much care for the first Harlan Coben book I read, and it was part of the Myron Bolitar series. But Coben—and the series—have been growing on me, and I liked Long Lost

very much.

Coben, apparently, has decided to take the series (which has been pretty conventional mysteries up to now) in a new direction—to international thrillers. It would seem a stretch to make a sports agent (that’s Bolitar’s profession) a spy chaser, but Coben accomplishes it pretty deftly (I thought), by the wisest course possible for a writer. Instead of adding novel elements to the formula, he takes an underutilized character he’s already established, and gives her a back story that rears its ugly head to take her (and our hero) into fresh territory. Continue reading Long Lost, by Harlan Coben

Evidence, by Jonathan Kellerman

Evidence Kellerman

You’re probably tired of my reviews of paperback mysteries, especially ones by the small string of my favorite authors, among whom Jonathan Kellerman is not least. So this will be more an appreciation than a review.

In brief, Evidence is a well-crafted, compelling police procedural, in which psychologist Alex Delaware is mostly along for the ride, as his buddy Detective Milo Sturgis investigates the murder of a couple, found posed in a sexual position, in an unfinished beachside mansion. The investigation leads to a secretive, extremist environmentalist plot.

Much of my enjoyment of this book was strictly partisan and ideological. I don’t know Kellerman’s politics, but he throws conservatives some red meat. First of all, he balances the fact that Det. Sturgis is gay (the least “gay” man possible, in terms of stereotypes), by throwing in Det. Sean Binchy, an open evangelical. Sean has a small part in the book, but he’s smart, decent and hard-working.

Note to Hollywood—I accept token characters. I embrace them. I’m shamelessly gullible in this regard.



Also, the things said in this book about certain elements (certainly not the majority) of the environmentalist movement shocked me. If green terrorism is indeed as common and deadly as this story suggests, the press has a lot of covering up to answer for. The enviro-nuts in Evidence act the way pro-lifers usually act in Hollywood movies and TV shows. Which is saying, pretty darn bad.

So I had a great time with Evidence. Recommended, with the usual caveats for language and adult subject matter.

Decider, by Dick Francis

Several of you encouraged me to try Dick Francis’ mysteries when I posted following his recent death. I took your advice. Thank you. Decider was my first Francis, but it won’t be my last.

The hero of this novel is Lee Morris, an architect and builder who specializes in converting ruined historic buildings into habitable homes and usable places of business (which serves very well as a metaphor for his activities in the story).

He’s a strong, independent, honest man, but no plaster saint. He lusts (passively) over younger women, and his marriage, to a beautiful woman he once loved passionately, has now gone cold. He’s terrified his wife will leave him, though, because he loves the life he’s made, and the six (!) sons she’s given him.

When he’s approached by the managers of the Stratton Park racecourse, asking him to try to influence the board of directors, he’s not much inclined to help. He’s owned shares in the racecourse since his mother’s death, as she was once married to a member of the aristocratic Stratton family. He has little interest in horse racing, and none at all in a closer association with the Strattons, of whom his mother had traumatic memories. Still, for reasons of his own, he gets involved with the family dispute—some Strattons want to tear the course down and sell it, some want to rebuild and modernize the grandstand, and others want to change nothing. A few of them are rather nice, more of them are passive and ineffectual, and a couple are dangerous loons. Before long a spectator has been killed in a steeplechasing accident, and the grandstand has been blown up, nearly killing Lee and one of his sons. The Stratton family, like all aristocratic families in fiction, has dangerous secrets, and there are those who will go to any lengths to keep them covered up. In the end, Lee’s life and those of his sons depend on his ability to solve the mystery.

In the same way that Jane Austen’s novels are comedies of manners, this book is a mystery of character. Not merely the well-drawn, vivid characters author Francis sketches, but the idea of personal character and integrity. Lee Morris among the Strattons stands out by virtue of his decency, his sanity, and his human caring. A passage from a friend’s old diary, which he reads (with permission), gives a hint at the theme:

More rumors about Wilson Yarrow. He’s being allowed to complete his diploma! They’re saying someone else’s design was entered in his name for the Epsilon prize by mistake! Then old Hammond says a brilliant talent like that shouldn’t be extinguished for one little lapse! How’s that for giving the game away? Discussed it with Lee. He says choice comes from inside. If someone chooses to cheat once, they’ll do it again. What about consequences, I asked? He said Wilson Yarrow hadn’t considered consequences because he’d acted on a belief that he would get away with it….

I found Decider a most satisfying book, on several levels. Highly recommended.

The Long Way Home, by Andrew Klavan

At one point in The Long Way Home, the second volume (just released) of Andrew Klavan’s Young Adult series, The Homelanders, Charlie West, the hero, reminisces about talking with his school buddies about various geeky subjects, such as why the second part of any trilogy is never as good as Parts One and Three. I can’t say how The Long Way Home stacks up against the third book, coming this fall, but I’d say that it definitely lives up to the promise of Volume One, The Last Thing I Remember.

Nobody does literary chases better than Klavan, and fully the first quarter of this book is a hot chase, with Charlie fleeing both terrorists and the police on a motorcycle and on foot. Like the masterful chase that played such a major role in the author’s book True Crime (which became a Clint Eastwood movie), this one would strain credibility pretty tight, if the author gave you time to think about it. Fortunately, he doesn’t, and the young males who are its chief intended audience will eat it up like nachos. I can’t guarantee your nephew will like it, but I’m pretty sure he won’t tell you it was boring. Continue reading The Long Way Home, by Andrew Klavan

The Devil's Workshop, by Stephen J. Cannell

I’ve been enjoying television writer and producer Stephen J. Cannell’s novels recently, as you may have noticed. The Devil’s Workshop did not disappoint me in terms of story or character (I found the ending especially moving), but I’m glad I didn’t read it first, because it might have turned me off his work from the outset. Continue reading The Devil's Workshop, by Stephen J. Cannell