Category Archives: Fiction

Heeding the Dark Side, Janus-headed Poetry, and Serpents in the Classroom

“Nature’s dark side is heeded now–“

Herman Melville wrote a poem in 1860 of his “Misgivings” before The Civil War.

“With shouts of the torrents down the gorges go,
And storms are formed behind the storm we feel:
The hemlock shakes in the rafter, the oak in the driving keel.”

We’ve had storms and rumors of storms for about a month.

This week, the Russian army bombed a large theater in Mariupol, Ukraine, trapping over a thousand people who were sheltering from the siege. Last week, The Guardian ran an article reporting that some believe such destruction is an intentional effort to wipe out Ukrainian heritage and identity, to steamroll their country into Soviet-era sameness with Russia. (via Prufrock)

It’s difficult to take my mind off of the rattling, explosive thunder from the other side of the world. But here are a few other things.

The Complete Review reads The Runes Have Been Cast by Robert Irwin (not a recommendation to our readers, but still of possible interest):

With its colorful characters — notably Raven and Wormsley, but also, for example, Molly (who admits: “I don’t want a happy life. I want an interesting one”) — and a composed-seeming Lancelyn who finds himself coming apart in a world he can not readily categorize and impose an order on, much of The Runes Have Been Cast is tremendous good fun.

Poetry: “De la Mare (1873-1956) was among the first poets I read as a kid. Much of his verse is Janus-headed.” (via Books, Inq)

Coffeehouse Renovation: The Christian Study Center of Gainesville, Florida, is raising funds to renovate Pascal’s, their university community’s coffeehouse.

Education: Thomas Korcok’s Serpents in the Classroom reveals the religious agenda of many who formed how we think of education today. He shows how “these pillars of today’s education rejected Christianity and offered their approach to education as a way to undermine its influence and instill in young people something better.”

Camus: Albert Camus’s The Stranger “was first published in an underground edition in 1942, during the Nazi occupation of France, a time of widespread killing without emotion or remorse. It excited controversy from the start; Jean-Paul Sartre admired the novel but called it ‘unjustified and unjustifiable’ …”

Pilgrim’s Progress: “Bunyan gives us four ways to engage in the mental and spiritual fight. We have to fight thoughts with thoughts, words with words, untruths with truths.”

Photo: Belmont County Courthouse, Saint Clairsville, Ohio. 1995. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

‘Murder Must Advertise,’ by Dorothy L. Sayers

…the most convincing copy  was always written with the tongue in the cheek, a genuine conviction of the commodity’s worth producing—for some reason—poverty and flatness of style….

All in all, among the delights of Dorothy Sayers’ Lord Peter Wimsey mystery series, Murder Must Advertise may be the most perfect specimen. Which is rather odd, to my mind, as it takes Lord Peter generally out of his natural environment (his priceless valet, Bunter, only makes a brief appearance). In Murder Must Advertise, Lord Peter goes undercover as an advertising copywriter, and finds to his surprise that he’s rather good at it. (Author Sayers herself spent some time in that very career – she is credited with coining the phrase, “It pays to advertise!”)

Victor Dean, a young copywriter at Pym’s Publicity, fell down an iron spiral staircase in the offices one day, breaking his neck. A letter to his employer was found among his effects, and that letter said that something illicit was going on among the staff. For that reason, Mr. Pym engages Lord Peter Wimsey to investigate. Lord Peter substitutes horn-rimmed glasses for his usual monocle and shows up for work, easily sliding into the circle of copywriters. He calls himself Death Bredon (these being his two actual middle names). Meanwhile, at night, Death Bredon becomes a habitue of wild parties hosted by a notorious young heiress. Drugs are being distributed at these parties, and somehow the drug network is connected to Pym’s Publicity. Death Bredon charms some people, insults others, and generally stirs things up to see what will happen. What happens is murder.

Murder Must Advertise is about as close as Miss Sayers ever came to full-blown hard-boiled fiction. Lord Peter is very different from Philip Marlowe, but there’s some of the same atmosphere here of mean streets and ruthless criminals. I like it quite a lot, it goes without saying.

Cautions, American readers, for a lengthy chapter involving a cricket game. Most of you will be as at sea in that environment as I am.

‘Fatal Sisters,’ by W. Glenn Duncan

Speaking in general terms, hard-boiled mysteries written before the turn of the millennium tend to be a good bet for me. A little more modern than the classics (which I also like), but before the explosion of Wokeness that has fatally infected so much recent literature. Jack Lynch’s Bragg books are a good example.

So I tried out W. Glenn Duncan’s Fatal Sisters, part of his Rafferty series. The intention seems to have been to produce something reminiscent of Robert B. Parker’s Spenser novels.

Sadly, it didn’t quite work for me. But read on. You might like it better.

Rafferty is a private eye in Dallas. Like Nick Charles and Spenser, he has a steady girlfriend (though because of the time of writing, the author didn’t feel it necessary to make the girlfriend a two-fisted martial artist. And that’s always nice). Rafferty operates alone, but has a dangerous friend called “Cowboy” who backs him up when things get hairy.

In Fatal Sisters (I haven’t figured out yet what the title means. Probably missed a clue), Rafferty gets a call from Patty Akkister, a fairly ordinary young wife. She says her husband Sherm is missing. But it’s all hush-hush, because, she says, Sherm is actually a spy, off on one of his secret assignments. He’s been gone so long, though…

Rafferty has run into situations like this before. Clearly, old Sherm is having an affair, and using the spy story to explain his absences. Rafferty takes the case, in the hope of catching Sherm and talking him into going back to Patty.

Unfortunately, Rafferty’s wrong. Sherm’s no spy, but he is involved in some very dangerous business. And before he’s done, Rafferty will find himself dodging bullets and protecting people – including Patty – from serious mayhem and murder.

I’m not entirely sure why Fatal Sisters didn’t work for me. Rafferty was an okay character, though he never really came alive in my mind. He’s a wisecracking PI, which is a great tradition, but it seemed to me his dialogue never quite hit the target. The book was interesting enough, in a “something to read while waiting for a plane” sort of way. And there was a pretty good surprise at the climax.

On the language side, the profanity quotient was much lower than we get in our decade. So it had that going for it.

‘Yesterday is Dead,’ by Jack Lynch

I like the late Jack Lynch’s Pete Bragg series of hard-boileds, starring Pete Bragg, better and better. Yesterday is Dead was right up my alley.

Pete Bragg, you may recall, is a private eye in the San Francisco area. But his origins are in Seattle, where he grew up and was a newspaper man for a while. He doesn’t have a lot of fond memories, though. Somehow, he says, nothing ever worked out for him there.

So it’s been a while since he’s been in touch with his best old friend up there, Benny Bartlett. Benny is freelance journalist, and a really nice guy. He works on human interest and feature stories. Woodward and Bernstein he’s not.

So why is somebody threatening him over the phone? There have been a couple strange incidents, too, which may have been attacks. But Benny’s not sure. The police aren’t impressed. But Benny’s worried about his family. Would Pete come up and look into things?

Of course Pete will. About the time he shows up in town, the danger to Benny becomes undeniable. But even more disconcerting is that Pete runs into his ex-wife, Lorna. Their relationship was complicated, and when she left him, it hurt. Now she seems interested again. Can Pete take another chance on her? Or should he be faithful to his California girlfriend?

Yesterday is Dead is classic hard-boiled, even down to Pete getting taken for a ride and given a professional beating. My only real complaint is a lingering one with this series – Pete’s judgment and ethics in dealing with women are pretty bad (and they’ve got to be bad when I can tell). But I guess that’s part of his character.

Recommended.

‘Targeted,’ by Stephen Hunter

The shooting stopped not out of mercy or rationality, but out of ammo depletion. Each automatic and semiautomatic weapon came up dry at almost the same second. Anyone whose eardrums had not been shattered by the ruckus would have heard an anvil chorus of clicks, snaps, slams, curses, and chunks as, momentarily drained of IQ, the troopers decided that if they pulled real hard the guns would start shooting again.

I always wonder (with anticipation) what stunt Stephen Hunter will pull to squeeze one more story out of the Bob Lee Swagger franchise. When you’re writing an action character who ages in real time, and you’ve gotten him up to his mid-seventies, generating drama turns into a real challenge. Generating plausible drama would seem nearly impossible.

And yet Hunter pulls it off again in Targeted. I won’t say the story is quite plausible, but it’s carried off with such style and verve that it works, in the grand tradition.

In our last story, old Bob Lee saved the country from a major terrorist plot with a near-impossible rifle shot. In the grand tradition of American politics, the reward he earns is a congressional investigation, led by a predatory old congresswoman who may, or may not, be based on a living person. Oh, we have nothing but respect for you personally, the investigators say (they are lying), but we need to seriously consider the procedures and protocols that led to your action. Were anyone’s civil rights violated? Did systemic racism inform the operation in any way?

Just when things look very bad for the old sniper, the whole thing gets turned upside down by the arrival by a group of mysterious convicts who take everybody hostage. Bob, plastic-cuffed to a wheelchair, is in a poor position to save the day, but a surprising ally will appear.

Lots of action, a good dollop of political satire, and one of the most dependable action heroes out there. I got a kick out of Targeted, and recommend it highly.

‘Renegade Swords III’

This is not a review, but a promotion. I have a story in the recently released anthology, Renegade Swords III. I was approached by the compiler, who paid me a small fee for rights to the story. It was originally published long, long ago in Weird Tales (I was delighted to get into Weird Tales, once upon a time the home of Robert E. Howard’s Conan).

The story is called “Magic’s Price.” It’s about a wizard, berserkers, and a bereaved husband. I know nothing about the other stories, or the authors. But my story alone makes the book worth having. It goes without saying.

Had a melancholy reading experience today. I picked up a bargain e-book, and it started out really well. The prose was excellent, and I liked the characters. I was interested in them. The story drew me in.

Then I came up against the Agenda (or, as you may prefer to put it, my bigotry). The central problem of the story involved a homosexual being blackmailed, back in the early 1950s.

I always cringe when they bring in “gay” themes. Aside from my beliefs on sexual morality, male homosexuality gives me the willies. I think that’s true for all “straight” (what we used to call normal) men, if they haven’t been brainwashed. But I could put up with it as a realistic plot element.

However, that wasn’t enough for the author. He had to make it an issue. Had to preach repeatedly on the importance of normalizing homosexuality, of bringing it into the mainstream.

So, sadly, I put the book aside unfinished.

But it was good enough that I think I ought to at least mention it here: Murder by the Book, by Eric Brown. As I mentioned, the writing was very good. You might enjoy it, if you’re more enlightened than I am.

‘Sierra Six,’ by Mark Greaney

Mark Greaney’s Gray Man series, about Courtland Gentry, renegade former CIA assassin, continues with Sierra Six, which combines a contemporary story with flashbacks to his first assignment, twelve years ago, as part of a CIA kill team. The two threads intertwine, more and more tightly as the story goes on, coming finally to a crashing double point.

We start with the flashback, where young Court’s talents as a fighting man are recognized, and the CIA decides to add him to an action team. He’ll be the “Six,” the point man, replacing a string of other sixes who’ve been killed on recent missions. Court is not a team player by nature – it’s hard for him to coordinate with others. Even harder for him to trust others. In training, he keeps messing up. In early missions, he makes costly mistakes. But his sheer talent persuades his superiors to keep him on the team – though his team members don’t like him one bit.

In the present, working as a freelance, he gets hired for an operation in Algiers. In the course of the action he glimpses the face of a man he thought was dead – a terrorist he came up against on that old, first mission. Court has a personal score to settle with that man. And, incidentally, that man is going to murder millions of people if he isn’t stopped.

Sierra Six was a tight, taut thriller that never let up. The action was pretty cinematic – a little implausible, but compelling. I don’t have the tolerance for such stories that I used to have, but I can’t deny it was well done. And I do keep reading the books.

Recommended, for those who like this kind of story. Cautions for what you’d expect.

‘The Wanderer, by Michael Ridpath

From time to time I run across a mystery related to the Vikings or the sagas. Usually I am disappointed. The research tends to be cursory, and I find many historical nits to pick.

Michael Ridpath’s The Wanderer was different. I have a few criticisms, but they don’t fall on the research side.

The book is part of a series about an Icelandic-American detective named Magnus (one of the things you need to get used to – accurately – is the general use of first names where we’d use last names. This is due to Icelandic patronymic naming conventions. Our hero’s full name is Magnus Jonson, but the Jonson part is rarely used. Magnus was born in Iceland but raised in the US, where he was a policeman in Boston for some years. But now he’s home in Iceland and is a police detective there. He doesn’t really feel at home in either place.

There’s a young female historian named Eyglo, who made an international name for herself with a documentary about Viking women. Now she’s working with a British crew on a documentary about Gudrid the Far-Traveled, Erik the Red’s daughter-in-law who made it both to America and to Rome during her lifetime. They’re particularly excited about a couple new discoveries they’ll be highlighting. One is a letter from Columbus himself, recently discovered in the Vatican library, that details a trip to Iceland where he acquired sailing directions for a land to the west. The other is a string of wampum – shells used by Native Americans for money – found in an archaeological dig at Gudrid’s farm in Iceland. The shells have been sourced to Nantucket, which indicates that Nantucket must have been the site of a Viking settlement.

Then a young Italian woman, also an archaeologist, is murdered near Gudrid’s farm. Murder is rare in Iceland, and Magnus is assigned to this important case. He will learn that archaeologists don’t just dig things up – sometimes they bury them.

First of all, The Wanderer was well-written. The dialogue was good; the story moved right along. My main quibble was a flavor of political correctness, which is not surprising in our time. It wasn’t preachy, just present in the background. Some of the characters’ actions, it seemed to me, were only plausible on the basis of pop gender dogma.

I wouldn’t call this book Scandinavian Noir. It lacked that suicidal, Kierkegaardian tang. Which is all to the good, in my opinion.

All in all, I found The Wanderer surprisingly good, and I recommend it.

‘City of the Dead,’ by Jonathan Kellerman

At this point in time, one doesn’t go to Jonathan Kellerman’s Alex Delaware novels for novelty. A pile of them have been published over the years, and in a non-fictional world both the main characters would be long retired.

But there are other reading pleasures in the world than novelty. Psychologist Alex Delaware and his L.A. police lieutenant friend Milo Sturgis are old buddies to fans, and you don’t need a new experience every time you get together with old buddies. So we have City of the Dead, the latest in the series.

This time out, Milo asks Alex to accompany him to view a body in an exclusive neighborhood. A naked man has been hit by a moving van. The cop on the scene notices a blood trail leading to a nearby house. Inside he found a woman murdered. When Alex views that corpse, he realizes he knows her.

She is a sometime model, now an “internet influencer.” She poses as a psychological counselor, which is how Alex encountered her, pretending to a doctorate she doesn’t possess. She seems to have been a charlatan, but she didn’t deserve to have her throat cut.

A deep dive into her background, and that of the male victim, leads into sad stories of family dysfunction and personal “reinvention.” But it’s harder to find anyone who had reason or opportunity to kill them. The true solution will be far more bizarre than anyone imagined.

I found the plot of City of the Dead a bit disappointing, to be honest. The solution depended on a coincidence rather than detective work.

But it was an opportunity to spend time with a couple of my favorite literary characters. I’m not complaining.

‘Dark Horse,’ by Gregg Hurwitz

Aragón set the glass down, pushed it away. “Maturity is graduating from the belief that the world misunderstands you to the awareness that you misunderstand the world.” He laced his fingers together. “Who I have failed to become is the story of why my daughter suffers. That load of product I burned yesterday? I could have burned it, burned them all, two years ago or three. And then maybe she would be safe. I didn’t need you to tell me to do it. I didn’t need you. But clearly I did.”

The Orphan X series by Gregg Hurwitz is an amazing set of books that keeps getting better and better. I have a couple personal quibbles, but reading the latest, Dark Horse, was a delight overall.

As you may recall, Orphan X is Evan Smoak (also known as the Nowhere Man). A former super-secret government agent, he managed to get free and now operates as a freelance white knight, rescuing people in bad trouble. He lives in an expensive Los Angeles penthouse apartment. It’s a sterile, minimalist space where he finds comfort in his OCD.

That space was violated in the last novel, and now he’s in the process of rebuilding. But he’s interrupted by a plea for help from someone to whom he ordinarily wouldn’t give two seconds – a drug lord from the Texas border country.

Aragon Urrea tries to operate at a higher level than the cartels. He eschews terrorist tactics, contributes to the welfare of the people in his territory, and has always maintained his family’s home as an island of normal life. He has raised his daughter Anjelina to be a good person. But now she’s been kidnapped by a cartel, from her 18th birthday party.

Evan doesn’t like the idea of working for a drug dealer, but Anjelina is an innocent. He agrees to try to get her out, which involves infiltrating the cartel.

But that’s not Evan’s only problem. He’s having trouble relating to his teenaged ward, the female computer hacker Joey, who wants his permission to go on a solo road trip. Evan has no idea how to deal with adolescent rebellion, but he knows he doesn’t want her running around unprotected in this dangerous world.

And then there’s his almost-girlfriend Mia, who lives in the same building, and is facing a personal crisis beyond Evan’s power to help. Except that she wants him to give support to her son Peter. Another kid needing guidance from a guy who never experienced a real family.

Dark Horse is more than an action thriller. It’s about a damaged, obsessive-compulsive man forced (reluctantly) to engage with the world of human feelings and needs, far outside his comfort zone. He can put a bullet through a human heart with no trouble – but can he comfort a broken heart?

Author Hurwitz has been constantly raising the level of the Orphan X books. They’re becoming (in my opinion) something really wonderful and moving. I highly recommend them. Cautions for language and mayhem.

My only problem was that some PC elements were inserted where they really weren’t necessary. I hope the author gets over that.