Category Archives: Fiction

‘Kiss My Assassin’ by Dave Sinclair

The blurb says, “You’ve never met a spy like this before!” That’s false advertising. Charles Bishop, hero of Kiss My Assassin (apologies for the title), is almost indistinguishable from James Bond. He does the same job, has the same way with women, and gets into the same kind of scrapes as Bond (at least the movie Bond). I suppose the author’s attempts at witty dialogue are intended to make the atmosphere a little lighter than a Bond story, but I didn’t find the wit very sharp, myself.

When the Turkish ambassador to Great Britain is arrested on Westminster Bridge after a naked male body flies out of his car trunk, Bishop is sent to talk to him at his residence (diplomatic complications have delayed his being detained by police). The ambassador tells Bishop that it doesn’t matter what he does – he’s going to be dead by the end of the day. He says he got an opportunity to participate in a highly secret illegal arms auction, but since the dead man, the sellers’ agent, died – accidentally – the arms brokers, who are not understanding sorts, will certainly kill him and his family.

Fireworks ensue, and soon Bishop is off to Marrakech, where he meets a seductive woman and a brutish Russian agent, who turns into an unlikely ally. In the honored tradition of movie action heroes, Bishop will kill an improbable number of enemy agents, and though he’ll suffer several traumatic injuries, including gunshot wounds, he’ll still drag himself out his hospital bed to give it one more go.

I’ve read a lot of improbable action thrillers, so I could have gone happily along for the ride if I’d liked the main character. But I took a dislike to Charles Bishop almost from the start. The dialogue, I think, was meant to be clever, but it didn’t amuse me. An attempt at one point to make Bishop sensitive to male sexism struck me as both false and a little prissy.

The writing isn’t awful, but I don’t recommend Kiss My Assassin. As you might expect, there was quite a lot of sex, some of it pretty kinky.

What Everyone Should Read, Thanksgiving Americans, and Swordplay

I’m almost done reading Graham Greene’s The Power and the Glory, and last night I thought, “Everyone should read this. They should assign it in schools or colleges. It should be something that young people should be expected to read before they are thirty.” Hundreds of churches would benefit from reading of the unmerited grace God shows the whisky priest, his duty and that of the lieutenant, and sparks of faith you can see here and there. It would stir up the pious in a way they need to be stirred.

Patrick Kurp’s son may have a better idea. He suggests making The Gulag Archipelago required reading in high school. Kurp replies, “This simple idea is too commonsensical ever to be adopted. The historical memory of many Americans has almost evaporated, leaving it eminently inflatable with hogwash.” Education, he says, is being trivialized.

Thanksgiving: In Barry Levinson’s Avalon (1990), Titus Techera writes, “Thanksgiving has a double character. On the one hand, it’s a kind of nonreligious expression of gratitude—ultimately, a form of patriotism. These are not religious people, and it seems that, without religion, Americans don’t know who is especially deserving of their thanks. They love America, but it seems no different than loving themselves. . . . On the other hand, Thanksgiving is supposed to save Americans from this individualism by forcing them at least to stop busybodying and rekindling the love of their own family.”

Paperbacks: “Around about the 1950s, the American literary establishment—never exactly nimble on its feet—noticed its world had changed a decade earlier.” And somewhat related, here are 30 fantasy book series with brief introductions.

Rings of Power: Still joking about convoluted story mess in the first season of Rings of Power. There’s a lot of material there. I’ve watched several of Ryan George’s Pitch Meetings skits and feel there’s a cumulative effect to several of the jokes. If this is the first one you see, you may that watching a few more adds to the humor of the whole.

Swords: A swordsman reviews his blade, one styled after a 14th century bastard sword.

Faithful: Pastors remain in Ukraine, leaning on the Almighty every day.

In the second tweet, Lee writes, “The 5th day, he woke up alone in bed at 5 am, and began weeping for an hour, for no obvious reason other than a sudden realization of his new reality. 9 months have passed. What did he learn? ‘God is good, all the time. It’s not just a slogan for me— it’s a deep conviction.'”

God have mercy on us and string Ukrainian streets with peace.

For your Spectation

I continue to yammer to all and sundry about the novel The Last of the Vikings. Today The American Spectator printed a second review by me.

There’s a fascinating section in The Last of the Vikings where the fishermen ask Lars to read to them from A Happy Boy, and they’re all transported by the story: “It had never struck them before that a house and land can be so beautiful despite their being small. They did not know that poor people could have so much sunshine.”

And then another fisherman comes in carrying a radical newspaper called the Dawn. He’s been bringing copies in periodically for Lars to read aloud, and they’ve all enjoyed reviling the greedy capitalists. But now the fishermen’s attitude has changed. They tell the agitator, to his shock, to get out and take his paper with him…

Read it all here.

‘Comes the Dark Stranger,’ by Jack Higgins

Back in the late Jack Higgins’ heyday, I used to buy all his novels as they appeared, because he wrote a tight, compelling story, and when Christianity came up it was generally treated respectfully. As time went on I got the feeling he was starting to phone it in, telling the same story over and over with different settings and only superficially different characters.

But it had been a while since I’d read a Higgins, so I took advantage of a bargain on one of his early books, Comes the Dark Stranger. I don’t think he’d found his stride yet at this point in his career, but the book was entertaining.

Martin Shane shows up in the English town of Burnham, looking for an old army buddy. But not in a good way. He’d been with a commando group in Korea, all from the same town, and he and his friends were taken prisoner and tortured. One of them, under threat of execution, had broken and given the interrogator what he wanted. Then Martin’s best friend was executed. Martin vowed revenge, but then suffered a brain injury that kept him hospitalized for eight years. Recently he got his memory back. He needs brain surgery to remove shrapnel before it kills him, but before he goes under the knife, Martin is going to identify the Judas and kill him.

Of course, it isn’t as easy as that. Everyone has a story. Somebody’s lying. As Martin endures recurring, crippling headaches, he questions and threatens and gets people angry, hoping the culprit will give something away. At some points, he’s not even sure the things he remembers actually happened. In the end, he’ll get an answer he doesn’t want.

Comes the Dark Stranger touched all the bases as far as thriller plotting is concerned. My problem with the book is that I didn’t really believe in the characters. I didn’t think some of them were responding naturally, but were just doing what was necessary to advance the plot.

Still, the book wasn’t bad. Moderately recommended.

‘Hidden Voices,’ by Dan Willis

I’ve been following Dan Willis’ Arcane Casebook series about hardboiled runewright/detective Alex Lockerby for some time. The books aren’t high literature, but they’re a rare example of modern urban fantasy that I find entertaining. The latest book is Hidden Voices.

Alex Lockerby is thrust into the turmoil of European affairs when William Donovan, creator of the OSS, asks him to transport to Austria and rescue an alchemist who possesses a valuable secret formula the Nazis want. The job – of course – turns out to be more dangerous than expected, but Alex manages to bring the alchemist home. And then it goes wrong on this end.

Meanwhile, he’s also hired to investigate the murder of a famous vaudeville musician, beaten to death with his own mandolin.

Supported and assisted by his girlfriend, the sorceress Sorsha, Alex comes through (even battling the Aryan Superman) to champion the cause of freedom and identify the guilty.

I wish the author had worked harder to master 1930s diction – he thinks, for instance, that Alex would have called the “#” symbol a “pound sign” rather than a hash mark. But most people can’t remember how they talked in the old days anymore, so I suppose it’s not important. The story was fun and there was no objectionable material. Recommended.

‘Deadly Welcome,’ by John D. MacDonald

As you’ve noticed, I am working my way (happily) through the old John D. MacDonald paperbacks re-issued for Kindle by The Murder Room. Deadly Welcome was a particular pleasure, because it’s one I hadn’t read before.

Alex Doyle works in sort of troubleshooting capacity (never really explained) for the US State Department. But one day he’s ordered to the Pentagon and informed he’s now on loan to the military. They have an assignment for him, one he’s uniquely qualified to carry out.

There’s a Colonel M’Gann who’s been doing important defense work. A while back he got married to a woman named Jenna Larkin, originally of Ramona Beach, Florida. She seemed to be a good wife, and nursed him back from a stroke. They moved to Ramona Beach together. Then she was murdered, strangled on the beach. Now Col. M’Gann has withdrawn from the world. The military wants him back. They’d like Alex to go down there and see if he can solve the murder. That might bring the Colonel back.

Alex doesn’t want to do it. The very reason they chose him is because he originally came from Ramona himself. He even knew Jenna Larkin (all the boys did). Back there he was considered white trash. He got framed for a theft and only avoided prison by enlisting in the Army. He expects no great welcome in his home town.

Indeed, once he arrives, pretending to have money he wants to invest in a local business, almost his first encounter is with the deputy sheriff, who works him over with a truncheon just to show him who’s in charge. Alex pretends to be properly cowed, but he’s not the same guy who got run out of town so long ago. He’ll get his own back in his own time. Along the way he’ll meet Jenna’s sister, a beautiful woman with a traumatic past. And he’ll uncover a possible motive for the murder, which helps him come up with a way to trap a killer.

Deadly Welcome isn’t a terribly memorable book. There’s a little too much amateur psychology here, perhaps. But it’s a well-crafted, plausible story with a satisfying conclusion. Journeyman work, and well worth the price.

‘The Last of the Vikings,’ by Johan Bojer

They worked in the herring fisheries in the autumn, and in the winter sailed hundreds of miles in open boats up to Lofoten, perhaps tempted by the hope of gain, but perhaps too because on the sea they were free men.

More than once over the years on this blog I’ve mentioned Johan Bojer’s novel, The Last of the Vikings, which I read in Norwegian (Nynorsk). I even translated a section and posted it once (though I can’t find it now), because I dearly wished to share this book with others, but the English translation was out of print.

I’m delighted to report that this has changed. You can now get The Last of the Vikings in translation for Kindle.

First of all, I must inform you that this book isn’t about Vikings. It’s about the cod fishery in Lofoten sometime around the turn of the 20th Century, when steam was beginning to replace sail. If you see a picture of one of the old Nordland boats, the kind used in this book, you’ll think for a moment that it’s a picture of a Viking ship. That’s because the Nordland boats were descended from Viking boats through unbroken evolution over centuries.

Kristàver Myran is a small farmer (although the text doesn’t say it, his home is in the Trondheim area, where author Bojer grew up). Every winter, like most of the able-bodied men of his neighborhood, he makes the long sail up to Lofoten to participate in the cod fishing, gambling that he can make enough money to get ahead a little in the world. But this year he has great hopes, because he finally has his own boat (purchased on credit). He wondered why the boat was going for such a low price, but only learned after the sale that it’s jinxed. Over the last three winters it has capsized every year. Well, nothing can be done about that now.

Coming along for the first time is his son Lars, proud to be a Lofoten man at last. Lars idolizes his father and dreams of following in his footsteps, but also likes to read and has educational aspirations. He is the main point-of-view character in the book.

Other crew members include Elezeus, Kristàver’s brother-in-law, an abusive, self-loathing husband. And Kaneles (Cornelius), a fun-loving bachelor who’s the sole support of his young sister and blind father. And Arnt, another first-year man, a bad sailor terrified of the sea.

Another skipper from the neighborhood is old Jacob, a limping, black-bearded, drunken, cheerful force of nature. A man with no family and no home on land, who knows nothing but the sea, but knows it like no other.

The men will face many challenges over the winter. They’ll face conflicts with other crews over tangled nets and regional rivalries in drinking shops. They’ll face long hours rowing, and days and nights without sleep when the shoals of fish come in, and boredom when they don’t. They’ll face daunting competition from the new steam-powered boats, along with the arrogance of the authorities. But most of all they’ll face the weather, the killing storms of the arctic sea. They will look in the face of death itself.

I’ve rarely read a book that affected me more than this one. I don’t think it’s just because some of my ancestors must have been involved in this fishery. This is the story of all the poor men over the centuries who’ve taken the poor man’s gamble – risk your very life in the hopes of making a better future for your family, even at the risk of leaving them without a provider. I cared deeply about these characters, and mourned and rejoiced with them.

I have to say I don’t consider the translation first rate. It’s over-literal, in my opinion, which makes the dialogue, in particular, sometimes awkward. But the scenery descriptions were vivid, and the storm sequences sublime.

The Last of the Vikings gets my highest recommendation. It’s unforgettable.

‘The Emperor,’ by H. Albertus Boli

For some years I’ve been a fan of Dr. Boli’s Celebrated Magazine, one of the oddest sites on the internet. Well, just look at it. The humor is the driest of the dry; the sort of thing you either get or you don’t. I don’t always get it, but I enjoy checking to see what’s new each day.

Dr. Boli writes books too. I’ve read and enjoyed a couple of them, so I figured I’d try his newest, The Emperor. It’s rather different from the others.

When I was in college, I encountered a couple of old novels (Samuel Johnson’s Rasselas comes to mind) in which older writer/philosophers told fantastic stories of princes in old times and distant lands as a means to comment on their own times and politics. The Emperor seemed like that kind of story to me at first, but I think I was wrong. Maybe.

The Emperor is a young man, orphaned as a boy, who has lived under the guidance of the Consul and the Tribune most of his life. The empire he rules seems to be Roman, in an alternate world where Rome never fell. The geography doesn’t match our world, but the Christian religion seems to be pretty much the same. They have been at war with an enemy for hundreds of years, and the Sultan (who worships Apollyon and dwells just across the strait) is their most faithful vassal.

The young Emperor is beginning to chafe at the many restrictions that hedge his life around. Every moment of his day is scheduled, every action choreographed. He is never alone. His future is determined – he will marry a princess who was sired by the Sultan expressly for that purpose, once she grows old enough. Any suggestion he makes that it might be a good idea to visit his domains or oversee the war is argued down. The Emperor, it is explained, needs to keep the Empire stable through performing his regular duties in the safety of the Palace.

His only escape (or so he thinks) is at night, when the orchestra that serenades him finally leaves – because he pretends to sleep – and he slips out a window to visit an ancient ruin. One night he gets lost and wanders into an unfamiliar part of the palace grounds. There he meets a young servant woman named Pulchrea, scrubbing a floor. The Emperor immediately falls in love with her, and the rest of the story involves him testing his strength of will against those of the Consul and the Tribune, in order to win the freedom to do what he really wants.

But only at the very end does he learn the Big Secret.

I’m not sure what to say about The Emperor. It started slow – the author indulged himself too long in setting the scene; his character’s constrained life and discontent could have been established much more efficiently. Modern readers won’t generally put up with too much stage-setting. The story was interesting once it finally got going. I’m not sure what to think of the ending.

I’m of two minds about The Emperor. You might try it out if it sounds interesting to you; it’s not expensive in Kindle format.

‘LA: Wild Justice,’ by Blake Banner

I had run out of bargain books that I’d picked up through online deals, and noticed a Harry Bauer book by Blake Banner. And I thought, “I haven’t read a Banner for a while. I wonder why I stopped following him?” A check of my past reviews gave no clue, so I bought LA: Wild Justice, the 7th installment in the series. It proved entertaining in a popcorn movie way, but I also was reminded why I’d given Harry a rest.

Harry Bauer is a professional assassin working for an ultra-secret agency called Cobra. His bosses call him in for an assignment: they want him to kill a saint. The saint in question is Sen. Charles Cavendish, a billionaire who famously bankrolls a number of much-needed relief organizations around the Third World. He feeds the hungry, provides clean water, cares for the sick, etc.

In fact, according to Harry’s bosses, he operates those charities only as a blind. The entrée he gets to many corrupt countries permits him to sell drugs, arms, and chemical weapons to some of the world’s worst actors – including Harry’s worst enemy in the world.

But Harry has hardly begun his job when one of his bosses is kidnapped. Now it’s a race against time to complete the sanction and rescue his friend.

Harry is a hero very much in the James Bond mold – and I mean the movie Bond, not the one in the Fleming books. He effortlessly subdues very formidable enemies, even in groups – until the plot points call for a dramatic setback. He suffers traumatic injuries and just fights on. Pain barely slows him.

LA: Wild Justice was fun, mindless entertainment. What annoyed me – and this is probably why I dropped the series before – is that the author likes to leave the reader with a cliff-hanger. That just annoys me. Stand-alone books should wrap up the main plot. There can be larger, ongoing plots over a series of books, but you owe it to the reader tie up the threads on the main problem in the volume in hand.

Still, an entertaining book. Moderately recommended. I’m likely to read the next eventually.

‘Racing the Light,’ by Robert Crais

When I really like a book, I like to post a snippet of good prose from the text up above my reviews, just to give the reader a taste. Oddly, I didn’t find any snippets in Racing the Light, Robert Crais’s 19th Elvis Cole novel, though I was much impressed with the writing. I guess what I appreciated was the effectiveness of the narrative, its efficiency and power, rather than any storyteller’s flourishes.

Elvis Cole, Los Angeles private eye, contemporary Philip Marlowe in a Hawaiian shirt, gets a drop-in visitor in his office. It’s an elderly woman named Adele Schumacher. She wears very inexpensive clothes, but on the other hand she has two armed security guards escorting her.

As best as Elvis can figure out, the woman’s a crackpot. She raves about government wiretapping, and drone surveillance, and aliens at Area 51. But she has a big envelope full of cash, and she offers Elvis whatever he wants to locate her son Josh, who has disappeared.

Elvis is ambivalent, but he agrees to at least look into it. He finds that Josh is the host of a podcast. Most of the time his subject matter is UFOs and that sort of thing, but lately he’s been talking to a porn star who claims to have explosive information about the real estate shenanigans of a number of city council members. And they, in turn, have connections to Chinese criminals. It appears that Josh was wise to drop out of sight. But he’s in way over his head, and he’s going to need a friend to protect him.

Meanwhile, Elvis has gotten a call from Lucy Chenier, the love of his life, who left him a few books back to return to Baton Rouge with her son. Life with Elvis was too dangerous, she said. She had her boy to protect. But now she wants to talk. Elvis dares to hope, but is prepared for disappointment.

What I liked best about Racing the Light was the characters and relationships. There was a lot of wisdom here about families and friends, and learning to trust and take risks.

Highly recommended. Elvis’ dangerous friend Joe Pike is around too, which is always fun.