Category Archives: Music

‘Aura Lea’

Another week has been transferred to history’s OUT box. On balance, it won’t be remembered by future biographers as one of my better ones. But it could have been worse.

No word about the car, of course. I keep hoping the July 30 date they gave me for part delivery was only a worst-case scenario, but we live in a fallen world. (In the Garden of Eden, I’m sure, car parts always arrived on time.)

Then there was my struggle to find a new lawn guy, which I chronicled yesterday. I’ve determined to leave the final decision until Monday, because I still want to talk to the guy who put a flyer up at my church. But if he doesn’t show this weekend, I’ll go with one of the Home Advisor sharks.

Had a couple plumbers over today, to look at my water heater, which has been making disquieting banging noises. The diagnosis? Sludge build-up – no doubt due to the high mineral content of our local water. Recommendation: new water heater. Which my home warranty program should pay for, but there will be the deductible. I expect that will be in addition to the deductible I already paid for the plumber’s visit today.

What else? I just put a package in the mail to Sweden. There’s a company (I won’t say its name) that advertises Viking accouterments on Jackson Crawford’s YouTube channel. I sent away to them for a linen tunic, because I wanted a new under-tunic (the ones I’ve been wearing are getting threadbare). I ordered XXL, and got it, and it was too small. So I ordered a XXXL, and that was too small too.

I mean no offense to Swedes when I say that their definition of “large” is somewhat different from mine. And I’m well aware that Americans in general, and I in particular, are way too fat. Which is too bad, because it seems to be well-made product.

But the fact remains that these shirts aren’t suited to a large segment of the American market. To add injury to ignorance, the return postage cost almost what one of the shirts cost me.

Little shocks to the bank account; they add up. But those are the terms of my life these days – the Lord provides. And sometimes I need to make small economies.

On the plus side, I’ve made substantial progress on King of Rogaland. I feel at this point that I’m beginning to get a handle on the project. In fact, I think this could be the best book I’ve ever written. I think I’m a better artist than I was 45 years ago, which ought to be expected, or I’m doing something wrong.

The song in the video above is “Aura Lee,” an American piece sometimes attributed (wrongly) to Stephen Foster. The lyrics were in fact written by the American poet W. W. Fosdick, who died in 1862, aged 37. The melody was by an English immigrant, George R. Poulton, who died in 1867, aged 38 (according to Wikipedia, he was tarred and feathered in 1864 for having an affair with a young student).

The song was published in 1861, and became tremendously popular with soldiers on both sides of the Civil War. One can understand why. I’ve always loved it. Elvis Presley used the melody for his song “Love Me Tender,” but I prefer the original. This rendition is done in period style by the 97th Regimental String Band.

May sunshine come along with your weekend, and swallows in the air.

‘Sigurd Jorsalfar’

It was a beautiful day today in Minneapolis. Not too hot, and we had some afternoon showers, which makes three days in a row with rain. We needed the rain.

I also need my car back, but that’s not happened yet. Tomorrow is the day they said they’d get the cables; but I’ve already known so much disappointment in that regard that I’ve kind of resigned myself to a life of perpetual longing and disappointment, not unlike my erstwhile dreams of marriage.

So I’m giving you the music above – a piece from Grieg that I’m quite fond of. Bjørnstjerne Bjørnson wrote a play called “Sigurd Jorsalfar” about King Sigurd the Crusader of Norway. Edvard Grieg wrote the incidental music. This is the most famous of those pieces, the “Tribute March.” I seem to recall Garrison Keillor was fond of using it for parody purposes.

Sigurd is one of the most renowned kings in Norwegian history. He was remembered not only for leading a crusade to the Holy Land (he was the first European king to lead a crusade), but for being part of the last relatively peaceful reign in Norway in the Middle Ages.

The ancient laws of Norway made all of a king’s sons – legitimate or not – eligible for the crown. In Sigurd’s case, he himself shared the monarchy with two brothers with no violence, outliving them both. But after him came a string of pretenders whose claims carried varying credibility. All they needed was a story that their mothers had slept with a king of Norway, and a willingness to undergo the Iron Ordeal (you read about it in The Year of the Warrior) in some form. The result was a long period of civil wars, picturesque in their bloodshed and cruelty.

At the end of his life, King Sigurd (according to the saga) began to lose his mental faculties. He shocked the country by asking the bishop of Bergen to give him a divorce from his queen, who was much beloved by the people, so he could marry a younger woman. The bishop of Bergen refused – painfully aware that the king was sometimes losing control these days, and could kill him. The king did not kill him, however, but did an end run on him by establishing a new diocese in Stavanger and installing a new bishop there, an Englishman named Reinald. Reinald was happy to do the king a favor in return for a large monetary contribution. The bishop paid for his simony in the end, however – King Harald Gille hanged him in 1135 on suspicion of withholding royal treasure.

They played hardball in old Norway.

Sufficiently Courageous to Defend His Soul?

I like Mumford & Sons, a British folk rock band with a hard-driving sound that will stomp a foot numb. I haven’t looked them up in a long while, but that cave song of theirs has seeded my ears. I remember it regularly.

Banjo player Winston Marshall posted a few paragraphs today on why he is leaving a group he loves. It boils down to the reaction the band got over one of his tweets. He tried to address it, only to earn more backlash. And though the reaction was both ridiculous and typical of current political foolishness, he felt he needed to step away from the band to cause the others musicians the least damage.

So why leave the band?

On the eve of his leaving to the West, Solzhenitsyn published an essay titled ‘Live Not By Lies’. I have read it many times now since the incident at the start of March. It still profoundly stirs me.

“And he who is not sufficiently courageous to defend his soul — don’t let him be proud of his ‘progressive’ views, and don’t let him boast that he is an academician or a people’s artist, a distinguished figure or a general. Let him say to himself: I am a part of the herd and a coward. It’s all the same to me as long as I’m fed and kept warm.”

I gather the band has talked about it fully. I hope they support Marshall even while letting him leave. For the rest of us, let’s consider ahead of time how to defend our souls when the time comes.

Celebration in a time of Covid

From last year, a “distanced” celebration of 17 May, Norway’s Constitution Day. No doubt today’s celebrations were similar. The tall old man on the balcony is King Harald V, the little boy on the “Atlantic Crossing” miniseries.

“Ja, Vi Elsker,” the Norwegian national anthem, says this (roughly translated by me):

Yes, we love this land, as it rises, tree-covered and weather-beaten, over the water, with its thousand homes. Love it, love it, and think of our fathers and mothers, and the saga nights that descend with dreams upon the land.

Norwegians in houses and cottages, thank your great God. He will protect the land, however dark things may appear. All our fathers have fought for, our mothers have cried over, the Lord will quietly alter, so that we will have our rights.

I don’t know the third verse.

Sissel sings ‘Amazing Grace’

The tale of my day is short and sweet. Quick translation job, under a deadline. Dedicated labor. Then a revision. Also, in the vacant spots, I did the laundry.

Here’s Sissel with something approaching the best arrangement of “Amazing Grace” ever recorded. I think it’s slightly different from a version, quite similar, which she recorded at a later date (arranged by Andre Crouch). Unless I’m mistaken.

Have a good weekend.

‘Near the Cross’

Today is Good Friday. One of my favorite songs about the Cross of Christ is “Near the Cross,” lyrics by Fanny Crosby. My old musical group used to sing this in harmony. I looked for a worthy arrangement to post, and this was the one I found that pleased me best. Done by three sisters of whom I know nothing at all. They’re not as good as my buddies and I were, but it will do.

Is St. Patrick’s Day Irish or Scottish? What’s the difference?

The yellow pool has overflowed high up on Clooth-na-Bare,
For the wet winds are blowing out of the clinging air

W. B. Yeats, “Red Hanrahan’s Song About Ireland”

We have storms in our region today. It’s been raining somewhat since Monday, gushing rain now. It will be flooding somewhere nearby. I’m thankful to have always lived on a hill.

I learned today that St. Patrick’s Day is not the unique in American holidays. We also have National Tartan’s Day on April 6. Maybe folks who attend Highland games knew that. I’ve only thought about attending those games, when I occasionally hear of them, so I didn’t know about Tartan’s Day.

I think most Americans couldn’t tell the difference between Irish and Scottish or Celtic and Gaelic cultural things unless clearly marked. As a trivial example, here’s my favorite Scottish reel, “The J.B. Reel,” arranged with a jig called “The Shepherdess.”

Note the stark contrast of this piece with the first of the Irish reels performed in this recording of Brendan P. Lynch.

https://www.youtube.com/watch?v=4W_feaIdTEA

That’s how you tell the difference, friends. Happy St. McPaddy’s Day.

State of the Union

It’s well known that we’re an extremely broadminded crew here at Brandywine Books. We offer an open forum for the expression of all political views. In that spirit, we present the above preview of the next State of the Union address.

Hutch-town

The Hutchinson Family Singers in 1845

A little historical vignette for you today, because I’m doing other things and don’t have a book to review tonight.

My maternal grandfather was born in the town of Hutchinson, Minnesota. Nice town, west of the Twin Cities. I’ve been there a few times.

I find the town’s history intriguing. It’s named after its founders, who as far as I know never lived there. They were the Hutchinson Family Singers. The HFS hold a unique place in American history, but are largely forgotten today.

In the 1830s, European singing groups began to tour in the United States, and became very popular. The Hutchinsons, New Englanders, originally brothers John, Asa, Jesse, and Judson, emulated them, and began giving public concerts in 1840. In time they would be the most popular musical group in the country. They were the first to popularize four-part harmony in the United States, so if you like gospel quartettes, thank the Hutchinsons. After brother Jesse dropped out to write songs and manage the group, he was replaced by sister Abby, and as the family grew, the act expanded (occasionally splitting up).

The times were like ours in many ways. Political causes were in the air, and the Hutchinsons were highly “woke” by the standards of their time. They were avid Abolitionists, Prohibitionists, and Women’s Suffragists (modern people find it hard to believe, but those causes were closely tied back then. It was always about ushering in the Kingdom of God through legislation). The Hutchinsons’ songs, whether performed by the group in concert or sung off sheet music in American parlors, helped to move public opinion toward Abolition. At one point they toured Europe with Frederick Douglass.

Hutchinson, Minnesota, was (as I understand it; I can’t find it plainly stated in an online search) founded as a model town, one in which vice would be prohibited, and women would have equal rights. I’m sure it would sadden them today to know that alcohol is available for purchase in Hutchnson. But I’m pretty sure slavery is still illegal, and I imagine women run the place, like everywhere else in America.

One of the drawbacks of political relevance is that it doesn’t tend to lead to enduring art. None of the Hutchinsons’ songs is remembered today, except by music scholars. But if you’d like to hear one of them, here’s a recreation of their number, “Get Off the Track.” The tune is almost familiar.

https://youtube.com/watch?v=tyoC-JccYcc

Is the Girl in ‘Wild Mountain Thyme’ Dead?

(Confusion aid: This is not about the recent movie by the same title.) “Wild Mountain Thyme” is a modern Irish song that’s so popular in Scotland most people think it’s a Scottish song. It’s song about plucking flowers from the blooming heather. That’s pretty Scottish, even in Iowa. If you don’t know what I’m talking about, I fear for your education. I mean, it’s not like this is a Finnish song.

According to Irish Music Daily, “Wild Mountain Thyme” or “Will You Go, Lassie, Go” was written by William McPeake of Belfast’s McPeake family, who have apparently sustained traditional folk music for the whole of the last century. This song came about in the 50s. It’s been as successful as wild moun–nevermind.

The song seems inspired by an older piece written in thicker brogue, which starts like this:

Let us go, lassie, go
Tae the braes o’ Balquhidder
Whar the blueberries grow
‘Mang the bonnie Hielan’ heather

It’s something of the same song to judge by words alone. Hear the difference here. This older piece is a love song with a lot of flower picking in it, but the new song has an odd twist in the third verse.

To back up, the singer asks his lass to pick wildflowers with him, and that’s the idea of the chorus. In the second verse, he says he will build a bower by a crystal fountain for his true love and pile all the wildflowers he can find on this bower. Then he says, “If my true love she were gone/I would surely find another” among the many wildflower pickers.

Is this short shrift for the one woman he loved minutes ago? That would give us an image of love being like a quickly withering wildflower or the lovers being like bees flying from one attraction to another. But because lovers in Irish songs so often die or are separated in some way, I wonder if the third verse gives us the picture of the singer standing beside his true love’s grave, asking, “Will you go pick wildflowers with us again? If you can’t, I can find someone else. I mean, everyone picks flowers on the hillside. But will you go? With me?”

I’m probably just reading into it.