Category Archives: Music
Talking Hymns with Kevin Twit
Kevin Twit of Indelible Grace, at Cathedral Church of the Advent, Birmingham, Alabama, with Matt Schneider.
The Importance of Being Bernstein
“One of the keys to interpreting Bernstein’s career thus seems to involve the importance of music education—not just playing band in high school, or hearing a few minutes of Bach on the radio as you drive home from school, but actually studying the mechanics of music and appreciating its fruitful historical unveiling.”
Bernstein drew many people into his music and helped them appreciate higher arts in general.
The Kellys by Mick Moloney
Here’s a fun song about how there are too many Irishmen in the world. I first heard this on a cassette many years ago. For our younger readers, a cassette was like a hard drive made from black tape, which was held in a tape deck that would play non-digital audio that sounded way better than anything we have today. It was as if you were in the room with the musicians.
New Christmas Carols from Peterson and Getty
“Who’s writing the new Christmas carols? Andrew Peterson and Keith Getty talk about the new songs celebrating Christ’s birth.”
Peterson says, “I grew up on Pink Floyd records and these rock albums that told stories. I loved that idea that if you sat and listened to a 45-minute record it would take you somewhere. I still try to make my albums that way so that they’re not a bunch of singles stacked up. But with this, the attempt was to try and convey the epic nature of the story of Christ coming into the world with new songs. I love Christmas music, but I also know that we’ve heard the songs enough to where they’ve lost their wonder for us.”
“Hark, the Herald Angels Sing”
A blessed Christmas to you all. Here’s Sissel with what I think is my favorite Christmas hymn. We sang it in church tonight, complete with the old lyrics: “Pleased as man with man to dwell,” “Born to raise the sons of earth,” and all that. I felt like I’d gotten a Christmas present. I punch those lyrics when I sing them.
Somebody Talkin’ ‘Bout Jesus
Merry Christmas.
The Christmas Eve Reel
For your Christmas Eve, an Irish reel recorded in a pub. Ken Doyle is on flute and Mark Pitner plays bouzouki.
The Reason Lecrae Changed His Tune
Musician Lacrae has taken some heat for switching from writing explicitly Christian songs to writing songs on themes with broader appeal. He has appeared with artists and on shows that have drawn criticism from those who think the right thing to do is stick with people who claim to follow Christ.
But Lacrae says another believer, Andy Crouch, changed his mind a few years ago. Jemar Tisby explains, “Crouch says in his book, Culture Making, ‘If culture is to change, it will be because of some new tangible (or audible or visible or olfactory) thing is presented to a wide enough public that it begins to reshape their world.’ He proposes that instead of condemning, critiquing, copying, or uncritically consuming culture, something new has to displace the old. It appears Lecrae has been making new music in an attempt to do just that.”
The tension point for this idea will be at the place where those who want to change people apply their cultural creations. I’m sure many will continue to create things that won’t get anywhere near the people they want to influence, and they will say they are making new culture, but it isn’t changing anyone. They’re making Halloween candy in hopes of changing Christmas.
Bach’s Metaphors of Instrumentation in St. Matthew Passion
Barrymore Laurence Scherer writes about the beautiful oratorio, St. Matthew Passon by J.S. Bach:
For more tender contemplations Bach employs the softer veiled tone of the oboe d’amore, pitched a third below the oboe. In the soprano aria “I will give Thee my heart,” a soothing pair of oboes d’amore help suggest Christ’s loving relationship with mankind.
But Bach scores one of his most telling effects by eliminating certain instrumentation: Whenever Jesus sings his portions of the narrative, his bass voice is enveloped in a gleaming tissue of sustained triads played by two violins and viola, known as a “halo of strings.”
(via Prufrock)