One of the greatest hymns of the 20th century was written by poet and member of the Swedish parliament Carl Gustav Boberg (1859 – 1940). A member of the Mission Covenant Church of Sweden, he wrote “O store Gud” in 1885 in response to church bells and the beauty of a summer evening. Englishman Stuart K. Hine translated and arranged the text to a Swedish folk melody in 1949. The great George Beverly Shea sings with a choir in the recording above.
“I will give thanks to the LORD with my whole heart; I will recount all of your wonderful deeds. I will be glad and exult in you; I will sing praise to your name, O Most High.” (Psalm 9:1–2 ESV)
“A wind has wrapped them in its wings, and they shall be ashamed because of their sacrifices” (Hosea 4:19 ESV).
We don’t recognize how we undermine our foundations with today’s sacrifices. We assume our wealth, privilege, and security will continue. We redefine the terms of the sacrifice God asks for us and pronounce it good. We chip away at our foundations, thinking they will never crumble.
But if Christ is our foundation, we will continue to stand. We will not sow to the wind as Ephraim did in Hosea 4. We will sow to fields that will turn a harvest as the Lord wills it.
The author of today’s hymn, “How Firm a Foundation,” was not identified in the 1787 publication in which the song first appears. It is believed to be Robert Keen of Carter Lane Baptist Church in London. The tune sung in the video above is an American one, published in 1832.
1 How firm a foundation, you saints of the Lord, is laid for your faith in his excellent Word! What more can he say than to you he has said, to you who for refuge to Jesus have fled?
2 “Fear not, I am with you, O be not dismayed; for I am your God, and will still give you aid; I’ll strengthen you, help you, and cause you to stand, upheld by my righteous, omnipotent hand.
3 “When through the deep waters I call you to go, the rivers of sorrow shall not overflow; for I will be with you, your troubles to bless, and sanctify to you your deepest distress.
4 “When through fiery trials your pathway shall lie, my grace, all-sufficient, shall be your supply; the flame shall not hurt you; I only design your dross to consume and your gold to refine.
5 “E’en down to old age all my people shall prove my sovereign, eternal, unchangeable love; and when hoary hairs shall their temples adorn, like lambs they shall still in my bosom be borne.
6 “The soul that on Jesus has leaned for repose, I will not, I will not desert to his foes; that soul, though all hell should endeavor to shake, I’ll never, no never, no never forsake.”
Today’s hymn of faith is another one I hadn’t heard before Indelible Grace wrote new music to it. William T. Sleeper (1819-1904) was a native of New Hampshire and Congregationalist minister in Worcester, Massachusetts, wrote the words in 1887. It’s a moving confession of coming to Christ with nothing. No bargaining, no promises, no attempts to merit the grace he offers.
“Blessed be the God and Father of our Lord Jesus Christ! According to his great mercy, he has caused us to be born again to a living hope through the resurrection of Jesus Christ from the dead” (1 Peter 1:3 ESV).
1 Out of my bondage, sorrow and night, Jesus, I come, Jesus, I come; Into thy freedom, gladness, and light, Jesus, I come to thee. Out of my sickness into thy health, Out of my want and into thy wealth, Out of my sin and into thyself, Jesus, I come to thee.
2 Out of my shameful failure and loss, Jesus, I come, Jesus, I come; Into the glorious gain of thy cross, Jesus, I come to thee. Out of earth’s sorrows into thy balm, Out of life’s storms and into thy calm, Out of distress to jubilant psalm, Jesus, I come to thee.
3 Out of unrest and arrogant pride, Jesus, I come, Jesus, I come; Into thy blessed will to abide, Jesus, I come to thee. Out of my self to dwell in thy love, Out of despair into raptures above, Upward for aye on wings like a dove, Jesus, I come to thee.
4 Out of the fear and dread of the tomb, Jesus, I come, Jesus, I come; Into the joy and light of thy home, Jesus, I come to thee. Out of the depths of ruin untold, Into the peace of thy sheltering fold, Ever thy glorious face to behold, Jesus, I come to thee.
“I’m Not Ashamed to Own My Lord” performed by Nathan C. George and family
Today’s hymn of faith is from the profound and marvelous writer Isaac Watts. The tune is called Pisgah and was written by J.C. Lowry according to the Kentucky Harmony tunebook (1811). The wonderful performance above captures the feel of the tune.
“For I am not ashamed of the gospel, for it is ethe power of God for salvation to everyone who believes, to the Jew first and also to the Greek” (Romans 1:16 ESV).
1 I’m not ashamed to own my Lord, or to defend his cause, maintain the honor of his Word, the glory of his cross.
2 Jesus, my God! I know his name, his name is all my trust; nor will he put my soul to shame, nor let my hope be lost.
3 Firm as his throne his promise stands, and he can well secure what I’ve committed to his hands ’til the decisive hour.
4 Then will he own my worthless name before his Father’s face, and in the new Jerusalem appoint my soul a place.
I was surprised to learn today’s hymn of the faith is not more popular than it is, because it’s one of my favorites. “Jesus! what a Friend for sinners!” (also called “Our Great Savior”) has been published in only 77 hymnals. It was written by Presbyterian minister John Wilbur Chapman (1859-1918), who was advocated large evangelistic events around the turn of the 20th century. The tune is a wonderful Welsh piece by Rowland H. Prichard (1811-1887).
“The Son of Man has come eating and drinking, and you say, ‘Look at him! A glutton and a drunkard, a friend of tax collectors and sinners!’ Yet wisdom is justified by all her children” (Luke 7:34–35 ESV).
1 Jesus! what a Friend for sinners! Jesus! lover of my soul; friends may fail me, foes assail me, he, my Savior, makes me whole.
Refrain: Hallelujah! what a Savior! Hallelujah, what a Friend! Saving, helping, keeping, loving, he is with me to the end.
2 Jesus! what a strength in weakness! Let me hide myself in him; tempted, tried, and sometimes failing, he, my strength, my vict’ry wins. [Refrain]
3 Jesus! what a help in sorrow! While the billows o’er me roll, even when my heart is breaking, he, my comfort, helps my soul. [Refrain]
4 Jesus! what a guide and keeper! While the tempest still is high, storms about me, night o’ertakes me, he, my pilot, hears my cry. [Refrain]
5 Jesus! I do now receive him, more than all in him I find; he hath granted me forgiveness, I am his, and he is mine. [Refrain]
Today’s hymn comes from the great English hymnist Isaac Watts (1674-1748). It was published in 1707, while Dr. Watts was pastor of Independent Church of London. The tune is a familiar Irish melody called St. Columba. (And since I found it, let me share this organ prelude to St. Columba. You’ll want headphones for both recordings to catch the subtleties.)
“Blessed is everyone who will eat bread in the kingdom of God!” (Luke 14:15 ESV)
1 How sweet and awful is the place with Christ within the doors, while everlasting love displays the choicest of her stores.
2 While all our hearts and all our songs join to admire the feast, each of us cries, with thankful tongue, “Lord, why was I a guest?
3 “Why was I made to hear Thy voice, and enter while there’s room, when thousands make a wretched choice and rather starve than come?”
4 ‘Twas the same love that spread the feast that sweetly drew us in; else we had still refused to taste, and perished in our sin.
5 Pity the nations, O our God, constrain the earth to come; send Thy victorious Word abroad, and bring the strangers home.
6 We long to see Thy churches full, that all the chosen race may, with one voice and heart and soul, sing Thy redeeming grace.
“My Faith Has Found a Resting Place,” performed by Danielle Franklyn & Waneisha Denny
This month, our theme will be faith, which will gather in popular song this one from Lidie H. Edmunds (1851-1920). Edmunds, a native Philadelphian, was home-bound for many years. In order to use her time well, she studied literature and wrote hymns.
“God shows his love for us in that while we were still sinners, Christ died for us” (Romans 5:8 ESV).
1 My faith has found a resting place, from guilt my soul is freed; I trust the ever-living One, his wounds for me shall plead.
Refrain: I need no other argument, I need no other plea, it is enough that Jesus died, and that he died for me.
2 Enough for me that Jesus saves, this ends my fear and doubt; a sinful soul, I come to him, he’ll never cast me out. [Refrain]
3 My heart is leaning on the Word, the written Word of God, salvation by my Savior’s name, salvation thro’ his blood. [Refrain]
4 My great Physician heals the sick, the lost he came to save; for me his precious blood he shed, for me his life he gave. [Refrain]
Today is Memorial Day. It was raining here today, so I couldn’t fly my flag. I’d better lose no (more) time in posting my virtual commemoration of the holiday. The video above was (oddly), compiled by a Canadian, using footage from some of our more patriotic movies and TV series, the kind they don’t do anymore.
The Memorial Day tradition goes back (according to Wikipedia, to a proclamation by John A. Logan, Commander in Chief of the Grand Army of the Republic (the Civil War veterans’ organization), declaring May 30, 1868 to be a day for placing flags on the graves of fallen soldiers. Decoration Day, it was called. (That was what my grandmother used to call it. The official name was changed in 1971, some time after her death.) However, the Veterans’ Administration credits the idea to a woman named Mary Ann Williams.
The hymn tune, “Battle Hymn of the Republic” is obscure in its origins. It seems to have risen in the camp meeting culture of the American south, and possibly echoes a Negro spiritual. The tune was picked up by the 2nd Infantry Battalion, Massachusetts Militia (the “Tiger Battalion”). They used the coincidence of one of their members being named John Brown to make up a song that teased him, when he was late to report for duty (apparently a frequent occurrence). They joked that this was excusable on the grounds that he was dead – all the papers said that John Brown (the abolitionist) had been hanged. Other units picked the song up without the teasing, as the conviction grew in the ranks that they were carrying on John Brown’s work.
Julia Ward Howe, the abolitionist, felt the lyrics were not worthy of the cause, and sat down to write a nobler version, which was first published in 1862 in the Atlantic Monthly. It is a stirring song, and I remember thrilling as I sang it as a member of the Waldorf College Choir in 1969.
A few years back I discussed the hymn with a scholarly friend whose field is American religion. He pointed out to me – and I should have been aware of this, but emotion dulls the sight – that the theology here is in fact rather bad. A political/moral cause is elevated to the level of the work of salvation. The fighting of a war is compared to Christ’s sacrifice for our sins.
Howe was in fact a progressive, my friend pointed out. She had left Calvinism to embrace Unitarianism. In the manner of progressive Christians, she downplayed the atonement for sin and focused on the creation of a more just society. She and her compatriots were the forerunners of today’s social justice warriors.
There has never been a nobler cause in human history than the abolition of slavery. It’s a supreme triumph of Christian civilization – one for which Christian civilization gets insufficient credit. But it wasn’t the same thing as Christ’s redemption.
Having conceded that, I still have to say I’ll always love the Battle Hymn of the Republic. It’s not a true Christian hymn, but it’s a very good earthly sentiment. I’ll put it up against secular sentiments from anybody’s culture you care to name.
The original text for today’s hymn, “The God of Abraham Praise,” comes from Maimonides of the 12th century. Ken Myers writes, “The medieval Jewish philosopher Moses ben Maimon (commonly known as Maimonides, 1135?-1204) formulated a list of thirteen essential articles of faith. Some time after his death, probably in the late 14th century, his ‘creed’ was paraphrased in a metrical Hebrew poem, suitable for singing by Jewish congregations and cantors. This hymn is known as the ‘Yigdal,’ from the first Hebrew word in the poem, which means “magnify” or ‘praise.'”
“As I looked, thrones were placed, and the Ancient of Days took his seat; his clothing was white as snow, and the hair of his head like pure wool; his throne was fiery flames; its wheels were burning fire” (Daniel 7:9 ESV)
1 The God of Abraham praise, who reigns enthroned above, Ancient of everlasting days and God of love. Jehovah! Great I AM! by earth and heav’n confessed; I bow and bless the sacred name, forever blest.
2 The God of Abraham praise, at whose supreme command from earth I rise and seek the joys at his right hand. I all on earth forsake, its wisdom, fame, and pow’r, and him my only portion make, my shield and tow’r.
3 He by himself hath sworn, I on his oath depend; I shall, on eagles’ wings upborne, to heav’n ascend. I shall behold his face, I shall his pow’r adore, and sing the wonders of his grace forevermore.
4 The goodly land I see, with peace and plenty blest, a land of sacred liberty and endless rest. There milk and honey flow, and oil and wine abound, and trees of life forever grow, with mercy crowned.
5 There dwells the Lord our King, the Lord our Righteousness, triumphant o’er the world and sin, the Prince of Peace. On Zion’s sacred height his kingdom he maintains, and glorious with his saints in light forever reigns.
6 The whole triumphant host gives thanks to God on high; “Hail, Father, Son, and Holy Ghost!” they ever cry. Hail, Abraham’s God and mine! I join the heav’nly lays; all might and majesty are thine, and endless praise.
Today’s hymn comes from a man who is thought to have been one of the scholars behind the Geneva Bible of 1560. He lived for a time in Geneva (overlapping dates with the great John Calvin) and worked on 25 Psalm versifications for an English psalter. This one, derived from Ps. 100, has endured until today and found the most popularity. The tune also comes from Calvin’s service to the church, being attributed to his music director Louis Bourgeois.
“Know that the LORD, he is God! It is he who made us, and we are his; we are his people, and the sheep of his pasture.” (Psalm 100:3 ESV)
1 All people that on earth do dwell, sing to the Lord with cheerful voice; him serve with fear, his praise forth tell, come ye before him and rejoice.
2 The Lord ye know is God indeed; without our aid he did us make; we are his folk, he doth us feed, and for his sheep he doth us take.
3 O enter then his gates with praise, approach with joy his courts unto; praise, laud, and bless his name always, for it is seemly so to do.
4 For why? The Lord our God is good, his mercy is forever sure; his truth at all times firmly stood, and shall from age to age endure.
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