Come and Get It, by Edna Ferber

When I read We, the Drowned, which I reviewed the other day, I was making one of my attempts to connect with the lives of my ancestors, in that case my Danish forebears.

I’ve written before in this space about my mother’s mother’s family, who lived in Hurley, Wisconsin, generally considered the wickedest town in the north. So when I learned that a novel had been written (at least in part) about Hurley (renamed “Iron Ridge”) by an estimable American novelist, I had to read that too.

Come and Get It is one of Edna Ferber’s big American books. In novels like Showboat, So Big, and Cimarron, she attempted to capture the essence of her own country as expressed in the life of various regions. Come and Get It is her northern novel. It’s worth reading, though it hasn’t kept as well as its early fans hoped it would (it was even made into a movie with Edward Arnold, Walter Brennan, Joel McCrae, and Frances Farmer, but judging by the clips I’ve seen they made major alterations). Continue reading Come and Get It, by Edna Ferber

Netflix review: “Foyle’s War”

Since the Foyle’s War mystery series has been broadcast in this country on PBS, all of you probably enjoyed it long before I did. But in case I’m not the last person in America to catch this excellent program, I’ll give my own viewer’s response here.

Detective Chief Superintendent Christopher Foyle (splendidly underplayed by Michael Kitchen) is chief detective in Hastings, England, during World War II. A sort of running joke in the series is that he desperately wants to do something “more important” for the war effort, but again and again is denied the chance, sometimes because there’s a case he feels he needs to see through to the end, and sometimes because his stubborn integrity makes him enemies in high places. Later on, when the war is winding down, he just wants to retire, but keeps getting pulled back in.

Foyle is a smallish, unprepossessing man, but steely in his character. He’s the kind of superior officer who can flay a subordinate alive without raising his voice. Nevertheless he’s very popular with his underlings, and has a sly, dry, sense of humor.

He is assisted in his inquiries by two regular supporting characters—Samantha “Sam” Stuart, his military driver (played by an actress actually named Honeysuckle Weeks, who’s not conventionally pretty but is nevertheless entirely adorable), and Detective Sergeant Paul Milner (Anthony Howell), an early war casualty with an artificial leg. Together they investigate at least one murder each episode, often connected to war profiteering, espionage, and military secrets. Foyle isn’t always able to arrest the sometimes well-protected culprits, but he does all he can and never gives up under any pressure less than direct orders. In such cases, he never leaves the stage without laying out the moral case. Continue reading Netflix review: “Foyle’s War”

Mythical Maps


Caricature Map of Europe 1914 by ~Keithwormwood on deviantART

The artist of this map says it’s “a political caricature map depicting different nations in the alternate world history of the book Leviathan by Scott Westerfeld.” I’ve begun to believe that most of the really good books out there are the ones with maps in the front, and these are just the type of maps I’m talking about.

We, the Drowned, by Carsten Jensen


We said goodbye to our mothers. They’d been around all our lives, but we’d never properly seen them. They’d been bent over washing tubs or cooking pots, their faces red and swollen from heat and steam, holding everything together while our fathers were away at sea, and nodding off every night in the kitchen chair, with a darning needle in hand. It was their endurance and exhaustion we knew, rather than them. And we never asked them for anything because we didn’t want to bother them.

That was how we showed our love. With silence.

…Our mother sticks a knife in our heart when we say goodbye on the wharf. And we stick a knife in hers when we go. And that’s how we’re connected: through the hurt we inflict on one another.

I really didn’t have much choice about buying Danish author Carsten Jensen’s We, the Drowned. I’ve been telling you how much I like sea stories, and this is a sea epic. One quarter of my ancestors were Danes, and this is the story of a small maritime village on a Danish island, not all that far from where my people came from (though mine were farmers, as far as I know. My sailing ancestors were Norwegian. Close enough).

We, the Drowned is a long book, and strange. It starts out in an almost whimsical faction, telling us of Lauritz Madsen of the town of Marstal, who started a war with Germany singlehanded, and was blown up over the mainsail, saw St. Peter’s backside, and landed on his feet back on deck to tell the tale.

But that’s pretty much the end of the whimsy. Author Jensen quickly falls into the fatalistic tone so common in Scandinavian literature. Things get grim, and they stay grim by and large. There are fantastical, magical realism elements to the book, but they mostly follow sailors’ superstitions—visions and omens and objects carrying bad luck. Continue reading We, the Drowned, by Carsten Jensen