My church hosted a great Michael Card concert last Saturday. His music is nothing like the song Lars described yesterday. He even sang my favorite song of his, one he said he wrote “at a professor” who argued for a more rational faith than Card was comfortable with. Card has always favored mystery and paradox, so when his professor argued for a list of concepts which one could assent to and thereby adopt Christian faith, Card bristled. So he wrote a song about Jesus and his clash with our understanding, called “God’s Own Fool,” which has the chorus
When we in our foolishness thought we were wise
He played the fool and He opened our eyes
When we in our weakness believed we were strong
He became helpless to show we were wrong
And so we follow God’s own fool
For only the foolish can tell-
Believe the unbelievable
And come be a fool as well
YouTube has a video of it. I sang this song during a Sunday service a few years ago because it tied so well to the sermon. I think the Holy Spirit used it, but now that I say that, I can’t point to anything for evidence of that–perhaps, that’s not a proper perspective.
I wanted to pass on something Card mentioned during the concert. He is working with several others on The By/For Project, an effort to encourage Christian musicians to write music for the whole church for use in worship services free of restrictions. The site says, “Worship is a gift freely given. By/For projects are licensed under Creative Commons, so churches can freely use the art in worship and other artists can adapt and extend it. Removing profit motives can enrich both art and worship.”
The site also wants to remove the natural boundaries between Christians. “By/For believes the local church can strengthen and support fellow worshippers down the street, across town, and over oceans” by using the Internet to distribute recorded music, scores, and lyrics. There’s also a visual art angle on this too, which should bend some perspectives a bit.
I consider Card a true artist. There are very few good lyricists around, in sacred or secular music, but he’s one.