Tom Sharp as Merlin

Rise of the Merlin: A Fatherless Child

The third episode of Jeremy Boreing’s The Pendragon Cycle: Rise of the Merlin continues in the series’ strengths. Tom Sharp as Merlin (shown above) brings appropriate gravity to the role of a 75-year-old mage who has been an established legend for many years, according to all the people who meet him.

It begins with Merlin in the wilderness and a voiceover telling us what people say about him — that he was mad, that he was a king of renown, a bard, a prophet, and a slayer of hundreds. A figure and voice reminiscent of the old man who confronted Taliesin charges him to “go back the way you came.” And so, our man with falcon eyes returns to the land of the living.

The easiest way for me to review each episode would be to simply recap what happens. I don’t want to do that. I want you to enjoy the show yourself, whether it be on DailyWire+ or on another method of release (surely they will sell DVDs). Still, I’ll share what I can.

Merlin delivers the episode’s theme when telling Aurellius, “First, there is a sword, a sword of Britain and the sword is Britain.” Aurellius is of Roman decent and aims to reclaim his father’s land from the Saxons (or Saecsens, as the show spells it). One historical account says he was the one who directed the building of Stonehenge, which would be an impressive real-world tie-in. Right now, he is avenging his father’s murder and rallying other warlords to his banner.

Aurellius’s brother is Uther Pendragon, who appears as his more pessimistic partner in the fight. The story makes it clear Aurellius is in charge, but Uther looks to be his equal in many ways.

This series isn’t going to put the cookies on a low shelf. Viewers may ask if they are supposed to know who someone is or how to read Welsh, and if you’ve taken a course in Arthurian legend, then yeah, you should know. The rest of us will need to get comfortable with ignorance. I haven’t felt lost yet, and most of my knowledge of Camelot comes from the musical.

I love what they’ve done with magic, so far. Episode one got gritty with the pagan stuff, but when our leading men exercise power, it’s natural and sometimes marvelous.

And there’s a scene in this one that is a bit more thrilling for its close resemblance to the hobbits hiding from the Black Riders. I almost stopped it to stare at the tree roots. It’s not the same forest, but when you see it, you’ll know what I’m saying.

2 thoughts on “Rise of the Merlin: A Fatherless Child”

  1. Hurray – thanks! “First, there is a sword, a sword of Britain and the sword is Britain” – that resonates with Ralph Adams Cram’s play, “Excalibur” – soon to appear in a new edition with lots of hitherto uncollected and unpublished works from Darkly Bright Press.

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