Still working on translation. This job is a bigger one, in a single chunk, than I’m used to. I’m not complaining at all – that’s money in the poke. But I can’t dawdle with blogging (or reading books to review), so it’s music for you tonight. You’ll take it and you’ll like it.
The song, “Threescore and Ten,” continues the theme of nautical music I started last night. This one is closer to home (for me) though. It’s about fishermen, of whom I come from a long line. It’s a broadside ballad (words by fisherman William Delf, who wrote it for the benefit of the widows and orphans, music traditional) about a devastating storm that struck the northeast coast of England in February 1889. It’s still remembered as one of the greatest disasters to strike the coast around Grimsby and Kingston Upon Hull.
Performance by the Clancy Brothers and Tommy Makem (I actually have this album on vinyl).
Have a good weekend, and may the winds be favorable.
“Look: I would hate to have it on my conscience if we didn’t do a miracle when nice people were involved.”
“You’re a pushy lady,” Max said, but he went back upstairs. “Okay,” he said to the skinny guy, “What’s so special I should bring back out of all the hundreds of people pestering me every day for my miracles this particular fella? And, believe me, it better be worth while.”
A couple years ago, a rumor went around that Sony Pictures wanted to remake The Princess Bride, and many fans respectfully demurred. Remaking it after the pattern of many remakes would produce just another sequel film no one wants to see.
But having read William Goldman’s novel, which is now available in beautifully illustrated hardcover–can you imagine–I could see another movie made from this book. Definitely not a remake of the movie. But another movie based on the book could work if it were done creatively independent from the existing movie.
I’m thinking of something in an artsy style that includes new scenes and probably original material. Maybe the part about dad reading to his son is limited and animated. Inigo’s and Fezzik’s backstories could be told. Prince Humperdink would be a barrel-chested hunter who hated matters of state and enjoyed playing around in his Zoo of Death. There’s enough in the book to do something different with it in a movie–even though while reading the book it’s easy to believe all the best part made it into the existing movie. Goldman did the adaptation himself masterfully.
I think there’s room for a little original material too: another woman to interact with Buttercup and give her some screen time in the castle or before. They could adapt scenes to show how Humperdink noticed her and solicited her hand in marriage like the big jerk he is–no love required. And they could probably insert a Monty Python-style historian toward the end of the first half to comment on Florin and Guilder relations, which of the women alive at the time were known to be uncommonly beautiful, and related innanity.
It would be tough, but I think it could work.
Is the book worth reading? Yes, it is. But if you’ve seen the movie several times already, you may find the book to be a little different.
Work has descended on me today, like a squall off Cape Horn. It had been a long-ish calm, and I was getting nervous about it. But today, first of all, I got a referral from a satisfied customer, recommending me to another possible client. That’s gratifying in the extreme. Don’t know if it’ll come to anything, but approval is approval, and I suffer from a constitutional deficiency. Then a substantial script came in for translation, which means a decent pay day coming up over the horizon. Which, as it happens, I can use.
I’ve been reading a book (I’ll review it whenever I get it finished) about the last days of the great sailing ships. I read this stuff with a special fascination, knowing that some of my ancestors were involved in merchant sailing (one of them is supposed to have sailed to China). The author is doing an excellent job describing the hellish conditions under which those old sailors worked, even late in the 19th Century – insanely dangerous duties up in the rigging, miserable food, brutal discipline, dreary drudgery and heart-in-your-throat peril from the elements. For little pay. (That explains the shanty performance I embedded at the top of this post.)
When I think about the fact that I can eke out a living working at a keyboard under my own supervision, in a warm, dry house with enough food to keep me fat, I realize that I certainly belong to the 1% of humanity, from a historical perspective. And so, probably, do you, unless you’re a Chinese or Muslim slave, just because you were born into a lucky century.
Russian Bill. Photo from americancowboychronicles.com
I reviewed John Boessenecker’sRide the Devil’s Herd the other day. The book is an impressive account of the deadly conflict between the Earp brothers, Virgil, Wyatt, and Morgan (note how I list Virgil first – he was the oldest of the three, and I’m an oldest too. We oldests have to stick together) and the rustler gang known as the Cowboys.
The book includes many interesting anecdotes, some of them surprising, some of them shocking, some disillusioning. One story amazed me. It’s one of the weirdest western yarns I’ve ever read, and I’m amazed I’d never heard of it before.
There was a member of the Cowboys known as “Russian Bill” Tattenbaum. He was an educated man of about 30, older than most of the other cowboys. He spoke French, Russian, Spanish, and English. He dressed expensively, with gold pieces on his buckskins, a silver hat band, and silver-plated, ivory-handled six-shooters. He had a reputation as a blowhard – he bragged about his crimes and depredations, but was considered all hat and very little cattle. One of his brags was that he was a European nobleman. Nobody believed that any more than his other tall tales.
He was finally arrested by a deputy and jailed in Shakespeare, New Mexico, in an adobe hotel, along with another Cowboy named Sandy King. According to newspaper accounts, they were “loud and demonstrative in their threats against the citizens, declaring that the people of the town would have an opportunity to dance to their music inside of twenty-four hours.”
At 2:00 a.m. the next morning, a group of local citizens, faces masked, overpowered the guard, took the pair to the bar room, and hanged them from a ceiling joist. Sandy King, according to witnesses, went to his death with dignity, but Russian Bill “begged for his life,” claiming he hadn’t committed any crimes at all, and was really a Russian nobleman who’d fled his native land because of a love affair. The vigilantes, neither convinced nor impressed, let Russian Bill swing.
A coroner’s jury the next day declared their deaths “suicide.”
Here’s the payoff:
…Five months later, in April 1882…, Sheriff Harvey Whitehill received a letter from the U.S. consul in St. Petersburg, Russia. The consulate had been contacted by a Russian countess whose son was in New Mexico and had not written to her since the previous May. The consul wrote… that the missing man’s name was “Waldemar Tethenborn” and provided his photograph. It was Russian Bill. Sheriff Whitehill replied to the consul and, to spare the mother’s feelings, reported that her son had committed suicide.
The ever helpful and occasionally funny Babylon Bee has published a guide to being woke in a world eager to know what that and other new labels mean. Mark Marshall has been equally eager and reviewed the book for his blog.
We can all think of excellent humor writers and comedians who excelled in short formats but flopped in books or movies. Maintaining humor beyond a few pages or a few minutes is no easy task.
In the case of The Babylon Bee Guide to Wokeness, my skepticism was unfounded. Just about every page had me laughing . . . hard. In fact, I alerted friends I was in danger of dying laughing just in case I had a joyous demise.
One example he provides comes from the chapter on making your life as woke as Jesus’s was. He raised Lazarus from the dead to vote for Democrats, and the DNC has followed that example from their beginning.
If this looks like your thing, then I’m sure the Bee’s Guide to Wokeness can be found wherever Babylon Bee merch is sold.
Our friend Dave Lull recently sent me a link to a National Review article reviewing the late D. Keith Mano’s novel, Topless, which was released 30 years ago and is (like most of his work) out of print.
Topless is the first-person account, in the form of diary entries, of a Nebraska-based Episcopal priest, Mike Wilson, who comes to New York after the death of a young woman named Rita and the disappearance of a man involved with her, who happened to run the Smoking Car, a strip joint in Queens. The man is Tony Wilson, Mike’s brother. How pitifully unprepared poor Mike is for the world — of exhibitionism, prostitution, alcohol, and drugs — in which his brother thrived….
If the concept sounds salacious, it is, but the book looks at all the sleaze with a Christian (if often distracted) eye. Tony Wilson knows from the beginning that he’s playing with fire, getting involved in his brother’s world. But he is full of rationalizations. In the end, what he discovers is as much about himself and his limitations as about the solution to the mystery. And there’s a biblical twist at the conclusion that I’ve never been able to get out of my mind.
As reading matter for Christians, I can’t wholeheartedly recommend the book (if you can find a copy). Author Mano, to the extent I understand him, struggled most of his life to find a Christian response to the sexual revolution, which seemed so overwhelming and permanent back in the ‘70s and ‘80s. (Little remains of it now, I’d say, thanks to Feminism and Wokeness, except for its contempt for marriage and its reverence for abortion.) I don’t think Mano ever really succeeded in his effort, even to his own satisfaction. The book does anticipate our own times in a way, as Washburn says, but in other ways it’s hopelessly stuck in a cultural moment now dead and buried.
It’s possible to appreciate a novel without enjoying it much. That’s my reaction to Scarecrow, the first novel in the Lieutenant Dickerson series, first published in 1945.
Lieutenant Joe Dickerson is a Boston detective with a reputation for case-solving. His superior assigns him to go to the small town of Sudwich, Connecticut as a consultant, to help with the first murder the town has seen in many years. Sudwich has one industry, run by Old Man Kendall. But the old man has withdrawn from the world since his son Cotton was lost in combat in the Pacific.
One day, a strange, misshapen figure turns up in the town square, saluting the flag. Soon after, the town Lothario is found shot to death in his car, and a local beauty is stabbed in her apartment. That’s when they call in Lt. Dickerson. Dickerson sets about painstakingly analyzing crime scenes, interviewing witnesses, and picking his way through a tangle of relationships, hatreds and other motives to finally identify the murderer (whose identity did surprise me).
What I appreciated about Scarecrow was the (relatively) realistic portrayal of professional police work. Dickerson doesn’t rely on flashes of intuition, or on his flashing fists, but on science and reason. I suspect (I don’t know) that this book may have been an advance in the police procedural sub-genre. (Dickerson does, in a rudimentary way, the same sort of thing they used to do on the CSI shows.)
What I didn’t like was that the book was boring. It took forever for the plot to get going. The dialogue was stilted, all the characters speaking in the same formal, unnatural way. Also, this was clearly the work of an Englishman, though the setting and characters are American – there were Britishisms everywhere, “petrol” for gasoline, and “torch” for flashlight, for instance.
So I can’t recommend Scarecrow very highly. Though you may appreciate the utter absence of profanity.
I have shelves of encyclopedias, foreign dictionaries, and all the reference books I use. And I must have five or six English dictionaries of various sizes and editions. I even have slang dictionaries. When I’m really stuck I look at a thesaurus, but it never helps me. I know all those words, but I always think, “Well, there’s one word I’m not remembering that would be better than the one I’m stuck on.”
City of Fear, by Alafair Burke, “a tight, pacy police procedural, in which three Indiana college girls hit New York for their spring break.” One of them doesn’t come back.
The Album of Dr. Moreau, by Daryl Gregory, “deliberately and imaginatively breaks every one of T. S. Eliot’s ‘Rules of Detective Fiction.'” It’s a crazy premise, a genetically engineered boy band who find their producer dead in his hotel room, that apparently works.
Martin Luther: How Luther helped my depression. “I somehow found myself holding a copy of a Luther biography written by Roland Bainton.”
Halloween meditation: Jesus defines hell as the place when everyone is “salted by fire.”
No matter what you call your church or church movement, I think you’ll go astray if you claim your side is the one breathing life into dead orthodoxy. The message of the Reformation is still needed.
I recently reviewedThe Saint on the Spanish Main, and found Leslie Charteris’ famous hero, Simon Templar, a little different, and more intriguing, than I had guessed based on the TV shows.
The Saint to the Rescue is an earlier series of stories, first published in 1959. In these six neatly constructed little tales, set either in California or the American South, I learned yet more about Simon Templar, and I was a little shocked. In a fun way (in real life it might be different).
Several of the stories involve people being blackmailed. The Saint considers blackmailers lower than murderers, and has no objection to a private death penalty for them. That’s not something I’m accustomed to in fiction, but it provided this reader a genuine frisson of guilty pleasure.
Modern readers, if they are liberal, will appreciate the Saint’s contempt for Florida land developers who ravage the environment. Conservative readers will appreciate his condemnation of foreign aid and his spirited defense of the British Empire (remember that author Charteris himself was a non-white child of the Empire, son of a Chinese father and an English mother).
And those of us, young or old, who are weary of Gender Feminism will appreciate the complete absence of Evolved “masculinity.”
Shocking. Fun. Easy to read. I recommend The Saint to the Rescue, unless you’re Woke.
The tree of life my soul hath seen, Laden with fruit and always green: The trees of nature fruitless be Compared with Christ the apple tree.
Seraphic Fire performs “Jesus Christ the Apple Tree” by Elizabeth Poston
This traditional Christmas carol would fit well during apple season, in September or October when many of us look for cider at a farmers market or visit orchards to pick or buy Jonagolds, Mitzus, and Arkansas Blacks off the trees around us.
So it was that each autumn we ate apples until we grew tired of them. And when it was clear that we’d eat no more, he turned to pies. Late into the night, night after night, he peeled apples relentlessly, while my bemused mother baked on and on. Our kitchen became a pie factory, and by the end of the season there could be eighty or a hundred pies in the freezer.
“Jesus Christ the Apple Tree” has been found in print from 1761 and possibly a bit earlier, attributed to Rev. Richard Hutchins, a clergyman of Northamptonshire, England.
