The Tale of Tormod, KolBrun’s Skald

A stupid 19th Century conception of a Viking skald.

In Trapped, the Icelandic miniseries I reviewed last night, both in the first season (which I reviewed) and the second (which I’m watching now), there’s a female character named Kolbrun. It was a familiar name to me, and by coincidence I came to the Tale of Tormod Kolbrunarskald in my reading of the Norwegian translation of Flatøy Book. Obviously this was a sign from heaven that I should share Tormod’s story with you.

Tormod Kolbrunarskald is an important character in the Saga of St. Olaf. He doesn’t appear in my novel, The Elder King, but I expect he’ll show up in a later book, because he’s an important character and has one of the most memorable deaths in saga literature. But that’s not my topic tonight. My topic is his backstory.

I’d always assumed that he got his nickname, which means “dark-brow poet,” because he had dark eyebrows. Turns out that’s not true. His nickname actually means, “Dark-Brow’s Poet”

This is the tale (in highly condensed form).

Tormod Bersesson was living at his father’s farm in Laugabol, Iceland. Nearby, at a farm called Ogr, there lived a widow named Grima who had a beautiful daughter named Tordis. Tormod got in the habit of visiting Ogr, and spending time in private with the girl.

Eventually Grima, the mother, took Tormod aside and suggested that he should either ask for the girl’s hand honestly, or leave her alone for the sake of her reputation. Tormod hemmed and hawed, so to show she was serious, Grima sent a thrall to kill Tormod, but the poet escaped with a wounded hand.

After that, Tormod relocated to a fishing station his father had at Bolungarvik. Nearby lived another widow, named Katla, who had a daughter named Torbjorg, who was nicknamed Kolbrun because of her dark eyebrows.

Tormod thought Kolbrun not quite as pretty as Tordis, but nevertheless he started spending time with her. To gain her favor he wrote a series of poems, the “Kolbrun Poems.”

Later, when winter came, Tormod moved back to Laugabol, and renewed his visits with Tordis. At first she was distant. “I heard that you wrote a series of poems for a girl at Bolungarvik named Kolbrun,” she said.

“Oh, no!” Tormod lied. “That story is completely wrong. I didn’t write those poems for Kolbrun. I wrote them for you.” He immediately recited them for her, but changed the words so they now praised Tordis. Tordis was pleased with this.

But that night, Tormod had a terrible dream. He saw Kolbrun floating in the darkness in front of his bed. She said, “You have broken your word to me. It’s dangerous to break your word to a witch. I will now lay this curse on you – your eyes will swell up and grow terribly painful. They will swell so that if it isn’t stopped they’ll pop right out of your head. The only way you can prevent this from happening is by announcing in public that the poems are mine, not Tordis’s, and that you lied.”

Tormod woke in terrible pain, and slept no more that night. As soon as he could he assembled family and friends and confessed his lie. Immediately his eyes improved, and soon he was well again.

But forever after he was known as Tormod, Kolbrun’s Poet.

Amazon Prime Video review: ‘Trapped’

My part-time job keeps me generally aware of Scandinavian miniseries, but somehow this Icelandic one, a few years old now, had escaped my notice. Trapped (Ófærð) is a crime series that has much in common with so many European crime series these days (except that the main character, instead of being a plucky single mother, is a plucky single father). But it‘s interesting in its own right, and the locations are fresh and scenic.

On a winter‘s day in the small northern Iceland town of Siglufjordur, a headless, limbless torso is fished out of the fjord. Since the ferry from Denmark just came in, the police have to detain the boat and all its passengers – displeasing the passengers, the crew, and the Danish government. The “big boys“ from the Reykjavik police are supposed to come in to investigate, but a sudden blizzard grounds all aircraft and road travel. So the responsibility falls on the three-person local force, most especially on the chief, Andri Olafsson (played by Olafur Darri Olafsson, surely a contender for some award for the most generously bearded TV detective in recent memory).

But Andri’s problems aren’t limited to solving the torso murder. There are the difficulties associated with the blizzard, as well as an avalanche that follows. Questions arise anew over a crime from the past – the death of Andri’s ex-wife’s sister in a fire in a fish factory, for which a young man went to prison (unjustly). There’s also a human trafficking investigation, involving two young Nigerian girls wandering lost in the snow. And there is political chicanery on the part of the town’s governing authorities, all involved in a shady land scheme with the Chinese.

It all works out to be pretty fascinating. The main character is a compelling and principled presence on screen, and the production values are high (this was the most expensive miniseries ever made in Iceland). The resolution ties up loose ends pretty well, though it’s typically Scandinavian in being rather downbeat and bleak. The Icelandic title has a broader meaning than the English word – it also refers to a blocked road. A running theme is the discontent of the town’s young people, who feel trapped in one of the remotest towns in a generally remote country.

But I enjoyed Trapped, and recommend it, with cautions for language, sex, brief nudity, and disturbing themes. There’s a second season, too.

‘An Advancement of Learning,’ by Reginald Hill

I think I tried to watch one episode of the long-running BBC series, “Dalziel and Pascoe,” based on Reginald Hill’s mystery novels. It just didn’t grab me. But I thought I’d try one of the original books, to see if I caught the magic there. The formula’s pretty familiar – old, grizzled detective teamed with young, callow detective – only these books are old enough that the young detective is allowed to be male.

An Advancement of Learning (the title comes from a book by Sir Francis Bacon) takes place at Holm Coultram College, a fictional school in Yorkshire. A statue is being moved from the spot where it has stood for five years, when human bones are discovered under its base. They turn out to be those of the former Principal of the College, Alison Girling, who was assumed to have died in an avalanche in Switzerland, also about five years ago. Detective Inspector Andrew Dalziel and his assistant Peter Pascoe are assigned the case. Dalziel is an old working-class type, contemptuous of intellectuals and the academic life. Pascoe is a college graduate who once considered a scholar’s life – indeed an old college girlfriend turns out to be on the faculty here. They will encounter partisan instructors, politically radical students (who seem pretty mild by current standards – this was the early ‘70s), drugs and satanic rituals. And there will be more murders. All in all, Dalziel’s view of academics seems to be validated when all is revealed.

There were things I liked about An Advancement of Learning. It was written long enough ago that social norms were a little more conventional – homosexuality is still scandalous, and most people seem to be nominally Christian (though the only vocal Christian in the book is pretty unattractive).

But I didn’t care for author Hill’s writing technique. He spends a lot of pages telling us people’s thoughts. I’ve learned to expect to see plot advanced through dialogue and conflict, rather than interior monologue. So I found it kind of slow going. Also, although I was prepared to like Insp. Dalziel, I didn’t. His personality didn’t seem to go very deep. The ending was moderately satisfactory, though.

You may like this book more than I did. The language was pretty mild, and the violence and sex were mostly off stage.

List of recommended sagas

From thedockyards.com: A list of “10 Medieval Icelandic Sagas One Should Absolutely Read.”

However, these medieval literary creations innovated in that they revolved around the lives and deeds of real common people and their genealogies, as opposed to the largely moralistic, fairytale-like writings of the time in mainland Europe, where the main characters were knights or princes. The legacy of the sagas continues to live on up to our times, having inspired, among others, the setting and the mythical races of major high fantasy novels such as those from ‘The Lord of the Rings’ trilogy by J.R.R. Tolkien.

It’s a pretty good list. I’d suggest reading Eyrbyggja Saga as a companion to Laxdaela. But that would bump one of the others from the list, and I’ll admit Laxdaela is the better of the two.

Blessed aches and pains

It’s one of the most delightful and inspirational stories of American history. John Adams and Thomas Jefferson, who started as political allies in the Continental Congress – where they worked together on drafting the Declaration of Independence – became the bitterest of political enemies after independence had been won. Their approaches to government were very different, and their perceptions of dangers to the republic widely separated. The lies and vitriol both men (and especially their spokesmen) employed against each other in election campaigns make the ugliness of today’s politics look courtly and tame.

And yet, in their old age, the two men began corresponding, and became friends again. Amazingly, they died on the very same day – and that day was the 50th anniversary of the signing of the Declaration. (Seriously. It’s true. Look it up.)

I’m recalling that story today, not for political purposes, but just to talk about old age – a subject of increasing interest to me.

I haven’t read the Adams-Jefferson letters (I know, I should). But I wonder if part of their reconciliation, beyond the fact that they were nearly the sole survivors of their generation, was the reconciling power of shared aches and pains.

I had opportunities recently to spend time with a couple of people from my youth. One of the particular tribulations to which a just Providence has subjected me in my dotage has been that pretty much every one of the friends of my youth, the people I was closest to, have walked away from the beliefs we shared. I have not changed (much). They have changed their views in almost every way.

And yet we spent time together in amity. Thinking it over afterward, I realized that we spent a lot of the time discussing our health complaints.

This is a topic that never fails among the old.

I remember being young (my memory is still that good), and I recall that one of the things we laughed about when talking about old people was how they couldn’t shut up about their aches and pains, their digestions and their prescriptions.

And I understand. I have no wish to impose tales of my dry skin and digestive habits on the healthy young, who should have their minds set on higher things.

But when we oldsters are together, ailment talk is great. It bridges divisions, awakens sympathy, and arouses our helpful instincts.

All part of God’s plan, no doubt. He has a wry sense of humor.

‘Agent In Place,’ by Mark Greaney

One more book in Mark Greaney’s Gray Man series, and it’s as good as its predecessors. In fact, I think I’d rate Agent In Place as one of the best.

It seems like an odd assignment for the world’s greatest assassin, but Court Gentry, the Gray Man, has been hired by a group of Syrian expatriates in Paris to kidnap a supermodel. Bianca Medina is the mistress of a fictionalized president of Syria, Ahmed Azzam, and she has secretly borne him a son. The Syrian patriots who hired Court hope to use her to get to the tyrant.

Court succeeds, but as usual there are wheels within wheels. Azzam’s wife in Damascus is plotting against Bianca with her Swiss lover, a ruthless security expert who is himself plotting to get himself out of Syria. Just as the Syrian army, the Syrian resistance, the Russians, the Americans, ISIS, the Iranians, the Kurds and others are fighting for various purposes in the desert, one faction is fighting another in Europe, each trying to leverage the instability for their own purposes, noble or ignoble or purely mercenary.

In the style of all the Gray Man books, situations that start out complex rapidly unreel into tangles and twists and betrayals that threaten to bring Court’s storied career to a sudden and bloody end. But whatever happens, in Europe or in Syria, Court will find his moral center and do what he sees as right, even to the point of death.

Lots of fun. Agent In Place had a climactic fight scene as deeply satisfying as any I’ve ever read in a book. Cautions for violence, language, and high dramatic tension.

Amazon Prime Video review: ‘Mindhunter’

The Amazon Prime miniseries Mindhunter is well-done. I’m not sure whether I’d call it “watchable,” because sometimes it’s hard to watch (though, thank Heaven, there are no dramatizations of actual murders, which might frankly have driven me off). And having watched both the first season and the newly-released second season now, I’m not entirely sure what the point is.

The series is based on the development of the discipline (I won’t say science) of criminal behavioral profiling at the FBI in the 1970s and ‘80s. The main characters, FBI agents Holden Ford (Jonathan Groff) and Bill Tench (Holt MacCallany), are based on real men – John E. Douglas and Robert K. Ressler. They are, however, fictionalized beyond all recognition. Holden is a young agent, kind of a genius with an intuitive understanding of human motivation, but poor at social relations and office politics. Bill is old school, at first skeptical of profiling but gradually won over. He runs interference for his partner when he steps out of line. Which is often. There’s also a professional psychologist, Wendy Carr (Anna Torv), who is a closeted lesbian and chafes at being kept out of the action on the street.

The experiment begins with the agents doing long, intense interviews with various incarcerated serial killers. Richard Speck is one of them, and they “get” Charles Manson in Season Two. But the most “helpful” is Ed Kemper, the “Co-Ed Killer” (Cameron Britton), who is portrayed as remarkably articulate and self-aware, but helpless to control his impulses – a fascinating performance, chilling in its ambivalence. Gradually (they believe) they begin to recognize social and behavioral patterns matching various kinds of “organized” serial killers.

The show is fascinating (I think) mainly in its portrayals of the criminally insane. I’m less impressed with the value of behavioral profiling in itself. In the real world (or so I’ve read), profiling doesn’t really do much to solve crimes. By its nature it can’t provide positive evidence. That problem seems to be echoed in the aura of futility that hangs over much of the production. Season Two ends with the conviction of Wayne Williams, the Atlanta Child Killer, but the resolution leaves the agents frustrated. And Dennis Rader, the BTK Killer, appears in regular vignettes. But in fact, profilers had little or nothing to do with Rader’s conviction. He was identified through digital forensics.

So I’m not sure what to say about Mindhunter. It’s fascinating to watch the process and be shocked by the face of evil, but there aren’t a lot of satisfactions here. Serious cautions for disturbing material, foul language, sex and nudity.

2 Spellings of Gray. Or Grey.

Photo credit: Ani Kolleshi @ anikolleshi

It must be because I’ve been plowing through Mark Greaney’s Gray Man novels – I got to thinking about the spelling of the word “gray,” which seems to be in a “dynamic” state just now.

As a child I learned the basic rule – Americans spell it “gray;” the English spell it “grey.” The first warning of change swam into my ken when I read an interview with Colleen McCullough, author of the besteller, The Thorn Birds. I think it was in the 1980s. She said, as I recall, that she always spelled it “gray,” except when describing eye color. “Grey” just seemed right for eyes, she said.

And it did seem right in that case. Maybe it’s the mirroring of the two vowels, “e” and “y.” There seems to be a suggestion of something kind of blue-grey in the English spelling. At least for me.

Then, years later, along comes the novel, Fifty Shades of Grey (Sorry, I will not link to it). It became a huge phenomenon and Americans began to see that “ey” spelling in front of their faces all day long. It seems to have imprinted itself on a lot of them.

Maybe it has to do with the fact that sexual excitement increases memorability.

In any case, it seems to be catching on. I’ve noticed that James Lileks consistently spells it “grey” over at the Daily Bleat. I expect that has more to do with the time he’s spent in England than with Fifty Shades.

But it looks (to me) as if we’re in the midst of a spelling shift in this country. The English are winning this one. Gradually.

Me, I’m going to stick with “gray,” even though I’ll admit I kind of like “grey.” I’m an anglophile, after all, and there is a certain nuance with the “ey.”

But I stick with the old rules, unless there’s good reason to drop them. And “gray” has committed no crime deserving of termination.

‘No Good Deed,’ by James Swain

The second book in James Swain’s intriguing Lancaster and Daniels series has now been released. No Good Deed is well worth your time and money.

Former Navy Seal and cop Jon Lancaster, and FBI agent Beth Daniels, are not officially a team, but once again they end up working together. Jon works for The Adam Project, a group devoted to finding kidnapped children. When he learns of the abduction of a teenaged girl in a small Florida town, he cancels a fishing vacation to see if he can help. And he does – he discovers a clue suggesting that the missing girl was not the kidnappers’ real target. They wanted her grandmother, who was murdered at the scene, but things didn’t go according to plan.

This links the crime to a string of abductions of adult women across the state. That brings in the FBI, and Lancaster and Daniels meet again – awkwardly. They’d had a couple dates after their last case, but then Daniels stopped answering his calls. They like and respect each other, and share a passion for their work, but their approaches are different. Lancaster is all about the objective – he’ll cut corners to save a life, without hesitation. Daniels needs to do things by the book. Cooperating with Lancaster will mean compromising her standards and breaking FBI regulations. Can she justify enabling Lancaster? Can she justify not enabling him? Each of them will learn the others’ darkest secrets, and share their own, before they solve the case.

No Good Deed is an exciting story, well told. Christianity gets a couple favorable mentions. I liked it. Cautions for language and intense situations.

Book Reviews, Creative Culture