I take this question from a recent Mortification of Spin podcast. I’d love to read your answer to it, and I think it would be remarkable if we can get good, 21st-century data on this influence. Wouldn’t it be easy to suppose your favorite pastor or minister has most influenced you when in fact it was someone else, someone whose teaching has defined your life more than you recognize? Someone like your youth pastor so many years ago or the minister at the church you visited for a couple years during your stint in Duluth.
To answer the question, my most influencing pastor has to be the founding pastor of the church I’ve been a member of virtually all of my adult life. I can’t quote many of the things he’s said, but I think many of his expressly taught conclusions as well as his approach to Scripture and manner of handling doctrine have shaped me more than anyone else could have.
The West cannot be destroyed through numbers; it must be destroyed through its imagination.
You know what you’re getting when you start one of Stephen Hunter’s Bob Lee Swagger novels. It’s not realism (though a fair amount of technical detail may be involved). A Bob Lee Swagger novel is transparent bunkum, like the imitative title of this book. But the entertainment value for money is 100 per cent.
Game of Snipers opens with old Bob Lee, relaxing on the front porch of his ranch house, getting visit from Mrs. Janet McDowell, widow and gold star mother. Her only son, she tells him, was killed in the Middle East by a legendary Al Quaida killer known as “Juba the Sniper.” Since then she has made it her obsession to learn all she can about the man. She has traveled to the Middle East and been beaten and raped. She even converted to Islam (this did not please me), to “get inside his head.” She thinks she knows where the man is hiding, but she’s worn out her welcome with the CIA and the military. Could Bob Lee use his contacts to get her a hearing, in the hope that he can be stopped at last?
Bob Lee goes to his friends in Mossad, and (improbably) is invited along on a raid on Juba’s hiding place. The raid misses Juba himself, but Bob Lee, with his sniper’s eye, notices a clue that tells him Juba is planning a job in the United States – a high-profile assassination at the distance of a mile.
He takes this information to the FBI. They pull his old friend Nick Memphis (improbably) out of retirement to coordinate a desperate effort to learn the place, the time, and the target. Meanwhile we follow Juba himself – fanatical, concentrated, and not without honor, as he prepares an act of terror that might very well tear the United States apart.
As with all Bob Lee Swagger novels, I didn’t believe it for
a minute, but it was a fun ride. Stephen Hunter combines the ability to expertly
raise the plot stakes with a mastery of character and dialogue. A fun ride is
even better in the company of old Bob the Nailer.
Author Casey Cep writes about a true crime story Harper Lee could not complete. “Harper Lee always said that she was ‘intrigued with crime.’ She grew up surrounded by stacks of the magazine True Detective Mysteries, cut her teeth on Sherlock Holmes, watched trials from the balcony of the local courthouse as a kid, and studied criminal law at the University of Alabama.”
The story of Reverend Willie Maxwell, a man accused but not convicted of murdering and collecting death benefits from five family members, was as compelling as any story Lee had grown up with. But she could not pull it together. Perhaps the characters were too much larger than life.
Part of why true crime stories are so appealing is that they force us to confront the limits of what can be known, and eliding those limits, whether by fabricating motives or means or inventing someone’s inner life, doesn’t just cross the boundary between fiction and nonfiction; it transgresses something deeper.
A great way to remember the Lord’s work in your life is to write down your prayers and experiences. My pastor has recommended a mementos box to remind you of the stories of God’s faithfulness. Others have recommended keep a diary. I know a ministry leader who has filled up dozens of journals with daily devotions, prayers, and their answers.
Wood’s home displays photos of her 53 descendants, nearly all Christians. Once a week for the past 16 years, she has sent them letters—777 in all, as of July 1—filled with stories. Some are dramatic: Her blind grandmother miraculously saw Wood’s grandfather minutes before he died. Other stories cultivate a sense of God’s presence in less dramatic moments: Once, her parents’ pet birds escaped but returned to their cage before dark, just as her mother had prayed.
I’ve seen many critical comments about “purity culture” this year from strangers on the Internet. I didn’t know exactly what they were referring to, but that’s normal when you come into the middle of someone’s conversation, which is what social media allows you to do all day, every day. And you can’t bring a pot of coffee with you. Last week such conversations couldn’t be avoided as everyone on my side of the Internet cafe took up talking about the announced divorce and apostasy of the author of a 1990s bestselling book, I Kissed Dating Goodbye.
The criticism has been as open-ended as the label. I think much of what I saw was from people who were pushing back appropriately on a shame-based rationale they were taught, but many critics seemed to be attacking biblical sexual ethics as a whole. The latter is ridiculous, but I’d like to write about the former for a minute.
Moving along through Mark Greaney’s implausible but enjoyable The Gray Man series, we come to Dead Eye. I have to say that, though the temptation to fall into tropes is probably strong, author Greaney manages to keep the concept fresh.
The concept, in case you missed previous reviews, is this:
Court Gentry is the world’s greatest assassin. Former military, former CIA, he
was suddenly targeted for death by his former employers, he doesn’t know why.
Now he lives as a professional hit man, but he only kills people he considers
genuinely evil. He is totally isolated, with no family, no living friends, no
fixed address.
Like all action heroes, Court is effectively infallible, always one step ahead of his enemies, capable of sustaining injuries that would stop a lesser man. But as Dead Eye begins, he makes a mistake. He’d be dead because of it except for the intervention of an unexpected ally – a member of the hit squad sent to kill him, who suddenly changes sides. Court is grateful but skeptical. The guy seems a little off.
His savior, Russell Whitlock (code name Dead Eye) is almost Court’s
clone. He moves like him, thinks like him, even resembles him physically. And
he’s been a student of Court’s career. He wants to team up. Together, he says,
they’ll be unstoppable.
But that’s not what Whitlock really wants. His true plan is devious and ruthless. Court rushes through northern Europe to catch and stop him, forming an uneasy alliance with a female Mossad analyst, until the Gray Man and Dead Eye meet in one final showdown.
Dead Eye was, like all the Gray Man books, completely preposterous. But highly readable (in spite of some slips in diction). I highly recommend Dead Eye, if you don’t mind some bad language and lots of violence.
You could probably tell that my birthday yesterday left me a little melancholy. I pursued music on YouTube to soothe my savage breast, and came on a version of “Les Bicyclettes de Belsize” sung in 1969 by the French singer Mireille Matheiu. I’ve always loved the song, which first appeared in my college years, but I’d never heard this singer before. She’s sort of a successor to Edith Piaf, and her performance kind of blew me away.
According to Wikipedia, Miss Mathieu is a major star in France. She is a devout Roman Catholic (though famously superstitious) and politically conservative. She has, regrettably, ties to Vladimir Putin in recent years.
The song comes from a 1968 short film directed by Douglas Hickox. In spite of the name, it’s an English film, not French. Nor does London’s Belsize Park appear anywhere in it.
In case you missed the parades and fireworks, today is my birthday. I won’t tell you how old I am, for online security reasons. Let’s just say I don’t think I can get away with calling myself middle-aged anymore.
It’s a challenge to write about one’s birthday without sounding self-pitying — probably because I am pitying myself to a degree. Birthdays, especially when one is alone, are mostly opportunities for ruthless self-examination. And those are seldom occasions for merriment.
My brother and his wife bought me lunch the other day. I took myself out for lunch today. I thought about buying a little cake, but I’d already sabotaged my diet pretty ruthlessly. And events beyond my control are coming up that promise to subvert it even more.
What are we to do? Longevity is its own punishment.
And then I exchange emails with a friend who happens to have the very same birthday. And he tells me he highlighted his day by scheduling a biopsy.
Perspective. Ah, well. Thanks to everyone who sent greetings on Facebook. I do appreciate them.
If you’re looking for realism, Mark Greaney’s The Gray Man series is probably not for you. If you’re looking for pulse-pounding action entertainment, you could hardly do better.
Years ago, Eddie Gamboa went far beyond the second mile in
Southeast Asia, to save the life of CIA operative Court Gentry. Later on, Eddie
returned to his native Mexico, where he became a drug enforcement officer, one
of the few honest ones trying to stop the cartels. Not surprisingly, that got
him killed, along with most of his team.
As Ballistic begins, Court, now “The Gray Man,” international assassin without a country, is passing through Mexico, on the run after a pretty hairy mission. He stops by Eddie’s grave to pay his respects, and accidentally meets his widow. She insists he must come with her and the family to a memorial service in Puerto Vallarta the next day. But the service turns into a bloodbath when cartel gunmen start firing on the crowd. Court is able to save most of the family and get them away, but now he has two big problems – he has innocent people to protect with limited resources – and his picture was taken and published, meaning his many enemies around the world know where to find him.
The situation looks impossible, but impossible is what Court
is good at.
I was about three-quarters of the way through Ballistic when I realized what it was. It’s A Fistful of Dollars.
Which is Yojimbo. Which is Dashiell Hammett’s Red Harvest.
The plot is a hardy perennial – and as far as I’m concerned, Ballistic is as effective a retelling as any.
This book has an interesting and somewhat strange subplot
involving religion. Court is puzzled but attracted by the Catholic faith of his
charges, especially that of Eddie’s beautiful sister. A very odd scene involves
her explaining her faith to him in a very winsome way – but that testimony
leads into to a sex scene, which was a little weird.
Nevertheless, I thought Ballistic worked very well. Cautions for language, violence, and mild sex.
Websites store cookies to enhance functionality and personalise your experience. You can manage your preferences, but blocking some cookies may impact site performance and services.
Essential cookies enable basic functions and are necessary for the proper function of the website.
Name
Description
Duration
Cookie Preferences
This cookie is used to store the user's cookie consent preferences.
30 days
These cookies are needed for adding comments on this website.
Name
Description
Duration
comment_author
Used to track the user across multiple sessions.
Session
comment_author_email
Used to track the user across multiple sessions.
Session
comment_author_url
Used to track the user across multiple sessions.
Session
These cookies are used for managing login functionality on this website.
Name
Description
Duration
wordpress_logged_in
Used to store logged-in users.
Persistent
wordpress_sec
Used to track the user across multiple sessions.
15 days
wordpress_test_cookie
Used to determine if cookies are enabled.
Session
Statistics cookies collect information anonymously. This information helps us understand how visitors use our website.
Google Analytics is a powerful tool that tracks and analyzes website traffic for informed marketing decisions.
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
_gac_
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
A video-sharing platform for users to upload, view, and share videos across various genres and topics.
Registers a unique ID on mobile devices to enable tracking based on geographical GPS location.
1 day
VISITOR_INFO1_LIVE
Tries to estimate the users' bandwidth on pages with integrated YouTube videos. Also used for marketing
179 days
PREF
This cookie stores your preferences and other information, in particular preferred language, how many search results you wish to be shown on your page, and whether or not you wish to have Google’s SafeSearch filter turned on.
10 years from set/ update
YSC
Registers a unique ID to keep statistics of what videos from YouTube the user has seen.
Session
DEVICE_INFO
Used to detect if the visitor has accepted the marketing category in the cookie banner. This cookie is necessary for GDPR-compliance of the website.
179 days
LOGIN_INFO
This cookie is used to play YouTube videos embedded on the website.