Despite many arguments to the contrary, many writers and literary advocates have yearned for unique voices within single cultural traditions. In the early days of this country, we wanted to forge distinct American literature that was not dependent on our British roots or British authors. We continue that yearning in all artforms today. You’ll remember that one of the strength’s of the Netflix original Luke Cage is how culturally black it is.
In his fascinating and original new book, Reaping Something New: African American Transformations of Victorian Literature, Daniel Hack provocatively joins the contrarian chorus by examining the relationship between one of the most marginalized literary traditions and one of the most dominant. He has found that a wide range of the most important 19th-century African-American writers drew from and engaged with writers of equal importance to the Victorian literary tradition.
While it may be natural to want one’s own voice in art, many of us may unrealistically define that uniqueness. We may chafe at anything at smacks of dependency while ignoring the relationships and influences we cannot avoid. Nothing, after all, is truly original. (via Prufrock)
