What If We Called It Befuddling Tales?

From our Tell Us That Story Again desk come these headlines:

Tom Wolfe in the NYPL

The papers of the Man in the White Suit, Tom Wolfe, have been acquired by the New York Public Library, making him “officially an Important Writer,” as Oliver Wiseman states. The papers have been made available to the public only recently. (via Prufrock)

Wolfe has not published a memoir or autobiography. In general he leaves himself out of his writing. But the career of Tom Wolfe, as told by Tom Wolfe, is the story of an outsider swimming against the tide, first in non-fiction and then in novels. Things got interesting when a strike knocked out New York’s newspapers in 1963. “You weren’t going to catch me on a picket line,” Wolfe said in an interview several years ago. “So I went to Esquire with a story about custom cars.” That article, his first magazine piece, was originally titled “There Goes (Varoom! Varoom!) That Kandy-Kolored (Thphhhhh!) Tangerine-Flake Streamline Baby (Rahghhh!) Around the Bend! (Brummmmmmmmmmmmmmm) . . .” Tom Wolfe was already Tom Wolfe.

National Paragraph Writing Month

The Millions is launching a new initiative in coordination with National Novel Writing Month (#NaNoWriMo).

We are launching #NaGrafWriMo in recognition of all the writers with jobs and family obligations, and those who just spend an ungodly amount of time on the Internet, who find it hard to read a whole book in a month, much less write one. But we are also embarking on this new program because we have found that, for most writers, it can take more talent, determination, and hard work to write one good paragraph than an entire lousy book.

Here, here to more good paragraphs and fewer lousy books.

‘Quicksilver,’ by Neal Stephenson

Someone suggested Neal Stephenson’s books to me, so I figured I’d give one a try. I decided on his historical series, The Baroque Cycle. The first novel is Quicksilver.

What shall I say about this book?

What I liked: Very well written. Witty. Good, interesting characters. Excellent historical research on view. A grand artistic vision undergirding all (which seems to be to give us a much-needed introduction to the history of the ideas that eventually produced digital computing).

The central character in Quicksilver is Dr. Daniel Waterhouse, a 17th Century Puritan and scientist. As a boy he watched Charles I being executed. As a young man he roomed with Isaac Newton at Cambridge and was involved with the beginnings of the Royal Society. Through him we observe the actions of the scientists who were inventing modern science, as well as the machinations of the court of Charles II.

Then the story takes a detour, and we follow the adventures of Jack Shaftoe, an English adventurer and mercenary, who rescues a beautiful harem slave, Eliza, at the siege of Vienna. Together with her he sets off on a journey across the German principalities toward the Netherlands, during which they become acquainted with the mathematician Leibniz.

And then back to London and Dr. Waterhouse. Continue reading ‘Quicksilver,’ by Neal Stephenson

The Reformation: Here to stay

This morning, in an e-mail discussion I participate in, someone lamented the Reformation. They wished and hoped we could all come together again soon.

That’s a nice dream, and I applaud the sentiment. But in my view it’ll never happen.

Here’s the thing — who’s going to be in charge of this new universal church?

The pope? Then how will you force all the Christians who think the pope is the Antichrist into your church?

Local congregations? How will you persuade the people who think an episcopacy is necessary?

You won’t be able to do this without some kind of coercive force. A new Inquisition.

And I don’t think even Catholics want that.

Besides which, the divisions are far deeper and more complex than just Rome vs. Wittenberg.

The divisions in Christianity go way beyond denominations. I have Catholic friends to whom I am far closer, in the fundamentals, than I am with many of my Lutheran friends.

Even if you somehow shoehorned all the denominations into your new World Church, the conservative vs. liberal divisions would persist.

And would probably, if history is any guide, lead to new institutional divisions.

Green Book for Jim-Crow Era Travelers

There was a time when black businessmen and their families could not travel freely throughout the states. There were sundown towns, where blacks needed to leave before sunset to avoid trouble. There were hotels and restaurants which would not serve them. So a New York City mailman produced a green book to help them travel comfortably.

With the introduction of this travel guide in 1936, it has been our idea to give the Negro traveler information that will keep him from running into difficulties, embarrassments and to make his trips more enjoyable. The Jewish press has long published information about places that are restricted and there are numerous publications that give the gentile whites all kinds of information. But during these long years of discrimination, before 1936 other guides have been published for the Negro, some are still published, but the majority have gone out of business for various reasons. In 1936 the Green Book was only a local publication for Metropolitan New York, the response for copies was so great it was turned into a national issue in 1937 to cover the United States.

Graham Auto Supply, Esso sign, Coca-Cola sign

ESSO stations were particularly hospitable and distributed the green books to all who asked. The Schomburg Center for Research in Black Culture, in its 90th year, has digitized its Green Book collection.

We Tell Ghost Stories In Order to Control Our Fears

“One of the primary experiences ghost stories deal with is fear,” Chris Yokel explains. “Many literary critics recognize that the management of fear is one of the important explanations for the existence of the ghost story. Julia Briggs in her book Night Visitors says, ‘Both the recital and reading of stories of the terrific unknown suggests a need to exorcise in controlled circumstances, fear which in solitude or darkness might become unmanageable. By recounting nightmares, giving them speakable shapes and patterns, even if as compulsively as did Coleridge’s Ancient Mariner, we hope to control them and come to terms with them.’”

Do we control our fears when we tell stories of indomitable evils, of horrors that cannot be held back, or of despair that literally eats at us? How much do our stories define for us this “terrific unknown”?

Writers on the Internet

Sean Minogue writes about writers using social media for better or for worse.

Unreachability and self-seriousness used to define many of our best-known authors, but the public appetite for writerly swagger in both old and new media is at an all-time low. Jonathan Franzen, for example, continues to spark minor firestorms with his pooh-poohing of Twitter: “I see people who ought to be spending time developing their craft […] making nothing and feeling absolutely coerced into this constant self-promotion,” he said on BBC Radio 4’s Today program. Franzen is behind the curve, but not because he doesn’t like Twitter. It’s his fundamental misunderstanding of social media that makes his opinions so quaint.

In the end, social media are just other platforms for authors to speak or ignore as they wish.

Dusty cobwebbed old underwood typewriter