Distinguished medical care

Odd what you turn up when you’re doing research. I’ve been gathering some information for the seminary at work, and I ran across a name that tripped a memory switch. And thus I learned a little more about a chapter in my own family’s history – a Walker brush with fame. Or eminence, anyway.

When I was growing up, I often heard stories about the struggles my dad’s family endured. They suffered many shocks, both in finances and health. Dad lost a brother (born with a heart defect) and a sister (died of complications following appendix surgery). And my grandfather suffered all his life from a spinal injury he received as a young man. Through all these travails they were cared for by the family doctor, referred to with hushed respect as “Dr. Hanson.” Dr. Hanson, I was told, invented a specialized surgical tool in order to operate on Grandpa’s neck. Grandma saved a letter of condolence he wrote after the death of my aunt. Apparently he did a lot of his work for the Walkers with little payment, or at least with delayed payment. “He even,” they said, “discovered some kind of hormone.”

And it’s true. He did discover some kind of hormone. I found the record.

Dr. Adolph M. Hanson (I can’t find his biographical dates now, but as I recall he died in 1957) was the grandson of Pastor Østen Hanson, first pastor of my home parish. In 1923, he discovered the parathyroid hormone in his home laboratory in Faribault, Minn. This article tells about it.

One of these scientists was Adolph Hanson, a small-town doctor from Minnesota who conducted his experiments in a makeshift lab in the basement of his home. Hanson reported in 1923 that, using cattle parathyroid glands he had collected from a slaughterhouse, he had isolated the active compound from the parathyroids that can prevent the convulsions that occur when these glands are removed from dogs. The renowned Canadian biochemist James B. Collip independently isolated the same active extract in 1925…

My late great-aunt told me that one of her sisters had made a concerted effort to get Dr. Hanson as a husband, but he failed to succumb.

I may have even met him. I expect he would have attended Grandpa’s funeral. But I don’t remember him.

Not neutral

Over the weekend, one person I don’t approve of killed a lot of other people I don’t approve of.

That doesn’t make me happy.

The reasons for my disapproval of the groups are beside the point at a time like this. People are grieving. Real human beings have lost their lives, or been crippled or maimed for life. To talk doctrine just now would be un-Christlike.

But I’m angry nonetheless. I’m angry because further lives have been lost to the worthless, statist institution of the Gun Free Zone.

Orlando isn’t a case of equal and opposite evils. The moment any person takes it upon himself to murder defenseless people, he automatically becomes the Greater Evil. Decent people will all side against him. I hope.

Some of my Facebook friends have been posting graphics supporting a group called “Pink Pistols.” Its purpose, I gather, is to encourage members of the homosexual community to take responsibility for their own safety through arming themselves.

That’s one “gay” initiative I can support wholeheartedly.

I take it as a given that one of the threats this group was originally organized to counter was the threat of people like me. Conservative Christians. Well, you know what? If some conservative “Christian” actually decides he’s got special license from God to murder people because he disapproves of their sins, he deserves the pink bullet he’ll get for it. Let him explain to Jesus how he justifies flouting the greatest commandment for the sake of a lesser commandment.

Meanwhile, may God have mercy.

Some Churches Have Lost Their Way

How do you react to the claim that what a Christian does at church on Sunday morning is the most important thing he can do that week? I think some pastors have said this as a way of saying worshipping God is our most important act, but if that’s what they intend to say, they aren’t quite saying it. One could easily hear in such a claim that attending church that morning is the most important part of the week. Is that what worship is? Are we only able to worship the Lord in an organized service on one day or can we develop a lifestyle of worship for the whole week? Is the church’s mission to draw people into its organization or to declare the wonders of Christ Jesus?

Jared C. Wilson has experience in churches that put all of their creative energy into making the Sunday morning service exciting, unique, and attractive to the people of their city, and he believes those church leaders have lost the vision for Christ’s church on earth. The manner of the services and the theme of the sermons (or talks) point to good feelings and self-improvement. “But are they the real message of Jesus?” he asks.

Wilson’s argument in The Prodigal Church rests on his belief that what you win people with is what you win them to. “Pragmatic discipleship makes pragmatic Christians. The way the church wins its people shapes its people. So the most effective way to turn your church into a collection of consumers and customers is to treat them like that’s what they are.”

He urges church leaders to question their assumptions about what takes place in their services and programs. If their goal is make clear the claims of Christ or to help others make God of first importance in every part of their lives, then they are on mission regardless their presentation style.

You could walk away from the attractional church’s pattern of teaching and think you needed some more skills, some more enthusiasm, and some more advice, but you’d rarely walk away thinking you need more grace.

Wilson is careful not to overly criticize. He isn’t arguing for his preferred church style or saying that everyone has to agree with him on what makes for a good worship service. He admits we have different styles, but making consumerism a normal part of the American church does not lift up the name of Christ or apply his grace in healthy ways. That’s not a style choice. It’s a problem. It isn’t cultural sensitivity; it’s being co-opted by the culture.

The second part of the book offers many thoughts on how to do church well, including some stories of people who realized their manner of ministry didn’t accomplish their intentions. I heartily agree with and recommend this book.

Excerpt from The Prodigal Church by Jared C. Wilson

Many attractional churches still preach that Jesus died for our sins, of course. But too often this message of Christ’s death has become assumed, the thing you build up to rather than focus on. Or, in too many other cases, this message is treated as the “add-on” to other messages, the proposition presented at the end of a message that is more about our personal success than Christ’s personal victory.

A cognitive dissonance can result for those who hear a message all about what they should do to be more successful or victorious or happy or what-have-you, only to then hear the proposition that Jesus died for our sins. To hear a lengthy appeal to our abilities, culminating in an appeal to our utter inability, can cause spiritual whiplash.

But the appeal is easy to see. Attractional is certainly attractive. These kinds of messages, over time, communicate to seeker and believer alike that Christianity is about themselves, making the faith more about self-improvement or life enhancement—which are things we all want deep down. But are they the real message of Jesus?

— From The Prodigal Church:A Gentle Manifesto against the Status Quo, by Jared C. Wilson

Though I am in no position to challenge Wilson’s assessment here, I want to offer the suggestion that the spiritual whiplash may be negated quite a bit by presenting the gospel with a heavy emphasis on personal choice. These preachers could be summarized as saying that since Christ has done so much for our eternal lives, doesn’t it make sense to take advantage of it. Don’t you see how your life would be improved by declaring yourself a follower of Christ Jesus?

That may be a way to make converts, but it isn’t a way to make actual disciples.

Is the Declaration of Independence Racist?

Dr. Thomas Kidd is now blogging at The Gospel Coalition and he responds to a charge made this week that the Declaration of Independence is a systemically racist document.

“The greatest ideal animating the American experiment is here: the notion of equality by creation.” And yet, “if people are equal before God, then how can you justify slavery? Some African Americans like American soldier and evangelical pastor Lemuel Haynes asked this question within weeks of the promulgation of the Declaration.”

Haynes wrote an essay in response to Jefferson, in which he said, “Liberty is equally as precious to a black man, as it is to a white one, and bondage equally as intolerable to the one as it is to the other.”

But is the Declaration fundamentally racist? No, though it does have troubling spots, which only makes it an imperfect document. The key idea still isn’t racist at all, even if it was originally interpreted in a way we would not today. “We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness”

‘The Last King’

I figure I’d better share this film trailer with you, though I’m a little torn. I shall explain below.

The story of the Birkebeiners and the little king is a classic set piece of Norwegian history. The Birkebeiners were a political party/fighting group, mostly based in northern Norway. Baby King Haakon Haakonsson (his actual patrimony is somewhat in doubt, but that was more the rule than the exception in Norway during the dynastic wars) was spirited over the mountains by two faithful retainers on skis, to save his life from the forces of the Bagler party. In time he survived to be king and end the civil wars.

The Birkebeiners (birchlegs) got their name from a legend that they were so poor at the beginning that they had to wrap birch bark around their legs for warmth in the winter. The Bagler party, which had its strength in the south, was more aristocratic and was allied with the church. “Bagler” comes from the word for a bishop’s crosier.

I personally have long had Bagler sympathies, as one of their leaders was a nobleman who lived at a place where some of my ancestors came from. Thus I like to think he was an ancestor.

On the other hand, Haakon Haakonsson built the big stone church at Avaldsnes, where my great-grandfather was baptized. So I guess I can suspend my partisanship for a couple hours and see this movie.

Coming June 17. It won’t be in a lot of theaters, but it will be available on Netflix.

Could Pixar Be Past Its Prime?

Steven Greydanus isn’t quite ready to say that Pixar has lost its heart or forgotten its vision, but he describes what he calls the three ages of the company, centered around their relationship with Disney.

Those two years between 2004 and 2006, when Pixar hoped to break with Disney and go in a new direction, turned out to be a crucial transitional period. In 2005 Brad Bird (The Incredibles) took over development on Ratatouille, and Pete Docter (Monsters, Inc.) began writing Up. Andrew Stanton (Finding Nemo), who had been developing Wall-E since 1994, worked on the project throughout this period.

These three films — Ratatouille, Wall-E, and Up, released from 2007 to 2009 — were all vitally shaped during that transitional two-year period when people at Pixar were thinking about life after Disney. And it shows. There is a special quality to these films that makes them different from anything before and almost anything since — an audacious, outside-the-box, un-Disney-like quality that defies all expectations for a Hollywood family film.

via GIPHY

‘The Song of the Mockingbird,’ by Bill Cronin

There are some books you read, and you salute the author’s intentions. But you have to conclude that his reach exceeds his grasp. So it is with Bill Cronin’s The Song of the Mockingbird.

The book opens in 1995, when bestselling author Jack McNamara’s life is falling apart. His creativity has been blocked for months, and a publisher’s deadline is fast approaching, after which he’ll have to return a million dollar advance. On top of that his wife, whom he loves, has left him. To prove to her he’s trying to solve his problem, he sees a therapist, who tells him his problems seem to center on the summer of 1961, when he was a young teenager.

1961 was a whiplash year for Jack. He sold his first short story, to his mother’s great pride. He suddenly learned he had a half-sister, who moved in and quickly became his best friend. And he acquired a girlfriend.

Then his hero, Ernest Hemingway, committed suicide, fulfilling a prophecy made by his emotionally abusive father. And his half-sister left suddenly, without explanation. And he lost his girlfriend due to a horrible crime.

Jack returns to his childhood home, Hollywood, Florida, to try to pick up the threads of the past and learn what really happened, what secrets were hidden from him.

I appreciate the attempt author Cronin makes with this book. But the novel we have is not the novel he’s trying to deliver.

First of all, when a narrator tells us he’s a bestselling author, and that Hemingway is his hero and role model, he needs to write a book that’s Hemingwayesque. The Song of the Mockingbird is not Hemingwayesque. Cronin is too wordy, too inexact with his word choices. His prose, especially his dialogue, does not snap with perfect lines as Hemingway’s does. He fires a verbal shotgun, not a rifle.

Also, an intended Big Surprise about 2/3 of the way through was obvious to me a mile off. And the book’s characters display conventional (for our day) reverse sexism – of the three male characters in a female-dominated book, one is a black man (who obviously gets a pass), and another is sheer stereotype, more bigoted than Archie Bunker. Every female is admirable.

I was interested enough in the story to read it through to the end. But I’m not interested enough to buy the two sequels. Nice try, but this is not a successful work.

Ethical Editing Must Be Hard for Journalists

Photographer Steve McCurry, who is still admired by many photojournalists according to Gianmarco Maraviglia of Echo Photojournalism, has breached ethical lines by editing his photos to be more clutter-free. As the Associated Press puts it, “We do not alter or digitally manipulate the content of a photograph in any way.” To do so is at least to open themselves up to charges of altering the truth being shown in the photo.

Now McCurry calls himself a “visual storyteller.” He said, “Even though I felt that I could do what I wanted to my own pictures in an aesthetic and compositional sense, I now understand how confusing it must be for people who think I’m still a photojournalist.”

Yeah. Some of us still think Katie Couric is a journalist or perhaps in league with the journalist ilk, so we were surprised to learn that her people edited a documentary on guns, rights, and violence to show the Virginia Citizens Defense League dumbfounded when Couric asked them a basic question.

“If there are no background checks for gun purchasers,” she asked, “how do you prevent felons or terrorists from purchasing a gun?”

In the video, you hear that question and then see members of the group looking at each other or at the floor as if unable to give an answer, but in the audio, which you can hear in this article, the group dives right in. The first voice states that if you aren’t in jail, you should still have the right to purchase a gun, a point which others pick up on later when they say the government cannot predict a crime before in happens. There’s always a first time, and generally speaking we can’t foresee when that will be.

But if those answers are given in the documentary, they aren’t given as direct answers to Couric’s question to the Virginia group, and that has a few people upset.

“Katie Couric asked a key question during an interview of some members of our organization,” their president said. “She then intentionally removed their answers and spliced in nine seconds of some prior video of our members sitting quietly and not responding. Viewers are left with the misunderstanding that the members had no answer to her question.”

The director of documentary said he had just wanted to give the viewer space to think about the question.

Book Reviews, Creative Culture