‘A Short History of Nearly Everything,’ by Bill Bryson

There seemed to be a mystifying universal conspiracy among textbook authors to make certain the material they dealt with never strayed too near the realm of the mildly interesting and was always at least a long-distance phone call from the frankly interesting.

Back in the 1970s, one of the most fascinating programs on television was broadcast (in the US) on PBS – a short English series called “Connections,” hosted by James Burke. Burke, a somewhat odd-looking fellow in a sort of leisure suit, took the viewer on a journey through time, tracing how some remote phenomenon in history, like a variety of medieval cargo ship, led through various permutations to the invention of plastics. What made the show work was that Burke kept it down-to-earth (often funny) and related his science to intriguing personalities, events, and places.

I thought of “Connections” often as I read Bill Bryson’s A Short History of Nearly Everything, which I’d been meaning to read, but hadn’t gotten around to until its 20th anniversary of publication (I got a deal on it; it pays to be patient). The book is a history of science, very, very long, but fascinating from front to back.

Author Bryson alternates his chapters between descriptions of the universe and its laws as we understand them, and the pageant of how humans discovered those laws. What makes the book work is, first of all, his knack for helping the non-scientist think about counterintuitive concepts and massive numbers (“you can get some idea of the proportions if you bear in mind that one atom is to the width of a millimeter line as the thickness of a sheet of paper is to the height of the Empire State Building”), along with no reluctance at all to showcase the eccentric or petty sides of revered scientists (to his credit, he also likes doing justice to researchers who’ve been elbowed aside by the spotlight-seekers).

The overall goal seems to be to wow the reader with how amazing and complex our universe is (and to admit how much we still don’t know about it). The book is full of Wow! moments. Bryson clearly loves his material, and he’s eager as a kid to share his delight. 400 pages worth.

Being me, I found some things in his narrative that he probably didn’t intend. The incredible complexity of life and its structures seems to me to suggest intelligent design (though Bryson carefully avoids that subject, seeming to pooh-pooh any idea of a Creator. But that approach leaves a lot of questions unanswered – surely as many questions as faith leaves unanswered).

The big problem with A Short History of Nearly Everything – for this reader – was sheer input overload. The information provided includes a lot of doomsday talk – we’re told how likely it is that we’ll collide with an asteroid, or suffer another extinction-level pandemic. When he tried to raise our enthusiasm for environmental causes, I felt more inclined to sit back and say, “Yeah, well, you just told me the Yellowstone Caldera is long overdue to erupt and kill us all; it hardly seems worth the effort.”

Nevertheless, A Short History of Nearly Everything is a tremendous book and well deserving of its classic status (even if some of its science is outdated now). I recommend it highly. You’ll find a lot of arguments for Intelligent Design here, even if that wasn’t the intention.

The Stiklestad Drama

This morning, during my writing time, I committed to paper (well, screen) my conception of the Battle of Stiklestad, where King (Saint) Olaf of Norway died, in circumstances that remain contentious among historians.

Above is a video I managed to find on YouTube at last, which seemed to me worth sharing. It’s a Vlog post, not very sophisticated, describing the Vlogger’s attendance at a recent production of the Stiklestad Drama, which is performed every year in an open-air theater near the battle site (which, due to topographical changes, is impossible to precisely locate anymore). This play has been going on almost annually since 1954 (it was one of Liv Ullman’s first acting gigs). No doubt the script has changed over the years, as Norwegians become less enamored of their Christian legacy.

This appears to have been the first production after the Covid shutdown, and had the distinction of being the first time (as far as I know) that St. Olaf was portrayed without a beard. I can’t say I approve.

Also, I note that in the associated art exhibit, there’s a “tree” called the Verdenstreet (World Tree), where children are encouraged to hang prayers. This is an obvious bow to heathenism, and I can’t say I approve of that either.

But Stiklestad is on my mind (I had ancestors from the area) and I thought I’d share something about it today. Describing the battle was a surprisingly emotional experience for me, even if I’m not a great fan of Olaf. As I wrote my books, he grew in my sympathy. Also, I killed off a couple old friends (I’m not saying whom).

What’s left of writing the first draft for me is mostly mopping up, tying up loose ends. Then, of course, there follow as many revisions as it takes.

As Olaf himself (reportedly) said: “Fram!” (Forward!)

Saga reading report: ‘The Tale of Thorvard Crow’s-Beak’

13th Century illustration of the Battle of Stamford Bridge from Matthew Paris. It looked nothing like this.

I’m still slogging through a Very Long Book (a good book, but comprehensive), so tonight I’ll report on another tale from The Complete Sagas of Icelanders. This is the last story in Volume I, which means I’ll be coming to longer sagas again in the next one. I’m not sure what I’ll do to vamp while I’m reading future long books.

To my delight, this tale turned out have considerable personal interest. It involves Erling Skjalgsson’s grandson, Eystein Orre (son of Erling’s daughter Ragnhild and Thorberg Arnesson – you may remember the story of Thorberg’s courtship from King of Rogaland). Eystein had a sister named Thora who would, in time, become concubine (or wife, sources differ) to King Harald Hardrada, and would die with him following a legendary charge at the Battle of Stamford Bridge in England.

Our tale is the Tale of Thorvard Crow’s-Beak. Thorvard is a wealthy Icelandic merchant. He sails to Norway where he speaks to King Harald, inviting him to come down to his ship and accept the gift of a sail. (According to this article from the Viking Herald, the manufacture of one sail for a Viking ship could take as long as fifty years [!] Perhaps they mean 50 years in man-hours).

I’ve mentioned previously that King Harald appears uncharacteristically genial in most of these saga tales. But in this one we see him in his usual temper. He tells Thorvard, curtly, that he got an Icelandic sail once before, and it tore apart under wind pressure. So he’s not interested in another such gift.

However, Thorvard then offers the sail to Eystein Orre, the king’s best friend, and Eystein, on examining it, recognizes it as an excellent specimen. He accepts it with thanks and invites Thorvard to stop and see him at his own home when he sails back to Iceland. When Thorvard does so, Eystein gives him generous gifts.

And to cap it we are told that, on a later occasion, Eystein’s ship outsails the king’s. And when the king asks where he got this fine sail, Eystein tells him it’s one he had turned down. A nice final note for the storyteller – it could even be true.

I was surprised to see “Eystein Orre” translated as “Eystein Grouse” here. Orre does mean grouse, even in modern Norwegian, but I’m sure I read somewhere that Eystein got his nickname from Orre farm in Jaeder. Perhaps that’s the meaning of the farm’s name. If Eystein lived there, it would likely have been due to inheritance from Erling.

The Tale of Thorvard Crow’s-beak is one of the more plausible stories in the collection, just trivial enough to believe.

Sunday Singing: How Good It Is to Thank the Lord

For the final hymn this month, we have another adaptation of a psalm from the 1912 Psalter. “How Good It Is to Thank the Lord” is taken from Psalm 92:1-9, 12-15. The tune is called St. Petersburg by Ukrainian composer and harpsichordist Dimitri Stepanovitch Bortniansky (1751-1825).

“For you, O LORD, have made me glad by your work;
at the works of your hands I sing for joy” (Ps. 92:4 ESV).

1 How good it is to thank the Lord,
and praise to you, Most High, accord,
to show your love with morning light,
and tell your faithfulness each night;
yea, good it is your praise to sing,
and all our sweetest music bring.

2 O Lord, with joy my heart expands
before the wonders of your hands;
great works, Jehovah, you have wrought,
exceeding deep your ev’ry thought;
a foolish man knows not their worth,
nor he whose mind is of the earth.

3 When as the grass the wicked grow,
when sinners flourish here below,
then is there endless ruin nigh,
but you, O Lord, are throned on high;
your foes shall fall before your might,
the wicked shall be put to flight.

4 The righteous man shall flourish well,
and in the house of God shall dwell;
he shall be like a goodly tree,
and all his life shall fruitful be;
for righteous is the Lord and just,
he is my rock, in him I trust.

Reading Thomas a’ Kempis, Great Art, and Intellectuals

A little from Kempis’s Imitation of Christ

In the video above, I share from an 1898 (or earlier) inexpensive edition of The Imitation of Christ by Thomas a’ Kempis. It’s one of those books that looks as if it could have been valuable (just because it’s old and if it was in better shape), but it’s actually a cheap copy. This site on Chicago history notes the publisher of my book, Donohue, Henneberry, & Co., as purveyors of “inexpensive and unauthorized copies of popular books,” mostly fiction. I think my copy is from their set of cloth bound books, 50 in the series, sold at 75¢ each.

Most of the video is my unpolished reading from the book with a couple comments.

Art: Does great art come mainly from morally great men? “One lesson of a great city like Florence is that cruelty, greed, and depravity often coexist with civilization’s finest achievements. “

C.S. Lewis: November 29 is the author’s birthday. He was born in Belfast, 1898. In his chronicle of Lewis, Colin Duriez notes a meeting of Tolkien, Charlies Williams, Dr. Robert “Humphrey” Harvard, Owen Barfield, and Lewis on Nov. 23, 1944. Tolkien said the conversation was “most amusing and highly contentious.” Barfield, he said, could meet Lewis head on during a rousing argument, “interrupting his most dogmatic pronouncements with subtle distinguo’s.”

Intellectuals: Philosopher Roger Scruton talks with Hamza Yusuf about the natural bent of intellectuals toward leftism and what should just as naturally draw them out of it. That’s the first part of the linked recording. They go on to speak of many other topics, including the King James Bible, English grammar, and Islamic society.

Tristram Shandy: Writing advice from Laurence Sterne, “a line drawn as straight as I could draw it.”

Local color in the Faroes

I’m reading another long, long book – I don’t know why I put myself through these things. This circumstance forces me to come up with creative ideas for the blog, and blast it, Jim, I’m an author, not a creator!

My work on The Baldur Game proceeds on schedule. I’m nearing the final climax – the Battle of Stiklestad. So I thought I’d look for a YouTube video about the battle. Informational for you and I can always use more local color. But, oddly enough, there aren’t any YouTube videos on the subject that I consider much good. Someone should address this need, which will doubtless become acute once The Baldur Game is an international bestseller and a Major Motion Picture.

But my searches led me to the holiday of Ólavsøka, the great national holiday in the Faroe Islands (it’s the celebration of the feast of St. Olav, not coincidentally on the anniversary of the battle). I’ve reviewed a couple of Chris Ould’s Faroes mystery novels (which I’m enjoying a lot) recently, so I thought I’d post a video about that event. But most of the videos I found were just shots of people in folk costumes walking through the streets of Torshaven. Perfectly good in their place, but I wanted something with a little more scenery. I finally found the video above, which I think rather nice. Here is another place I’d like to visit someday, though it’s becoming increasingly unlikely.

I hope you had a blessed Thanksgiving. Mine was just fine.

Follow these 4 crazy steps for a better pumpkin pie!

Photo credit: Famartin. Creative Commons License via Wikimedia Commons.

I think it’s been a few years since I’ve performed my Thanksgiving act of public benevolence by sharing with you my mother’s pumpkin pie recipe. This is the only kind of pumpkin pie I actually like. And, since I’m a ridiculously picky eater, you’ll probably like it too.

The recipe is simple. Stupidly simple. You don’t need to print it out — you’ll remember it.

  1. Do everything it says in the instructions on the pumpkin pie filling can (any brand will do), EXCEPT:
  2. Instead of using 2 eggs, use 7.
  3. Pour into 2,, not 1 deep dish pie shells.
  4. Otherwise, continue following step 1.

That’s it. The result is 2 light, custardy pumpkin pies. No need to thank me; the warm sense of magnanimity I feel is reward enough.

‘The Killing Bay,’ by Chris Ould

Heljarayga was a small, natural cove no more than a hundred yards wide at its midpoint. Beyond that I couldn’t see much. The mist hung like a damp dust-sheet over the headlands and above the almost mirror-smooth water it appeared to ebb and flow slightly, gossamer fine. The stillness made you want to hold your breath. Nothing and nobody moved.

I knew a few things about the Faeroes before I started reading Chris Ould’s mystery novels. One of my Norwegian cousins (gone now) was married to a Faeroese woman (still around). The hymn, Tiðin rennur, which Sissel sings so beautifully, comes from there…

And they still hold an annual whale hunt in the old Norse tradition. The old Norse tradition was to herd whales into a bay or inlet and beach them in the shallows, then kill them there. It was an important element of survival in a subsistence economy. (My own ancestral home in Norway is a farm called Kvalavåg, which means “whale bay” or “whale inlet.”) But the custom has been abandoned in most places. In the Faeroes it still continues, stubbornly maintained as a central element of local culture. This has not entirely escaped the notice of anti-whaling organizations, and that fact generates the central conflict of The Killing Bay, second of Ould’s Faeroes mysteries.

Our hero, Jan Reyna, is still in the Faeroes. He’s an English police detective (born in the Faeroes but raised in England) currently on suspension, not sure if he even wants to go home. He rather likes the Faeroes, and most of the relations he’s met there, but he doesn’t really feel at home.

The female cousin who’s hosting him brings him along to witness the grindadráp, the whale hunt. He’s not enthusiastic about the thing, but doesn’t feel qualified to judge. While there he meets Erla Sivertsen, a female Faeroese native who’s working as a photographer for an environmental protest group, documenting the kill. While there Erla clashes with Finn Sólsker, a local fisherman, but violence is averted.

Not long after, Erla is discovered murdered, and the local investigators, led by Jan’s new friend Hjalti Hentze, have it as their first job to check whether Finn has an alibi. (This is awkward because Finn happens to be his son-in-law.) When Erla’s coat and hat are discovered hidden in Finn’s fishing hut, Hjalti is forced to arrest him, but he’s not convinced of his guilt. In addition, why is he getting pressure from his superiors to close the case before he’s examined all possible leads?

The mystery in The Killing Bay was well-constructed and solid, but it was the setting that really riveted me, as it did with the previous book, The Blood Strand. Author Ould does a masterful job of evoking the setting and atmosphere of the islands. I felt like I’d been there.

Highly recommended. Cautions for language and mature themes. Environmental politics are treated with an even hand.

Tolkien, in his own words

I found the above video on YouTube, and as you can see it’s entitled, “There’s no way Tolkien was speaking English here.”

This is fascinating. If you’ve read biographies of Tolkien, you’ll have read about the fact that his speech in conversation tended to be garbled. (He’s said to have blamed it on an injury to his tongue, though that’s disputed.) The most famous recording of his voice, where he reads short excerpts from The Lord of the Rings, is not hard to understand — and that isn’t surprising, since everyone agreed that when he was lecturing he was always loud and clear.

But here we hear him casually enthusing about one of his favorite topics — trees, and he’s babbling away pretty incomprehensibly.

So now we can share the confusion. I’m gratified.

‘You’ll Get Yours,’ by Gerald Hansen

Good characters do a lot to make a book work. But now that I’ve finished You’ll Get Yours, by Gerald Hansen, I think it’s possible to overdo it.

In the city of Derry, Ireland, a middle-aged woman’s body is found, dressed only in sexy underwear, on top of a cannon on the old city wall, her thumb superglued inside her mouth. As Detective Inspector Liam McLaughlin begins investigating, they find the woman hard to identify. No one seems to have known her. And when she finally is identified, as a woman who worked as a stocker at a nearby supermarket, it turns out she’s still a bit of a mystery. She seems to have no family, and there’s no record of her existence prior to four years ago.

In time it’s revealed that she’s been living under a false identity. She was once – briefly – famous, as a member of a Spice Girls-type girl band that had a few hits in the ‘90s. None of the other old group members are living in hiding, though, so what was she afraid of?

And the cops’ work won’t be made any easier by the almost universal hatred for the police that lingers in Derry, a residue from “the Troubles” of the old IRA years. In the end the solution will take them back to an old crime that time can’t bury and no one could possibly guess.

The emphasis in You’ll Get Yours is vivid characterization, and frankly I thought it was a little overdone. DI McLaughlin is a slob who’s always getting interrupted in the middle of eating a sandwich. His subordinates include a feminist detective with OCD, a fashion-plate womanizer, an over-eager rookie detective, and a female computer nerd. I think I was supposed to be amused by their interactions and frictions, but I found it all a little overdone and unconvincing.

The book wasn’t really that bad, plot-wise, and the solution was horrific and moving. But I couldn’t help being annoying by the comic book characterizations.

I should note, however, that references to religion were mostly respectful, and the author took trouble to avoid cursing.

You might enjoy it.

Book Reviews, Creative Culture