I had no idea they were making a movie of Mark Helprin’s Winter’s Tale. Hard to imagine they could do it justice, but the trailer hits the right notes.
Coming early 2014.
I had no idea they were making a movie of Mark Helprin’s Winter’s Tale. Hard to imagine they could do it justice, but the trailer hits the right notes.
Coming early 2014.
Alissa Wilkinson writes about Christian artists who eschew identification as such:
Sometimes it’s because they’re afraid of being stigmatized, in some fields more than others. But just as often, what I hear is that they don’t because they’re afraid that the “Christian world” will glom onto them, making them the next poster child for the cause: “Look! Christians can be cool, too!” Then, precisely because the gears are ready and well-oiled, they fear they’ll be sucked into being packaged for “the Christian market.” (And often they want their art to be appreciated because it is well-made, not because a Christian made it and we all gotta stick together.)
(via Jeffrey Overstreet)
My father, Pfc. Jordan Walker, in the Occupation Forces in Japan, about 1946.
Thanks to all our veterans for your service and sacrifice.
C. S. Lewis wrote somewhere that for modern souls, the acquisition of new appliances, vehicles, and entertainment devices constituted “the very stages of their pilgrimage.” I bear that in mind as I announce my acquisition of a Kindle HD.
As you know if you’ve been following this blog, I’ve had a Kindle Keyboard (the generous gift of no less a figure than the learned Dr. Hunter Baker) for some years now, and have fallen wholly under its sway. I like its ergonomics, its lightness, and the opportunity, when I need a new book, to satisfy my jones in about a minute. I treasure my Kindle Keyboard, and have no plans to abandon it. In the single day I’ve owned my Fire, I’ve tried reading on it, and it’s fine. I’m sure I could transition to it as a regular reading device without trouble. But the battery on my old Kindle lasts longer, and the essential reading’s equally good.
The Kindle Fire HD is a genuine tablet, albeit a low-end, entry-level one. The first thing that impressed me was the graphics. What I see on my device doesn’t have the definition of the more expensive Kindles, but nevertheless it amazed me. I got a free month of Amazon Prime with my purchase, and I downloaded an episode of “Justified.” I was highly impressed with the speed and picture quality (though downloading YouTube videos can be annoyingly slow and page loading can be poky). Also impressive was the Dolby sound, which is amazingly good for such a small device.
I’m still learning to navigate on the thing, and experiencing the normal old dog’s problems. I like the way you can move around and zoom in on the screen with a finger swipe, and I think the whole thing will become pretty instinctive before long. For someone who’s always worked with Windows, the whole “Mojito” operating system involves a little techno-shock, but like all systems it makes its own kind of sense. The virtual keyboard is OK; it confounded me for a while but I think I’m catching on.
The main reason for the low price of this Kindle is that it doesn’t have either a camera or a microphone, so the buyer should be aware of that. I bought mine because I wanted more flexibility in accessing the web. I think I’ll even be able to do some of my graduate course work through it; at least that is my hope.
This is a preliminary evaluation. I’ll let you know if I change my mind about anything.
Remembering being asked to make a new translation of Beowulf, Seamus Heaney said, “While I had no great expertise in Old English, I had a strong desire to get back to the first stratum of the language and to ‘assay the hoard.'” He had gained a feel for the sound of Anglo-Saxon and wanted his translation to sound as authentic as he could make it. He remembered a way of speaking from his relatives. “I called them ‘big-voiced’ because when the men of the family spoke, the words they uttered came across with a weighty distinctness, phonetic units as separate and defined as delph platters displayed on a dresser shelf. A simple sentence such as ‘We cut the corn to-day’ took on immense dignity when one of the Scullions spoke it.”
So he brought out this sound in England’s oldest epic poem. Now, researchers are saying their accepted opinion on the poem’s first word may have been skewed. The word translated as “hark”, “lo”, “behold”, and similar words (“Hwæt! We Gar-Dena in gear-dagum, þeod-cyninga, þrym gefrunon, hu ða æþelingas ellen fremedon!”) probably isn’t so boldly declarative. And Heaney may have thought so as well, long before the researchers caught up to him.
…Chris thought of Jimmy Barsonetti, a man who, if there ever was one, deserved to die. He knew in his bones not only that he deserved to die, but that the truest justice comes at the hand of the victim, or his family. Had this been Joe Black’s code? On the one chance he had had to ask that question, Chris had been too young, and too paralyzed by the weight of Joe Black’s persona to speak up. He “followed orders” his father had said, but what happened when the orders he received were evil? What did Joe Black do then? That was the question Chris had never asked, afraid of what the answer would be.
Sometimes you run across a book that you like very much, but aren’t entirely sure you understand. But that said, I have to give Sons and Princes by James LePore a high rating.
The hero of Sons and Princes is Chris Massi, a son of the Mob. His father was a respected and feared hit man. He used to be married to the daughter of a don. Nevertheless, he never wanted to be part of that world, and became a lawyer instead. He worries over his son and daughter, being raised by their mother in the shadow of the Family.
But Chris’ plans for his life have gone off track. The district attorney, once Chris’ best friend but now his greatest enemy, tried to send him to prison, and did succeed in getting him disbarred. Now the don is making Chris an offer he… well, you know. He tells Chris that a rival don murdered his father. And if Chris will kill that don, he will send Chris’ son to live with him, out of the seductive mob environment.
Chris is dismayed at the choice, but that’s only the beginning. Things are going to get very nasty, and people are going to die, and the secrets of a number of hearts will be revealed.
There’s a strange double vision in this book. There’s a compelling sense of morality, and even of Christian faith. Chris is a Catholic believer, and there’s a very decent priest involved, and one character turns to prayer in desperation, and the prayer is answered. Yet the idea of vengeance also permeates the story.
That said, I enjoyed Sons and Princes quite a lot. I recommend it. Read it yourself and see what you think. The usual cautions for language and adult themes apply.
Tonight, crowdsourcing. Or a social experiment. What I mean is I want your opinion.
I was talking to someone the other day about the way my novels are languishing at Amazon (my big exposure through Christianity Today the other day resulted in a total of 20 copies sold), and I mentioned that I’m asking $2.99 for a download. My friend suggested maybe that’s too little. Perhaps people assume that a $2.99 book isn’t to be taken seriously.
Baen is charging $6.99 for The Year of the Warrior.
I take it for granted anyone who reads this blog and is in a position to buy an e-book has already gotten their own $2.99 copy. So you have nothing to lose by giving me your honest opinion. Do you think the books would sell better at $4.99? $5.99?
I figure we could run a sale once or twice a year. Hard to do a sale at $2.99, unless you just make it free.
Tell me what you think.
In The In-Between: Embracing the Tension Between Now and the Next Big Thing, by Jeff Goins, we have a light-weight book on living in the present. No exegesis of the origin of the word wait (Middle English from Anglo-French). No history of waiting or relevant thoughts recorded by ancient thinkers. Goins gives us his own thoughts teased out of stories from his life. His point: “What we were hoping for, what we dreamed would be a larger-than-life experience, ends up looking a lot like morning breath and spreadsheets.”
With stories about Christmas and Epiphany in Spain, on falling in love and becoming a parent, and on leading worship services for prisoners in Washington, he tells us that the in-between times are dull but good. “The good life comes like most good things,” he says, “unexpectedly—in moments that are fading away faster than we realize.”
Toward the end, Goins says he has always been reluctant to push religion on anyone, but that’s what this book needs. Despite the background of church and faith in almost every story, the book points to personal contentment rather than to Christ. A Buddhist could do this. What we need during the in-between times is not a reminder to bless those around us or that we can learn from the slow places in our lives. We need to remember the work and glory of Christ Jesus, whose spiritual wealth is far greater than anything we can achieve with our hard work.
I can understand this reluctance, if it comes from that contemporary desire to askew religion in favor of our relationship with our Lord Jesus, but when we hide from the truth because we can’t stomach religious terminology, we harm ourselves and our readers. The gospel of Christ trips people. They take offense at it, and so do we. We need to understand that such squeamishness comes from our sinful pride, our desire to manage our own lives without submission to the King of Kings. When we understand that we live under the authority of Christ, our Lord, then we can handle the in-between times with greater patience.
Disclosure: I received this book for free in exchange for my honest review.