We said goodbye to our mothers. They’d been around all our lives, but we’d never properly seen them. They’d been bent over washing tubs or cooking pots, their faces red and swollen from heat and steam, holding everything together while our fathers were away at sea, and nodding off every night in the kitchen chair, with a darning needle in hand. It was their endurance and exhaustion we knew, rather than them. And we never asked them for anything because we didn’t want to bother them.
That was how we showed our love. With silence.
…Our mother sticks a knife in our heart when we say goodbye on the wharf. And we stick a knife in hers when we go. And that’s how we’re connected: through the hurt we inflict on one another.
I really didn’t have much choice about buying Danish author Carsten Jensen’s We, the Drowned. I’ve been telling you how much I like sea stories, and this is a sea epic. One quarter of my ancestors were Danes, and this is the story of a small maritime village on a Danish island, not all that far from where my people came from (though mine were farmers, as far as I know. My sailing ancestors were Norwegian. Close enough).
We, the Drowned is a long book, and strange. It starts out in an almost whimsical faction, telling us of Lauritz Madsen of the town of Marstal, who started a war with Germany singlehanded, and was blown up over the mainsail, saw St. Peter’s backside, and landed on his feet back on deck to tell the tale.
But that’s pretty much the end of the whimsy. Author Jensen quickly falls into the fatalistic tone so common in Scandinavian literature. Things get grim, and they stay grim by and large. There are fantastical, magical realism elements to the book, but they mostly follow sailors’ superstitions—visions and omens and objects carrying bad luck. Continue reading We, the Drowned, by Carsten Jensen