“Redeemed, How I Love to Proclaim It” performed by student in the Fountainview Academy
Fanny Crosby (1820-1915), a great Methodist hymn composer, gave us today’s song in 1882. She wrote poems before her conversion in 1950 and afterward about 8,000 hymns, many of which have not been set to music.
“The LORD is near to the brokenhearted and saves the crushed in spirit. . . . The LORD redeems the life of his servants; none of those who take refuge in him will be condemned.” (Psalm 34:18,22 ESV)
1 Redeemed how I love to proclaim it, Redeemed by the blood of the Lamb; Redeemed through his infinite mercy His child and forever I am.
Refrain: Redeemed, redeeemed, Redeemed by the blood of the Lamb, Redeemed, redeemed, His child and forever I am.
2 Redeemed, and so happy in Jesus, No language my rapture can tell, I know that the light of his presence With me doth continually dwell. [Refrain]
3 I think of my blessed Redeemer, I think of him all the day long, I sing, for I cannot be silent, His love is the theme of my song. [Refrain]
4 I know I shall see in his beauty The King in whose law I delight, Who lovingly guardeth my footsteps, And giveth me songs in the night. [Refrain]
5 I know there’s a crown that is waiting In yonder bright mansion for me, And soon, with the spirits made perfect, At home with the Lord I shall be. [Refrain]
Recently, a TV adaptation of a popular Marvel comics storyline ended its run by tripping over its feet and kissing the synthetic rubber track. Many superhero fans didn’t even watch, and many others hated their experience (not everyone, just many). The director said he was told not to read the source material and that he didn’t want to make a story that leaned into its own genre, so the show introduced story elements and tone only to set them on the shelf. I don’t know what the producers were expecting. It’s the latest installment of high value entertainment prospects that failed.
If you’d like to watch a fantasy series that is actually well-written and different to most Americans, look up Tale of the Nine-Tailed, a 16-episode Korean series starring Lee Dong Wook and Jo Bo Ah and directed by Kang Shin Hyo. The story focuses on mythological foxes (gumiho), who are traditionally wily and mischievous. The old stories say the nine-tailed fox is seeking to become human by some trial over a thousand years. The main fox of this story was once a mountain god who fell in love with a young woman. When that woman was murdered, he gave up his divine position in hopes of finding her reincarnation one day.
At the beginning of Tale of the Nine-Tailed, Lee Yeon, the fox, is hunting down lesser foxes who are posing as humans and killing them. I forget why he is hunting them, if it’s more than just defending humanity. TV producer Nam Ji Ah is building evidence for her version of X files when she notices Yeon’s distinctive umbrella. Somehow, she ropes him into accompanying her to a remote island village where she hopes to find a clue to her parents’ disappearance (her motive for researching paranormal accounts). In these 3-4 episodes, the show has a horror tone. Traditional Korean shamanism is displayed throughout the series, and you see some of the ugly practices in these episodes. It lightens up after this, leaning first into a romantic storyline and plunging into fantasy for the rest of it. Yeon is plagued by many things, primarily his murderous half-brother Rang, who resembles Loki in attitude and miscreant behavior. The tension between the brothers is compelling to watch.
I mention it here because the writing is strong throughout. Wikipedia credits Han Woo-ri for this. Bravo. Yeon is presented as crafty with great, but not unlimited, knowledge. Many mythological foes come after him, and they never lay a hand on him because he’s an idiot. He works the situation, turning the tables when he can. None of his victories feels forced or as if he has read the script. Once, the irritating trope of loving her so much he can’t tell the truth is used to bridge two episodes, but it’s short lived and nothing else stands out as clichéd.
A second season was released this summer on Amazon. I hope I can find a way to see it.
In other news —
Reviews: Bad reviews can be helpful. “Instead of specialties, we were known by our critical styles: We were the Shredder, the Beheader and the Fredder.”
Me with two of the Five Foolish Virgins bauta stones in Haugesund, Norway, a year ago. This is one of the photos I used in my lecture.
Sorry about not posting last night. I got back from Moorhead pretty late, having burned both gasoline and élan vital.
My “new” car ran just fine – wait a minute, I don’t think I’ve written about the new car here. It’s a 2005 Subaru Forester XT. Burgundy in color. Been wanting a red car for a long time, and the word on the street is these are pretty reliable. Which will make for a nice change. Also lots of room for Viking impedimenta. Anyway, she ran fine. I call her Sigrid the Haughty.
Fargo-Moorhead is about a four-hour drive from here. Although my speaking engagement was in Moorhead, Minnesota (which we like to call the Soviet Zone), I’d made a motel reservation in Fargo, North Dakota (the American Zone), just across the state border. Because I just sleep better knowing the taxes are lower. I had no complaints about the motel room until 2:00 a.m., which my phone rang. The clerk said my neighbors were complaining about the noise. This confused me, as I was asleep, and alone. It only occurred to me later that they might have been talking about my snoring. Naw, what are the chances of that?
The bygdelags are a Norwegian-American institution. Originally, as I understand it, they were organizations allowing people who came from particular regions of the old country to maintain contact over here. Nowadays they concentrate more on genealogy and keeping traditions alive. They meet for annual gatherings known as stevnes. I’d lectured to the Tre (Three) Lag Stevne twice in the past. This year a couple more lags had joined in, so it became the Flere (Several) Lag Stevne, and we were meeting in Moorhead.
I arrived in plenty of time for my 10:45 time slot, and set up my book table. When the room cleared after the previous speaker, I hurried in to set up, only to encounter something I’d never experienced before when lecturing –
Everything worked. The first time.
I plugged my laptop into the projector line and there was my image on the screen. No problem. You have to understand, I always bring my own projector in case of technical emergencies – because in my experience, something always goes wrong with projection systems. Belt and suspenders is my motto.
But they’d been running the stevne for two days already, and they had everything taped down, ready to plug and play. It was too good to be true, I thought. Surely I was being set up by fate for disaster.
But no, there was no disaster. My lecture went great. The room was nearly full. The audience was attentive, and they laughed in the right places. My talk was basically a condensed version of the account of my trip to Norway I posted here a little more than a year ago. I was worried it might be self-indulgent, too much like a neighbor’s home movies.
But you can tell when your audience is with you, and I had this bunch, apparently, at God dag. The only thing that bothered me was a distinguished-looking gentleman in the front row who seemed to be dozing off. But he came to me afterwards, when I was selling books, and told me he’d attended both my previous lectures and was a big fan. Said he enjoyed my talk very much. We discussed Haugeanism.
I figure he probably just dozed off because somebody kept him awake with their snoring in the next room the night before.
Another audience member told me that what made my lecture enjoyable was that I supplemented my photographs with stories and history. Stories make all the difference. That makes sense to me.
Anyway, it was a good day, and I sold a reasonable number of books. I’m very grateful to the Flere Lag Stevne.
One does not look for great variety in Bruce Beckham’s Inspector Skelgill novels, set in England’s Cumbria. Skelgill himself is a thoroughly eccentric country detective, not a linear thinker but intuitive, his instincts honed by time spent in nature. Nor do his subordinates surprise us much. DS Leyton, a London transplant, is stolid but loyal and dependable, the Watson of the team. DS Jones, an attractive young woman, is smart and can be expected to rise in the service. There’s also deep but private attraction between her and Skelgill.
In Murder on the Farm, their publicity-hungry superior agrees to lend Jones to a team of television documentarians who are re-examining an old unsolved murder. Back in the 1970s, a young man was murdered with a shotgun while making a delivery to a posh country estate. Later, two local criminals were arrested and convicted in the case. But their conviction has been overturned, based on police misconduct. There is another possible suspect, an unpleasant fellow who served ten years for a later, similar shotgun killing. The star of the documentary team, a celebrity criminologist, is certain this man is the true killer. He has a plan to unmask him in front of the cameras, producing amazement and high ratings.
Skelgill is concerned, first of all, that the criminologist has sexual designs on DS Jones. But more than that, he thinks the criminologist’s scenario is simplistic. He himself perceives deeper and more sinister possibilities and a wider range of suspects.
Murder on the Farm offers all the usual pleasures of this series: Skelgill’s disingenuous simplicity, political and departmental pressures, Cumbrian food and dialects, wheels within wheels. I enjoyed reading it. No bad words that I recall or gratuitous sex or violence.
“If you peel away the layer of ideas and conceptions that are particular to your own time period,” Undset once said, “then you can step right into the Middle Ages and see life from the medieval point of view—and it will coincide with your own view.”
In Sigrid Undset’s skillful hands, it’s impossible to imagine any other outcome.
Your humble correspondent is at loose ends tonight. Haven’t finished reading my next book for reviewing. Tomorrow I’m driving up to Fargo, so I can speak to the Flere Lag Stevne (Several Society Gathering). It’s an assembly of bygdelags, which are organizations of descendants of immigrants from particular regions of Norway. They do genealogy and try to preserve traditions. Every lag holds a stevne annually, but some now pitch in and do their stevnes together. This group used to be the Tre (Three) Lag Stevne, but others have joined in this year, so now it’s the Flere Lag Stevne. And I’ll be giving a lecture on my trip to Norway last year to visit the Hafrsfjord Jubilee. It’s the third time I’ve lectured for them.
And, oh yes, I’ll be selling books.
Actually, I’ve just been hired as the editor of the magazine of the Valdres Samband – which is a lag, but not one of the lags at this particular stevne. But I expect I’ll be attending their stevne in the future. They’re the oldest lag in America. Being their editor won’t make me rich but it pays a little, and it’s work I believe I can do decently.
Above, a short video showcasing the work of the Norwegian painter Adolph Tidemand (1814-1876), who is famed for romanticizing the lives of Norwegian peasants. It seems a little sentimental to us today, but at the time it was a social breakthrough – poor people were acquiring some dignity in the eyes of the world. The Haugean movement, of which I wrote recently, had a lot to do with that.
Tidemand’s most famous painting is the one in this video where a man stands on a stool, preaching to a group in a house. It’s called “The Haugeans,” and the preacher seems to be Hauge himself.
You’ll note several paintings featuring young women in bunads (national folk costumes) with golden crowns. These are bridal crowns, a Norwegian tradition. Every bride got to be a queen for a day in Norway.
Image of Knut the Great from Liber Vitae, written in 1031, during Canute’s lifetime.
Had a pretty good weekend at the Antique Power Show at the Little Log House Pioneer Village, near Hastings, Minn. This is the third year my Viking group has been there – though nobody’s quite sure why we’re even around at a steam engine and tractor event. It amuses me that we have no apparent connection to the event theme, but people still like to see us there. The weather was cooler than we’ve been experiencing lately, and we were in the shade, so we didn’t suffer much from the sun smiting us by day nor the moon by night. And my book sales were good. But as always when I sit long hours on my Viking chest with no back support, I came home creaky. That’s the price you pay for staying alive into old age. By the way, it’s my 100th birthday today. Approximately. In round, subjective numbers. Close enough for freelance writing.
My work on The Baldur Game, the epic final volume of my Erling saga, continues apace. I’ve come to the part where Erling meets King Knut the Great of Denmark/England, and I figured I’d better bone up on that fellow’s life (did you know he was at least half Polish?). Having a weekend of Viking reenactment to fill, I pulled up my old Kindle version of Laurence M. Larson’s Canute the Great and the Rise of Danish Imperialism during the Viking Age. I’ve reviewed it here before, but it’s more interesting (in spite of its age) than the other Knut biography I own.
Knut (or Canute, as it’s spelled here) is a fascinating character in English history, despite the fact that his complete failure to provide an heir with survival skills doomed his accomplishments to be overshadowed by those of other kings. Still, he started out as a disfavored son of King Svein Forkbeard of Denmark (who conquered England first, then died, leaving Canute with all the weary work to do over again), knocked about as a pirate for a while, and finally fought his way up (Conan-like) to the throne of a great kingdom. His union of Denmark with England, Scotland, Norway and bits of what is now Poland could arguably be called the first British Empire.
Scholarship has advanced quite a lot since Larson wrote this book (1912), but in my opinion it’s sometimes advanced in the wrong direction. So I generally like Larson’s saga-friendly approach. It does skew the narrative a bit, I think, though, since the author spends a lot of time on Norway and St. Olaf, probably just because the sagas have described that business more completely than the English chroniclers recorded other aspects of Canute’s reign. As the drunk who hunted for his car keys under a street lamp said, “I lost them over there, but the light’s better here.”
My main complaint is the author’s uncritical acceptance of the traditional view that Olaf was somehow the “legitimate” king of Norway, and that his opponents (like Erling Skjalgsson) were rebels, bought by Canute’s treacherous “bribes.” In fact they were defenders of the land’s organic constitution, and Olaf was the usurper trying to overturn the ancient laws. And giving gifts to supporters was what overlords did in those days. Olaf did it himself, as I plan to point out in my book.
But other than that, I liked Canute the Great and the Rise of Danish Imperialism during the Viking Age, and found it useful. I recommend it. It’s out of copyright and cheap. Watch out for OCR typos.
For the next several weeks, I want to take up the theme of faith in our hymn selections. Many hymns speak of our response to God, the comfort we receive, our gratitude, or our confession, so I want to break our pattern of monthly themes for this continuing topic of our life sustained by faith.
Today’s hymn is originally by Irish Pastor Wade Robinson (1838-1876). The words in the video above may reflect his original. The words I’ve copied below are the ones revised by Edmund Clowney of Westminster Seminary.
1 Loved with everlasting love, drawn by grace that love to know, Spirit sent from Christ above, thou dost witness it is so. O this full and precious peace from his presence all divine; in a love that cannot cease, I am his and he is mine.
2 Heav’n above is deeper blue, earth around is sweeter green, that which glows in ev’ry hue Christless eyes have never seen. Birds in song his glories show, flow’rs with richer beauties shine since I know, as now I know, I am his and he is mine.
3 Taste the goodness of the Lord: welcomed home to his embrace, all his love, as blood outpoured, seals the pardon of his grace. Can I doubt his love for me, when I trace that love’s design? By the cross of Calvary I am his and he is mine.
4 His forever, only his– who the Lord and me shall part? Ah, with what a rest of bliss Christ can fill the loving heart. Heav’n and earth may fade and flee, firstborn light in gloom decline, but while God and I shall be, I am his and he is mine.
When I read on Twitter (X) that novelist and editor Walter Kirn, along with David Samuels, had created “a magazine about America in the form of a 19th century newspaper,” I looked up the website, and when I saw it would be for sale at one of my town’s cute local stores, I decided to check it out.
County Highway is meant to represent the heart of America, a place with natural rhythms, relationships, and grassroots sense. It’s written by “actual human beings,” which is more than some websites can say. “We hope to advance the same relationship to America that Bob Dylan had when he wrote his versions of folk songs” or when Neil Young, Gram Parsons, Mark Twain, and Ralph Ellison wrote of their country.
I enjoy the feel of reading this paper, which cheekily touts itself as “America’s only newspaper” and plans to publish six issues a year for a $50 subscription. Kirn’s front page piece is on his visit to The Miracle of America Museum in Polson, Montana, a place where memorabilia, props, and junk attempt to preserve a moral history. Duncan Moench has a report on artificial intelligence and the imminent threat of corporate technocracy.
I was pulled in by a review of Barbara Kingsolver’s Demon Copperhead (2023 Pulitzer Prize winner for fiction), which says Kingsolver’s skill is clear and subject matter well chosen, but this “protest novel” in the form of Dicken’s David Copperfield is heavy on ranting, light on humanity. Other articles in this first issue include a lengthy piece that circles around Joshua Tree National Park, a front story on an American con man from last century, four pages on music, feature on Robert F. Kennedy Jr.’s falconry hobby, and a full page of legit classifieds: Wyoming cabins, bookstores, alpacas for breeding, and ‘shrooms.
I’ve enjoyed reading some of these, and there are a few more I’d like to get to. There’s a little poetry, a few wisecracks tucked in a small column, and attractive illustrations of a vintage sheen. The articles feel like those I’ve seen online and hoped to get back to, but often don’t. The Internet is ethereal; newspapers sit on the desk.
I may buy the next issue to try to balance what I read in the first, but I’m put off by the feel of the whole. Is it cynical? Maybe too secular? There’s a column about fugitives from someone who speaks positively about the Weather Underground. I believe he says he helped a couple of them back in the day. That’s like longing for time when your granddad would tell stories of fighting alongside Che Guevara. And then there’s this in a joke section: “Drag queen story hour — it’s what my pops used to call church on Sundays.” I don’t know what to do with that. Maybe I should untie my laces. (I wrote about the second issue also.)
Alt Culture: To balance the earthiness of America’s newspaper, let me point you to the new season of Doubletake from World News Group. This is a podcast of long features that can get complicated. Today’s episode is on what some people are doing in the Metaverse and a church trying to reach them.
Today is the anniversary of Johann Sebastian Bach‘s death in 1750, making it his day of commemoration in the Lutheran calendar (for Lutherans who tend a little higher church than I do). As good a reason as any to post some Bach music, as if I needed a reason. My intention was to find some footage of E. Power Biggs playing Bach on the organ, but there don’t seem to be any live performances on YouTube.
However, I found the clip above. It’s Air on the G String, performed on original period instruments by the Early Music Ensemble of a group called Voices of Music. If you go to their YouTube channel, you can contribute to their work if you like.
Somebody also said it was National Chocolate Day. I can get behind that too.
Tomorrow and Sunday, for those in the area, the Vikings and I will be at the Antique Power Show at the Little Log House Museum in Hastings, Minnesota.
