I had the idea that I’d read about the film Ordetover at Big Hollywood, but a search of their archives shows that that isn’t true. So I’m not sure where I learned about it, but I was impressed enough to place it in my Netflix cue.
Considered one of the masterpieces of one of the world’s great directors, Carl Theodor Dreyer, Ordet (The Word) is a movie that makes demands on the viewer (and not only because it’s in Danish and subtitled). It’s glacially slow by contemporary standards, and will shock many viewers with its treatment of subjects that, in our day, would only be handled in the cheesiest, low-budget Christian films. But I found myself increasingly engaged as the story went on, and was deeply moved by the end. Continue reading Movie review: Ordet, dir. by Carl Theodor Dreyer