Book News: Communists & Cupboards

Blog friend (but dire enemy of Lars Forkbeard) Hunter Baker says he “agreed to do an essay on The Communist Manifesto for John Mark Reynolds new Great Books reader.”

Beloved Pictures has announced it is developing an adaptation of N.D. Wilson’s “100 Cupboards” trilogy. Wilson is also adapting C.S. Lewis’ The Great Divorce and appears to have a head of steam behind it. According to this article, The Screwtape Letters has been “developing” for several years. I wonder if studios are balking at its Christianity.

How do we know if we don't know?

MAN SHAVING HIMSELF

To really write properly on this subject, I should have read all five articles, but I only read the first in this series linked by Grim at Grim’s Hall. It’s about scientists who are studying the mystery, not only of not knowing, but of not knowing that we don’t know certain things. In other words, problems we don’t solve because we’re not aware of any problem—even when we have to live with the consequences of not solving it.

DAVID DUNNING:  Well, my specialty is decision-making.  How well do people make the decisions they have to make in life?  And I became very interested in judgments about the self, simply because, well, people tend to say things, whether it be in everyday life or in the lab, that just couldn’t possibly be true.  And I became fascinated with that.  Not just that people said these positive things about themselves, but they really, really believed them.  Which led to my observation: if you’re incompetent, you can’t know you’re incompetent.

Continue reading How do we know if we don't know?

How Do You Find the Good Stuff?

Laura Miller of Salon.com says if the predictions of a wonderful world of self-publishing materialize, average readers will have a very large pile of poor writing to weed through. She describes reading The Slush Pile, that growing mound of unsolicited manuscripts that some publishers assign to an editorial peon.

Miller writes that we on the outside of publishing should fear what we don’t know: “Civilians who kvetch about the bad writing of Dan Brown, Stephenie Meyer or any other hugely popular but critically disdained novelist can talk as much trash as they want about the supposedly low standards of traditional publishing. They haven’t seen the vast majority of what didn’t get published . . .”

In a world where any manuscript can be published and placed with online retailers, readers will suffer. Reading bad writing can hurt. “[I]nstead of picking up every new manuscript with an open mind and a tiny nibbling hope, you learn to expect the worst. Because almost every time, the worst is exactly what you’ll get.”

Great Divorce to be filmed

The Thinklings report that there’s a deal to film C.S. Lewis’ The Great Divorce. The people who made “The Stoning of Soraya M.” are part of the project. The links are a rabbit hunt, so I’ll just link to their post.

I have a hard time thinking of a more naturally un-cinematic novel than The Great Divorce.

But they have my good wishes.

Interview on The Secret of Kells.

Jeffrey Overstreet writes, “I finally saw The Secret of Kells. Wow. I haven’t been so hypnotized and enthralled by animation in a very long time. It’s remarkable how, in this era of increasingly lifelike digital animation and 3D, something that seems handmade can still work the most powerful magic.
He interviews critic Steven D. Greydanus, because he’s troubled by the film. “Had I just watched a film about The Book of Kells that never once acknowledged what is written on the book’s pages?”
book of kells

Book Review: Hollywood Witches, by Thomas M. Sipos

For the record, I received a copy of Thomas M. Sipos’ comic horror novel Hollywood Witches by way of S. T. Karnick of the American Culture, for review purposes.

I love a good Hollywood story. The town’s like an old trollop with a million tales to tell, proud of her very corruption. Not for nothing is the Hollywood fable a traditional setting for morality tales (a triumph of hypocrisy in itself).

Thomas M. Sipos’ novel shows considerable promise and delivers a number of laughs, but gets weighed down by its lack of narrative discipline.

The chief eponymous witch of the story is Diana Däagen, a figure of satire, gargantuan in her vices and terrifying in her lack of self-awareness. A failed actress, she now works as “development executive” in a movie studio. She believes herself intensely spiritual and full of love for all humankind, but that doesn’t prevent her from treating her underlings like dirt, using black magic to thwart or kill her enemies, and planning to murder thousands of people at once—all for enlightened, politically correct purposes, of course.

There is no subtlety in Diana’s character. If you like characters in novels, even bad characters, to have sympathetic sides, you won’t find one here. Diana is pure black-hat witch, evil all through.

But of course she’s a Hollywood production executive, so that doesn’t strain credibility much. Continue reading Book Review: Hollywood Witches, by Thomas M. Sipos

Sad Kids' Movies

Time has a list of 10 saddest kids’ movies, in light of the minor-key note played by Toy Story 3. If you start with Bambi, you can click through the list to see trailers, clips, and explanations.
We watched Toy Story 3 over the weekend and loved it. It gets intense at the end, and two of my girls didn’t like that part, but overall it was a great story. All three Toy Story movies are good and funny. The latest edition is great tale of loyalty and purpose, and it’s moving because I’m sure viewers want to have real friends who are faithful like the toys are.

Truth-telling is, like, so legalistic

Over at Townhall Magazine, Prof. Mike Adams tears into Don Miller, author of Blue Like Jazz:

The only problem with this story is that it isn’t true. Oddly, Don came back to visit that Christian camp just a few years ago. When he did, he was confronted with his very public and untruthful account his time at Summit Ministries.

In response, Don just said it wasn’t a big deal. He fabricated the story just to make a point. He was confronted privately but was unrepentant, which was not too surprising. Remember that Don thinks Christianity is not about rules. It’s about a relationship with God.

Book Reviews, Creative Culture