To make a long story short, takes work

Young woman flicking through book

Loren Eaton at I Saw Lightning Fall links to an interesting piece by jazz musician Eric Felton over at the Wall Street Journal. I don’t think Felton will make a whole lot of enemies with his complaint about the unnecessary length of much current entertainment, such as movies, music and books.

It will be objected that any number of canonic masterpieces are gargantuan. Yes, of course. But even many of those could stand a trim. Did “Moby Dick” really need the chapter called “Cetology,” Melville’s rambling effort to prove that whales weren’t mammals?

One of the constant occasions for worry in my novel-writing career has been that, once I write the story I want to tell, I generally find it’s only about 60- to 80,000 words long. Jim Baen liked novels to come in around 100,000 words. I believe he felt (and many publishers today are of the same view) that when a consumer plunks down $7.99 for a paperback novel, he wants to feel he can take a short vacation in that book’s world.

The idea of publishing shorter books, and charging less, is not up for discussion, it would appear. Continue reading To make a long story short, takes work

Smashing Idols

“If I can’t stand up and show you how the gospel is smashing my idols, you’re never going to believe this stuff is real.” Tullian Tchividjian of Coral Ridge PCA is preaching on Jesus’ sufficiency, claiming the hard truths of the gospel for himself. He says, “I never realize how reliant I had become on human approval and acceptance until it was taken away from me.” This is real Christianity.

Jesus + Nothing = Everything (Part 5) from Coral Ridge on Vimeo.

Frank Frazetta, 1928-2010



Cover of Conan the Phenomenon, by Sammon and Frazetta.

He was an artist, not an author, but I suspect he was responsible for more fantasy book sales than any single person except J.R.R. Tolkien.

Frank Frazetta died today, after an extended illness. Born in Brooklyn, New York in 1928, he attended the Brooklyn Academy of Fine Arts and went on to work in comics and commercial art. He was an assistant to Al Capp on the classic Li’l Abner comic strip for several years, specializing in voluptuous female figures. In the late ’60s, he began doing the classic book covers for collections of Robert E. Howard’s Conan stories, which is where guys like me first became wonderingly aware of him. He did lots of book covers, some for good books, some for garbage, but in my opinion there was a synergy between Howard’s lean, evocative prose and Frazetta’s original combination of textures and a limited palette that worked reading magic. Especially for adolescent boys, which was what I was at the time. Still am, for all practical purposes. Continue reading Frank Frazetta, 1928-2010

Kindle: Not worth the candle?

Amazon Begins Shipping New Kindle-DX

Joseph Bottum at First Things doesn’t like the Kindle.

Why is the text on Kindle so awful—hundreds of years of lessons about typesetting, lost in an instant? Bad line breaks, bad hyphens, bad page composition, bad times.

Much of the column is devoted to his affection for Terry Pratchett.

I’ve never gotten Terry Pratchett. I suppose I didn’t give him enough chance. People told me how great he was, so I picked up the first Discworld book, The Color of Magic, to start at the beginning. Didn’t get very far. I couldn’t see what everybody was so enthusiastic about.

I don’t even get the point of most of the citations Bottum includes. I can only assume there’s something very wrong with me.

Besides the passive-aggressive fishing for reassurance, I mean.

Photo credit: Getty Images.

How monsters are made

The new Christianity Today came to the library today, and I had to stop and read the cover story, by Wess Stafford of the Christian charity Compassion International.

Stafford tells a harrowing story of years of abuse in an African boarding school for the children of missionaries (if you’re not aware, the standard practice for most Western missionaries in “the bush” has traditionally been to send the children to boarding schools for months of the year). The people who ran the school, as he remembers them, were people who’d wanted to be “real” missionaries, but didn’t make the grade for one reason or another, and were dumped into the “unimportant” work of loco parentis. Stafford’s analysis was that they were embittered, and took their frustrations out on the kids. Continue reading How monsters are made

Reading report: Lokes Lek, by Edvard Eikill

Once again, I offer something more in the line of a reading report than a book review, because (alas) the novel I’ve just finished reading isn’t available in English.

My friend Baard Titlestad of Saga Publishers sent along a copy of Edvard Eikill’s Lokes Lek, personally autographed for me by the author. I was fascinated and moved by what I read in its pages.

Lokes Lek (Loki’s Game) isn’t precisely a Viking book, but is set about a century after the death of Erling Skjalgsson, hero of my books. Indeed, Erling’s descendents at Sola are part of the story.

When Norwegians look back at their history, they see a Golden Age beginning with the Viking raids, and ending with the death of King Sigurd Jorsalfar (the Crusader). King Sigurd did mighty deeds in the Mediterranean as a young man, then settled down to a peaceful joint rule with his brother Øystein the Good, one of the country’s most beloved rulers. After Øystein’s death, Sigurd ruled alone, sometimes heedlessly, but there was peace in the land and the people loved him. Continue reading Reading report: Lokes Lek, by Edvard Eikill

The Landlord ended thus his tale

Like great men before me (Lars, for one), I am taking leave of the blog for a few days. In the words of Longfellow:

25th Garmisch-Partenkirchen Beard Champioships

The Landlord ended thus his tale,

Then rising took down from its nail

The sword that hung there, dim with dust

And cleaving to its sheath with rust,

And said, “This sword was in the fight.”

The Poet seized it, and exclaimed,

“It is the sword of a good knight,

Though homespun was his coat-of-mail;

What matter if it be not named

Joyeuse, Colada, Durindale,

Excalibar, or Aroundight,

Or other name the books record?

Your ancestor, who bore this sword

As Colonel of the Volunteers,

Mounted upon his old gray mare,

Seen here and there and everywhere,

To me a grander shape appears

Than old Sir William, or what not,

Clinking about in foreign lands

With iron gauntlets on his hands,

And on his head an iron pot!”

All laughed; the Landlord’s face grew red

As his escutcheon on the wall;

He could not comprehend at all

The drift of what the Poet said;

For those who had been longest dead

Were always greatest in his eyes;

And be was speechless with surprise

To see Sir William’s pluméd head

Brought to a level with the rest,

And made the subject of a jest.