
I’ve always enjoyed Bruce Beckham’s Inspector Skelgill mysteries. They’re far from my favorite detective books, but they’re amusing and pretty consistent in quality. Also, they don’t work hard to offend me.
Murder at Midsomar Manor, number 27 in the series, was not one of the best. It short-changed me, I thought, in my favorite character (Skelgill himself), and offered way too much of my least-favorite character.
Judging by the book’s title, one might guess that this was some kind of riff on the popular “Midsomer Murders” TV series. However, though it does deal with television, it’s the reality TV genre that’s portrayed (and satirized) here.
Everyone at the police station is excited that the popular series, “Friend or Foe,” is being filmed at a neighborhood spot – the remote Midsomar Manor, which is located on a local lake with which Inspector Skelgill (great fisherman that he is) is quite familiar. He is fascinated by a legend of a gigantic prize trout that lives in the lake (and which will come to figure in the plot).
The program’s competition involves 12 celebrities, 3 of whom are arbitrarily and secretly designated as “foes.” Each night one competitor will be voted out by the others, as being most likely to be a foe. And each day one of them will be “murdered” (eliminated). The hope is that all the foes will be eliminated before they can “kill off” the rest of the players.
But when one of the celebrities, a very unpopular public figure, is actually murdered, the police must take charge. Unfortunately, the case is given to Detective Inspector Smart, Skelgill’s great rival and a thoroughgoing ass (who also happens to be stupidly star-struck). To her own alarm, Skelgill’s female subordinate, DS Jones, is assigned to assist him, which involves putting off his frequent sexual advances.
DI Smart is proven wrong again and again, but arrogantly manages to blame Jones each time. Fortunately, Inspector Skelgill is just off stage, out on the lake in his fishing boat, ready to step in and set things right in the end.
The first thing that annoyed me about Murder at Midsomar Manor was that the cameras (and there are a lot of them in this story) are pointed so much at DI Smart and DS Jones. It passes plausibility that any male in today’s Britain could hold an inspector’s post while being as blatantly sexist as Smart is (setting aside the fact that he’s an idiot). Smart’s egregious behavior becomes genuinely tiresome, even for a known sexist like me.
Also, the solution, which comes by way of Skelgill toward the end, hangs on a pretty implausible coincidence. Uncomfortably close to a deus ex machina.
And just as a note, the author misuses the phrase, “begs the question” and mistakes “flaunt” for “flout.”
Murder at Midsomar Manor was entertaining, as is the whole series. But this one reached too far for farce, and lacked plausibility.








