Tag Archives: grammar

Blogs, Socials, Bookselling, Writing

6-Second Classics, Litbait, and Commas

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If you’re familiar with the classic novels featured in these six second videos, you’ll get the joke. Ad agencies have produced several of these quick takes by YouTube’s request in pursuit of a new, flash ad format to be displayed before other videos. At six seconds each, the ads can’t be skipped past.

In a similar vein, The Wild Detectives bookstore in Dallas is trying to “troll people into reading classic books through clickbait.” They call them “litbaits.” Headlines read, “British guy dies after selfie gone wrong” for The Picture of Dorian Grey. The links led to blog posts with the all of the book’s content included. That wouldn’t turn anyone away, would it?

And chalk another one up for the Oxford comma under reasons it is saving the world. A group of Maine dairy drivers took their company to court to win overtime pay. The law defining exactly what was excluded from overtime lists many things, but it lacks one thing: an Oxford comma.

The law states, “The canning, processing, preserving, freezing, drying, marketing, storing, packing for shipment or distribution of: (1) Agricultural produce;
(2) Meat and fish products; and
(3) Perishable foods.”

The drivers argued that while they do distribute food, they don’t pack it, so the exemption applies to “packing for shipment or distribution” and not to the distribution. The Circuit Court judge began his decision, writing, “For want of a comma, we have this case.”

Writing

Learning to Love the Bomb

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Cheryl Magness says she’s been an editor all of her life, but she’s given up her Grammar Nazi ways. Style guides disagree and change over time. English words and usage change, at least in a limited sense. Really what we all want is clarity and internal harmony.

One of the rules that has rubbed me the wrong way is how to indicate possessives for names ending in s. I’m still most comfortable with the old style, like you would use for a common noun, such as the hounds’ kennel, but the current rule is to use an apostrophe s for all names. It’s Jesus’s robe. It’s Theseus’s spear and Xerxes’s dog biscuit. It would be Roberts’s rules, if Robert had an s at the end of his name, which he doesn’t, so that one is still Robert’s rules.

If I were to edit your manuscript, I’d reflectively correct towards to toward and forbid your using whilst. In fact, I would snicker behind your back if you used whilst anywhere but in the mouth of a stuffy English statesman.

Cheryl offers a good example in the acceptability of sentence adverbs and whether we should allow statements such as “Hopefully, it will rain.” How many that’s should be allowed on a page is another good one. For the unpolished writer, these are somewhat critical choices. They approach the territory of an editor’s real work: verb agreement, word choice particularly in the troublesome word area, and readability. You want an editor to help you put our language its best use, one who knows what the rules are and when to push them aside to make a better story. Grammar Nazi’s usually aren’t too good at that part of it.

Fiction, Writing

Grammar Nazis and Adaptations

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A ‘ground-breaking’ study was released this month stating that personality, more than any other factor, influenced the way people reacted to typos and grammar errors.

“In other words,” Russell Working writes, “if you are annoyed by grocers offering a discount on banana’s, you probably trample the neighbor’s flowerbeds for fun and kick your pet skunk when you have a bad day at work.”

Close your mouth; it isn’t that shocking.

More book adaptions are coming to screens near you. After stating he would not, Neil Gaiman has announced that he will be adapting Good Omens, the novel he co-authored with the late Terry Pratchett, for television. Gaiman had been respecting his friend’s wishes, saying they had agreed to only work on Good Omens material together, but Sian Cain explains, Pratchett left a posthumous letter, asking Gaiman to “write an adaptation by himself, with his blessing. ‘At that point, I think I said, “You bastard, yes,”‘ Gaiman recalled, to cheers.”

Cain continues:

Multiple attempts to adapt Good Omens have fizzled out in the past: in 2002, the director Terry Gilliam was lined up to helm an adaptation starring Johnny Depp and Robin Williams in the two lead roles. In an interview with Empire in 2013, Gaiman revealed this adaptation had fallen through because Gilliam’s pitch to Hollywood for financing came just months after the 9/11 terrorist attacks. “[Terry] said, ‘Hilarious movie about the Antichrist and the end of the world,’ and they said, ‘Please go away, you’re scaring us.’”

Also, screenwriter Terry Rossio is working on adapting Pratchett’s Mort, and daughter Rhianna Pratchett is working a script of Wee Free Men, both for the big screen.