At last I found a lawn guy. I chose the guy who put up a flyer at my church, rather than any of the hard-sell sharks who went all feeding-frenzy on me after I waded into the Home Advisor waters. I may be sorry I made the choice one day, but at the moment I’m pleased with my sales resistance.
No word on the car yet, of course. I have a Viking event this weekend (the link to the Little Log House Antique Power Show is here, if you’re going to be near Hastings, Minnesota), and I’ve been forced to beg a ride from a fellow Viking who can accommodate all my stuff in his vehicle. I’ll owe him a favor now… heaven knows what might be asked of me one day. (I draw the line at felony-level violence.) I hope to have the new paper edition of The Year of the Warrior to sell at this event, and that kind of excites me.
I’m almost surprised to say it, but the new novel, King of Rogaland, is coming together, I think. Now that I’m starting to get the various plot threads tied up properly, I like what I’m seeing. I’ve got ongoing themes happening here; a uniformity of effect (I hope). One oddity of this book (for me) is that it includes more embedded stories than my previous books. By that I mean a character in my story sitting down and telling a story of his own. These interpolated tales, in general (I think), also advance the unified theme. Another oddity is that there are no major battles (hypocritical of me, I suppose, as I’ve criticized Stephen Lawhead for lacking the nerve to write battles). But the final confrontation is – I think – dramatic enough to have a similar artistic effect.
I read a quotation recently that impressed me. I don’t recall the source, or the exact words. But the gist of it was, “The better you get as a writer, the harder writing will be for you, because your critical standards will be raised.” So just go ahead and do it – if you’re having this problem, you’re probably a better writer than you think.
