Before I had been in Walpole Street a week I could tell by ear the difference between a rejected manuscript and an ordinary letter. There is a certain solid plop about the fall of the former which not even a long envelope full of proofs can imitate successfully.
P. G. Wodehouse began his very long writing career more than a century ago, in the first decade of the 20th Century. It follows that a number of his earlier works have fallen into the public domain. Among them is his novel Not George Washington, which I read in one of the several collections of his out-of-copyright works available for Kindle.
One can detect the nascent signs of later genius in this book, but if he’d been hit by a bus in 1908, we probably wouldn’t remember him on the basis of this work (which was written in collaboration with one Herbert Westbrook).
The story, narrated by several point of view characters, starts on the Channel island of Guernsey, where a young woman named Margaret Goodwin, an island resident, meets James Orlebar Cloyster. The couple fall in love, and though her mother approves, they agree he needs to go to London to pursue his career as a writer before they can marry. He can’t hope to support a wife without achieving some success.
We then follow James to London, where he makes his fortune fairly quickly (his career follows Wodehouse’s own – Wodehouse wrote the “On the Way” column for the Globe newspaper, while Cloyster writes a column of the same name for a paper called the Orb).
At this point Cloyster finds himself in a quandary. He realizes he doesn’t really desire married life. Even his feelings for Margaret have faded. He wants to continue as a footloose London writer, but his growing fame will surely be noticed in Guernsey.
He then hits on a scheme. He pays three friends a ten percent commission each to submit literary works written by him, but under their names. Thus he can pretend to Margaret that he’s still struggling.
All of this eventually blows back in his face, as anyone but a fathead would have expected (channeling the spirit of one of Wodehouse’s later aunt characters).
As I said, there are foreshadowings of later genius in this work – especially in the employment of impostership in the plot. Otherwise, Not George Washington is a pretty minor work.
But Wodehouse fans (like me) will want to add it to their list of works read.