Tag Archives: P.G. Wodehouse

Fiction, Reviews

‘Heavy Weather,’ by P. G. Wodehouse

Leave a comment

Sunshine pierced the haze that enveloped London. It came down Fleet Street, turned to the right, stopped at the premises of the Mammoth Publishing Company, and, entering through an upper window, beamed pleasantly upon Lord Tilbury, founder and proprietor of that vast factory of popular literature….

Considering what a pleasant rarity sunshine in London is, one might have expected the man behind the Mammoth to beam back. Instead, he merely pressed the buzzer. His secretary appeared. He pointed silently. The secretary drew the shade, and the sunshine, having called without an appointment, was excluded.

As you may recall, I’ve been following the adventures of P. G. Wodehouse’s character Monty Bodkin through the two novels in which he stars. I was then reminded that he actually shows up for the first time (as far as I’m aware) in the novel Heavy Weather, so I went back to that one. And it turns out HW is in fact a sequel to an earlier novel, Summer Lightning. So now I’ll have to read that one too (regretfully leaving Monty behind), caught like T.H. White’s Merlin in a reverse chronology.

This is one of Wodehouse’s more complex tales, so find a comfortable chair and pour yourself a cup of tea if you like.

Monty Bodkin, you’ll recall, tall, handsome, and rich, is in love with Gertrude Butterwick (who does not appear physically in this book; her character is still gestating). But she won’t agree to be married until she gets her father’s blessing. And her father has decreed that Monty won’t be given Gertrude’s hand unless he shows the enterprise to hold down a paying job for a full year.

He’s wangled a position at Lord Tilbury’s Mammoth Publishing, as assistant editor of Tiny Tots Magazine. In that capacity he commits the kind of blunder only a member of the Drones Club could make, and gets cashiered. However, he learns from a friend that Clarence (Threepwood), Lord Emsworth of Blandings Castle in Shropshire, needs a secretary. Monty is an old family friend, so he calls Lord Emsworth’s imperious sister Constance, who is happy to hire him on her brother’s behalf.

Meanwhile, the other main plot picks up from the previous novel – Ronnie Fish, Lord Emsworth’s nephew, wants to marry Sue Brown, a charming chorus girl. Lady Constance firmly opposed the match, but agreed to it in return for a concession from her other brother, Galahad Threepwood. Gally, who was a notorious rake and London clubman in the 1890s, has written his memoirs, which contain enough old skeletons belonging to eminent English families to wreck numerous political careers and destroy the Threepwood family socially. Gally has agreed to withdraw publication of the memoirs (which were contracted to Lord Tilbury’s Mammoth Publishing) in return for Constance agreeing to the match and allowing her wooly-headed brother Clarence to release Ronnie’s trust fund.

Clarence, however, is barely aware of all this drama. His concern is with his suspicions that their neighbor, a fellow-pig fancier, is planning to poison the Empress of Blandings, his own beloved prize sow. When Lord Tilbury, who is not a man to let a certain bestseller slip through his fingers, arrives at Blandings Castle to pressure Uncle Galahad, and Lord Emsworth mistakes him for a pig poisoner, complications ensue. Which are not decreased by the arrival of Ronnie Fish’s mother Julia, who doesn’t care a fig about Gally’s scandals, but definitely does not want her son marrying some chorus girl. And, oh yes, Lord Emsworth thinks Monty Bodkin is a pig poisoner too.

What Heavy Weather offers that sets it apart from most of Wodehouse’s peak work is a small strain of pathos. Pathos doesn’t happen much in this fictional world; the reader doesn’t want it. Tragedy might be mentioned in passing, but it’s not dwelt on. However, here for once we do have a tragic subplot. There’s a reason Uncle Galahad is so strongly in favor of Ronnie’s and Sue’s wedding. Once, in his youth, he was in love with Sue Brown’s mother, but the family quelched their hopes and packed Gally off to South Africa. In Heavy Weather we get a rare glimpse into the regrets of an old man’s heart. I don’t think it’s overdone – I identified strongly and was moved. But I don’t recall a similar theme in any of Wodehouse’s other mature stories.

As an extra treat, I embed below a dramatic production of Heavy Weather done for the BBC in 1995. It features no less than the great Peter O’Toole as Lord Emsworth. I wasn’t entirely happy with it – I thought O’Toole (doing what seems like an imitation of Dame Edith Evans) insufficiently sympathetic here. And Richard Johnson, who was a fine actor, overdid the mugging, I thought, in the role of Lord Tilbury. In my opinion it’s almost always wrong to mug with Wodehouse – his humor depends on more subtle effects. (Though, come to think of it, Hugh Laurie mugged quite a lot as Bertie Wooster and I didn’t mind that.)

Fiction, Goofing, Reviews

‘Quick Service,’ by P. G. Wodehouse

5 Comments

The inner office was, however, empty when Joss entered. It was only after he had banged cheerfully on the desk with a paperweight, at the same time shouting a jovial “Bring out your dead,” that Mr. Duff came in from the little balcony outside the window, where he had been attempting to alleviate his dyspepsia by deep breathing.

“Aha, J. B.,” said Joss sunnily. “Good morrow.”

“Oh, you’re there are you?” said Mr. Duff, making no attempt to emulate his junior’s effervescence.

The managing director of Duff and Trotter was a large man who, after an athletic youth, had allowed himself to put on weight. In his college days he had been a hammer thrower of some repute, and he was looking as if he wished he had a hammer now and could throw it at Joss….

“You’re late!” he boomed.

“Not really,” said Joss.

“What the devil do you mean, not really?”

“A man like me always seems to be later than he is. That is because people sit yearning for him….”

The first book of P. G. Wodehouse I ever bought was the collection The Most of P. G. Wodehouse, published by Simon & Schuster back in the ‘70s, which included the novel Quick Service as a sort of extra (it remains the most reasonably priced way to get this book, so that’s the link I’m using). Thus, Quick Service was the first Wodehouse novel I ever read. I enjoyed it immensely then, and did again on re-reading. Especially because its main character is surprisingly different from most of your Wodehouse heroes.

The plot of the story is extremely tight and complex, but cutting back to the essentials, we start at Claines Hall in Sussex, which now belongs to Mrs. Howard Steptoe, an American millionairess, and her husband. Also in residence is her poor relation, Sally Fairmile, who serves as a sort of secretary. Sally has just gotten engaged to young Lord Holbeton, another guest at the manor. The problem is that under the terms of his father’s will, Lord Holbeton can’t touch his inheritance yet without the approval of his trustee, Mr. J. B. Duff of Duff and Trotter’s exclusive grocery store in London. Sally suggests that she go talk to Mr. Duff, and see if she can’t charm him.

But when she arrives at Duff’s office, she finds not him but our hero, Joss Weatherby, an artist who works in the advertising department. Joss immediately falls in love with her. When she’s gone, Duff reappears, having learned, through eavesdropping, that Joss painted a portrait of a Mrs. Chavender, which now hangs at Claines Hall (where Mrs. Chavender just happens to be a current guest). Duff was once engaged to Mrs. Chavender, he says, and it occurs to him that her face, with its haughty sneer, would make a wonderful poster for the store. He then fires Joss, but Joss heads off to Claines Hall, to take a job as Mr. Steptoe’s valet (a job that Sally mentioned is open). His plan is to steal the portrait, get his job back, and marry Sally.

There may be other heroes like Joss Weatherby in other Wodehouse stories (my memory sometimes fails, and there are a lot of stories), but such an energetic, bright, confident type isn’t the Master’s usual fare. Uncle Fred and Uncle Galahad were probably something like this in their youths. “Aplomb” is the word that best suits Joss. It makes no difference whether he’s discovered swilling his boss’s sherry, breaking into a French window, or perched on a chair, cutting a painting from its frame, he is never dismayed. His self-confidence only ebbs in those moments when he contemplates his unworthiness of the woman he loves. And then only briefly. Joss Weatherby is a great tonic for the depressive reader.

Quick Service is a tremendous story, and everyone should read it.

Fiction, Reviews

‘Laughing Gas,’ by P. G. Wodehouse

Leave a comment

‘The Hitlers and Mussolinis of the picture world,’ said George, ‘What do they do? They ship these assortments of New York playwrights and English novelists out here and leave it all to them. Outside talent don’t get a chance.’

The quote above is self-referential. P. G. Wodehouse was both a New York playwright (in the musical comedy line) and an English novelist, and he had, indeed, been imported to Hollywood in 1929 to work on scripts for a while. He didn’t fit in and left little visible trace on celluloid, but he did mine the experience for comedy in his novels and stories. One of his most explicit Hollywood novels is Laughing Gas (which doesn’t seem to be available as an e-book, or even as a reasonably priced paperback, right now. But the link will take you to an audible book).

Reggie Swithin has recently inherited the title of Earl of Havershot, but he still hasn’t accustomed himself to that status. So he hasn’t the resistance to refuse the family solicitor’s request that he travel to Hollywood, California to disentangle his cousin Egmont from some American girl (who certainly must be inappropriate) to whom he’s gotten engaged.

On the train trip across the American continent, Reggie meets the beautiful April June, a famous movie star, who confides to him that she hates her life of glamor and longs for a simple home where she can be with her books and her flowers and her cooking… why, Reggie’s ancestral manor sounds like just the place!

Reggie is working up his nerve to propose to her as he arrives in Hollywood, where he meets the girl Cousin Eggy is engaged to – awkwardly, she turns out to be Ann Bannister, to whom Reggie himself was once briefly engaged. Then Reggie has an attack of toothache. In the dentist’s office, he finds that another Hollywood star, little Joey Cooley (“Idol of American motherhood”) is having the same procedure done by the dentist’s partner. As they are both under the influence of laughing gas at the same time, some sort of mix-up occurs (“probably in the fourth dimension,” Reggie thinks) and the soul of each transmigrates to the body of the other. Thus Reggie wakes to find himself very small, dressed in knickerbockers, and sporting long golden curls. He’s going to have to figure out how to live a child star’s life – which is made no easier by his guardian, a formidable woman who limits him to a diet based on prunes, to maintain his weight.

We only learn through hearsay what’s happening with Joey, in Reggie’s body, but the boy seems to have a good time. He can get all the sweets he wants now, and there are a lot of people he’s been dreaming of boffing on the nose; Reggie has a healthy young body with a good right arm and boxing training.

And so the story proceeds. Reggie will learn to view April June from a whole new perspective, and will also learn to appreciate ice cream and breakfast sausage in a whole new way. In the end, of course, everything will turn out for the best.

I have to admit I didn’t enjoy Laughing Gas as much as I remembered from my first reading, long ago. It’s not because the story is a poor one; it’s not. It’s just that, for personal reasons, I have trouble with stories about kids in general. It was interesting, though, to see how Wodehouse looked at Hollywood from personal experience.

Recommended, if you can find a copy.

Fiction, Reviews

‘Carry On, Jeeves,’ by P. G. Wodehouse

5 Comments

‘I mean to say, I know perfectly well that I’ve got, roughly speaking, half the amount of brain a normal bloke ought to possess. And when a girl comes along who has about twice the regular allowance, she too often makes a bee line for me with the light of love in her eyes. I don’t know how to account for it, but it is so.’

I am at one of those points in life where I find it prudent to re-read beloved books from my past, rather than spend money on new ones. Having made that determination, it was but the work of a moment for me to ankle off to the bookshelf and pull a book out of my P. G. Wodehouse shelf. And so I offer my review of Carry On, Jeeves.

The characters of Bertie and Jeeves first appear in a story called “Extricating Young Gussie”, (not in this collection) which was published in 1915. In it, Bertie is dispatched to New York by his formidable Aunt Agatha, because his cousin Gussie has formed an ill-advised attachment to a vaudeville performer. Bertie crosses the Atlantic on this mission, but in the end the whole thing is resolved through a farcical coincidence.

What’s rummy about this story (as Wodehouse himself would have put it) is that, first of all, we’re never told Bertie’s last name (it appears, in fact, to be Mannering-Phipps). Also, Jeeves does nothing brainy at all. He answers doors and takes people’s hats. That’s it. This is a nascent Jeeves and Wooster story. The concept remains in embryo.

It wasn’t until the next story, “The Artistic Career of Corky” (1916), that Wodehouse faced the challenge of solving a plot problem without letting Bertie do anything smart, which would violate his character. It was then that he hit on the idea of making Jeeves a super-intellect. And a wonderful phenomenon came into being.

“The Artistic Career of Corky” is included in the collection, Carry On, Jeeves. But its first story is “Jeeves Takes Charge” (also published in 1916). Here we get the origin story, as “rebooted” (as they say of movie franchises) by Wodehouse himself. The story opens with a wonderful scene in which Bertie, hung-over and temporarily valet-less, opens his door to “a kind of darkish sort of respectful Johnny” who immediately diagnoses his complaint and mixes up his proprietary anti-hangover concoction. Bertie engages him on the spot, and as the story continues, Jeeves contrives to disentangle him from an ill-advised engagement to Florence Cray (“seen sideways, most awfully good-looking”), who had a plan for “making something of him.”

And so it goes on through ten wonderful stories. Sometimes Bertie helps a friend out with a spot of matrimonial trouble. Sometimes Bertie’s Aunt Dahlia enlists him in an insane quest to steal some ridiculous object. It’s all light, implausible, and hilarious.

As I read, I couldn’t help thinking about Heaven (see my review on the book about Near Death Experiences, a few inches below). I think Heaven may turn out to be a lot like a Wodehouse story. We never grow old, and the world never changes (Wodehouse attempts to keep up with the times in a couple stories, but they jar). And above all stands the great God of whom Jeeves is a symbol, who (in this life, anyway) allows us to go our wayward ways, knowing that in the end we have no resource but Him, and no one who cares more for our welfare.

Anyway, highly recommended.

Fiction, Reviews

‘Cocktail Time’: A Novel about the Novel ‘Cocktail Time’

1 Comment

“There’s nothing like getting married. It’s the only life, as Brigham Young and King Solomon would tell you, if they were still with us.”

When Lord Frederick Ickenham is inspired to humble his friend, barrister Sir Raymond Bastable, by knocking off his hat with a Brazil nut, he cannot know Bastable will go on to write the best-selling novel Cocktail Time in response. But then he does suggest the idea to him the next day in the vein of, “This would be the thing to do, but you could never do it, could you? Of course not.”

Bastable takes that suggestion as a gauntlet thrown and channels all of his anger about modern young men of mid-1950s English society into a novel bitterly entitled “Cocktail Time,” because that’s all today’s youth are good for. And, boy, does he put passion into it. He compares it to Forever Amber by Kathleen Winsor, a romance banned as pornography in fourteen U.S. states. If the voting public knew he had written a novel like this, his hopes for a political would be over, so it has to go out under a pseudonym.

As soon as you start hiding things in a Wodehouse novel, you’re in for trouble. Cocktail Time is the third of four books starring the fifth Earl of Ickenham, Frederick Altamont Cornwallis Twistleton, or Pongo Twistleton’s Uncle Fred. It’s jolly fun. Will the world learn who really wrote Cocktail Time? Will Bastable’s sister Pheobe be able to do anything with her social blight of a son? Will Johnny Pearce, owner of Hammer Lodge, work out his money troubles, particularly being able to show his housekeeper the door? You’ll have to find out yourself.

It helps to have read more about Uncle Fred prior to this, because while this gently aged fellow takes up a slingshot (or “catapult” as the English say it) and knocks off the hat of a proud, old stuffed shirt he has long known in chapter one, without having read previous stories, you wouldn’t know how Uncle Fred is capable of impersonating just about any type of person alive and perhaps also parrots.

At the start of chapter eight, after introducing Carlisle, a con artist who would cause trouble for the weaker minded of the cast, Uncle Fred shares a cab with him on their way to the same residence, and I immediately felt the marvelous potential of the two professional impersonators together. The sparks flew.

Authors, Fiction, Goofing

‘A Voice From the Past’

1 Comment

As a man who likes to work (and needs to work) I’m pleased to say that I’m kind of snowed under these days. Which leaves me little time for either reading (for reviews) or composing those pearls of wit and wisdom that make me so beloved by more discriminating spirits on several continents. So of what shall I blog?

I remembered an old British TV series, “Wodehouse Playhouse,” of which I’ve seen a few episodes. I searched YouTube and found only one — this one, which I haven’t seen. However, it starts well, and it’s a Mulliner story. It’s presented in segments, and (if I understand correctly) you can follow them through the suggested links, collecting them all and impressing your friends.

Have a good evening.

Uncategorized

Please don’t Include me, thank you very much

Leave a comment

So I took myself out for lunch yesterday. Went somewhere I hadn’t been in a while. It’s a diner called “The 50s Grill.” Not far from where I live. Excellent food and tremendous desserts. Kind of expensive for a diner, but really worth it.

They do the best hamburger I know of in town (no doubt I’ve missed some; don’t look to me as an authority). But I didn’t want a burger that day, so I got the meatloaf lunch. Very nice. And then they were advertising this Black Forest Cake with cherries in it, and I couldn’t resist that. My only complaint was that it was too large. (I skipped supper to make up for it.)

The waitress, an older later, was very nice. When I was done, as she was passing, she patted my shoulder and whispered, “Happy Valentine’s Day.”

I was, frankly, surprised. I hadn’t even been thinking about the holiday. I suddenly saw myself through her eyes. Old man, eating alone on Valentine’s Day, orders a fancy dessert. Probably a widower, reliving past happiness.

But no, really, that wasn’t my intention. I just wanted to eat out somewhere different. I had no intention of horning in on someone else’s holiday.

On Facebook, I saw a couple instances yesterday of single people trying to redefine the holiday to include them. Give it a new name. Make it Inclusive.

I’m frankly sick of the word “Inclusive.” When I happen to see a couple I know out on a date, I don’t sit down at the table with them, “including” myself in their night out. It belongs to them. If I want a date, I should get my own girlfriend. If I want a holiday, I should start one. Nobody’s stopping me. I’d be celebrating by myself, but that would kind of be the point, wouldn’t it?

One of P.G. Wodehouse’s great characters is Uncle Galahad Threepwood. Uncle Gally is the brother of Clarence, Earl of Emsworth, and shows up periodically in the Blandings Castle stories. It’s often said of him that it’s unfair that anyone should have had so much fun for so many years and still look so youthful and healthy. His chief function in the stories is to smooth the way for young couples whose parents are trying to keep them apart for one stuffy reason or another.

Occasionally Uncle Gally’s back story is mentioned. He once fell in love with a music hall performer, and his parents prevented their marriage. He has taken his revenge in the best way, by doing for others what no one was there to do for him.

As I’ve frequently mentioned, I don’t believe in the religion of True Love as understood in our culture (though The Princess Bride is great). But I think old single people ought to have Uncle Gally for a role model, rather than trying to Include Themselves in everybody else’s happiness.

Goofing, Uncategorized

Bertie’s cat crisis

1 Comment

Busy, busy today — and it’s a good time to be busy, to keep one’s mind off… things. Translation, big job, deadline, you know the drill.

So, in lieu of my comforting prose, I offer a moment of Hugh Laurie and Stephen Fry as Jeeves and Wooster, from way back in 1990. Bertie Wooster, it appears, has imprudently allowed himself to stumble into engagement with Honoria Glossop, daughter of the eminent lunacy expert, Sir Roderick Glossop. Bertie has invited Sir and Madame Glossop to dine in his flat. But Jeeves, in his wisdom, knows the match is unsuitable, and so finds a subtle way to put a boot up the pipe. (I have no idea what that means, but it sounds about right.)

Nobody’s ever done Jeeves and Wooster better, even though Hugh Laurie took the coward’s way out and didn’t work with a monocle.

Fiction, Reviews

‘Not George Washington,’ by P. G. Wodehouse

Leave a comment

Before I had been in Walpole Street a week I could tell by ear the difference between a rejected manuscript and an ordinary letter. There is a certain solid plop about the fall of the former which not even a long envelope full of proofs can imitate successfully.

P. G. Wodehouse began his very long writing career more than a century ago, in the first decade of the 20th Century. It follows that a number of his earlier works have fallen into the public domain. Among them is his novel Not George Washington, which I read in one of the several collections of his out-of-copyright works available for Kindle.

One can detect the nascent signs of later genius in this book, but if he’d been hit by a bus in 1908, we probably wouldn’t remember him on the basis of this work (which was written in collaboration with one Herbert Westbrook).

The story, narrated by several point of view characters, starts on the Channel island of Guernsey, where a young woman named Margaret Goodwin, an island resident, meets James Orlebar Cloyster. The couple fall in love, and though her mother approves, they agree he needs to go to London to pursue his career as a writer before they can marry. He can’t hope to support a wife without achieving some success.

We then follow James to London, where he makes his fortune fairly quickly (his career follows Wodehouse’s own – Wodehouse wrote the “On the Way” column for the Globe newspaper, while Cloyster writes a column of the same name for a paper called the Orb).

At this point Cloyster finds himself in a quandary. He realizes he doesn’t really desire married life. Even his feelings for Margaret have faded. He wants to continue as a footloose London writer, but his growing fame will surely be noticed in Guernsey.

He then hits on a scheme. He pays three friends a ten percent commission each to submit literary works written by him, but under their names. Thus he can pretend to Margaret that he’s still struggling.

All of this eventually blows back in his face, as anyone but a fathead would have expected (channeling the spirit of one of Wodehouse’s later aunt characters).

As I said, there are foreshadowings of later genius in this work – especially in the employment of impostership in the plot. Otherwise, Not George Washington is a pretty minor work.

But Wodehouse fans (like me) will want to add it to their list of works read.

Reviews

Amazon Plus Video Review: ‘Blandings’

Leave a comment

I didn’t have high hopes for the BBC miniseries Blandings (2 seasons available on Amazon Prime). Comments from members of the Wodehouse group on Facebook were unenthusiastic or downright hostile. I myself found it wanting in certain areas, but better than I feared.

Deep background: Most people have heard of Jeeves and Wooster, but P. G. Wodehouse had other story cycles, notably Blandings Castle (which now and then intersected with J&W). Blandings is an idyllic stately British home in the county of Hampshire. The theoretical master of Blandings is Clarence Threepwood, Lord Emsworth. Emsworth, however, is an amiable idiot, barely sentient, obsessed with gardening and his prize pig. So actual power is wielded by his formidable sister Constance – one of Wodehouse’s legendary “Scaly Aunts.” Constance dominates both Emsworth and his son Freddie, who is as mutton-headed as his father, but more active. A man about town (member of the immortal Drones Club), Freddie divides his activities between losing money gambling and falling in love with girls whom Constance finds unsuitable.

The two seasons of Blandings consist of six and seven episodes respectively. All are based on actual Wodehouse stories. I didn’t follow them line for line, but going by my memory they kept fairly close to the original plots. (The main differences between the two seasons are that George Cyril Wellbeloved, the pigkeeper, is unaccountably dropped in Season Two, and Beach the Butler is recast.)

The adaptations were funny; I’ll grant that. Sometimes laugh-out-loud funny, as they should be. However, they seemed to me to be differently funny from the original stories. The colors are louder, the comedy broader, more slapstick. Perhaps that’s a good way to compensate for Wodehouse’s essential authorial voice, but it sometimes seemed a tad over the top. The old Jeeves and Wooster series with Stephen Fry and Hugh Laurie handled things better.

Young Freddie Threepwood is a case in point. Jack Farthing plays him pretty broadly, and his garish wardrobe and exaggerated quiff of hair are perhaps what Bertie Wooster would have exhibited, had Jeeves not put his foot down.

The big problem in the casting is with Clarence, Lord Emsworth (Timothy Spall). I think I speak for all Wodehousians when I declare that this is some Imposter (of course, Imposters are an important element of many Wodehouse plots). Clarence in the books is usually described as tall and thin, sporting pince-nez glasses. He prefers to dress shabbily, having no sense of personal dignity. However, the Emsworth we encounter here looks like a madman. His hair stands on end. He doesn’t seem like the kind of man who’d wear pince-nez at all. And he’s fat. He’s funny enough, but he’s wrong.

I was happy, in Season Two, to see the arrival of Uncle Galahad Threepwood, (played by Julian Rhind-Tutt, a name almost worthy of Wodehouse himself). “Gally” is an elderly roué, as at home in the city as his brother Clarence is in the country. He’s much smarter than Clarence, though, and an inveterate schemer. He’s written and acted well, and he sports the requisite monocle. However, Julian Rhind-Tutt, though elderly on close examination, has bright red hair which makes him look too young from a distance. Gally’s hair should be white, though his eye is not dimmed nor his natural force abated.

The most faithful performance, I think, is that of legendary comedienne Jennifer Saunders as Aunt Julia. She perfectly portrays a woman of Strong Opinions who takes no nonsense from the idiot men around her. Without her firm guidance, the whole estate would fall to pieces, and she knows it. Saunders is able to convey, however, that Constance loves her family deep down, and wishes the best for them – though her idea of “the best” is looking respectable and marrying the Right Sort of People.

Blandings is worth watching, and will give you some laughs. But go to the original stories afterward, and see it done properly.