My friend Gene Edward Veith posted today, on his Cranach blog, concerning a theory about Tom Bombadil, which he found at the GameRant website, by a Melissa C. The conclusion: “Tom Bombadil would be the equivalent of Adam.”
Although Dr. Veith is a self-confessed fan of my novels, it seems he doesn’t follow this blog. I advanced this theory sometime in the dear, dead long-ago, in the earlier version of Brandywine Books that was lost when we changed hosts. But I refer to it in this post from last year.
I hasten to clarify that I do not charge Melissa C. with plagiarism. The theory seems fairly obvious to me, for anyone familiar with the Bible.
I simply reserve the right to do a little gloating dance, in the presence of friends.
There on the hill-brow she stood beckoning to them: her hair was flying loose, and as it caught the sun it shone and shimmered. A light like the glint of water on dewy grass flashed from under her feet as she danced.
What are we to make of Tom Bombadil? He’s a riddle inside an enigma inside a mathom, which is probably just what the author intended. The narrative of the epic can endure without him, as the movies demonstrated. But every reader knows he belongs, somehow, in Tolkien’s world. Every reader will think of Tom in his own way. I’ve stated my view before on this blog, but I’ll repeat it here:
Tom seems to me to be a representation of Adam, or at least of unfallen Man. Adam tended the Garden, and he named the animals; whatever he called the beasts, that was their name. Tom Bombadil controls all nature within his domains, and when he names the hobbits’ ponies, those are the names they answer to ever after. Tom says of himself:
“Eldest, that’s what I am. Mark my words, my friends: Tom was here before the river and the trees; Tom remembers the first raindrop and the first acorn.”
Remember how important “subcreation” was in Tolkien’s artistic/religious vision. Man in fellowship with God becomes a kind of little god – he can’t create ex nihilo as God does, but he creates in a smaller way that brings glory to his Master. In the same way, I think, unfallen Tom Bombadil glorifies his Creator by ruling the Garden that’s been set under his stewardship.
Tom Bombadil, incidentally, began as a toy, a Dutch doll owned by Tolkien’s daughter Priscilla. She lost it down a sewer, and was distraught. Her father comforted her with tales of how Tom floated along the river and had numerous adventures, overcoming all kinds of dangers through his magical powers. Eventually he even overcomes the powerful River-woman, and marries her daughter, Goldberry (herself a rather sinister figure until Tom tames her).
Which brings us to Goldberry. Goldberry has a very special place in this reader’s heart.
The year must have been 1973; I was in college, and my roommate was an even bigger Tolkien geek than I was. We agreed that I would read the Hobbit and the Trilogy to him, one chapter a night (I love to read aloud). And we did that – straight through. It took a while.
During that same period I went out on my first date, with a girl who was very Goldberry-esque. I fell hard for that girl, and have never quite gotten over her. She’s a grandmother today, and lives far away, but to me she’ll be forever young and slender and graceful.
Whenever Tolkien tells us of a woman dancing, and how her feet tinkle on the grass (as in the case of Luthien), I’m pretty sure he’s harkening back to Edith Bratt and how she danced for him in the woods the day he fell in love with her. For my own part, I always look forward to seeing Goldberry again.
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