‘The Winter Fortress,’ by Neal Bascomb

The Winter Fortress

I think I first heard of the World War II Norwegian Resistance sabotage at Vemork and Rjukan when the Kirk Douglas movie, The Heroes of Telemark, came out in 1965. I didn’t see the movie then, but I read reviews and articles in the paper. I finally saw the movie in college. I think I realized even then that it probably bore as much resemblance to real events as a Lego figure bears to a real person.

Later I read accounts in books, and saw a TV documentary (which stated, somewhat snarkily, at the end that recently discovered documents proved that it was all unnecessary, as the Germans never intended to build an atom bomb at all. This was a premature and exaggerated claim). Then there was the Norwegian/British miniseries, “The Heavy Water War,” which was more authentic than the movie, but also highly fictionalized.

I think I’ve got the genuine story, within reasonable tolerances, now that I’ve read Neal Bascomb’s The Winter Fortress.

The Norsk Hydro hydroelectric plant at Vemork, Telemark had a small, profitable, almost exclusive sideline manufacturing deuterium – “heavy water” – an ingredient in fertilizers. That operation became the focus of international intrigue when German scientists chose deuterium as a moderating agent in their atomic experiments – which did indeed have the goal of producing a super-bomb, though of course not every Nazi in the government supported the project. When the Norwegian Resistance, after the Occupation, discovered the Germans’ intentions for the stuff, they alerted British Intelligence, and halting heavy water production became a prime war objective.

The story of how a small group of Norwegian commandos, supplemented by an ill-starred company of British Army saboteurs, endured police searches, betrayals, horrific winter weather, separation from their families, and plain bad luck to carry out two highly successful sabotage operations forms the story of The Winter Fortress. The characters (particularly commander Leif Trondstad, Joaquin Rønneberg, and Knut Haukelid) come to life, and the times and circumstances are vividly painted. A lot of painstaking research went into this book, and it was not wasted. The story is exciting, and poignant, and often tragic.

Highly recommended. Not for the faint of heart.

Christian Smith: Higher Ed is Full of BS

You’ve probably heard Christian Smith quoted in a sermon or lecture within the last decade, even if you don’t know who he is. He’s the one who gave us the label “moralistic therapeutic deism” as a descriptor of what is commonly taught in American churches. Earlier this month in a piece for The Chronicle of Higher Education, Smith describes the state of American higher ed in words I don’t expect pastors will quote so freely. He lists 22 things that are worthless in our university system.

Calling out the BS is not about my personal experience, limits, or feelings. It is not even only about the unconscionable fact that countless millions of students are receiving compromised and sometimes worthless college educations, as sickening as that is. Ultimately, we must grasp the more dreadful reality that all of this BS in the academy is mortally corrosive of our larger culture and politics.

It’s tragic, he says, but his contemporaries have probably lost all understanding of that concept.

No, the idea of tragedy is incomprehensible in institutions drifting in a Bermuda Triangle marked by the external-funding addictions of the STEM fields, the obsequious scientism of the social sciences, and the intellectual fads, ideological doctrines, and science-envy that captivate and enervate the humanities.

What Did Lincoln Think About Slavery?

The president’s personal notes, that pull together into a fragmented diary, show how he thought about the argument for and against slavery in the United States. He asks if one person can claim a right to enslave another, what prevents the latter person from claiming the same right over the former? Is it color? Then we are all in danger of being enslaved or having to fight against that legal claim by anyone with fairer skin than our own. Lincoln then asks,

You do not mean color exactly? — You mean whites are intellectually the superiors of the blacks, and, therefore have the right to enslave them? Take care again. By this rule, you are to be slave to the first man you meet, with an intellect superior to your own.

In another place, he mocks the idea that slavery is good for the slaves, saying that’s the reason wolves eat lambs, “not because it is good for their own greedy maws, but because it [is] good for the lambs!!!” [via Prufrock News]

The writer’s road through Mordor

My recent journey through The Lord of the Rings had a business purpose. As I’ve mentioned already, I’m struggling with my work in progress. I thought maybe reacquainting myself with the best of the best might inspire me and shake a few things loose.

And it may have helped. About the time I finished reading, the words finally started flowing again. I solved my plot problem, at least for the moment, wrote a scene I actually liked, and now I’m nearing 70,000 words. I’d like to fill out 100,000 words, because that’s what all the cool kids are doing these days, but I expect it won’t go that far. Which means I’m within sight of the finish line, metaphorically speaking.

I think I’ve figured out the main reason I’ve been blocked. Ruthless self-analysis indicates I’m terrified of this book. I really want it to be an epic, a saga on the grand scale. And in my heart I’m not sure I can do it. I have this fear that I’ve reached the ceiling of my talents, and no effort will get me any higher.

Which is nonsense, at least theoretically. I’ve spoken and written countless times about the Two-Thirds Slump – the delusion most writers get, around two-thirds of the way through a first draft, that what they’re writing is total dreck nobody will ever want to read. (This is exacerbated by the fact that first drafts generally are dreck – that’s also part of the process. But that’s another lecture.)

So, get up, Mr. Frodo. It’s time for another day’s walk.

Blogging through LOTR: Of rings and taters

The Lord of the Rings

Behold, I have completed yet another journey through The Lord of the Rings. It offered the usual fears and joys and tears and thrills, along with the occasional stretch of tedium (it does have them, you know; adds to the verisimilitude).

By some odd function of my aging mind, the passage that stays with me most this time around is this one at the end, where Gaffer Gamgee greets Frodo on his return from the Crack of Doom and the end of the Age:

‘Good evening, Mr. Baggins!’ he said. ‘Glad indeed am I to see you safe back. But I’ve a bone to pick with you, in a manner o’ speaking, if I may make so bold. You didn’t never ought to have a’ sold Bag End, as I always said. That’s what started all the mischief. And while you’ve been trapassing in foreign parts, chasing Black Men up mountains from what my Sam says, though what for he don’t make clear, they’ve been and dug up Bagshot Row and ruined my taters!’

That’s an exquisite moment. I’ve never been a veteran, but I’ll bet any man who’s been in combat has had moments like that.

It’s annoying that the old folks at home don’t understand what you’ve done or what you’ve been through.

But there must also be a sense that it’s good that this is so. That they don’t understand means you’ve done your job. This provincial ignorance is one of the things you risked all to protect.

Addendum: I just had a thought. They strove in The Hobbit movies to make the characters more “diverse.” They should have cast some east Asians as elves. They’d have made great elves.

Did OT Writers Misunderstand God’s Kindness?

In his two-volume book, The Crucifixion of the Warrior God: Interpreting the Old Testament’s Violent Portraits of God in Light of the Cross, [Greg] Boyd argues that such “violent” injunctions come from the “textual” God of the misguided ancient Near Eastern biblical author with his fallen, violence-prone worldview (“thus says Moses/Joshua”). These aren’t instances of “thus says the Lord”—the “actual” God whom Jesus represents. Boyd’s “cruciform” hermeneutic emphasizes how the character of God is displayed in the power-surrendering, non-violent, self-giving Christ on the cross. If this is what God is really like, then we must rethink how we view violent OT texts—and even certain New Testament (NT) passages.

This is our author Paul Copan summarizes the book he reviews, telling us what its author intends. He presents Boyd’s points in brief and then criticizes each one.  I’d like to add my own thoughts to Copan’s, but I know nothing compared to what he has written, so go read it yourself.

If anything, Boyd should chastise the redeemed martyrs, who are actually petitioning God to “judge [krineis] and avenge [’ekdikeis] our blood” (Rev. 6:10). Indeed, he should oppose the satisfaction of “heaven . . . and you saints and apostles and prophets” at God’s just judgment: “Rejoice over her . . . because God has pronounced judgment [’ekrinen . . . to krima] for you against her” (Rev. 18:20). That believers shouldn’t take personal vengeance, but to call on God to bring judgment, is anchored in both Testaments and in Jesus himself.

Blogging through LOTR: The Return of the King

The Return of the King

I’ve finished the narrative of The Return of the King (I’m going on to the appendices now, because, hey, they’re there). Here are a few things that struck me.

‘There is no real going back,’ [said Frodo]. ‘Though I may come to the Shire it will not seem the same, for I shall not be the same. I am wounded with knife, sting, and tooth, and a long burden. Where shall I find rest?’

There’s one of the clearest examples of the effect of the “Great War” on Tolkien’s narrative. Surely something like that was the experience of every combat soldier going home – the strangeness of returning to a familiar place, but finding you somehow don’t fit anymore. The average veteran accustoms himself to it after a while, but (as I am told) the wounds never entirely heal. One always feels something of an outsider, the carrier of a dark secret. Continue reading Blogging through LOTR: The Return of the King

Greenlandic coffee

This recipe for Greenlandic coffee claims to be “the whole of Greenland in one mug.” See the recipe presented in video from CNN.

Chris Scott says, “The drink is usually served after dinner along with a local legend or a tale about the Inuit people’s closest thing to a deity — the Mother of the Sea.”

Blogging through LOTR: Eucatastrophe

The Fellowship of the Ring

I’m nearing the end of The Return of the King, and I’m kind of overwhelmed. I’m not sure how many times I’ve read the trilogy – no less than six, I’m sure. But I’d forgotten how good it is, especially as the threads come together toward the climax.

I’d remembered Frodo’s and Sam’s trek from Cirith Ungol to the Crack of Doom as taking up more pages than it does. In memory it’s a long narrative, but in the book it actually constitutes a fairly short section. I mean that as praise to Tolkien’s skill – he leaves a strong impression of weary and hopeless trudging that looms large in memory.

As I read the climactic passages describing the defeat of Sauron, sobs shook my diaphragm and tears welled up in my eyes (which was a little embarrassing because I was on a reclining table giving blood at the time). Lewis called LOTR “Good beyond hope,” and I wonder if anything as good of its kind has ever been written before – or ever will be again. Can I myself ever hope to come close?

I thought of the many children of this world who love these books. How can they bear it? How can they experience that joy – Tolkien’s eucatastrophe – and then return to the mundane world, believing that the promise of Middle Earth is just a cheat? That there will never be a true happy ending like that for them? That real life is only a descent through pain and disappointment to death, with a few bright moments which are in themselves just false promises of a happiness that can never be?

Ah well. I suppose they deal with it as best they can. The Lord of the Rings is really about not cutting down trees, after all, they believe.

“How Being a Librarian Makes Me a Better Writer”

Nautilus Library

Via Dave Lull, an article from Literary Hub. Xhenet Aliu explains how writing makes her a better writer:

A natural-language user might type into a search engine “hospital rubber tube blood infection,” and the information pros who index articles would have had to predict that “rubber tube” might, in this context, equal catheter and return articles like “Infection prevention with natural protein-based coating on the surface of Foley catheters: a randomised controlled clinical trial.” There’s not a whole lot of zing in a title like that, but there is a lesson in how it was retrieved; aren’t writers also responsible for intuiting miscommunicated needs, and articulating that which has been insufficiently expressed? Bad writing ignores natural language in favor to chase the artificial zing, which is what makes purple prose so offensive—instead of using language to facilitate access to meaning, it obscures it with yet more imprecision. Good writing understands and respects natural language, and it considers it in its responses. It’s for the best that writers aren’t paid by the syllable.

Book Reviews, Creative Culture