Tag Archives: Dave Lull

3 things: Chapel, Mano, and red ink

Three items for you tonight. The video above, in case you care to view it, is my sermon last Thursday in the chapel of the Free Lutheran Bible College and Seminary in Plymouth, Minnesota. I note that it times out at 17 minutes, 57 seconds. The time frame they allotted me was 18 minutes. I did no padding or cutting on the sermon – it was the right length pretty much out of the chute. This is something I seem to have been born able to do, writing to a set time. I find it wholly inexplicable. Anybody know a politician who needs a speech writer? I work cheap. Preferably a conservative; I hate being a greater hypocrite than I already am.

Secondly, our friend Dave Lull, ever on the watch for references to the late author D. Keith Mano, for whom I cherish a fondness, sent me the link to this piece from National Review. An excerpt:

Keith was soon established within our senior ranks and was included in the periodic “off-sites,” where vexed NR policies were (endlessly) debated and (occasionally) resolved. He and I would sit together, two high-school sophomores in the back row of an algebra class, with D. Keith providing sotto voce commentary on the otherwise tedious proceedings. On one occasion I lost it and laughed out loud. NR publisher William Rusher, who on solemn occasions made himself available for hall-monitor duty, barked at us from across the room, “Perhaps Freeman and Mano would care to share that witticism with the rest of the group.” (We did not care to share it. It was about Rusher.)

Thirdly: Report from the writing front: I’m in the process of doing a paper revision on The Baldur Game. It’s well known that I’ve been almost entirely assimilated by the digital Borg; I read and write mostly electronically. Yet I retain a semi-superstitious conviction that I ought to do at least one revision per book in red pen on printed sheets. That’s what I’m doing right now.

And you know what? It does seem to be different on paper. I almost feel as if I’ve re-written the book by hand, in red ink. (Some of it’s even almost legible.)

I had thought the polishing stage was almost complete on this thing. I was surprised find so much substandard writing all of a sudden, like shining ultraviolet light on a crime scene. I’ve never noticed any difference in the reading experience between paper books and my Kindle. Yet revision, somehow, seems to be different.

Mano on the exclamation point

From Dave Lull, the following citation. I don’t know where he got it.

Priscilla Jensen’s review of “An Admirable Point: A Brief History of the Exclamation Mark!” by Florence Hazrat (Bookshelf, April 7) reminds me of something the novelist D. Keith Mano wrote in National Review in 1975: “The exclamation point may be used only in dialogue and then only if the person speaking has recently been disemboweled.”

Edgar Isaacs

Salisbury, Md.

“How Being a Librarian Makes Me a Better Writer”

Nautilus Library

Via Dave Lull, an article from Literary Hub. Xhenet Aliu explains how writing makes her a better writer:

A natural-language user might type into a search engine “hospital rubber tube blood infection,” and the information pros who index articles would have had to predict that “rubber tube” might, in this context, equal catheter and return articles like “Infection prevention with natural protein-based coating on the surface of Foley catheters: a randomised controlled clinical trial.” There’s not a whole lot of zing in a title like that, but there is a lesson in how it was retrieved; aren’t writers also responsible for intuiting miscommunicated needs, and articulating that which has been insufficiently expressed? Bad writing ignores natural language in favor to chase the artificial zing, which is what makes purple prose so offensive—instead of using language to facilitate access to meaning, it obscures it with yet more imprecision. Good writing understands and respects natural language, and it considers it in its responses. It’s for the best that writers aren’t paid by the syllable.

‘To Live Like the Women of Viking Literature’

Die Walkurie

When Dave Lull sent me a link to this article from Literary Hub, I was a little uncomfortable. Articles on women in the Viking Age, like anything having to do with male/female relations written nowadays, tend to be, shall we say, “pregnant” with sociopolitical baggage. But the linked piece by Linnea Hartsuyker is accurate in every detail as far as I can tell. I could find no fault with it.

And you know I tried.

Women warriors were a potent literary fantasy, especially in a hyper-masculine medieval world where honor and avoidance of effeminacy were key motivators of male action. In narratives that contain women warriors, it is often the role of the male hero to turn them into wives and mothers, and their submission thus enhances the male hero’s virility. Women warriors, at least in the surviving literature, are never the central heroes of the tales, but ambivalent figures to be wooed and conquered.

We call them ‘wall hangers’ nowadays

Viking sword
Image: Wikimedia Commons

Via Dave Lull: An article from J-Stor by James MacDonald, on new Danish research that indicates that some Viking swords were never meant for a fight. “The trick to creating an ideal sword using this technique is to distribute different types of metal that balance hardness and flexibility—durable enough to hold an edge while absorbing the shock of contact. The scanned swords were not made in such a way that they can both cut and flex.”

I mentioned the story to a reenactor friend last weekend, and he wasn’t greatly surprised. The sagas do not speak of swords made entirely for show — what we call “wall hangers” today. But we know that sword making was an iffy proposition. The “Havamal” says, “Praise no sword until it has been tested.” And one unfortunate character in one of the sagas comes proudly home from Norway with a beautiful sword with gilded furniture. But when he tries it in a fight, it bends, and he has to set the tip on the ground and try to straighten it by stepping on it.

So it’s not unreasonable that a status-conscious Viking might have bought a sword purely for show, as a status symbol, but would depend in battle on his trusty axe, which was easier to use anyway.

Mano a Mannix

TV Guide

Dave Lull has done it again. He found an anecdote about D. Keith Mano in a posting at It’s About TV. The author, Mitchell D. Hadley, recaps an issue of TV Guide from May 18, 1967 (I was about to finish my junior year in high school that week, but we didn’t take TV Guide). Mano isn’t featured in the magazine, but Hadley has a recollection:

It reminds me of a story told by the novelist D. Keith Mano, who was teaching a creative writing class and slogging through some dreadful efforts by earnest would-be writers. When one, complaining about his low grade, protested, “But this is how it was,” Mano replied, “Yes, and make sure it doesn’t happen again.” And that’s why Joe Mannix’s life is more interesting than yours, Mister Private Detective.

We watched Mannix at our house, but I was never a big fan. I remember that he seemed to get knocked unconscious roughly once a week. I was no neurologist even then, but I was pretty sure you’d be drooling in a nursing care facility if that happened in real life.

Country & Northern

From PJ Media, via Dave Lull: This New Yorker Grew to Love Country Music — in the Last Place You’d Ever Think.

And, yes, they adore country music. It speaks to them. Because it’s the real America, if you like, speaking to the real Norway. And guess what? Listening to that music here, I’ve undergone a long-delayed conversion. I’ve finally realized that of all the popular music produced today, it’s country songs, by far, that are most likely to have real melodies and real lyrics, to speak honestly and movingly about love and friendship, to exhibit courage and humor in the face of adversity, and to show appreciation for everyday comforts and pleasures. All in all, they’re the closest thing around today to the standards by Kern, Berlin, Rodgers, and company that I grew up on.

This story may surprise you. But to one who, like me, has spent time at the Hostfest in Minot, North Dakota, it’s just part of life. Like trains, dogs, pickup trucks… and lutefisk.

Linkage

Marcus Selmer photograph

The wonderful Mirabilis.ca shares a link to information on the Dano-Norwegian photographer Marcus Selmer, who left remarkable images of 19th Century Norwegian peasants.

And Dave Lull passes on news about a planned TV series based on Jonathan Kellerman’s Alex Delaware and Milo Sturgis books.

I expect they’ll ruin it by making Milo a militant gay, but the news is interesting anyway.

Landmarks and visions

Landmark Center
The Landmark Center in St. Paul. Photo 2005 by Mulad.

The old US post office, custom house, and court house in St. Paul, built in 1902 and home to much graft and corruption in its time, is now called Landmark Center. They’re a little more tolerant of architectural treasures in that city than in Minneapolis, so it was saved from the wrecking ball and now exists as a cultural center. Once a month they host events for various ethnic groups. This month (yesterday) it was the Danes, and we Vikings were asked to man a table for the event. Three of us showed up. We had a pretty good time.

Lots of visitors, and lots of questions, many from children, which is always nice. I was able to explain how people got the idea that Viking helmets had horns, and how chain mail was made. Sold a couple books and several bits of leather work.

One of the best parts was that we were right next to the aebelskiver stand. Aebelskivers are Danish pancakes, formed by secret and occult methods into spheres. They’re generally served with powdered sugar and strawberry preserves. Delightful.

I also had the pleasure, over the weekend, of receiving another tip from Dave Lull. He remembered that I’m fond of the late D. Keith Mano, and he alerted me to a reprint of one of Mano’s old columns over at the National Review. They’re going to be publishing a series of them over the next few weeks. This one concerns a series of visions of the Virgin Mary in Bayside, Queens, New York back in 1975. Mano describes his “investigation” in bemused and gentle terms.

The church of St. Robert Bellarmine—now half school, half gym—stands two blocks up. There used to be a statue on the corner: large copy of those Virgins in telephone booths that wait outside Catholic houses. Veronica had her first visions here. But, as crowds grew, an unsympathetic Mother Church had the statue sledgehammered away. So much for mariolatry. You can still see the pedestal stump, cordoned off by wooden snow fencing.

It occurred to me to do a web search on Dave Lull. Turns out he’s not merely a reader of this blog, which would be enough to adorn the fame of any man. He’s a librarian (thus one of nature’s noblemen) and a facilitator of blogs. Blogless himself, he sends tips like this to a number of book bloggers.

I am honored to be among that number.