Tag Archives: Viking swords

I have a Carl Martell moment*

The figure above, with the strange hair and the tree growing out of his head, is your humble servant. In my hand is a genuine, authentic 1,100-year-old Viking sword, from the Ewart Oakeshott collection.

As I announced, I was at the American Swedish Institute in Minneapolis on Sunday, as part of a Viking “encampment” in connection with their “The Vikings Begin” exhibition. Among the exhibitors was The Oakeshott Institute, also located in Minneapolis. They offered the unrefusable opportunity to actually hold a Viking sword — if you wore cotton gloves.

(Only the blade is original, by the way. Some collector in the 19th Century added the guard, hilt, and pommel. Which is why they don’t mind people picking it up. With proper protections.)

I talked to the Oakeshott representative, who told me that Oakeshott himself, an Englishman, gifted his entire collection to his friend Chris Poor, a noted swordsmith here in Minneapolis — mostly to spite the British Antiquities nazis. I need to learn more about this organization. Oakeshott was The Man when it came to medieval swords. (I’ve read his book.)

It was a good day, though a wintry rain kept us indoors. Sold a good number of books — and book sales are no longer gravy for me. They’re part of my bottom line.

But the sword is what I’ll remember.

*Obscure reference to a novel written by a forgotten author.

We call them ‘wall hangers’ nowadays

Viking sword
Image: Wikimedia Commons

Via Dave Lull: An article from J-Stor by James MacDonald, on new Danish research that indicates that some Viking swords were never meant for a fight. “The trick to creating an ideal sword using this technique is to distribute different types of metal that balance hardness and flexibility—durable enough to hold an edge while absorbing the shock of contact. The scanned swords were not made in such a way that they can both cut and flex.”

I mentioned the story to a reenactor friend last weekend, and he wasn’t greatly surprised. The sagas do not speak of swords made entirely for show — what we call “wall hangers” today. But we know that sword making was an iffy proposition. The “Havamal” says, “Praise no sword until it has been tested.” And one unfortunate character in one of the sagas comes proudly home from Norway with a beautiful sword with gilded furniture. But when he tries it in a fight, it bends, and he has to set the tip on the ground and try to straighten it by stepping on it.

So it’s not unreasonable that a status-conscious Viking might have bought a sword purely for show, as a status symbol, but would depend in battle on his trusty axe, which was easier to use anyway.