All posts by Phil

The CT 2016 Book Awards

Christianity Today has released the results of their annual book awards. Many attractive titles, including this one:

Science Fiction Theology: Beauty and the Transformation of the Sublime by Alan P. R. Gregory (Baylor University Press)

“Our culture is awash in science fiction. From post-apocalyptic young-adult blockbusters to hard sci-fi novels, the genre’s star has never burned more brightly. Science Fiction Theology demonstrates a masterful understanding of what makes it all tick. While the casual fan may find the book’s density off-putting, others will find themselves deeply edified by Gregory’s rigorous tracing of the dialogue between science fiction and Christianity. The dialogue, it turns out, is very lively, even when trafficking in distortions. The chapter on Philip K. Dick, an author criminally ignored by religious readers, is itself worth the price of admission.” —David Zahl, director of Mockingbird Ministries

(via Hunter Baker, who was a judge for these awards)

What Kept Conan Doyle Going?

Before he created the most illustrious residents of Baker Street—whom he nearly called J. Sherrinford Holmes and Ormond Sacker—Arthur Conan Doyle had already written a novel that was lost in the mail, and contributed excellent short fiction to various magazines. “The Captain of the Pole-Star” (1883), set in the Arctic, is one of the most haunting Victorian tales of the supernatural. But the young writer could hardly think of quitting his day job as a doctor in Southsea. A Study in Scarlet was turned down by one publisher after another, until it was finally accepted by Ward, Lock, and Co., who offered to buy the British copyright for a derisory twenty-five pounds.

Michael Dirda describes Conan Doyle’s desire to write better work than his Sherlockian mysteries and what kept him writing them. (via Prufrock)

Recovering a Star Wars Childhood

Star Wars play in the morning lightAndrew Barber says, “I don’t want Jedi; I want my childhood back.”

Thanks to Charles Taylor’s work A Secular Age, I’ve come to believe the most important question about big entertainment is not “what is this movie/videogame/album about?” but “what is it for?” I don’t think we need another article analyzing the nitty-gritty thematic details of Star Wars. It is a simple, well-told tale of good versus evil with memorable characters and mammoth effects.

What I’m interested in is the function of Star Wars. When thousands of fans line up outside of theaters on December 17 to see Star Wars: The Force Awakens (of which I will be one), what will it be for?

His post links to another one, reviewing a presentation of Charles Taylor’s A Secular Age with an application to the Star Wars prequels. What went wrong with those first three episodes added onto the well-loved space epic? Mike Cosper blames secularism.

The original trilogy, in all the ways it left questions open and invited imagination, in the way it used effects in a sparing way, was enchanted. It was an open world with questions to explore and a sense of the unknown. The prequels, then, made the mistake of disenchanting the world. The mysteries all had answers. Even the overwhelming presence of CGI has a “secular age” parallel: the overwhelming culture of production and consumption. When every moment is a visual feast, nothing is worth celebrating.

Did God Change in the Incarnation?

Jared Wilson writes about the problem we ignore at Christmastime: if God is immutable, if he is the same yesterday, today, and tomorrow, then how did he not change when he was incarnated as a man? He says, “What Paul is getting at in Philippians 2:5-8 is not that Jesus did not ‘hold’ or ‘maintain’ the fullness of his divinity but that he did not exploit it or leverage it against his experiencing the fullness of humanity. He didn’t pull the parachute, in other words.”

Scary Ghost Stories of Christmases Long Ago

“The first key to a Christmas ghost story,” writes Colin Fleming, “is a convivial atmosphere. People in these stories are well fed, they’re often hanging out in groups, you feel like you’re hanging out with them, and you do not wish to leave any more than they do. It is cold outside but warm in here, and it’s time to rediscover that sense of play that so many of us adults lose over the years, and which, when we are fortunate, we remember to rediscover at Christmas.”

He recommends five old stories to fit the bill.

Kipling Didn’t Look Back

How Kipling seemed to a brilliant contemporary is shown by the parody “PC X36” in Max Beerbohm’s A Christmas Garland (1912). The narrator’s policeman friend Judlip spotted an old man with “a hoary white beard, a red ulster with the hood up, and what looked like a sack over his shoulder” standing on a rooftop.

Ordering him down to the street, the constable grabbed his collar. “The captive snivelled something about peace on earth, good will toward men. ‘Yuss,’ said Judlip.

‘That’s in the Noo Testament, ain’t it? The Noo Testament contains some uncommon nice readin’ for old gents an’ young ladies. But it ain’t included in the librery o’ the Force. We confine ourselves to the Old Testament – O T, ’ot. An’ ’ot you’ll get it. Hup with that sack, an’ quick march!’ ”

Beerbohm is right about the often annoying rendering of dialect and the petty violence, but he puts his finger on a more important feature of Kipling’s world: its rejection of Christianity. Kipling lost all that in the Southsea boarding house.

Japanese Illustrated Coffee Cups

Illustrator Adrian Hogan says a friend of his, another artist, inspired him to illustrate disposable coffee cups with Tokyo street scenes. CNN has the story.

Is Pastoral Advice Making Pastors Depressed?

The gospel isn’t “do better” or “try harder”, and yet the advice we tell ourselves about preaching usually falls into this category. Why do we believe that “do better” and “try harder” will motivate better preaching? If it’s powerless for the banker, it’s powerless for the preacher as well.

Pastor Mike Leake offers this point as one of the reasons for depression among pastors.

The Night the Devil Stole the Moon

Volzhskiy prospekt, Samara

Nikolai Gogol’s The Night Before Christmas is not the kind of Christmas story today’s readers expect to find on the holiday sale shelf.

The novella is unlike most Christmas stories. It opens with the devil flying above the small village of Dikanka, enjoying one last night of freedom before he must return to hell, when he decides to steal the moon and put it in his pocket in order to thwart the amorous designs of the local blacksmith, Vakula. In addition to being an excellent blacksmith, Vakula is also a talented painter, and his favorite theme is the vanquishing of Satan.

Micah Mattix writes, “perhaps no Russian writer is as foreign as Nikolai Gogol. He was even baffling to his own countrymen. ‘Gogol was a strange creature,’ Vladimir Nabokov famously wrote in his idiosyncratic biography of the writer, ‘but genius is always strange.’”

Today Is Yesterday Rolled Up

Today Is Yesterday Rolled Up

“It is a mistake to think that the past is dead. Nothing that has ever happened is quite without influence at this moment. The present is merely the past rolled up and concentrated in this second of time. You, too, are your past; often your face is your autobiography; you are what you are because of what you have been; because of your heredity stretching back into forgotten generations; because of every element of environment that has affected you, every man or woman that has met you, every book that you have read, every experience that you have had; all these are accumulated in your memory, your body, your character, your soul. So with a city, a country, a race; it is its past, and cannot be understood without it. It is the present, not the past, that dies; this present moment, to which we give so much attention, is forever flitting from our eyes and fingers into that pedestal and matrix of our lives which we call the past. It is only the past that lives.”

— Will Durant, “The Map of Human Character“