“Come, Christians, join to sing” sung by a congregation at St. Olaf’s College for the graduate conducting recital of Michael Devine
This classic hymn was written by English Moravian minister Christian H. Bateman (1813-1889) and is sung to a traditional Spanish melody, arranged by American Benjamin Carr. Carr studied music under Charles Wesley and Samuel Arnold.
1 Come, Christians, join to sing Alleluia! Amen! loud praise to Christ our King; Alleluia! Amen! let all, with heart and voice, before his throne rejoice; praise is his gracious choice: Alleluia! Amen!
2 Come, lift your hearts on high, Alleluia! Amen! let praises fill the sky; Alleluia! Amen! he is our guide and friend, to us he’ll condescend; his love shall never end: Alleluia! Amen!
3 Praise yet our Christ again; Alleluia! Amen! life shall not end the strain; Alleluia! Amen! on heaven’s blissful shore, his goodness we’ll adore, singing forevermore, “Alleluia! Amen!”
Reading:Where do you like to read? A hammock, a couch, an overstuffed chair? At a desk, on a bench, or while walking somewhere? The chair in the photo above would suit me well for firmness and lighting.
I feel I can’t read in half of my house without falling asleep, and while it would be easy to blame my age now, I don’t think that has been the reason for my fatigue or maybe mental laziness before now. I am a poor, distracted, uncompelled reader for the most part. No one will learn of my literary habits in the coming years and find in them a pattern to follow.
Historic Novels: Some books are not comfort reads. Gina Dalfonzo says she had trouble sleeping after reading The Marriage Portrait by Maggie O’Farrell. It’s a novel about Lucrezia de’ Medici, the wife of Alfonso II d’Este, Duke of Ferrara, who died at age 16, and is remembered mainly as the subject of Robert Browning’s, “My Last Duchess.”
That’s my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now; Fra Pandolf’s hands Worked busily a day, and there she stands.
Saith the Duke with every indication that he suspected his Duchess of infidelity or perhaps, more vaguely, unworthiness.
“I Greet Thee, Who My Sure Redeemer Art,” performed by Zachary Harris
This hymn is attributed to John Calvin and his arrangement of the Genevan Psalter for his congregation. He promoted lively psalms and spiritual songs in worship and leaned on such musicians as Claude Goudimel and Louis Bourgeois to compose them. This tune was published in 1551, and from what I understand was sung much quicker than the beautiful performance above.
1 I greet thee, who my sure Redeemer art, my only trust and Savior of my heart, who pain didst undergo for my poor sake; I pray thee from our hearts all cares to take.
2 Thou art the King of mercy and of grace, reigning omnipotent in ev’ry place: so come, O King, and our whole being sway; shine on us with the light of thy pure day.
3 Thou art the Life, by which alone we live, and all our substance and our strength receive; O comfort us in death’s approaching hour, strong-hearted then to face it by thy pow’r.
4 Thou hast the true and perfect gentleness, no harshness hast thou and no bitterness: make us to taste the sweet grace found in thee and ever stay in thy sweet unity.
5 Our hope is in no other save in thee; our faith is built upon thy promise free; O grant to us such stronger hope and sure that we can boldly conquer and endure.
Artist and illustrator N. C. Wyeth (1882-1945), trained by the famous Howard Pyle and painter of the Brandywine School, produced illustrations for many Scribner’s Classics editions such as Treasure Island, Kidnapped, The Lastof the Mohicans and The Yearling.
Best of: Ted Gioia offers his paid subscribers his reviews of the 50 best works of non-realist fiction (sci-fi, alt-history, fantasy, and more). Read the list for free (part one of five so far). The reviews are behind the paid wall.
In this short span, he wrote his breakthrough story cycle, The Martian Chronicles, a book that signified a start to the genre’s inclusion in mainstream literature; published the celebrated science-fiction collection The Illustrated Man; followed up with the underrated collection of mixed fiction (fantasy and contemporary realist prose), The Golden Apples of the Sun; wrote his magnum opus, Fahrenheit 451; and began work on the screenplay for Moby-Dick for director John Huston.
Cleopatra: His legs bestrid the ocean, his reared arm Crested the world. His voice was propertied As all the tunèd spheres, and that to friends; But when he meant to quail and shake the orb, He was as rattling thunder. For his bounty, There was no winter in ’t; an autumn ’twas That grew the more by reaping. His delights Were dolphin-like; they showed his back above The element they lived in. In his livery Walked crowns and crownets; realms and islands were As plates dropped from his pocket.
Dolabella: Cleopatra—
C: Think you there was, or might be, such a man As this I dreamt of?
“I can’t help but think the situation was made a whole lot worse by the world-wide proliferation of those intensely addictive distraction-devices called cell phones. If bookworms were rare in the pre-Internet days, I can only think they’re even rarer now that it’s possible to watch funny cat videos 24 hours a day.”
I’ve had some rough days recently. I was sick most of last week with recurring fevers that held me down. I think the antibiotics are working me over, making me sleepy in the middle of the day or maybe only after I have coffee.
While sick I read most of Brian Jacque’s Redwall, which the kids all read years ago. Got to make sure I didn’t corrupt their minds back in the days of their impressionable youth. That question still crops up occasionally.
Today, we discerned that a burned fuse was preventing the Honda Accord from shifting out of park. Praise the Lord, it’s drivable again, but we need to replace it soon, and I’m rotten at buying cars. The descriptions are relatively similar and I want to believe them. I want to believe it’s a reliable car at a good price. Why shouldn’t it be?
Like a book blurb, they may say we have an “unparalleled epidemic of masterpieces,” and I want to believe them. But are any of them compelling enough to read?
“Some blurbs are so obscenely fulsome they give me a good laugh. Superlatives worthy only of the Deity pile up like cancer cells.”
“Jerusalem,” the unofficial anthem of the United Kingdom
The glorious hymn sung in the video above is William Blake’s original poem and is consequently theologically off-base. When we’ve sung it in church, we used this lyric by British composer C. Hubert Parry (1848-1918) and adapted it even further.
1 When did those feet in ancient times walk upon Israel’s mountain green? And did the Christ of Heaven come down, was God in flesh both heard and seen? And did He die to prove His love, and did He rise again more powerful still? And was His rule on earth started there upon Golgotha’s tragic hill?
2 Bring me my bow of burning gold; bring me my arrows of desire; Bring me my spear, O clouds, unfold! Bring me my chariots of fire! I will not cease to spread His light. My faith a shield, His word my sword. ‘Til Christ my Lord is crowned King, and all the earth shall own him Lord!
Fans of comic books and some of the Marvel shows and movies have been talking about where the writers have taken the Incredible Hulk character. They compare the Ed Norton Hulk, who looks enraged while standing still, and the Eric Bana Hulk, also a rage monster, to the Mark Ruffalo Hulk, who was last seen patiently listening to his She-Hulk cousin explain how being a woman enabled her to control her anger “infinitely more” than he could.
Years ago, we talked about the first Avengers movie and the controversy of Bruce Banner appearing to be able to transform on command. The point in the movie was the wildness of the Hulk. Banner could use the Hulk’s power to a degree, but if things got out of hand, the Hulk would bring even more chaos.
In Avengers: Infinity War, the Hulk is beaten into submission right out of the gate. This takes one of the strongest characters out of the picture to make room for many others who need a few seconds of their own. The movie proceeds to follow Thanos to each of the remaining Infinity Stones and half of the time sets up an identical scenario: Thanos threatens to abuse and kill one character unless another one forfeits a stone.
But what if Thanos’s brutal beating had caused the Hulk to go wild? Initially, he would appear beaten, Thanos would leave, and the heroes would plot their defenses. Then Thanos would confront a group about the stone they’re guarding, and a wild, uncontrolled Hulk would return with more rage than ever, turning everything to chaos. It wouldn’t be repeated bad decisions that give Thanos the stones in the end. It would be the impossibly strong Avenger who couldn’t be stopped.
This movie would have villain and anti-villain with a hoard of heroes to manage both. They could even have Captain Marvel fight him. She should be able to handle him for a while. Maybe Wanda Maximoff could even save him in the end by pulling him out of his rage.
Or he could be taken by the snap, in which case he’d have to come back as Bruce to give everyone a breather.
But I guess they’ve taken that wildness away from the cinematic Hulk to make him more of a team player.
“What a Friend We Have in Jesus” performed by The Brandenberger Family
Irish-Canadian Joseph Medlicott Scriven (1819-1886) wrote this very popular hymn that has a bluegrass feel to me, probably because I live in the South. The tune is originally from Erie, Pennsylvania, in 1868 by composer Charles Converse(1832-1918).
1 What a friend we have in Jesus, all our sins and griefs to bear! What a privilege to carry everything to God in prayer! O what peace we often forfeit, O what needless pain we bear, all because we do not carry everything to God in prayer!
2 Have we trials and temptations? Is there trouble anywhere? We should never be discouraged; take it to the Lord in prayer! Can we find a friend so faithful who will all our sorrows share? Jesus knows our every weakness; take it to the Lord in prayer!
3 Are we weak and heavy laden, cumbered with a load of care? Precious Savior, still our refuge– take it to the Lord in prayer! Do your friends despise, forsake you? Take it to the Lord in prayer! In his arms he’ll take and shield you; you will find a solace there.
Yesterday, the socials were torn up with complaints about the Wordle word of the day. Wordle renews at midnight, and some people rush to solve it first. I usually play it in the middle day, and yesterday I happened to see the angst from other players ahead of time.
The word was parer. It’s not Merrium-Websters or Oxford, but it is the American Heritage. This is enough to inspire fulminating effusions of grief over how hard the game is or the loss of a win streak. It’s not even a real word, they say.
I did guess this word, perhaps because it’s one in another word game I play but perhaps because the perceived difficulty of a Wordle level depends on your starting word. You could go vowel heavy (audio, ideas, adieu) or consonant heavy (smart, plumb, track). You could attempt more common letters (scope, trace, broke).
I like word light (or sight, might, fight) because of the common letters. If H is eliminated, then CH and SH are too. If I is out, then AI, OI, EI are too.
But with a word like parer, if you approach it as PA_ER, then you can see the potential for angst. Is it paper, paver, pager? When you have a word like this, it’s good to attempt a word with three possible letters, like grave, so if all three out, you can attempt a fourth option, like the P if the R hadn’t been the answer.
I’m sure, as they say in the podcasts, nobody cares. Let’s move on.
Manhood:For the Church | Episode 177: Brant Hansen on The Men We Need. Here’s an enjoyable podcast ep. on a manhood book that may be more grounded than some of those you’ve heard about. Hansen, an “Avid Indoorsman,” appears to keep his advice within the bounds of Scripture and argue for flip-flops as a sign of failed masculinity.
True Crime:“Nothing But the Night takes readers back to 1924, when two students at the University of Chicago, Nathan Leopold and Richard Loeb, kidnapped a fourteen-year-old boy named Bobby Franks and callously killed him. When the crime came to trial, Leopold and Loeb were defended by the celebrity lawyer Clarence Darrow, whose passionate courtroom antics were read in newspapers and circulated like the latest radio drama.” (Get the book here)
Education: In the book Letters Along the Way, a young believer says he intends to go to Yale to help Christians gain academic respectability. The corresponding senior saint writes, “At the risk of sounding pedantic (though realizing I sometimes come across that way), I doubt very much that evangelicals are wise to pursue academic respectability. What we need is academic responsibility. There is a world of difference.”
Jazz: In the current issue of ByFaith (not yet online), there’s a conversation with jazz pianist William Edgar, who is also a professor at Westminster Theological Seminary. He says, “I used to be fairly pessimistic about the future of jazz, but then I listen to these guys like Jon Baptiste or the guitarist Kurt Rosenwinkel, and it’s the real thing. . . . it’s the theme of my book, ‘from deep misery to inextinguishable joy.’ You can’t take a shortcut to the joy, because it becomes happiness instead. You also can’t swell in the sin without becoming morbid. Jazz is that journey that goes from one place to the others.”
You can listen to Jon Baptiste with friends in this recording from 2020.
Photo: Fire Department, Columbus, Indiana. 1977. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.
Websites store cookies to enhance functionality and personalise your experience. You can manage your preferences, but blocking some cookies may impact site performance and services.
Essential cookies enable basic functions and are necessary for the proper function of the website.
Name
Description
Duration
Cookie Preferences
This cookie is used to store the user's cookie consent preferences.
30 days
These cookies are needed for adding comments on this website.
Name
Description
Duration
comment_author
Used to track the user across multiple sessions.
Session
comment_author_email
Used to track the user across multiple sessions.
Session
comment_author_url
Used to track the user across multiple sessions.
Session
These cookies are used for managing login functionality on this website.
Name
Description
Duration
wordpress_logged_in
Used to store logged-in users.
Persistent
wordpress_sec
Used to track the user across multiple sessions.
15 days
wordpress_test_cookie
Used to determine if cookies are enabled.
Session
Statistics cookies collect information anonymously. This information helps us understand how visitors use our website.
Google Analytics is a powerful tool that tracks and analyzes website traffic for informed marketing decisions.
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
_gac_
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
A video-sharing platform for users to upload, view, and share videos across various genres and topics.
Registers a unique ID on mobile devices to enable tracking based on geographical GPS location.
1 day
VISITOR_INFO1_LIVE
Tries to estimate the users' bandwidth on pages with integrated YouTube videos. Also used for marketing
179 days
PREF
This cookie stores your preferences and other information, in particular preferred language, how many search results you wish to be shown on your page, and whether or not you wish to have Google’s SafeSearch filter turned on.
10 years from set/ update
YSC
Registers a unique ID to keep statistics of what videos from YouTube the user has seen.
Session
DEVICE_INFO
Used to detect if the visitor has accepted the marketing category in the cookie banner. This cookie is necessary for GDPR-compliance of the website.
179 days
LOGIN_INFO
This cookie is used to play YouTube videos embedded on the website.