Tag Archives: Shakespeare

Goofing, Music

‘Brush Up Your Shakespeare’

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I have no real excuse for posting something fun and trivial tonight, except…

  • First of all, I don’t have a book finished for review;
  • Secondly, everything’s so sad today, and this clip amused me.

Above, a show-stopping number from the musical, “Kiss Me Kate.” The production, in its various manifestations, is a meta-narrative – a musical about a musical. It deals with a fictional musical production of a version of Shakespeare’s “The Taming Of the Shrew.” The producer and star is Fred Graham, played here by Howard Keel. The female lead is Lilli Vanessi, played by Kathryn Grayson. They are divorced, but still cherish suppressed feelings for one another, though each is now involved with someone else. Lilli’s guy is another actor in the play, who owes a large sum of money to a gangster, and has deviously signed Frank’s name to his IOU. The gangster sends two minions to collect from Frank; here they’re played by two of the great character actors of the 20th Century – Keenan Wynn and James Whitmore. Who knew they could dance like that?

(By the way, I have never seen “Kiss Me Kate” in any of its forms, and I get this information from the Wikipedia article. But I’ve long been familiar with the song.)

The lyrics are by Cole Porter, better than which you do not get.

The movie altered the plot somewhat from the stage version, so I don’t entirely understand what excuse they made for having the two goons encourage Frank with this number in the back alley. In the original play, they find themselves onstage alone before the audience, and improvise it.

Does quoting Shakespeare to women actually make a man interesting to them?

Not in my experience.

Blogs, Socials, Bookselling

Culture War and the Once Great Britain

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What are other people talking about?

Screwtape: Susannah Black Roberts tries her hand at Screwtape’s voice in this letter encouraging the “proper” use of culture war arguments online.

Meekness! Humility! Gentleness! Patience! Kindness! It’s a revolting brew – when someone brings those things that are called fruits of the spirit into a cultural conflict on our enemy’s side, along with stoutheartedness. There are dangers for us there.

But the opportunities – they are so rich! Only convince your patient that those fruits of the spirit are not applicable, or not manly (if he is on the right) or are psychologically unhealthy and undermine the fight for justice (if he is on the left) and you’re home free.

Culture War: A judge rules out parts of an Iowa law. “The State Defendants have presented no evidence that student access to books depicting sex acts was creating any significant problems in the school setting, much less to the degree that would give rise to a ‘substantial and reasonable governmental interest’ justifying across-the-board removal.”

British Library: The British Library was attacked by hackers last October, and its digital resources are still offline, projected to take a year to rebuild and cost £6 million. (via Purfrock)

Shakespeare: Henry IV plays and adaptations. “More importantly, the greatest flaw of Chimes at Midnight is that Orson Welles sentimentalises Falstaff, removing much of his nasty side and turning him into a harmless fun-loving old man.”

British Post Office: A TV series, Mr Bates vs the Post Office, tells the incredible true story of a massive scandal in the British postal service, one that accused hundreds of subpostmasters of financial mismanagement and avoided finding fault with the source, the computer system they all used.

“Having Jones and Dolan as our entry point to the human cost of such horrifying corporate skullduggery is the perfect choice. But there were many hundreds of people who found themselves being gaslit by a helpline, and the cast is massive, and excellent, throughout.”

Photo: Opposition, England. From the Detroit Publishing Co. Library of Congress, Prints and Photographs Division

Blogs, Socials, Coffee, Tea, Drinks, Fiction, Poetry

Old Book Love, a Pub Renewed, and More

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Here’s a Thoroughly Professional Video showing a couple of my antique books. They aren’t commercially valuable, but they’re pretty and have the humanistic value of a great books. On the left is the Complete Works of Shakespeare, a Walter J. Black edition, which I think means it’s cheap. I say it’s leather bound, but I’m sure it’s imitation leather. On the right is the Works of Edmund Spenser, an 1895 MacMillan edition.

It’s too bad I don’t have something really nice to show you, but I may record more physical books to better reveal their tangible value, especially if I can up my A/V quality.

Inklings: “The Ellison Institute of Technology (EIT) has purchased the historic Eagle and Child pub on St Giles’ from St John’s College, with plans to refurbish and reopen the space to the public.”

Poetry: From Philip Larkin
“For nations vague as weed,
For nomads among stones,
Small-statured cross-faced tribes
And cobble-close families
In mill-towns on dark mornings
Life is slow dying.”

Horror: Mike Duran has written on horror stories and how they fit with a Christian worldview.

Also, some of the story of the man who portrayed Father Damien Karras in The Exorcist.

(Photo: “The Eagle and Child,” Hofendorf/ Wikimedia Commons CC BY-SA 4.0)

Authors, Blogs, Socials, Bookselling, Non-fiction

An Artist of the Brandywine School, a Best-of List, and Dreaming of October

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The Scythers by N. C. Wyeth (1908) Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.

Artist and illustrator N. C. Wyeth (1882-1945), trained by the famous Howard Pyle and painter of the Brandywine School, produced illustrations for many Scribner’s Classics editions such as Treasure Island, Kidnapped, The Last of the Mohicans and The Yearling.

Best of: Ted Gioia offers his paid subscribers his reviews of the 50 best works of non-realist fiction (sci-fi, alt-history, fantasy, and more). Read the list for free (part one of five so far). The reviews are behind the paid wall.

Gothic Stories: Ray Bradbury released 27 stories in a collection called Dark Carnival. Eight year later, he had matured considerably as a writer and was able to republish a new, revised edition of 19 tales under the name October Country.

In this short span, he wrote his breakthrough story cycle, The Martian Chronicles, a book that signified a start to the genre’s inclusion in mainstream literature; published the celebrated science-fiction collection The Illustrated Man; followed up with the underrated collection of mixed fiction (fantasy and contemporary realist prose), The Golden Apples of the Sun; wrote his magnum opus, Fahrenheit 451; and began work on the screenplay for Moby-Dick for director John Huston.

Theology: Dale Nelson reviews a preface to fantasy author George MacDonald’s theology. He favored Christmas over the cross. “Christ came to show us complete childlike trust in the Father.”

What’s in a name? “Six months and still your parents couldn’t name
the boy they wished a girl. They let a crowd
of tipsy cooers at their resort pluck
Edwin from a hat.”

Shakespeare, Antony and Cleopatra (V.ii)

Cleopatra: His legs bestrid the ocean, his reared arm
Crested the world. His voice was propertied
As all the tunèd spheres, and that to friends;
But when he meant to quail and shake the orb,
He was as rattling thunder. For his bounty,
There was no winter in ’t; an autumn ’twas
That grew the more by reaping. His delights
Were dolphin-like; they showed his back above
The element they lived in. In his livery
Walked crowns and crownets; realms and islands
were
As plates dropped from his pocket.

Dolabella: Cleopatra—
 
C: Think you there was, or might be, such a man
As this I dreamt of?

D: Gentle madam, no.

Authors, Blogs, Socials, Publishing

Big Publishers, Writer’s Complaints, and Blogroll

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Novelist and screenwriter Raymond Chandler, who took up writing as a career after losing his respect and position at Dabney Oil in 1932, read a laudatory profile on Ernest Hemingway in The New Yorker and said, “I realize that I am much too clean to be a genius, much too sober to be a champ, and far, far too clumsy with a shotgun to live the good life.”

Well, someone should have told Chandler he had his own genius as well as his own version of the good life, which needed amending.

Mark Twain vented his spleen on the writing skill of James Fennimore Cooper with many accurate complaints like this one:

For several years, Cooper was daily in the society of artillery, and he ought to have noticed that when a cannon-ball strikes the ground it either buries itself or skips a hundred feet or so; skips again a hundred feet or so — and so on, till finally it gets tired and rolls. Now in one place he loses some “females” — as he always calls women — in the edge of a wood near a plain at night in a fog, on purpose to give Bumppo a chance to show off the delicate art of the forest before the reader. These mislaid people are hunting for a fort. They hear a cannon-blast, and a cannon-ball presently comes rolling into the wood and stops at their feet. To the females this suggests nothing. The case is very different with the admirable Bumppo. I wish I may never know peace again if he doesn’t strike out promptly and follow the track of that cannon-ball across the plain in the dense fog and find the fort. Isn’t it a daisy?

Mark Twain, “Fenimore Cooper’s Literary Offenses,” 1895

What are other people saying about books?

Big Publishers: There are five powerhouses in U.S. publishing today: Simon & Schuster, Penguin Random House, HarperCollins, Hachette Book Group, and Macmillan. If judges approve a currently contested merger, Penguin Random House would be allowed to buy Simon & Schuster, reducing the big publishers to four. This would make German media group Bertelsmann, which owns Penguin Random House and is already the world’s largest trade book publisher, in an Amazon-sized company. (via ArtsJournal)

Today is St. George’s Day in England, a day celebrated on par with Christmas at one time.

We fairly hope … that this day
Shall change all griefs and quarrels into love.
To cry “Amen” to that, thus we appear.
You English princes all, I do salute you.

Shakespeare’s Henry V, Act 5

Birthday: It is also Shakespeare’s birthday. He was born April 23, 1564, which is a date deduced by the record of his baptism in the Parish Register at Holy Trinity Church, Stratford-upon-Avon on Wednesday 26 April 1564. 

Block Party: Thoughts of Shakespeare naturally turn one’s mind to Brooklyn and “a timeless block party that could be 400 years old,” notes the NY Daily News.

Word Game: And when you think about block parties, you think about the word guessing games that are all the rage amongst the hip kids. The Folger Shakespeare Library has their own version called Prattle. This one is new to me. I’ve been playing Wordle and Quordle for several weeks now.

Photo: Bus Depot, angle view, Bond Street, Bend, Oregon 1987. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

Authors

New Oxford Shakespeare Reattributes Several Works

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One of my English professors, Dr. Cornelius, told us about a joke attempted during oral exams for his doctorate. He thought he had recognized a light-hearted spirit among his examining professors, so when the time came he offered a new line of study that fascinated him: The King James Bible had been translated by Shakespeare himself. Of course, the playwright would not openly take credit for this feat, but he did leave clues. Open up Psalm 46 and count to the 46th word, shake. Count again from the end of the psalm to the 47th word, spear.

I don’t remember how much further he was able to take the joke, but he could tell his audience wasn’t amused. Maybe it hit too close to home.

In 2016, The New Oxford Shakespeare strayed into that territory by way of “computerized textual analysis.” The edtiors believe they can attribute some new works to Shakespeare’s collaboration and other authors to other collaborations. Here’s a screenshot from the table of contents.

These new attributions came through comparing word choice and frequency. In this article from Oct. 2016, part of this analysis is described by the lead editor.

One piece of evidence identified five “Shakespeare-plus words”: gentle, answer, beseech, spoke, tonight. Taylor explained: “What we mean by Shakespeare-plus is that we’ve looked at the frequency of certain words which might seem commonplace like ‘tonight’ in all the plays of that early period, say up to 1600. Anybody could use any of these words. They’re not words that Shakespeare invented. But we can say Shakespeare used ‘tonight’ much more often than other playwrights in those 20 years.

“Christopher Marlowe credited as Shakespeare’s co-writer,” The Irish Times, Oct. 24, 2106.

Brian Vickers and his team of researchers believe this new evidence proves just about nothing. He gets into some of the weeds in this piece in the Times Literary Supplement, and I’ll jump in the middle of it here.

Although he endorsed Word Adjacency Networks, Gary Taylor preferred a simpler approach. Middleton’s increased share of Macbeth in the recent edition derives from a method that he had invented himself, called “micro-attribution”. Where other scholars use segments of 2,000 or 5,000 words, Taylor claimed he could determine the authorship of a speech by Hecate in four rhyming couplets, or only “sixty-three consecutive words”. . . . On first view I thought this a daft method, treating words like counters in a board game and creating meaningless word-units, which the player would search for in texts by other authors. Taylor solemnly applied it to passages of matching length and verse form in plays by Middleton and Shakespeare, and by a lengthy process of calculation involving very small matches (nine to eight, or six to four), he assigned Hecate’s speech to Middleton. No reputable scholar would accept attributions made on such Lilliputian samples.

Brian Vickers, “Infecting the teller,” Times Literary Supplement, April 17, 2020.

(Via Prufrock News)

Uncategorized, Writing

Friday Night Fight: Macbeth vs. Macduff

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We used to have a tradition of posting “Friday Night Fights” here, showing videos of Viking reenactors going at it with blunt blades. Some of them were friends of mine; occasionally I was involved. We haven’t done that for a while, but I’ve decided to share this clip I found. It involves two fighters doing Macbeth’s death scene from Shakespeare’s play, while fighting with period swords and armor.

It’s not as good as I’d like it to be, and not only because the acting sucks. Macbeth wears a mixture of mail and lamellar (small plates) armor, and lamellar is not generally approved by serious reenactment groups nowadays. Macduff wears some kind of pelt, which is pretty much a Hollywood costuming thing, and they both wear greaves, which are also a faux pas among reenactors.

The fight isn’t bad – it’s quite good in places, certainly better than what you’ll see in movies. Though I’m not sure what it’s about when they both lose their shields and then reclaim them. Still, it’s interesting from a combat point of view.

Why this video? Well, I’ve had Macbeth on my mind lately. I’m strongly inclined to include him in my next Erling book. He was about 17 at the time the story starts, and there’s no reason he couldn’t have been in Norway then. His Scottish Highland home was definitely part of Erling’s world. I have an idea that throwing him into the story might enhance some of the themes I’m developing.

But I haven’t decided yet how to portray him – as a budding villain, as Shakespeare paints him, or as a virtuous and pious young man, which the actual historical record would indicate.

We’ll see. The story will tell me how it wants me to treat him.

Creative Writing, Writing

Biographical stand-ins

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I caught an old movie the other day. “Till the Clouds Roll By,” starring Robert Walker (no relation). It’s a biographical film, based on the life of Broadway composer Jerome Kern.

I like old movies in general, but this one interested me because I knew Kern wrote along with P. G. Wodehouse and Guy Bolton in his early years, doing a lot to invent the American musical comedy as we know it. Up until their time, Broadway musical plays had been mostly adaptations of European ones. This team, plus a few others, invented more character-centric stories, where the songs always advanced the plot. I wondered how the movie would treat that collaboration.

They treated it, in typical Hollywood fashion, by replacing it entirely. In the movie, instead of working with various collaborators, the young Kern teams up with a fictional older lyricist named Jim Hessler (Van Heflin). The Hessler character comes fully equipped with a fictional family, including a young daughter who becomes a surrogate little sister to Kern, and adds dramatic conflict to the third act so that all can be resolved in the big musical climax.

That got me thinking about the subject of fictional characters. That is, fictional characters included in real life stories, in order to avoid using real people – who sometimes sue you (or their heirs do) if they don’t like the way they’ve been depicted. (Movies were made about Wyatt Earp before his widow died, but they had to change his name, because she refused to give approval.)

Perhaps the most famous case is Shakespeare’s Sir John Falstaff, introduced in Henry V, Part 1. Falstaff was a stand-in for a genuine historical figure named Sir John Oldcastle. Oldcastle had a similar career to the fat man in the play, except that he joined the Lollards, the proto-Protestant followers of Wycliffe, and eventually died a martyr’s death, roasted over a fire. His descendants, who were influential, made it very clear that they did not want their ancestor belittled, so Will Shakespeare just wrote Oldcastle out, replacing him with Falstaff. Probably just as well.

In both versions of “Shadowlands,” the film about C.S. Lewis’s marriage to Joy Davidman (I prefer the original BBC version), we see Jack together with his friends, the Inklings, debating, laughing, smoking pipes, and drinking beer. Except for his brother Warnie, who plays a major role in the play, all these friends are fictional. There is no J. R. R. Tolkien there, nor any Hugo Dyson or Owen Barfield. Including them (especially Tolkien) would have been a distraction, I imagine. The audience would be trying to identify them rather than following the story.

And they all had living families, always potential complications.

It makes perfect prudential sense to fictionalize.

And yet I always feel a little cheated when it’s done.

Authors

Milton Wrote in Margins of Shakespeare Folio

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After Shakespeare’s death his works were collected into a folio and printed. Two hundred thirty-three editions out of the seven hundred fifty originally printed still exist, and some of them have notes and marking from early readers. Now a Cambridge fellow believes he has compiled enough evidence to identify one annotator’s handwriting as belonging to the great John Milton.

Cambridge University fellow Jason Scott-Warren made the discovery in response to research conducted by Pennsylvania State University English professor Claire Bourne. Naturally he hesitated to suggest this, because it’s too easy to see what you want to see.

But he soon found that other scholars were agreeing with him. “Not only does this hand look like Milton’s, but it behaves like Milton’s writing elsewhere does, doing exactly the things Milton does when he annotates books, and using exactly the same marks,” said Dr Will Poole at New College Oxford. “Shakespeare is our most famous writer, and the poet John Milton was his most famous younger contemporary. It was, until a few days ago, simply too much to hope that Milton’s own copy of Shakespeare might have survived — and yet the evidence here so far is persuasive. This may be one of the most important literary discoveries of modern times.”

Uncategorized

‘New Year comes but once a twelvemonth’

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This is something of a commonplace post for the year ahead with quotations taken from my withdrawn library book of quotations, that wealth of knowledge and marginalia about which the impoverish youths of the world have not a clue. Happy New Year.

For the life to come, I sleep out the thought of it. – Autolycus in Shakespeare’s The Winter’s Tale

Life is as tedious as a twice-told tale
Vexing the dull ear of a drowsy man.
– Lewis in Shakespeare’s King John

When the tree is fallen, all go with their hatchets.

I have learned thy arts, and now
Can disdain as much as thou.
– Thomas Carew, “Disdain Returned”

On finding a wife:

  • Choose a wife rather by your ear than your eye.
  • Choose your wife as you wish your children to be.
  • Choose a good mother’s daughter, though her father were the devil. (The latter two come from Gaelic proverbs.)

Who riseth from a feast 
With that keen appetite that he sits down? 
Where is the horse that doth untread again 
His tedious measures with the unbated fire
That he did pace them first? All things that are, 
Are with more spirit chased than enjoy’d. 
– Gratiano in Shakespeare’s The Merchant of Venice

Turn your tongue seven times before talking. (Originally French)

What is new is seldom true; what is true is seldom new. (Originally German)