All posts by philwade

Reformation Sunday: My Hope Is Built on Nothing Less

This classic hymn comes from the London Baptist minister Edward Mote (1797-1874). It was first published in 1836 under the title, “The immutable Basis of a Sinner’s hope.” The tune in the video above is not familiar to me, but I assume it’s traditional in some circles. It’s not the most common tune, which was written for the hymn in 1863.

“The Rock, his work is perfect,
for all his ways are justice.
A God of faithfulness and without iniquity,
just and upright is he.” (Deuteronomy 32:4 ESV)

1 My hope is built on nothing less
Than Jesus’ Blood and Righteousness;
No merit of my own I claim,
But wholly lean on Jesus’ Name.

Refrain
On Christ, the solid rock, I stand;
All other ground is sinking sand.

2 When long appears my toilsome race,
I rest on His unchanging grace;
In every rough and stormy gale
My anchor holds within the veil.
Refrain

3 His oath, His covenant and Blood
Support me in the raging flood;
When every earthly prop gives way,
He then is all my hope and stay.
Refrain

4 When the last trumpet’s voice shall sound,
O may I then in Him be found,
Robed in His righteousness alone,
Faultless to stand before the throne.
Refrain

Conclave: Misunderstanding the Stated Theme

The new movie Conclave has a lot going for it — story tension, performances, a natural gravitas of habit and habitat — but it doesn’t take its theme deep enough to stir the soul.

Acton’s Joseph Holmes writes, “The film is visually mesmerizing and the acting is superb. . . Every liturgical and ritual observance is infused with weight and drama, from the prayers to the manner in which ballots for the new pope are submitted.”

But the leader of the conclave, Cardinal Lawrence, is burdened by doubt, at least, that’s what we’re told. He speaks of doubting God and the church but never doubts its politics.

“This lets the air out of much of the story’s drama. Because the film never shows the ‘conservative’ side, those struggling to retain the old ways, as being sympathetic in any way, we never get to see Lawrence struggle with the rightness of his own position. Ironically, he never doubts himself.”

World‘s Colin Garbarino notes another kind of shallowness. “These churchmen have surprisingly little to say about the Bible’s teachings or church tradition during their debates. Even the conservatives seem more concerned with cultural tradition than doctrinal conviction.”

Photo by Ran Berkovich on Unsplash

The Diary of a Country Priest by Georges Bernanos

How hard it is to avoid offending somebody! And however hard you try, people seem less inclined to use goodwill to their advantage, than unconsciously eager to set one goodwill against another. Inconceivable sterility of souls — what is the cause of it? Truly, man is always at immunity with himself — a secret sly kind of hostility. Tares, scattered no matter where, will almost certainly take root. Whereas the smallest seed of good needs more than ordinary good fortune, prodigious luck, not to be stifled.

Parisian author Georges Bernanos published Journal d’un Cure de Campagne (The Diary of a Country Priest) in 1936. It’s a quiet, at times devotional, novel about a young priest eager to serve his parish while his superiors on all sides tell him to calm down. The scant story consists mainly of a few lengthy conversations and a few more brief scenes, the climax of all of them coming in chapter 5 of 8.  

A fictional diary has a natural dramatic resistance to overcome. It’s a secondhand account from a first-person narrator, so you know it isn’t happening as you are reading and the narrator makes it through to write it down. I found it helpful that the priest acknowledged this by confessing he couldn’t record his conversations exactly as they occurred, which was good because it meant he could write more of what he intended to say than what he spat out at the time. 

The book begins with the unnamed priest describing his parish “like all the rest” and “bored stiff.” In almost every character, we can see a spiritual apathy, which he describes as a “cancerous growth” and “like the fermentation of a Christianity in decay.”  Even his superior preach hope only “by force of habit.” Few of his congregation faithfully attend mass, and some have lifestyles that violate God’s moral laws, but they all believe they are Christians in good standing and should be treated as such. As one holy man put it, the priest of our book shouldn’t disturb them by spurring them to greater faithfulness. If they are bitter, conniving, or perverted, what of it? Why risk a scandal by calling them out? 

But our priest does risk a scandal. As he spurs himself into visiting every house in the parish over a period of one-to-three months, he cannot refrain from saying what needs to be said. At least, I think that’s what we’re told he does. We don’t see much of that, and what he says in the larger recorded conversations doesn’t touch on the gospel (at least not clearly enough). Many good lines about our need for the Divine and the uselessness of life without the Father, but nothing about Christ’s atonement. As a soldier in the book says, the church has defined a secular space for the world and stepped away from it, leaving most people to wait on a curb and wonder what to do. 

Our priest does record his desire to uphold church doctrine through catechizing children and pressing adults in matter of the faith. When someone from the community dies of suspected suicide, he’s the one who raises the question with an elder priest. The response he gets is that God is the only judge and what’s the use of saints if just men can die without some grace to justify them. 

One of the best threads in this book is the priest’s wrestling with prayer, feeling completely worthless half of the time, and coming out of it after arguing about it with someone else. Have monks who spend most of their days in prayer confessed it was a waste of time? No. That communion has sustained them, because the Lord’s grace is tangible sustenance.  

There are a few pages of distinctly Catholic flavor, which I imagine helps push this book into the favorite category for many readers.  

There are no time markings in the narrative, so it’s hard to tell whether even a year passes between these covers. Whatever the amount of time, our priest suffers with a restricted diet for most of it, subsisting on bread and sour wine and painting a bold parallel to Christ. But in the final chapter, he appears to learn a profound lesson in grace from an unlikely source. 

Photo by Free Nomad on Unsplash

New Indie Thriller: The Edge of Sleep

Night watchman Dave and Matteo leave work early to catch a party and find three friends dead, apparently overdoses. They take to them to a nearly vacant hospital and find more people who have died the overnight. The trigger in every case is simply sleep. Within a couple hours, they find two more people who are still awake and begin to wrestle with how to survive a threat that may have killed the whole world.

I learned of this indie suspense thriller over the weekend. The Edge of Sleep started as a podcast with the same principal actor, Mark Fischbach, a popular YouTuber. Actors Franz Drameh, Lio Tipton, and Eve Harlow round out the main characters, and they all turned in good performances. Writers Willie Block and Jake Emanuel created both video and audio productions.

I didn’t intend to the watch the whole thing Saturday afternoon, but with each episode being 20-25 minutes, I couldn’t put it off. I’m sure a limited budget is the main reason for the short run-time. The core concept is strong enough to stretch it out to 30 minutes each. I’m curious what material they wanted to shoot (or maybe did shoot) that couldn’t make it into the show.

The Edge of Sleep has good tone, good intensity and pacing. I don’t want to say it’s a bit like Stranger Things, but a couple scenes could fit easily in that series. The characters and actors were natural, even though some of the dialogue grated on me. I mean, if you believed you were the only people alive in your city and perhaps the nation–maybe the world–taking a few minutes to stare on the window would be natural. Crying or panicking would fair game. So, why would the characters constantly ask each other, “Hey, you good? You gonna be okay?” I think we would be past that at that point.

Also, let me say episode one opens with something of a spoiler scene. I recognized it afterward, but while watching the series, that scene raised an unnecessary question for me and took the bite out of some later drama.

I enjoyed The Edge of Sleep and hope it gets funding for a second season, if not more. Season one raised good questions, so let’s have some answers by producing more episodes.

Sunday Singing: All Glory Be to God on High

Today’s hymn comes from the Bavarian preacher Nicolaus Decius (1485-1546). He was teaching at the Church of St. Nicholas in Brunswick at the time he wrote this translation of the ancient Latin text Gloria in excelsis Deo, “common in doxologies used in the Greek liturgies of the early Christian church,” according to the Psalter Hymnal Handbook. The translation comes from the great Catherine Winkworth.

“Glory to God in the highest,
and on earth peace among those with whom he is pleased!”
(Luke 2:14 ESV)

1 All glory be to God on high,
Who hath our race befriended!
To us no harm shall now come nigh,
The strife at last is ended.
God showeth His good will to men,
And peace shall reign on earth again;
O thank Him for His goodness!

2 We praise, we worship Thee, we trust,
And give Thee thanks forever,
O Father, that Thy rule is just
And wise, and changes never.
Thy boundless pow’r o’er all things reigns,
Done is whate’er Thy will ordains:
Well for us that Thou rulest.

3 O Jesus Christ, Thou only Son
Of God, Thy heav’nly Father,
Who didst for all our sins atone
And Thy lost sheep dost gather.
Thou Lamb of God, to Thee on high
From out our depths we sinners cry,
Have mercy on us, Jesus!

4 O Holy Ghost, Thou precious Gift,
Thou Comforter unfailing,
O’er Satan’s snares our souls uplift
And let thy pow’r availing
Avert our woes and calm our dread.
For us the Saviour’s blood was shed;
We trust in Thee to save us.

Sunday Singing: Dear Lord and Father of Mankind

Today’s hymn is adapted from a poem by the American Quaker poet John Greenleaf Whittier. In that poem, “The Brewing of Soma,” Whittier describes a Hindu drinking ceremony over several verses before contrasting it with Christian repentance. “Our foolish ways” are both old pagan practices and the Christianized versions we may have replaced them with. Instead, may we hear the quiet voice of the Living God speaking through Scripture and natural disaster.

“For thus said the Lord GOD, the Holy One of Israel,
‵In returning and rest you shall be saved;
in quietness and in trust shall be your strength.‵
But you were unwilling . . . ” (Isaiah 30:15 ESV)

1 Dear Lord and Father of mankind,
forgive our foolish ways!
Re-clothe us in our rightful mind,
in purer lives thy service find,
in deeper rev’rence praise,
in deeper rev’rence praise.

2 In simple trust like theirs who heard
beside the Syrian sea,
the gracious calling of the Lord,
let us, like them, without a word
rise up and follow thee,
rise up and follow thee.

3 O Sabbath rest by Galilee!
O calm of hills above,
where Jesus knelt to share with thee
the silence of eternity,
interpreted by love!
Interpreted by love!

4 Drop thy still dews of quietness,
till all our strivings cease;
take from our souls the strain and stress,
and let our ordered lives confess
the beauty of thy peace,
the beauty of thy peace.

5 Breathe through the heats of our desire
thy coolness and thy balm;
let sense be dumb, let flesh retire;
speak through the earthquake, wind and fire,
O still small voice of calm!
O still small voice of calm!

Have We Forgotten Too Much?

Peter Hitchens blogged about memory a couple months ago, noting Orwell’s 1984 naturally, pointing out “Orwell’s description of the sort of things people actually do remember: ‘A million useless things, a quarrel with a workmate, a hunt for a lost bicycle pump, the expression on a long-dead sister’s face, the swirls of dust on a windy morning seventy years ago.'”

He spent half of the post on the former Communist novelist Arthur Koestler (1905-1983). He said at one point everyone with a decent education on world affairs knew about Koestler and the novel Darkness at Noon. “It was perhaps the most devastating literary blow ever aimed at Communist tyranny,” Hitchens said. Important because it exposed truths the world didn’t want to believe. In WWII, Stalin joined the Allied forces, and people wanted to forget any crimes he may have committed before that. Others wanted to believe Marxism was a force for good in the world, so they waved away evidence to the contrary.

“For a large part of my life,” Hitchens wrote, “this potent political novel, and its accompanying volume Scum of the Earth were vital parts of human knowledge and understanding.” Those who had read them were “the undeceived, and the hard-to-deceive.” Where are those people now?

“What if the past has already disappeared?”

Rings of Power: In far more trivial news, reviewer Erik Kain argues that defending Amazon’s ‘Rings Of Power’ by claiming Tolkien had no canon “would make Sauron proud.” A professor with ties to the show has said, “Tolkien’s ideas were ever evolving,” meaning all of his notes and drafts demonstrate none of his ideas, even the published ones, are fixed.

Poetry: To end on cheerful note, read this delightfully modern love poem by Daniel Brown. Here are the first three lines.

A first “I love you” still implies the start 
Of serious, but we moderns also have
Recourse to a preliminary move; ...

Photo by Hans Eiskonen on Unsplash

Well-Crafted Start to a Series: Memory Man by David Baldacci

Guest Review by Adam H. Douglas

Memory Man is the first book that launched a best-selling series of novels by David Baldacci back in 2015. It’s a tight, expertly crafted novel that effectively achieves what it sets out to do—to give us a creepy, thrilling read that keeps you guessing until the end.  

Amos Decker, a former football player turned detective, suffers a life-altering tragedy when he discovers the brutal murder of his wife, Cassie, his young daughter, Molly, and his brother-in-law, Johnny, in their home. Returning from a fruitless stakeout, Decker finds Johnny with his throat slit, Cassie shot in the head, and Molly strangled. Baldacci’s well-honed writing skills describe the scene with a haunting efficiency.  

Fifteen months later, we find Decker living in a state of emotional numbness, his life in disarray, drifting in and out of homelessness. He desperately wants to die but cannot seem to find the will to kill himself. 

Not sure what else to do with his broken existence, he becomes a private investigator and scrapes by on low-paying cases. The trauma of losing his family never leaves him, intensified by his unique condition—hyperthymesia—which forces him to remember every detail of his past. He can’t forget anything, including the faces of his dead family.

As Decker struggles with the weight of his loss, his old partner—a great tough-as-nails supporting character named Mary Lancaster—tracks him down to let him know that a man named Sebastian Leopold has walked into police custody and confessed to the murder of Decker’s family. 

The confession sparks conflicting emotions in Decker—anger, suspicion, and a desperate need for closure. Decker questions the man’s motivations and credibility while revisiting the crime that destroyed his life.

Worse still, the chaos of the situation is intensified by a nearby high school shooting that leaves several dead. Incredibly, the shooter escapes and is still at large. Local police are baffled by the crime and are strained almost to the breaking point. Based on Lancaster’s recommendation, they take on Decker as a consultant to help solve the case. 

But Decker is beginning to suspect that the cases are linked. And that Decker himself might be the ultimate target of the mass killer.  

Bestselling author and former lawyer David Baldacci is widely known for his thrillers and suspense novels featuring complex characters, fast-paced plots, and legal or political themes. His debut novel, Absolute Power (1996), was adapted into a film starring Clint Eastwood. He’s written over fifty novels in almost thirty years.

In short, Baldacci knows his stuff. And it shows here. 

Memory Man is a solid, tight thriller that keeps you turning pages and guessing almost the whole way through. It’s no wonder why this novel—with its complex, gritty lead character—launched a best-selling series of seven books so far (Note: the eighth is due to drop sometime this year). 

The book’s main failing appears when we finally learn the solution to how the school shooter escaped. Rather than a revelation, the killer’s motives and methods come across as a somewhat unnecessarily intricate plot point that confuses more than entertains. 

True, this is a common problem with villains in American thrillers, which the public demands must create ever-increasingly complex and psychopathic plans to torture our heroes both mentally and physically. So, I’ll easily overlook this minor hiccup in what is ultimately a very worthy read. 


Guest Bio: Adam H. Douglas is a full-time writer and ghostwriter with over two decades of experience in nonfiction, science fiction, speculative fiction, and horror fantasy fiction. Adam’s award-winning short stories have appeared in various publications, including the Eerie River Publishing anthology “It Calls From the Doors,” I/O Magazine, Forbes, Business Insider, and many more.

Photo by Klim Musalimov on Unsplash

Sunday Singing: Let All the World in Every Corner Sing

Today’s hymn comes from the great George Herbert (1593-1633). He wrote many poems, which were well received at first, but as hymns few found popular acceptance despite the encouragement of John and Charles Wesley in 1739. Above is an arrangement of “Let All the World in Every Corner Sing” by the great Ralph Vaughan Williams, not really congregational singing but it fits the grandeur of the piece.

“Declare his glory among the nations, his marvelous works among all the peoples!” (Ps 96:3 ESV)

1 Let all the world in every corner sing,
“My God and King!”
The heav’ns are not too high,
God’s praise may thither fly;
the earth is not too low,
God’s praises there may grow.
Let all the world in every corner sing,
“My God and King!”

2 Let all the world in every corner sing,
“My God and King!”
The church with psalms must shout:
no door can keep them out.
But, more than all, the heart
must bear the longest part.
Let all the world in every corner sing,
“My God and King!”

Douthat Novel in Serial and Pranking Academic Journals

Fantasy: Ross Douthat has written a fantasy novel and is releasing it as a serial via Substack. Author Frederick Gero Heimbach reports Douthat shopped his novel around but no traditional publisher would take it. You can start that novel, The Falcon’s Children, here. Heimbach also laments that sci-fi author Tim Powers no longer has a publisher.

Quotations: Here’s a great example of how asking the simple question, “Who said that?” or “Who was the first to say that?” can lead to nowhere interesting. Consider the origin of this statement: “Thinking is the hardest work many people ever have to do, and they don’t like to do any more of it than they can help.”

Quote Investigator also points out that AI programs can miss what doesn’t seem possible to miss, as in a line in an Edgar Allen Poe story.

Pranking Academic Journals: I remember the journal article Boghossian refers to as the one that busted them (the dog park article) and I thought I blogged about it at the time, but perhaps I didn’t. I tend to shy away from topics even loosely related to sex. In this video from Dad Saves America, Boghossian discusses his attempt to expose peer-reviewed journals that are willing to publish any nonsense that falls within accepted dogma. It’s incredible.