All posts by Lars Walker

‘The Five Red Herrings,’ by Dorothy L. Sayers

“An official personage like you might embarrass them, don’t you know, but there’s no dignity about me. I’m probably the least awe-inspiring man in Kirkcudbright. I was born looking foolish and every day in every way I am getting foolisher and foolisher.”

The seventh novel in Dorothy Sayers’ Lord Peter Wimsey series is The Five Red Herrings, a book that, I fear, has not aged well. The Amazon reviews suggest that most other contemporary readers agree.

Back in the 1930s or so, readers loved their puzzles, and spent time on them. Crossword puzzles were a relatively new innovation, and they took the country by storm. A corollary was the railway timetable mystery, in which the culprit’s alibi is based on a clever manipulation of train times, and the detective must figure out the trick. I assume readers worked at these books the same way they did with their crosswords, attacking them with pencils and pads of paper. Railroad timetables were familiar and interesting to them, because that was how urban people traveled back then.

The town of Kirkcudbright, in the Scottish county of Galloway, is home to a renowned, picturesque artistic colony. These people are generally friendly and amiably competitive, but they all share a loathing of Campbell, a black-bearded semi-talent with a massive, defensive ego, a drinking problem, and a reflexive tendency to resort to his fists.

So no one is much grieved when Campbell’s corpse is found one morning in a river at the foot of a steep bank, below an unfinished painting on an easel surrounded with artist’s supplies. But Lord Peter, examining the site, notices something the police have missed. One object that ought to be there is not there – and it can’t be found. So it’s not an accident but murder, and the investigation begins. Suspects are not lacking. The problem is that they all have alibis that seem solid. Several of them involve travel on trains.

For a reader not willing to work the puzzle by means of transcribing timetables and comparing them closely, reading The Five Red Herrings involves a lot of taking things as given that you don’t quite follow. This makes for some fairly opaque reading for long stretches. But Lord Peter is as amusing as usual, and he does get some good lines off. And there’s some very clever work in the final solution to the mystery.

Most readers today find The Five Red Herrings the least interesting of the Wimsey series. But if you’re reading the books and enjoying them, you should probably not skip it.

My true love sent to me 5 Red Herrings

Yes, you’re in the right place. This is where you get my occasional book reviews, but more often you get excuses for why it’s been several days since the last review. Not that you’d expect me to read a book every day. I know you pretty well by now, Gentle Reader, and you’re not unreasonable. As a matter of fact, I think you’re pretty gosh-darn patient.

It was a weekend full of translation work for me. Which is good. I approve, and am grateful. Only Christmas’ wingéd chariot keeps drawing near, and I haven’t started my cards yet. No, that’s not quite true. I gave the address labels a start yesterday. And then got confused and lost all my work. I shall resume, Sisyphus-like, tonight. If I can work up the energy. (My cold is better, but I’m still a little tired.)

The book I’m reading at the moment is Dorothy Sayers’ classic Five Red Herrings, which is considered a masterpiece of the railroad timetable school (which was very popular at the time). But I feel I’m not doing it justice, because I’m not making spreadsheets of all the data. Thus, my progress is slow.

But I share the little video above, which is the original titles for the BBC production of Clouds of Witness, back in the 1970s. Broadcast in the US on Masterpiece Theater. I always liked that music.

By the way, have I mentioned I did translation work on a production that was broadcast on Masterpiece Theater last spring? I’ll tell you about it if you insist…

‘Mary’s Boy Child’

I think I’m actually in denial about Christmas this year. I need to get started with my cards and newsletters, and I need to get my tree up. I used to get right on those things the day after Thanksgiving, but this year it seems like a lot of work.

Still, it’s not too early to post a Sissel Christmas song. This is the young Sissel, way back in 1987, on Norwegian TV but singing in English for your convenience. I don’t think I’ve heard anyone do this song better.

My cold lingers, which it would be surprising if it didn’t, because it’s only been a few days. I have an idea this one will hang on, though. Had to do my annual eye appointment this morning. I arrived at the usual place, and behold, it was deserted. Lots of room in the inn.

I had a vague memory that they’d announced they’d moved. Again. This clinic changes venues more often than Nathan Detroit’s crap game in Guys ‘n Dolls. Thanks to the miracles of modern technology, though, I was able to find the right location on my cell phone, and I still had time to make the appointment.

The new place is a medical complex. With signs for various clinics and services. But none for my ophthalmologist.

The address was right. I double-checked. I got out of my car and went to investigate.

By the door, one of those three-foot stand-up yellow plastic signs, saying my eye clinic was inside.

This seems to me a rather cruel thing, to have a vision clinic with no visible sign. Like playing blind man’s bluff with an actual blind man.

But I did get in. Verdict: My eyesight has deteriorated slightly, but only slightly. My cataracts (every old person has them) have advanced marginally, but not enough to call for Steps to Be Taken yet.

Also finished my translation job and submitted it.

I am tired now. Wake me Monday morning.

‘General’ concerns

Above, a clip from Buster Keaton’s “The General,” one of the funniest, most creative, and genuinely terrifying movies ever made. No CGI there. Keaton put himself into real peril with those stunts. That was his business.

(By the way, if you’re a Democrat, you’re not allowed to laugh at this. He’s playing a Confederate railroader, and THAT’S NOT FUNNY!)

Anyway, I posted the clip because I feel kind of like Keaton’s character right now. Run ragged, just barely surviving. The comparison’s absurd of course. I’m in no real peril. But I do feel ragged as I run. Or waddle. Come to think of it, Fatty Arbuckle would make a better comparison. But I don’t know his work.

The translation jobs keep coming. This is reason for thanksgiving. There are retired guys out there who don’t know what to do with their time. I weep for their meaningless lives. Me, I wonder where I’ll find the hours for all I have to do.

I’ve got a cold, on top of it. I’m pretty sure it’s not Covid, because I retain my exquisite connoisseur’s palate. (Unless it’s the new Omigosh variant, but it seems too soon for that.) I generally get a cold every winter, and sometimes it lasts me the whole season. Last year, probably because of the Levitical sanitation measures, I got no cold at all. But I have one now. And it’s making me tired.

But someone on the translating team in Norway has Covid (mild, I’m told, thank the Lord), so I must do my part and put my shoulder to the wheel. The shows must go on. And, I must not forget, I get paid for this.

But things keep popping up to steal my valuable time. Had to do the whole mortgage refinancing signature dance all over again today, for some reason I don’t quite understand. Some t not crossed the last time, I guess. A prescription to pick up. Bill-paying day, with an associated cash flow problem. And I need to find a new internet service provider before the end of the month.

I really need a valet. Jeeves would handle all this stuff, freeing my time up for translation and witty repartee. And he’d no doubt have a secret concoction whose ingredients would include honey, lemon, turmeric and Bombay gin, to make me feel better.

I could have been a great financial success, I’m pretty sure, if only I’d been born rich.

‘The Imposter’s Trail,’ by J. C. Fields

A quiet, inoffensive man parks his car by a lake, reads a letter from his brother, and shoots himself to death, leaving a letter confessing to a series of murders. The suicide’s ex-wife tells the police her former husband was driven to kill himself by his brother Randolph, who’s a psychopath.

Randolph Bishop, serial killer, is back in action in J.C. Field’s The Imposter’s Trail.

Years ago, retired FBI agent Sean Kruger had a chance to kill Bishop, the worst serial killer he ever encountered, but let him live and be arrested. The man went on to make his bullied brother his scapegoat, and to murder a string of innocent people. Kruger feels personally responsible for every victim.

So now he’ll be coming out of retirement and going after Bishop again. This time he’s not going to let him go. Especially after Bishop proves to have terrorist ties. And even more so after Bishop threatens Kruger’s family.

In terms of storytelling, I found The Imposter’s Trail (third in a series) a pretty compelling entry in the Thomas Harris “stare into the abyss” school of psychological thrillers.

I personally do not like stories where we get to share victims’ last minutes with them. I prefer to be shown the bodies and let my imagination do the rest. But your tastes may vary.

One real weakness in the book was plain proofreading. “Slight of hand” for “sleight of hand.” Infelicities like “Retreating further back.” Using “conscious” instead of “conscience.” The manuscript would have benefited from a good proofreader.

The Imposter’s Trail was a little dark for my tastes, but you might like it better. Cautions for intense situations, but the language wasn’t too bad.

‘Sir Patrick Spens’

Busy. I am busy. Busy like the bees, and the beavers, and any number of industrious, alliterative animal life forms.

I posted the video above (recorded in Denmark) because I was on a long road trip over Thanksgiving, and I told the story thought to be behind this ballad. I’ve mentioned it here before. “Sir Patrick Spens” is thought to be (loosely) based (with a shipwreck thrown in) on historical events surrounding the death of Queen Margaret of Scotland. Known in Scotland as Margaret, Maid of Norway. And in Norway as Margaret, Maid of Scotland.

She was the last royal heir of the Scottish Canmore dynasty. Her mother, who had already died, was a Scottish princess married to King Erik II of Norway. When all the rest of the Canmores were gone, Margaret became presumptive heir. At 7 years old, she was betrothed to Prince Edward of England (later Edward II) and sent home to assume the throne. But she took sick on the voyage and died in the Orkneys.

The struggle for the throne that followed is the actual background for the “Braveheart” story, but it wasn’t cinematic enough for the screenwriters. So they invented that scene where Edward I hangs the Scottish chieftains, an event that never happened.

Poor Margaret lived on in song and story, the Maid of Norway (or Scotland). Elevated by that “Camelot” instinct we all bear within us, the sense that if some hero (or heroine) of the past had only lived, everything would have been all right. A shadow of Eden, perhaps.

Anyway, I took a long ride over Thanksgiving, and we had a very nice family celebration. Especially nice after last year’s isolation. I came home with leftovers, which is nothing to sneeze at, at today’s prices.

And I came back to work a-waiting. For the moment it seems to be pouring in, and I can translate as much as I can handle.

And that was a little frustrating too, because I had a pile of jobs to do that I’d put off over the holiday. Doing my laundry. Talking to Customer Service at the grocery store about why my gas rewards card isn’t working. Calling my health insurance company to find out why a medication they’d always paid for was suddenly refused (this got straightened out, and required a visit to the store for a refund). Something more that has to be done on my mortgage refinance, for some reason. And now I learn that my internet provider is withdrawing service, so I’ll have to find a new one of those.

Not to mention the Sverdrup Society work I haven’t had a chance to look at for weeks.

Thank you for your time. I must return to my workbench now.

‘Lockdown,’ by Sean Black

[This novel was published in 2014, so its title should not be understood to have anything to do with the current pandemic.]

A trend I have deplored more than once is the emulation of “action movies” in thriller novels. Action movies (and more so now that we have CGI) have traditionally incorporated greater implausibilities than action books. Because movie action happens so fast – not giving us time to think about things – and we actually see the implausible happening before us. Reading is a slower, more thoughtful process, so writers have always, in the past, had to work a little harder to maintain the reader’s confidence.

Not anymore, though. Nowadays, more and more frequently, action novels are just as implausible as movies. Such is the case, in my opinion, with Sean Black’s Lockdown, first in a series.

Ryan Lock is a private security expert working for a major pharmaceutical company. Animal rights activists have been protesting their practice of animal testing, which culminated in a few of them digging up the company president’s recently deceased wife and dumping her body on a street. Then the company met with the protest leaders. Surprisingly, they announced that they would be ending animal testing immediately.

Then someone is murdered, and everything turns into chaos. There’s a kidnapping, and Ryan Lock is on the case; he stays on the case even after getting fired from his job. Soon it will be impossible to tell friends from enemies, and a terrorist wild card will be added to the deck.

It seemed to me Lockdown followed the action film template too closely. Switch was followed by switchback so regularly that it got to be pretty predictable. And not very believable.

But the thing that really annoyed me about Lockdown was the villain – an over the top, Ming the Merciless type motivated by nothing more than pure grandiosity. I didn’t believe in him, either.

Also, the formatting was awful. Paragraphs and line endings bore no relation to my page layout. Which is annoying.

However, if you’re looking for popcorn reading that doesn’t get too political, Lockdown will keep you interested.

Enhancing your life for the holidays

“An Early Spring,” by the American primitive artist Grandma Moses (1860-1961). We had curtains printed with this pattern in our house when I was growing up.

It isn’t often I actually have a busy day. But this was one, at least by my sedentary standards.

However, it was a good day. I’m still slightly elevated in the wake of Atlantic Crossing winning the Emmy award. You can expect me to mention it, ever so casually, for the next few years. Or at least until the next Emmy win. Shoot, I could conceivably be marginally associated with an Oscar someday.

The first big job today, after my obligatory run to the gym, was baking pumpkin pie. Last year, for reasons too obvious to mention, my family did not gather for Thanksgiving. And so I made no pies, because it’ silly to bake two pies for my sole use. But this year – it was just decided – some of us are getting together. So I made my pies. The best pumpkin pie in the world, I say with all due modesty.

I baked them, and I shamelessly sampled one. Maybe it’s because I haven’t had any for two years, but it seemed to me especially good. So the first job was a success.

The second job was paying my bills, which is usually a Thursday job, according to my personal liturgical calendar. But garbage men must adjust on Thanksgiving, and so must I. Thanks be to God, my social security deposit had cleared yesterday. So I was in good shape for writing the checks. (Not sure when I’ll get paid for my new client’s job.)

Then I had to do some minimal housecleaning. Not because the place is mostly immaculate and just needs a touch-up (ha ha). Rather, because someone was coming by on business, and my home was such a magpie’s nest that a few things had to be moved around so there’d be one flat place where documents could be laid down.

The aforementioned business was refinancing my mortgage. It’s a good time to do it, and I found out I could save about a C-note a month without extending my payment schedule much. In times like these, it seemed prudent.

So the notary showed up at last, and he shepherded me through about 67 signatures. Some of them required dates, and the dates have to be entered in a particular format. Nevertheless I made it through, and now the deal is done and I have that accomplishment to savor. Almost as if I’d been productive. A penny saved is a penny earned, as Franklin said (or is rumored to have said). So that’s as if I earned $1200 next year.

If you discount inflation.

I still have some preparation to do for Thanksgiving, but I’m feeling good about the day. And in that spirit, I shall enhance your life. I shall enhance it by sharing my mother’s pumpkin pie recipe, which ought to make your own life at least $1200 better:

MY MOTHER’S PUMPKIN PIE RECIPE

1. Look at the recipe on the can of pumpkin pie filling (I found Festal this year! That’s the brand we had when I was a kid! Haven’t seen it for years).

2. Follow that recipe precisely, with only two changes:

3. First change: Use 7 eggs instead of 3.

4. Second change: Pour it into two deep dish pie tins instead of one.

5. You’ll end up with two mild, custardy pumpkin pies that even people who don’t like pumpkin pie will like.

6. That’s it. Remember to be thankful for Lars Walker’s generosity. Checks and bank transfers will not be refused.

A blessed Thanksgiving to you and yours.

Basking in reflected glory

Big news for discriminating fans of historical drama – Atlantic Crossing, the Norwegian miniseries that ran on PBS Masterpiece last spring, and which (I think I’ve mentioned) I worked extensively on as a script translator, won the International Emmy Award for the best TV film or miniseries. The ceremony was last night. I am moderately elevated about this. My boss, Linda May Kallestein, who was a co-writer as well as translator, sent me a photo of herself holding the coveted statuette.

I wasn’t aware of it, but you can order it on DVD now – and it’s not prohibitively expensive.

‘Wake Up and Die,’ by Jack Lynch

The fourth novel in Jack Lynch’s Pete Bragg series, about a private detective in San Francisco in the 1980s, is Wake Up and Die. It started a little slow, I thought, but finished strong.

Pete gets a client referral to a prosperous local bookie. The man has received some photographs of his daughter. She’s naked with a man in the pictures, and they look like stills from some kind of professional film. When Pete suggests the man just ask his daughter about them, he refuses. He doesn’t even want Pete to talk to her himself. Instead he needs to nose around among her circle of acquaintances and find out what’s gone wrong. Pete thinks that’s insane, but families are what they are and the client knows best.

He learns, to his surprise, that the daughter is actually doing pretty well. She’s engaged to the heir of a wealthy property developer. But as Pete noses around that family’s business, he learns that they’re involved in a major oceanside development project. And that project has attracted some pretty shady partners, who are making unexpected and puzzling changes in the plans. People Pete very much wants to talk to all seem to have gone on vacations, or are just strangely unreachable.

Soon there will be murder, and arson, and major battery against someone Pete cares about. And now that he’s mad, the gloves will come off.

I thought Wake Up and Die meandered somewhat in the first half, but once things started happening, it grabbed me but good. The language isn’t bad (the rules were a little different as recently as this), and though the sexual bits were such as I can’t approve of, they’re almost quaint (like ’80s San Francisco itself ) by 21st Century standards. I liked Wake Up and Die, and continue to enjoy the series.