Category Archives: Non-fiction

A Bad Star Wars Series Bites the Dust

We learned this week The Acolyte, a Stars Wars television production, would not get a season two. The Telegraph claimed this shows the world is “bored” of Star Wars, noting fans had turned out for lousy movies in the past despite their later criticism. But there’s a big difference in The Rise of Skywalker (2019) making double its production budget in the US/Canada market and The Acolyte being a show fans refused to watch (if they had Disney+ subscriptions). That difference would be media context.

The Last Jedi (2017) was bad enough of a movie that I didn’t watch The Rise of Skywalker, but plenty of people did. It cost hundreds of thousands more to make and also earned double that in the US/Canada market. Fans hadn’t grown jaded, tired, wary–what’s the right word?–afraid that Disney-owned LucasFilms would deliver a sorry story. They learned to fear through years of disappointment with most of the TV series since. The Mandalorian began well-received, but someone took over season three and tanked it. Fans were hopeful for the 2022 series on Obi-Wan Kenobi and they were disappointed. (Earlier this year, news of the original concept came out and you have to wonder why such a good idea was ruined.) The Book of Boba Fett (2021) was dull. Ahsoka (2023) was poorly written. So it’s easy to understand how interested viewers may have little enthusiasm for The Acolyte before hearing reviews. They wouldn’t find their enthusiasm after hearing it was a such a bad show.

Now, some people are worried the show will be pulled from Disney+ all together.

In other news …

Non-fiction recs: Historian Thomas Kidd has top non-fiction and history books of the twenty-first century. Here’s just one interesting title.

Crisis of Doubt: Honest Faith in Nineteenth-Century England, by Timothy Larsen. “Those who lose their faith (then and now) get the headlines, but Larsen delightfully shows how common it was for English skeptics and freethinkers to come to orthodox Christian faith.”

Poetry: War poetry ‘Some Could, Some Could Not, Shake Off Misery’

Leaf art: Take a minute to browse the images this artist shares of his paper cutting designs applied to leaves. Lito’s (リト) work is incredible.

Odd bits from Tolkien

And it’s happy Friday to you again, dear Brandywinians. I hope my repeated posts about The Letters of J. R. R. Tolkien this week  haven’t bored you – I know Tolkien himself isn’t boring, but my own penchant for finding parallels to my work might easily have become tedious.

As an antidote, I’ll just finish the week out with a few choice quotations from some of the letters:

In reference to a pair of reviews of The Hobbit by C. S. Lewis, published in 1937:

Also I must respect his opinion, as I believed him to be the best living critic until he turned his attention to me, and no degree of friendship would make him say what he does not mean: he is the most uncompromisingly honest man I have met….

From the same letter:

The presence (even if only on the borders) of the terrible is, I believe, what gives this imagined world its verisimilitude. A safe fairyland is untrue to all worlds.

From 1941:

Nearly all marriages, even happy ones, are mistakes in the sense that almost certainly (in a more perfect world, or even with a little more care in this very imperfect one) both partners might have found more suitable mates. But the ‘real soul-mate’ is the one you are actually married to.

1943:

Anyway the proper study of Man is anything but Man; and the most improper job of any man, even saints (who at any rate were at least unwilling to take it on), is bossing other men.

1944:

I should have hated the Roman Empire in its day (as I do), and remained a patriotic Roman citizen, while preferring a free Gaul and seeing good in Carthaginians.

1944:

The future is impenetrable especially to the wise; for what is really important is always hid from contemporaries, and the seeds of what is to be are quietly germinating in the dark in some forgotten corner….

1944:

…Christian joy which produces tears because it is qualitatively so like sorrow, because it comes from those places where Joy and Sorrow are at one, reconciled, as selfishness and altruism are lost in Love.

I think these will do for tonight. Have a blessed weekend!

Review at last: ‘The Letters of J. R. R. Tolkien’

In no circumstances will I agree to being photographed again for such a purpose. I regard all such intrusions into my privacy as an impertinence, and I can no longer afford the time for it. The irritation it causes me spreads its influence over a far greater time than the actual intrusion occupies.

I have finished, at last, The Letters of J. R. R. Tolkien. (I recommend this revised and expanded edition, not the one I read – which is marred by numerous typographical errors and wrongly hyperlinked notes. I found the book, nonetheless, informational, fascinating, and (occasionally) moving.

The main impression it leaves me with, though (I’m afraid), is that (having read this book as well as C. S. Lewis’ complete correspondence) all in all, I’d rather have spent time with “Jack” Lewis than with Tolkien. Lewis was – if only through self-discipline – a more easygoing man, more inclined to suffer fools (like me). This was indeed one of Tolkien’s criticisms of his friend – Lewis was always letting people take advantage of him.

Tolkien, on the other hand, seems to have been rather tetchy. He was thin-skinned and protective of his turf. I get the impression that he nursed a grudge all his life against the Protestants around him, despite having many Protestant friends. He blamed their persecutions, in part, for the early death of his mother, an RC convert. He resented being made to feel like an outsider in his own, beloved country.

Of course, knowing a man’s letters is different from knowing the man. Much of Tolkien’s correspondence deals with business – teaching at Oxford and communicating with his publishers. He was forever behind in his work – he spent decades finishing The Lord of the Rings, and further decades trying to put the Silmarillion in shape, promising his publisher all the way that he’d get back to them as soon as he was finished with grading essays or handling domestic emergencies. (The Silmarillion was finally published after his death.) No doubt the prolonged stress contributed to his occasional short temper.

I was, of course, intrigued by what we learn here of his relations with the other Inklings. I was especially surprised by his early references to Charles Williams, which were more positive than I’d expected. I’d understood that Tolkien mistrusted Williams, but he seems to have gotten along well with him. But he explains this in a long 1965 letter:

I knew Charles Williams only as a friend of C.S.L. whom I met in his company when, owing to the War, he spent much of his time in Oxford. We liked one another and enjoyed talking (mostly in jest) but we had nothing to say to one another at deeper (or higher) levels.

He goes on to say of “Jack” himself:

But Lewis was a very impressionable man, and this was abetted by his great generosity and capacity for friendship. The unpayable debt that I owe to him was not ‘influence’ as it is ordinarily understood, but sheer encouragement. He was for long my only audience. Only from him did I ever get the idea that my ‘stuff’ could be more than a private hobby.

The Letters of J. R. R. Tolkien is well worth reading for any fan of The Lord of the Rings. It will take some time getting through it, but it’s worth it.

‘Athelstan,’ by Tom Holland

By the time of Athelstan’s consecration, the Thames estuary, no longer churned by the oars of Viking dragon ships, had become a scene of prosperity and peace. Boats crammed the wharfs built by Alfred within the ancient walls of London; fields stretched unburnt down to the banks of the river as it snaked inland; Kingston, set amid the colours of ripening harvest, provided a fit stage for the awesome ritual about to unfold.

King Athelstan (called “Athelstan the Mighty” in the sagas), is an interesting and enigmatic Anglo-Saxon king. I remember an entry about Alfred the Great in a kids’ encyclopedia from my childhood. It said that Alfred was the only Anglo-Saxon king remembered as “the Great.” But Athelstan certainly might have shared the cognomen – he was the first king to rule a united realm called “England,” embracing all the English speaking sub-kingdoms. And he won a victory over the Vikings (and the Scots) at Brunanburh which equaled or surpassed Alfred’s triumph at Ethandun.

Tom Holland’s Athelstan is part of the Penguin Monarchs series. It’s a short, brisk book for the non-specialist, but the author brings to it scholarship, literary skill, and psychological insight. The big problem with Athelstan’s story is that (although he was as keen on learning and record-keeping as his grandfather Alfred) relatively little documentary evidence remains to us from his reign. Historical focus changed after the Norman conquest, and much was lost.

So historians have to do what they can with the sparse surviving records, supplemented by outside reports (including, with caution, the Icelandic sagas), archaeology, and informed speculation. Tom Holland provides an excellent introduction here.

Athelstan was a highly readable book, and I enjoyed it. It increased my admiration for this undeservedly obscure historical figure.

The Scotch-Irish Led the Colonies to Freedom

While Lars is off celebrating the history of one people, let me offer you some history of another people. One tenth of American colonists were from Scottish families who had moved to northern Ireland as pioneer farmers under the British Crown, an effort to quell “the wild Irish.” That effort worked, and Scottish Presbyterians found a measure of freedom and productivity they enjoyed. Then, as Britain has a tendency to do, the ruling class ruined it by raising taxes and trying to quell the Irish even more. The pioneer farmers felt the pressure from these measures and came to America, a place that many were told was free and like paradise.

They came to Pennsylvania first and later to all of the colonies, coloring the culture everywhere. Dr. James G. Leyburn writes, “In many ways the Scotch-Irish pioneers were indeed an augury of Americans-to-be. They were probably the first settlers to identify themselves as Americans—not as Pennsylvanians or Virginians” or any ethnic group. As such, these were colonists most vigorously in favor of rebelling against the British Crown.

“A Hessian captain wrote in 1778, ‘Call this war by whatever name you may, only call it not an American rebellion; it is nothing more or less than a Scotch Irish Presbyterian rebellion.’ King George was reported to have characterized the Revolution as ‘a Presbyterian war’ …” Leyburn says. These British officials saw the American Revolution as a Scottish Presbyterian uprising, which is not one of many characterizations of it, according to Leyburn. No other group of immigrants was accused of fueling the war like these Ulstermen.

Maybe these characterizations were made because it put the American conflict in familiar British terms. England had wrestled against Scottish and Irish independence for generations. Scottish Presbyterians, in particular, had been a torn beneath the crown for a long time because they wouldn’t conform to Anglican unification efforts.

But maybe Leyburn’s depiction of Scotch-Irish influence in America is accurate. He says, “Their daily experience of living on the outer fringe of settlement, of making small farms in the forests, of facing the danger of Indian attack and fighting back, called for qualities of self-reliance, ingenuity, and improvisation that Americans have ranked high as virtues. They were inaugurators of the heroic myth of the winning of the West that was to dominate our nineteenth century history.” They blended with another immigrants, pushing everyone into losing their immigrant labels and becoming simply American. Those labels would return 50-100 years later as people tried to distinguish themselves from new immigrants.

There’s a lot more to the story, which you can read in this American Heritage article taken from Leyburn’s book on the topic.

In other news . . .

Movie Adaptations: Joel Miller talks about The Children of Men as a book and a movie. “We sometimes forget how radically books and movies differ as media. Jumping from one to the other requires significant adjustment. Narration and character development must change, same with the amount of material capable of inclusion.”

YouTube Reaction: How much of YouTube content is reacting to other YouTube content, generating a new form of reality show? Call me Chato, a former TV exec, talks about it.

Make your own art: How to draw a sunset by Matthew Matthysen

What To Do with a Dragon Hoard?

With all the dragons in new fantasy stories today, I hope young readers haven’t been shielded from their traditional setting. The picture of a dragon hoarding treasure under a mountain is a classic depiction of greed.

The beast is at the top of the food chain. It can destroy whole kingdoms if it wanted to. If two dragons were to fight each other, the disaster to their field of battle would be apocalyptic. But a defining quality of a dragon is its hoard. Why does it sleep on a mountain of gold? Why did Smaug care that Bilbo took a cup, and how could he have noticed one cup missing from his trove of treasure? Because that’s what dragons are about. They want all the wealth for themselves, and they are powerful and conceited enough to refuse to allow anyone to slight them.

I was thinking this morning about how some of us tend to use what we have and some of us tend to keep it unused. I’m a keeper. I’ve had my favorite t-shirt for over 20 years because I don’t wear it often. When people ask, “What would you do if we gave you $1000 today,” my first thought is to put it in the bank for the future. Of course, there will be a time to use it, but not today, because if I use it now, I may not have it tomorrow.

I wonder if the idea of a dragon hoard would apply well to those of us who keep to ourselves and take comfort in what we could do tomorrow if the need arose. Maybe all we’re doing is holding on to our wealth, not out of greed but out of pride, fear, and personal comfort.

What else do we have today?

Moon Caves: In the Sea of Tranquility or Mare Tranquillitatis, there’s a 200-foot pit, one of many spotted by satellites orbiting the Moon. Scientists studying the photographs have reason to believe this pit has a cave. Why we aren’t sending people to the Moon by now is likely a political question. The current NASA plan appears to be sending a team around the Moon.

In related news, Space X has been sending astronauts to the International Space Station for a few years. They have a team, Crew-8, at the station now and will send Crew-9 in mid-August.

Photo by Jonathan Kemper on Unsplash

Travels to Worlds Unknown (Maybe Fictious)

It’s been a full week and will continue to be so for rest of the month. I feel a deadline pressing upon me, so let me move quickly to these links.

Poetry: “While Observing A Summer Storm” by Joshua Alan Sturgill. “these I take as pathfinders and guides”

Art: Swiss painter Arnold Böcklin (1827-1901) painted moody mythological scenes, like Isle of the Dead (which you’ve likely seen whether you knew what it was).

Chariots of Fire: The story of Eric Liddell’s race in the classic movie Chariots of Fire took place at the 1924 Olympics in Paris. The Scottish runner won gold in the 400-meter, breaking Olympic and world records with 47.6 seconds. World’s Paul Butler talked about it on Friday’s podcast of The World and Everything in It. I listened to a tape of the movie soundtrack during my fruitful, cassette-tape-buying years. Here’s a nice tribute to the movie and music.

The Facts Fudged: Bill Steigerwald talks about the work he put into his book dividing fact from fiction in John Steinbeck’s Travels with Charley. “Taking on the great Steinbeck and challenging the existing narrative about his iconic book was no big deal. I was used to being an outsider, whether it was when covering a KKK cross-burning or attending a conference of public transit officials. The process of reporting and researching Steinbeck’s travels and book was no different from what I had done in a hundred big Sunday newspaper features, just a lot bigger and on my own dime.”

Photo: Elks Lodge, Tacoma, Washington. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

Let The Words Wash Over You

Reading Passively: “One of the problems of shouldering one’s way through books—worldview machete in hand—is that we become the kind of readers who get from a book only what we bring to it.” Professor Jermey Larson writes about reading for experience and enjoyment and letting active learning take a back seat. He leans on C.S. Lewis’s effort to equip readers of medieval literature to stay with the story instead of looking at commentaries every other page.

And the Gulag Remains: The Gulag Archipelago in English is 50 years old this year. Gary Saul Morson writes, “Before Solzhenitsyn, Western intellectuals of course knew that the Soviet regime had been ‘repressive,’ but for the most part they imagined that all that had ended decades ago. So it was shocking when the book described how it had to be written secretly, with parts scattered so that not everything could be seized in a single raid. Solzhenitsyn offered an apology for the work’s lack of polish: ‘I must explain that never once did this whole book . . . lie on the same desk at the same time!’ ‘The jerkiness of the book, its imperfections, are the true mark of our persecuted literature.’ Since this persecution is itself one of the work’s themes, its imperfections are strangely appropriate and so, perhaps, not imperfections at all.”

The Past that Binds: Gina Dalfanzo reviews The Blackbird & Other Stories by Sally Thomas. “Our pasts are always part of us, shaping who we are, and that includes the people in them.”

Remembering How We Cooked: Writer Megan Braden-Perry talks about authentic New Orleans gumbo and how strangers change historic recipes. “To me, the composition of gumbo is a topic serious enough to invade my dreams. Recently I had the most awful nightmare, that I made gumbo and forgot all the ingredients and spices. It was just a roux and broth.”

The Steel Man Cometh: How the music business can course correct on artificial intelligence. “I guess training AI to replace human musicians is evil—unless they can make a buck from it.”

Photo: John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

Nostalgia for that Long Ago Galaxy

Whenever I think of Star Wars in a general sense, not a particular scene or story line, but when I’m recalling the essence of it or imagining myself walking as an unknown Jedi through the parking lot to my speeder, the music I imagine is The Force Theme or Ben Kenobi’s theme from the original movie score. Most often, it’s the slow, mourning arrangement you hear in this sunset moment.

The Force Theme from Star Wars: A New Hope

Until today, I thought this was Luke’s theme, but Mark Richards corrected me with this post.

I loved Star Wars growing up. My primary toys were several action figures and an awesome Millenium Falcon, like the kind they don’t make anymore. We had a two-record set of the first movie’s score, which I played regularly. When I had a friend two-houses down, I remember bringing over the records and running around the room with our X-wings. He may have had a tie-fighter—details, you know. I didn’t have one of those.

I was never the biggest fan by a long shot. (That category just isn’t my thing. I’m reluctant to pick favorites of anything even though I’ve played the fan for many things.) I have not read any of the novels, though I may pick up the Thrawn trilogy this year. I’ve heard they are the best of the 381 novels the breeders have spawned. I watched the original movies several times, but the new ones—I may find time for three new ones I haven’t seen (episodes 2, 3, and 9).

I write this today because early in the week I watched Jenny Nicholson’s lengthy video about her experience at Disney’s Star Wars: Galactic Starcruiser Hotel. It was billed as immersive and interactive, like being a character in a Star Wars story. They closed it last September after an 18-month run. Hearing Nicholson’s story provoked sad feelings for what might have been, not just with that failed venture but with many of the new Star Wars stories lately.

I remember enjoying The Force Awakens. I said so here, though I can’t find the photo I used to fully express my feelings. I’ll just have to recreate it.

Star Wars figures stand in solidarity

Thinking back on The Force Awakens, I see it wasn’t a great story, but it wasn’t terrible. It set up something that could have been great fun, but the people in charge either don’t know how to tell fun stories like this or actually hate the property. (Let’s hear a variation on The Force Theme to soothe our angst.) That theme could be a dirge for all of the promise Star Wars offered us and didn’t deliver. Maybe the dark side has clouded our vision for the past some years–likely throwing the galaxy out of balance. But if the Tao of the Force means anything, it means the Jedi will return to restore balance.

Could be a long time coming.

Sciency Writing: “The old Scientific American that I subscribed to in college was all about the science,” an evolutionary psychologist told City Journal. “By the time Trump was elected in 2016, he says, ‘the Scientific American editors seem to have decided that fighting conservatives was more important than reporting on science.′”

Monsters, Us Men: Author and professor Thomas Fuchs writes in The New Atlantis, “… we increasingly believe in the superiority of our own artificial creatures. We begin to be ashamed of our existence as all-too-earthly beings of flesh and blood. And the grandiose self-exaltation ultimately turns into pitiful self-abasement.”

Discovering a Great Writer: Patrick Kurp writes about the one magazine issue that lit a fire in him.

Photo of Millenium Falcon entrance by Josué AS on Unsplash

Praise for Wildcat, a Biopic on Flannery O’Connor

Author and professor Karen Swallow Prior reviews a new biopic film by Ethan Hawke about one of our favorite Southern authors, Flannery O’Connor.

“One of the film’s greatest feats is packing so many of O’Connor’s life experiences and thoughts—as expressed not only in her stories but also in her Prayer Journal, letters, essays, and lectures—into a dense, intricately woven film that runs under two hours. Hawke’s restraint reflects perfectly the restraint of the life O’Connor lived …”