Category Archives: Poetry

‘And Some Seed Fell’

I’m making slow progress on the book I’m reading, so no review today. I’m not sure if the book is long, or if I’m just reading it slowly (a disorientation sometimes found in reading e-books). There’s this strange sense that, though I’m interested in the story, I’m not making very rapid progress with it.

I wrote a poem. As I’ve said before, I don’t consider myself a very good poet (and this one was written off the cuff). But I think it’s obscure enough to challenge the reader.

And some seed fell
On a gloomy place.
O’ershadowed by 
The cliff’s hard face.
The roots reached down,
The ground was dry,
And looming rock
Warped out the sky. 
That plant no flower
Would ever know
And on the breeze
No seed-stuff blow.
A little drink
The dew might give,
And sunlight blink
Enough to live.

‘The Fall of Arthur,’ by J. R. R. Tolkien

Not long ago I reviewed Beren and Luthien, Christopher Tolkien’s scholarly reconstruction of much-revised textual material left behind by his father, J. R. R. Tolkien. I judged the book a sort of a scholarly exercise.

I’d have to say the same about The Fall of Arthur. Tolkien, always a promoter of Anglo-Saxon literature, wanted to demonstrate what he could do with Anglo-Saxon-style verse (pretty much the same as Old Norse verse), by re-telling the story of King Arthur in that meter. There’s a certain irony in that project, as the real King Arthur (if he ever existed) spent his life fighting the Anglo-Saxons.

Still, to the extent that it was finished, the poem works extremely well. There’s real vigor in alliterative verse, and the way it “sings” is strongly reminiscent of passages in The Lord of the Rings. One sees where Tolkien acquired his highly effective literary style.

Foes before them,
flames behind them
ever east and onward 
eager rode they, 
and folk fled them  as the 
face of God,
till earth was empty, and 
no  eyes saw them, 
and no ears heard them in 
the endless hills,
save bird and beast  bale-
ful haunting 
the lonely lands….

The poem, unfortunately, was left as a fragment, breaking off before it’s properly underway. Arthur is returning from his campaign in Europe, having been warned that Mordred has raised a rebellion in his absence. Much has been made of the fact that Lancelot, who betrayed the king with Guinevere, has not been summoned to help him. No doubt more would have been made of that, and this could have been a pretty rousing work of literature. But as it is, what we have is another interesting scholarly exercise.

There are notes at the end, and a couple essays by Christopher Tolkien. I should have read those, but wasn’t aware of them until just now.

No richer gift has Autumn poured From out her lavish horn!

Quaker, poet, and abolitionist John Greenleaf Whittier wrote “The Corn Song” in 1850, and it became one of the things elementary teachers recommended to students to read every Thanksgiving. He was one of our most popular poets at one point, but perhaps you haven’t seen this one.

Heap high the farmer’s wintry hoard!
Heap high the golden corn!
No richer gift has Autumn poured
From out her lavish horn!
Let other lands, exulting, glean
The apple from the pine,
The orange from its glossy green,
The cluster from the vine;

We better love the hardy gift
Our rugged vales bestow,
To cheer us when the storm shall drift
Our harvest-fields with snow.

Through vales of grass and meads of flowers
Our ploughs their furrows made,
While on the hills the sun and showers
Of changeful April played.

We dropped the seed o’er hill and plain
Beneath the sun of May,
And frightened from our sprouting grain
The robber crows away.

All through the long, bright days of June
Its leaves grew green and fair,
And waved in hot midsummer’s noon
Its soft and yellow hair.

And now, with autumn’s moonlit eves,
Its harvest-time has come,
We pluck away the frosted leaves,
And bear the treasure home.

There, richer than the fabled gift
Apollo showered of old,
Fair hands the broken grain shall sift,
And knead its meal of gold.

Let vapid idlers loll in silk
Around their costly board;
Give us the bowl of samp and milk,
By homespun beauty poured!

Where’er the wide old kitchen hearth
Sends up its smoky curls,
Who will not thank the kindly earth
And bless our farmer girls?

Then shame on all the proud and vain,
Whose folly laughs to scorn
The blessing of our hardy grain,
Our wealth of golden corn!

Let earth withhold her goodly root,
Let mildew blight the rye,
Give to the worm the orchard’s fruit,
The wheat-field to the fly:

But let the good old crop adorn
The hills our fathers trod;
Still let us, for His golden corn,
Send up our thanks to God!

(Image: Whittier’s Birthplace by Boston Public Library)

Happy Are the Unknown, Contented on Their Own Land

“Ode on Solitude,” by Alexander Pope, written at age twelve about 1700 AD

Happy the man, whose wish and care
   A few paternal acres bound,
Content to breathe his native air,
                            In his own ground.

Whose herds with milk, whose fields with bread,
   Whose flocks supply him with attire,
Whose trees in summer yield him shade,
                            In winter fire.

Blest, who can unconcernedly find
   Hours, days, and years slide soft away,
In health of body, peace of mind,
                            Quiet by day,

Sound sleep by night; study and ease,
   Together mixed; sweet recreation;
And innocence, which most does please,
                            With meditation.

Thus let me live, unseen, unknown;
   Thus unlamented let me die;
Steal from the world, and not a stone
                            Tell where I lie.

He Thinks Himself Immortal

Of man’s miraculous mistakes, this bears
The palm, “That all men are about to live,”
For ever on the brink of being born.
All pay themselves the compliment to think
They one day shall not drivel; and their pride
On this reversion takes up ready praise,
At least their own; their future selves applauds;
How excellent that life they ne’er will lead!
Time lodged in their own hands is folly’s vails;
That lodged in Fate’s, to wisdom they consign;
The thing they can’t but purpose they postpone.
‘T is not in folly not to scorn a fool;
And scarce in human wisdom to do more.
All promise is poor dilatory man,
And that through every stage: when young, indeed,
In full content we sometimes nobly rest,
Unanxious for ourselves; and only wish,
As duteous sons, our fathers were more wise.
At thirty, man suspects himself a fool;
Knows it at forty, and reforms his plan;
At fifty, chides his infamous delay,
Pushes his prudent purpose to resolve;
In all the magnanimity of thought
Resolves, and re-resolves; then dies the same.

And why? Because he thinks himself immortal.
All men think all men mortal but themselves;

A few lines from the international bestseller, The Complaint: or, Night-Thoughts on Life, Death & Immortality. Night I. On life, death, and immortality, by Edward Young, published in nine parts 1742-45.

For Black Friday, The Raven as a Christmas Tale

The English-speaking world has a long history of knocking off EAP’s “The Raven,” the poetic gift that gives evermore. Here is a list of ten examples and this book on the poem has an excerpt of several verses from a 1856 parody called “The Parrot”:

“‘Beg your pardon, sir!’ I muttered, as I rose up, hurt and sore;
But the sailor only swore.”

The comedy troupe Studio C put together this Christmas version, which I share as a warning about what you request this year.

Walking Back, Never to Return

Poet Jessica Hornik says she remembers January in her poem “Recuerdo, January,” but they sound like October words nonetheless.

Walking back to the ferry in the evening chill,

they knew they’d never have reason enough
to return to this place, which made the leaving
as sad as a paradise gained and lost

in the space of two hours.

This year has been one to remember. No paradise gained, only loss. I feel I’m reluctantly slipping into the autumn of my life; I don’t know if I can turn around somewhere.

Photo by Jairph on Unsplash

Joy Harjo Named Poet Laureate

We were running out of breath, as we ran out to meet ourselves. We were surfacing the edge of our ancestors’ fights, and ready to strike.

from “An American Sunrise” by Joy Harjo

Joy Harjo has appointed the next U.S. poet laureate. She is of the Muscogee Creek nation, born in Tulsa, Oklahoma, and the first Oklahoman to be named poet laureate.

She told Tulsa World, “I know a lot of young people were turned off from poetry when the teacher would ask us to ‘tell what the poem means.’ But sometimes, it’s better just to listen. I mean, we all listen to something like ‘Hotel California,’ but could we really explain what it means? What is so amazing about poetry is that it’s a way to speak beyond words.”

Many outlets are reporting that Harjo is the first Native American to be appointed to this position, but poet William Jay Smith, who was part Choctaw, held the position in 1968-70. (This detail was pointed out by A.M. Juster, which I learned through Prufrock)

Silence

Billy Collins mediates on silence in this short poem from Poetry magazine. In such a noisy world, this is almost an untranslatable concept, especially in its versatility. Peace, dread, waiting, strength. Here’s the second stanza.

“The silence of the falling vase
before it strikes the floor, 
the silence of the belt when it is not striking the child.”

Time Passes Hand in Hand with Seasons

Dylan Thomas wrote about the seasons washing over
the Welsh Glamorgan county–the summer so beautiful, the winter barren. Time repeatedly rides up from the coast, bringing nothing unusual, nothing but change. Here’s the sound of a winter thaw.

And now the horns of England, in the sound of shape,
Summon your snowy horsemen, and the four-stringed hill,
Over the sea-gut loudening, sets a rock alive;
Hurdles and guns and railings, as the boulders heave,
Crack like a spring in vice, bone breaking April,
Spill the lank folly’s hunter and the hard-held hope.

Read the whole thing here: “Hold Hard, These Ancient Minutes in the Cuckoo’s Mouth”

( Photo by Bit Cloud on Unsplash )