Category Archives: Religion

A Christmas hymn I love and hate

I’ve been writing for this blog so long that I think I can probably reanimate some of my old post topics. A search of our archives shows that it was in 2010 that I last wrote about the Christmas hymn, “It Came Upon the Midnight Clear.” I’m not going to denounce it. In fact, I kind of love it. But it’s not really a Christmas hymn. It’s more of a Christmas song, like “The Christmas Song” (the Chestnuts one, you know) or “Silver Bells.” Because it’s not about Jesus, and was never intended to be.

The putative hymn was written by Edmund H. Sears, a sensitive-minded Unitarian minister who worked in Toledo for a while, before suffering a breakdown (perfectly understandable, under the circumstances). In time he ended up serving a church in Wayland, Massachusetts. He wrote “It Came Upon the Midnight Clear” in 1849, and it was published with a tune by Richard Storrs Willis in 1850. His motivation seems to have been his depression over the Mexican War, which raised considerable opposition in the country (Lincoln famously voted against the war, and lost his seat in Congress because of it).

The hymn goes:

It came upon the midnight clear,
That glorious song of old,
From angels bending near the earth
To touch their harps of gold;
"Peace on the earth, good will to men
From heaven's all-gracious King" –
The world in solemn stillness lay
To hear the angels sing.

Still through the cloven skies they come
With peaceful wings unfurled,
And still their heavenly music floats
O'er all the weary world;
Above its sad and lowly plains
They bend on hovering wing,
And ever o'er its Babel-sounds
The blessed angels sing.

But with the woes of sin and strife
The world has suffered long;
Beneath the angel-strain have rolled
Two thousand years of wrong;
And man, at war with man, hears not
The love-song which they bring; –
Oh hush the noise, ye men of strife,
And hear the angels sing!

And ye, beneath life's crushing load,
Whose forms are bending low,
Who toil along the climbing way
With painful steps and slow,
Look now! for glad and golden hours
Come swiftly on the wing; –
Oh, rest beside the weary road
And hear the angels sing!

For lo! the days are hastening on
By prophet bards foretold,
When with the ever circling years
Comes round the age of gold;
When Peace shall over all the earth
Its ancient splendors fling,
And the whole world give back the song
Which now the angels sing.

Do you notice something missing in this so-called “Christmas Hymn?” It says nothing about Jesus. Not a word. You’ve got angels and peace, which hearken back to Luke’s account of the Nativity (verses 8-14):

And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord. And this shall be a sign unto you; Ye shall find the babe wrapped in swaddling clothes, lying in a manger. And suddenly there was with the angel a multitude of the heavenly host praising God, and saying,

Glory to God in the highest, and on earth peace, good will toward men.

So you’ve got the angels and you’ve got the peace, demonstrating that the poet had Christ’s birth in mind. So why didn’t he mention Christ Himself?

Because he was a Universalist. He didn’t really think Jesus was that important. He believed Jesus simply represented a universal principle of peace and love, which gives us hope for a coming time (“the age of gold”) when Mankind will have evolved to the point of outgrowing war.

In many more orthodox hymnbooks, the words have been altered a little. The changed lyrics substitute “the time foretold” for “the age of gold.” And they say “the new Heaven and earth shall own the Prince of Peace their King,” instead of “when Peace shall over all the earth its ancient splendors fling.” I don’t generally care for meddling with original texts, but I like those changes just fine.

Still, the hymn still leaves me a little melancholy.

Beautiful, though.

I looked for a good video of the hymn/song to embed above. But everybody had to get cute with it one way or another (worst are the English, who use the wrong tune!). So I had to settle (yet again) for the Heretic Tabernacle Choir. Which is kind of appropriate, I guess.

It’s all music

I may be achieving a breakthrough. Or possibly I’m losing my mind. Or it could be the new medication I just started taking…

I got up this morning to put in my two hours of writing (okay, it’s more like an hour and a half when I deduct bathroom and tea-making time). Then I went to the gym, as usual. And while I was driving there, I had this epiphany. It rose, I’m pretty sure, partly from the lingering effects of reading Bill Bryson’s A Short History of Nearly Everything. And from Mark Helprin’s Paris In the Present Tense, which I’m re-reading. It’s a novel about a musician, with all kinds of metaphysical implications.

Anyway, it occurred to me that (as best I understand physics, which is probably not as well as I think) the universe is made up of atoms, which are made up of particles and charges and empty space and stuff. Every solid thing is actually just energy in motion. What makes things exist is movement and attraction and repulsion and waves and so on.

In other words, the universe is music.

Which works just fine with my theology. The Bible says that God said, “Let there be light.” The light – energy – was spoken by God. Light is energy in a pattern. That’s pretty much like music.

Tolkien used this metaphor in The Silmarillion.

After I thought, “The Fall introduced discord into the music,” I found myself shouting out loud (in my car): “CHRIST RESOLVED THE CHORD!”

Well, it seemed profound to me at the time.

Of course I used this space not long ago to explicate a theory that the universe is a Story.

So which is it, Walker?

Maybe the universe is a ballad. No metaphor is every perfect.

Above, a little music from that most theological of composers, the Lutheran J. S. Bach.

Sankta Lucia and Christian beauty

It’s been a few years, I think, since I’ve mentioned the Sankta Lucia celebration. “Sankta Lucia” is Saint Lucy of Syracuse, a virgin martyr of the early church. A Sicilian legend says that once when there was famine, ships appeared in the Syracuse harbor on St. Lucia’s Day, loaded with grain. Thus there came to be a tradition of eating whole grains on December 13. Somehow this tradition evolved in Scandinavia (especially in Sweden) into eating a particular kind of bun on that day. The girls of a household would rise early, prepare the buns, and then march in procession, led by one girl portraying Lucia, wearing a crown of candles (Lucia means light, after all), and wearing a red sash to symbolize martyrdom. They would sing a version of the Italian Santa Lucia song (as above) and serve the buns for breakfast, to general celebration.

It’s a lovely tradition (I’ve observed recreations a few times) and seems to be gaining in popularity even in these secular times.

One thing I love about it is the fact that it’s a revival of tradition. In spite of the growing hostility to Christianity in our culture, genuine beauty still appeals. That’s worth remembering, even if we Protestants are forced to do some borrowing from the Catholics (that’s less a problem for me as a Lutheran than for some). But maybe we need to question the emphasis on stark simplicity in our worship. We seem to have won the argument over pomp and ceremony so well that many churches have proceeded to embrace pure ugliness. And ugliness ages poorly.

I’ve been thinking about art recently, for reasons I won’t go into here. It seems to me that – though there are many ways to divide up the world – one way we can categorize people today is by whether they are pro-beauty or anti-beauty. As far as I can observe, the Progressive movement has turned aggressively anti-beauty. Our side isn’t necessarily pro-beauty, but I think we ought to make that an issue.

Because I think beauty will win, hands down.

Are We or Will We Ever Be Free at Last?

Time has vindicated Dr. King. Ultimately it is not Black versus White. It is justice versus injustice, haves versus have-nots. As long as Dr. King talked only about African-Americans he was relatively safe, but when he began to pull poor Whites and poor Blacks together he became a threat to the power and wealth elite. If he had been allowed to live, he might have even been able to articulate the frustrations of today’s shrinking middle class. Thus Brother Martin could have been a prophet of a sizable slice of America. This would have been a formidable challenge, but it was never allowed to materialize.

One of Jesus’s points in the Sermon on the Mount was to seek the kingdom of God first and allow all other worries and legitimate concerns to follow it. Such a kingdom-focus doesn’t sit well with us. We would rather have seeking the kingdom as a consumer spending habit or path to political goals. We would rather settle on being in the best church, denomination, or path (Me against the World) in contrast to others of the same type, even if our path is the one constantly thumping how everyone should just get along. A Christianized humanism may be more comfortable to us than the gospel of Christ’s kingdom.

That’s where this book, Free at Last? The Gospel in the African American Experience, stands. It’s too biblical, too focused on Christ’s kingdom to light the torches of those looking to build a kingdom of their own.

In 1983, Dr. Carl Ellis wrote a book for an African American audience on the state of the church, the history of various Black movements, and how we can move forward. He revised and republished it in 1996 and it was republished as a special edition classic in 2020, which is the edition I read.

Ellis spends most of the book on overviews of different movements and cultural arguments Black leaders have made, both within and without the church, to recognize and defend the honor of African Americans. It offers a high-level framework for understanding decades of history. He gives the most attention to Martin Luther King Jr. and Malcolm X, who disagreed on how to raise the dignity of Black families in a country that wants to either melt away their distinctions or marginalize them.

No one escape Ellis’s criticism because mistakes and bad actors have cropped up on all sides. Some Black leaders have painted Christianity as a White man’s religion, but Ellis separates civil religion and White-centered humanism from the biblical faith and traces these sinful influences through to today. White humanism he defines as a belief that White people and standards are the ultimate references for truth and values, White people being generally unaffected by sin. Many African Americans have adapted this view into a Black humanism, which again, for the churched and unchurched, is not Christianity.

Anything can become an idol, even, perhaps especially, good things. “Afrocentrism is truly magnificent, but it is not magnificent as an absolute. As an absolute, it will infect us with the kind of bigotry we’ve struggled against in others for centuries.”

Ellis notes a point in history when the solution to gaining dignity in American life was the melting pot, everyone blending into the surrounding culture, but the dominant culture rejected African Americans subtly and overtly. If they were to blend in, they would have to be subservient to Whites. That actually didn’t sit well with anyone but the abusers. America isn’t a country that can tolerate a permanent servant class for long. We tell ourselves we are the land of the free and the brave, created equal by the Almighty. Americans of any color won’t be content to stand in the alleyways and watch others parade by.

There are many ideas holding us back. In one chapter, Ellis describes “four prisons of paganism” found in many corners of the world:

  1. Suicidal religion, which attempts to deny reality or numb ourselves to it through various means (sometimes with a “militant shallowness”);
  2. God-bribing religion, which is any manner of attempting to curry favor with the Almighty;
  3. Peekaboo religion, which hides God behind other people or things so our allegiance and obedience can be focused on the other thing and not the Almighty;
  4. Theicidal religion, which includes all attempts to reject God’s existence.

Ellis states Peekaboo religion is a dangerous trend in the Black church for its tendency to revere the pastor (and his wife) more than they should. I’d say many independent White churches do the same thing, but the percentage would be smaller.

To rise above these errors, Ellis calls for creative preaching and church practices. He calls it being a jazz theologian, one who improvises on melodies in performing the truth for contemporary congregations and find new ways to reach our increasingly secular neighbors. His call might have more resonance if he pointed to a new application of truth and history that is working, but he may have wanted to avoid that specifically because he isn’t trying to start a new thing for others to copy. He wants us to know the Lord and His Word and look for ways the people in our area will hear them.

It’s not in the book, but I know Ellis is the head of The Makazi Institute in Virginia, a type of L’Abri fellowship for cultural understanding and engagement. That would be his take as a jazz theologian, not something just anyone could do.

One value of Free at Last? is a 60-page glossary covering many topics referred to in the book as well as many contextual topics not mentioned. I wrote a post about content from this section before.

Photo by Samuel Martins on Unsplash

Being a captive ring

The video above is one I found in my aimless wanderings on YouTube. The thing to bear in mind, if you watch it through (it’s not long) is that while I was watching it the first time, I had no idea what the artisan’s intention was. I thought at first the goal was a kind of Chippendale chair rail, and I simply found it visually engrossing, the same way I used to watch my Windows computer defrag.

And then it became “captive rings” (something I’d never heard of before), and I was astonished. What a wonderful thing, I thought.

And then it came into my mind –

[Let me just break in here with a disclaimer. I think I’ve made it clear before that I don’t believe in extra-biblical revelations, in the sense of treating them as the words of God. If I, or an angel from Heaven, tell you, “I have a new revelation from God for you,” run away.

On the other hand, I don’t doubt that God sometimes speaks to us personally, to encourage or even guide us. This may be a case of that. Or not. Remains to be seen. But I like it enough to share it here.]

So it came into my mind that maybe I’m like that piece of wood.

I’ve probably mentioned, in one or more of my too frequent navel-gazing posts, that the personality I possess now is not the one I was born with. I have it on good authority, from uncles and aunts, that when I was a little boy I was outgoing and friendly. These traits were knocked out of me in my upbringing, leaving me desperately shy and socially awkward.

To make it worse, all my life I’ve been informed by a series of employers (often while they were firing me) that it was precisely those personality traits (the ones I lost) that they wanted and didn’t get from me.

But looking at that woodturning video, it occurred to me, “Maybe I’m like that piece of wood. It didn’t start out to be a set of captive rings. It started out as a perfectly good, useful tree branch. First it was cut off, then it was dried in a kiln, then it was put in a lathe and subjected to a series of cuts and gouges which I can’t help anthropomorphizing as extremely painful.

But the result is something that delighted me. The captive ring piece is, to me, for want of a better word, wonderful.

Just possibly (I thought) I was put through all the stuff I’ve been through to make something wonderful out of me. (My guess would be my books, but who knows? Maybe I said the right words to somebody thirty years ago, and I’ve been riding on that one good act ever since.) I’m reminded of the potter in Jeremiah 18.

Of course, being me, I can’t resist looking at the question from the other side too. One should never forget the wisdom of this old internet meme:

Hubristic musings on Story

Photo credit: Infralist.com. Unsplash license.

Let’s see. Where am I? I did a Zoom interview with a student from the University of Wisconsin-Green Bay this morning. Some kind of history class assignment. She was supposed to speak with a more impressive Viking reenactor, but had to settle for me due to a glitch in the system. It was nice. She was an intelligent young person. Gave me hope.

I’m trying to figure out Adobe Indesign (not Light Desk, as I erroneously termed it last night; I saw the I and D logo in my mind, and they looked like an L and a D, so I vamped). I was referred to a YouTube video for an introduction, but that created as much confusion as it cleared up for me. I bought a book, which I shall try out this evening. I intend to learn this irrational, user-unfriendly mouse maze of an app, or die in the attempt.

Packed for my trip to Brainerd tomorrow. Paid my bills a day early, because I’m flexible that way. Walked to the post office for stamps.

But what shall I blog about? I think, on consideration, that I still have things to say about Story as a key to the universe, as if I didn’t overtalk my intelligence in my previous post on the subject.

Dale Nelson, in commenting on that post, noted that our Lord, when He came to earth, did not come as a philosopher, but as a storyteller. This is an excellent point, one I wish I’d thought of.

So I’ll double down. When God chose to reveal Himself to us in written form, He did not give us a book of systematic theology (I’ve often wished He had, but oddly He did not consult me). Instead, He told us a story.

Wouldn’t it have been a relief if the Bible had begun with The Book of Epistemology? We could have a Book of Trinitarian Doctrine, and a Book of Soteriology, and it would all end up with a Book of Eschatology.

The Quran is kind of like that, as best I understand it, based on my limited examination of the book, though it’s not very organized. The Quran is essentially a book of doctrines and commands. It’s not what you’d call a gripping narrative.

The Bible we’ve been given, however, is a narrative. God chose to tell what is essentially a story. There’s other elements in there – poetry, and law, and wisdom literature, etc. But it’s all set within an epic dramatic narrative. The world is created, Man is created, Man falls, Man runs berserk, God begins calling out a series of individuals, then a family, then a nation, through whom He will – gradually – reveal His purposes for redemption. Finally the Hero – God Himself in human form – appears and – through great sacrifice – undoes the Fall, conquers death and the devil. Finally, we’re given a glimpse of Christ’s ultimate triumph and the eucatastrophe.

A lot of church schism and religious war could have been avoided if we’d had a divine book of unambiguous theology instead of the Bible we got. But God hasn’t chosen to reveal Himself that way, either in His written Word or in His incarnate Word. He seems to prefer stories. And stories tend to be so… ambivalent. The better the story, the harder it is to explain.

During my recent long road trips, I decided to splurge on a couple audio books. Both were by Andrew Klavan – books I’d read before but wanted to revisit. My Minot book was The Truth and the Beauty, Klavan’s manifesto of art-oriented theology. My Green Bay book was The Great Good Thing, his spiritual autobiography.

I found The Great Good Thing easier to grasp. It’s a straight memoir, with its lessons fairly obvious. Great story, too.

But The Truth and Beauty, though fascinating and inspiring, eludes me at some points. Even after two readings, I still have a hard time articulating what the point of the book is. It’s mostly about how the Romantic poets followed their perceptions of beauty, which led them (in some cases not very far) towards the truth of Christianity in a world gone apostate.

But I can’t grasp the nub. I can’t tell you what Klavan is trying to say we need to learn from the Romantic poets.

And it occurs to me that’s the whole mystery of the thing.

Great art generally can’t be reduced to a formula or a moral. It leads you to a place where you confront an idea that is a Person. And persons can’t be defined – not within the limits of human reason. (God can define it all, I have no doubt.)

It’s a little like Zen, where you sit around and meditate until you “get” some irrational concept. I reject Zen, and I reject the irrational too. But the Buddhists have an inkling of some truth there.

Stories can lead us to an encounter with God. Reason can too. But neither the story nor reason automatically produce faith. The faith comes from an encounter with Jesus Christ. That encounter is a miracle; St. Paul knew, and the theologians have agreed, that it’s nothing either our imagination or our reason can produce. It comes from outside. It’s something you receive.

And you can’t always put it into words. You can only tell stories about it.

In which I try to think above my weight class

Photo credit: Patrick Fore. Unsplash license.

Sometimes I have Big Thoughts, which seem to me important. It would appear self-evident, though, that if these ideas are any good, someone must have come up with them before me. And if nobody has, it’s probably because they’re not as good as I think they are.

But I forge ahead, in all the boldness of the simple-minded. I have a sort of an answer to the problem of Theodicy.

No, make that a proposal for an answer.

No, not even that. An approach to a proposal.

In any case, I’ve written about these matters here before, but I think it’s been a while, perhaps quite a long time.

The problem of Theodicy is familiar to many of you. It’s one of the really big questions – if God is good, why does he permit such horrendous evil to exist in His world? (Recent events in the Middle East have given us ample cause to contemplate this question, when we’re not weeping, tearing our hair, and stocking up on ammunition.)

My proposal for thought is that we ought to look at the universe as a Story.

Every writer knows that there’s no story without conflict. And conflict means pain. One of the hardest disciplines many writers must learn is how to torture their characters. Although I love reading exciting stories, I often fear I can’t bear the stress when a good author turns the dramatic tension (which means fear and pain) up to 10. When I’m writing, I’d much rather be nice to my characters (most of whom I quite like), but I know my stories would be degraded.

Does this help explain why there’s suffering in the universe? Is God telling a great story?

Now I can hear the objections – “That’s obscene! When we contemplate the evil suffered by innocents in places like Gaza, it’s simply an insult to suggest that God is using those people like toys in some cosmic story-telling game.”

To that I reply – very tentatively – suppose it’s not just a game. Suppose stories aren’t actually trivial?

Suppose stories are the most important things there are?

Suppose our universe is not just “a” story, but “THE” story – and that story is the glory of God, the music of the spheres, the liturgy of the Great Throne, the song of angels.

If that still seems trivial to you, I ask this question – “What can you suggest that’s more serious than a story – if you’re in it?”

And suppose – just suppose – you had an assurance from the Author that somehow – in some way you can’t comprehend – the ending would be happy?

Arizona School Board Member Suing for Right to Quote Scripture in Meetings

A newly elected school board member of Peoria Unified School District Board in Glendale, Arizona, has been told to stop quoting scripture at the beginning of school board meetings because the district believed it was a violation of the First Amendment. They took this stand in response to letters from organizations such as the Freedom From Religion Foundation.

Now, their new school board member is suing them.

Toward a More Reasonable Faith and Words Written or Generated

My all-time favorite song is Michael Card’s “God’s Own Fool,” published in 1985 on the Scandalon album. That may have been the first album I bought with my own money. It’s a song about Jesus being misunderstood during his earthly ministry. The last lines are:

So, surrender the hunger to say you must know;
Have the courage to say, "I believe." 
Let the power of paradox open your eyes
And blind those who say they can see.

I could understand if someone took lines like this to encourage blind faith, a faith that doesn’t question what we read in Scripture or what our ministers teach, but Christian faith isn’t blind. It’s reasonable and fits the real world He created.

When Jesus tells Peter to check the mouth of a fish for a coin to pay their taxes, Peter believes Him and checks the fish’s mouth. When Jesus tells a couple of His men to go into town, find a donkey and colt tied up, bring them to him, and if anyone asks what they’re doing, say that the Lord needs them, they go into town expecting to find exactly what He has said. That’s a reasonable faith. It’s one that recognizes the limits of our knowledge, not one that denies knowledge altogether.

But what else do we have today?

Art & Literature: David Platzer writes about a Paris exhibit on Gertrude Stein and Pablo Picasso. “Edmund Wilson—who was generally sympathetic to her work and compared it to Yeats, Proust, and Eliot—noted in a 1923 Vanity Fair article that her word-portraits of Matisse and Picasso published in Camera Work made it ‘evident that Gertrude Stein had abandoned the intelligible altogether.'”

Words: If you or someone you know have shown symptoms of being a witcracker, call the number on your screen. You are not alone.

American Words: American pioneers had to make up words for a new world. Rosemarie Ostler writes, “Often these simply combined a noun with an adjective: backcountry, backwoods (and backwoodsman), back settlement, pine barrens, canebrake, salt lick, foothill, underbrush, bottomland, cold snap.” “Yankee is also almost certainly a Dutch contribution. Various theories have been suggested for the word’s origin (for instance, that it’s a Native American mispronunciation of English), but the most likely one derives the word from Janke (pronounced ‘yan-kuh’), a diminutive of John that translates as something like ‘little John.'” (via ArtsJournal)

Artificial Intelligence: Tech companies are hiring writers and poets to compose somewhat refined work, particularly in Hindi and Japanese. “It is a sign that AI developers have flagged fluency in poetic forms as a priority, while refining their generative writing products.” To what end? (via ArtsJournal)

Photo: Fairyland Cottages Minnesota, 1980. John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division.

Pietists vs. Confessionalists

Portrait discovered in Copenhagen,, believed to be Hans Nielsen Hauge.

I wrote a fairly long meditation on Pietist Christianity and legalist Christianity yesterday. And I think I failed to actually say one of the things I meant to say.

Which is ironic, because that was one of the very weaknesses I meant to criticize (gently) in my hero, the Norwegian lay preacher Hans Nielsen Hauge. Some years back I began work on translating his works, a project another linguist has since taken over. Mostly to my relief. Because Hauge is exceedingly hard to translate. I’ve heard of one scholar who started the same project years back and simply gave up in frustration. “He’s untranslatable!” that person said.

I think that’s an exaggeration, but I sympathize. Hauge is very hard to translate. The man was in no way a systematic thinker. He was an enthusiast. He poured his words out onto the page, it appears, just as they came to him. Sometimes he goes on for pages without a period or a paragraph break. I imagine Hauge as being very much like a certain pastor I once worked for. He hired me precisely for my writing skills. Because he found it almost impossible to actually get to the point. He communicated all right in person, because he could supplement his words with facial expressions and gestures. But when writing he just lost his way.

After many years, I think I finally figured out Hauge’s point. It’s a point he never states in so many words, but once you’ve figured it out, it illuminates all the rest of his verbiage. And it explains some of the puzzling – or even apparently unorthodox – things he seems to say.

That central point, I think – and I mentioned this part last night – was that he believed that a true believer – someone who was genuinely “awakened,” as he put it, would find the Christian life easy. They would be filled with the same joy and love he felt. We all know how love lightens burdens. When I was in love, long ago, I would have done many things far outside my comfort zone – and sometimes I actually did those things – just to please her. Just to be close to her. Love made hard tasks light.

This is a beautiful vision, and I believe it’s true in the Christian life to some extent.

But it’s not equally true for everybody. And it’s not always permanently true . I have good reason to believe that Hauge himself, during his ten-year imprisonment, when he was denied books and visits from his friends for long periods, eventually learned that the Way could be hard. He never lost his faith, but he learned that even true believers can struggle.

Some of us aren’t like Hauge. Our experience with God may be lower-key, less emotional. We have a smaller tank of emotional fuel to burn (those of us who are introverts feel this especially). We’re more like John Haugvaldstad, who needed rules and lists to keep himself on the straight path. I believe he took it to an extreme, but for some people this pattern seems prudent. Books like Jordan Petersen’s 12 Rules for Life fill a need for them (us).

Among us Lutherans there’s an old tension – sometimes fiery verbal warfare – between the Pietists and the “Confessionals.” The Lutheran Church, Missouri Synod is the largest and best-known Confessional church body in the US. Going back to the days of immigration, the Pietists and the Confessionalists anathematized one another. The Pietists (like Georg Sverdrup, subject of the journal I edit) condemned the Missouri Synod as cold, formalistic, Catholic-adjacent, and spiritually dead. Confessionalism, Sverdrup wrote, provided a “sleeping pillow” on which members of dead congregations could slumber while their pastors tried futilely to do all the work of the church on their own.

The doctrine-centered Missourians, on the other hand, condemned the Haugean Pietists as unstable, emotional enthusiasts. If synods and pastors didn’t keep a close eye on the laity, checking their every statement for orthodoxy and basically barring them from any kind of spiritual ministry, then everybody would just go crazy. Subjectivism would take over. You’d have churches abandoning traditional sexual morality, and syncretizing with other religions, and reciting something like, oh, “the Sparkle Creed.

Which, sadly, is just what happened. Missouri Synod theologians rarely hesitate in making the charge that all the aberrations we see today in The Very Big Lutheran Church Body That Shall Remain Nameless (as I call it) spring from the subjectivism inherent in Pietism.

I have to admit their prophecies came true.

But I still think Hauge and Sverdrup had a point.

The heart of my own theology, for many years, has been the Incarnation. The Word became Flesh. Somehow, through the power of God, body and mind came into harmony. Justice and Mercy kissed. The absolute and the subjective cooperated perfectly in the one perfect Man.

That’s what I want to see reflected in the church, and in myself.