Category Archives: Reviews

Manalive, by G. K. Chesterton


When men are weary they fall into anarchy; but while they are gay and vigorous they invariably make rules. This, which is true of all the churches and republics of history, is also true of the most trivial parlour game or the most unsophisticated meadow romp.

We are never free until some institution frees us; and liberty cannot exist till it is declared by authority….

This may be the most delightful of all G. K. Chesterton’s fictional romps. Many love The Man Who Was Thursday, but Manalive is perhaps the distillation of the author’s philosophy of life; a comedy that makes his most serious point.

The central character of Manalive is Innocent Smith, a huge but oddly graceful gentleman who leaps into a suburban London garden one day, chasing his hat in the wind. He is not at all irritated by having his hat blown away; he declares to the people present that hat chasing is one of his favorite sports. He then proceeds to shoot a physician’s hat off with a pistol, an action which sparks the story’s odd action.

Soon three young men have proposed to three young women, and had their proposals accepted. Then authorities come to take Innocent Smith away. He is, according to information received, an attempted murderer, a burglar, and a bigamist, believed to be dangerously insane. Through one of those odd plot contrivances that could only happen in a Chesterton story, a hearing on his sanity is held in that very house. Evidence against Smith is heard, and explanations given.

Without giving away the details, the whole point is that Smith is a man who has discovered how wonderful life is, and is determined to make himself forever aware of the wonder of living through finding new ways rediscover its beauty. He seems insane because he’s eminently sane. He looks like a murderer because he imparts life wherever he goes. He is a walking paradox, Chesterton’s perfect brain-child.

If you’re looking for realistic fiction, this is not the book for you. Chesterton, as is his wont, stretches probability as wide as Innocent Smith’s waistcoat. He plays with ideas, plays with his characters, and plays with the reader. He is endearing and maddening—just like his main character.

Recommended without reservation.

The Skin Map, by Stephen R. Lawhead

Stephen Lawhead has never been a conventional Christian author, or even a conventional fantasy author. He writes by his own rules. Sometimes I like what he does, sometimes not so much. But all in all I was pleased with his novel The Skin Map, and look forward to the continuation of the series.

The main character is a generally unremarkable young man, Kit Livingston, who lives in contemporary London. One day he gets lost and wanders into an alley, where he meets a man who claims to be his great-grandfather, Cosimo Livingston. Cosimo claims that there are invisible paths and portals (“ley lines”) throughout the world, by which knowledgeable travelers may travel through time, space, and dimension.

Kit tries to explain to his girlfriend Wilhelmina why he missed their date. To prove his story to her, he takes her back to that alley and successfully makes a jump to the historical past—17th Century London. But he gets separated from Wilhelmina, who finds herself (we learn later) in Bohemia at about the same time. (One of the pleasures of this book is the Wilhelmina subplot, in which an unhappy 21st Century feminist finds personal fulfillment as a businesswoman in 17th Century Prague.)

Kit finds Cosimo, who agrees it’s important to try to locate Wilhelmina and send her home. But to do that they need a map. There is only one map of the ley lines, the “Skin Map,” a piece of parchment made from the tattooed skin of the first explorer to chart the space-and-time-byways. (He had the map made on his own torso so that he could never lose it.) That map has been cut into several pieces, and the single piece Cosimo and his friend Sir Henry Fayth possessed has been stolen. Before long they learn they have more serious problems than the disappearance of Wilhelmina. A very dangerous and resourceful enemy is doing his best to assemble the Skin Map for his own megalomaniac purposes, and he will stint at no crime to get what he wants.

I found The Skin Map a very engaging fantasy entertainment, suitable for teens and older. Good values are taught, and Christianity is presented in a serious, positive light. I think Stephen Lawhead was wise to move away from medieval fantasy, at least for a while. He seems to have grown uncomfortable with the kind of sword-and-armor violence that such stories demand, and this idiosyncratic adventure gives him scope for other kinds of action. Recommended.

Dark Blonde, by David H. Fears

Her eyes were wide set, clear as a newborn’s, and a pale shade of blue that bordered on slate gray. I suddenly wanted to find paint that shade and redo my whole house with it.

Full disclosure: I got my e-book of Dark Blonde free from the author, David H. Fears. I reviewed his first Mike Angel novel, Dark Quarry, a while back, and he e-,mailed me to ask when I was going to review the next one, Dark Lake. I replied, frankly, that I didn’t like that book as well, and I thought the level of graphic sex (it’s about human sex trafficking) was probably a little high for the readers of this blog. He then sent me a copy of Dark Blonde and asked me to try that one, and indeed I like it better (though I’m omitting the cover art from this review. It’s not pornographic, but it’s a little racy for the room).

Private eye Mike Angel, as you may recall from my previous review, is a New York detective relocated to Chicago. He has a partner, a retired New York cop named Rick Anthony, and a secretary named Molly, who is also his girlfriend. In Dark Blonde, he is hired by Julia Gateswood, former beauty queen and now wife of a promising senatorial candidate, to look for her sister, who has disappeared. It doesn’t take long to find the sister, or rather her body, which is discovered decapitated in the Gateswoods’ summer house. Julia wants Mike to stay on the case, and he is ready to do just about anything for the gorgeous Julia. Instead of the police interfering, Chicago police reformer O. W. Wilson (a real historical character) particularly asks Mike to get involved and help out. It all comes down to old family secrets and contemporary corruption in the end.

Although David H. Fears’s writing plainly hearkens back to the pulp authors of old, like Raymond Chandler and Mickey Spillane (especially Spillane), and is done very well in my opinion, Mike Angel distinguishes himself in a couple of ways. One is that Fears has boldly embraced the obvious fact that private eye stories are fantasy stories, and has added some plain fantasy elements—Mike’s dead father gives him psychic warnings when he’s in danger (oddly, Mike generally ignores them), and also warns him wordlessly through a tingling in a facial scar.

There’s a further element of fantasy too, I think. I’ve written before that private eye stories are a form of male wish-fulfillment. Pulp detectives tend to live lives that ordinary males envy. Mike is enviable—in a way that stretches credibility—in his sex life. It’s not just that beautiful women constantly throw themselves at him. That pretty much goes with the genre. But Mike also has a gorgeous and sweet girlfriend who doesn’t mind that he strays, as long as he keeps it a secret from her. This relationship adds a level of depth to Mike’s character that a lot of pulp detectives lack (a very good thing). On the other hand, I find it pretty hard to believe in—especially in the early 1960s, before the sexual revolution.

But if you can buy that, there’s lots to like in Dark Blonde for the hard-boiled fan. Cautions for language, violence, and graphic sexual situations.

Transfer of Power, by Vince Flynn

Good writing and good storytelling are two distinct qualities, and don’t necessarily reside in the same practitioner. Bestselling Minnesota author Vince Flynn is a classic case in point.

In terms of storytelling, his performance is flawless. Transfer of Power begins, after some brief preliminaries, with super-secret operative Mitch Rapp leading a commando raid into Iran (this is before 9/11) to kidnap a terrorist ringleader. Then the focus shifts to one of that ringleader’s proteges, Rafique Aziz, who is planning an audacious attack on the White House itself, intended both to kidnap the president and to humiliate the United States. Information the CIA extracts from its prisoner (through torture; Flynn makes no bones about it) allows enough warning to enable the Secret Service to get the president into a safe bunker before the terrorists take possession of the building. But the terrorists have a drill and a weak vice president with whom to negotiate.

The tension never lets up. Hero Mitch Rapp employs all his formidable commando skills, and often defies his superiors, in a dangerous operation to infiltrate the White House and impose summary justice on the attackers. He is ruthless and his actions are viscerally satisfying. Also he gets the girl.

As a piece of prose writing, the book is less successful. The force of the narrative pulls the reader along so quickly that he barely notices frequent infelicities, like “Warch, who was more entrusted with the president’s life than any other person in the Secret Service…,” and “…he wondered if he wasn’t being overly paranoid,” and my personal favorite— “the two junior officers fell in astride their senior.” Best to just move along and not inquire too closely into these careless turns of phrase.

As an entertainment, Transfer of Power is a great success. As a statement of a viewpoint on how the War On Terror should be fought, it deserves respectful attention. As a piece of literature, it’s… a successful entertainment.

Cautions for language, violence and adult themes.

Film Review: "War Horse"

Stephen Spielberg’s new film War Horse is, as one would expect from a Spielberg production, visually gorgeous. The acting is excellent. The story itself, in my opinion, isn’t strong enough to bear the weight of a pony.

Based on a stage play based on a children’s book by Michael Morpurgo, the film opens in the lovely countryside of Devon, England, where young Albert Narracott (Jeremy Irvine), a farmer’s son, watches a thoroughbred colt being born, and attempts to make friends with it. Later his drunken father (pretty improbably) gets it into his head to buy the animal as a plow horse, and Albert trains it to work. Then setbacks force the father to sell the horse to the army (World War I has just begun), and we follow the horse’s experiences through the entire war, up to Armistice Day and beyond.

Although it was a delight to watch, I did not succeed in suspending my disbelief for one moment in the course of this (too long) movie. It’s a war movie from people who know nothing of war, and a horse movie from people who know nothing of horses (I happened to see it with a couple horse owners, and they got some good laughs out of it). I suppose I was supposed to learn a lesson about the horrors of war, but although there was plenty about that, it all seemed sterile and picture-bookish, and I never really identified with any of the characters. The lesson seemed to be, “Everything will work out for you, if you’re incredibly lucky, which chances are you aren’t.”

War Horse is a beautiful movie, suitable for older children (though there are disturbing scenes). But I brought nothing away from it except some pretty images.

Chicago Lightning, by Max Allan Collins

Max Allan Collins is probably best known for having written the graphic novel on which the movie The Road To Perdition was based. I myself know him as the author of a very fine mystery novel, True Detective, set in Chicago in the 1930s. Turns out he’s written more books about his Jewish-Irish private eye, Nathan Heller, that I didn’t know about. These include Chicago Lightning, a collection of short stories covering a period of about twenty years.

Nathan Heller differs from the standard fictional private eye in that he’s ethical but not technically “clean.” He does occasional, cautious business with organized crime, and those associations are often useful to him in his investigations. His relations with the police are about as equivocal, as some of them bear him a grudge for helping to expose some crooked cops in the past. The assumption throughout is that both groups are about equally corrupt. Continue reading Chicago Lightning, by Max Allan Collins →

Lancelot, by Walker Percy


Do you know what I was? The Knight of the Unholy Grail.

In times like these when everyone is wonderful, what is needed is a quest for evil….

“Evil” is surely the clue to this age, the only quest appropriate to the age. For everything and everyone’s either wonderful or sick and nothing is evil.

Honesty comes first. I’m not at all sure I understand Walker Percy’s novel Lancelot. I think I understand some of it, but it’s one of those books that I come away from pretty sure I’ve encountered something written for people smarter than me.

But it was a fascinating read, and I’ll tell you what I thought. For whatever that’s worth.

The main character and narrator is Lancelot Lamar, formerly the scion of a fine old Louisiana family, owner of a handsome estate, successful lawyer with a record of civil rights advocacy, and loving husband to a beautiful wife.

Now, as he narrates the text of this book, he is a patient in a mental hospital, having been declared insane after blowing up his home, killing his wife and her movie industry friends. His confidante is his friend Percival, a priest (or a former priest; it’s never made clear) who never contributes a word to the narrative. Continue reading Lancelot, by Walker Percy →

Gospel Wakefulness by Jared Wilson

Jared’s latest book on the joys found in the gospel of Christ is a rich, beautiful addition to a long list of puritan literature. Gospel Wakefulness describes our Lord’s multifaceted gospel, revealing its shimmering light against many dark colors of brokenness and sin.
In short, we are saved by God’s grace through faith in Christ Jesus’ atoning work on the cross. As Romans 10:9-10 says, “If you confess with your mouth that Jesus is Lord and believe in your heart that God raised him from the dead, you will be saved. For with the heart one believes and is justified, and with the mouth one confesses and is saved.” When Christ said on the cross, “It is finished,” he truly conquered death and overcame sin for all who believe. His resurrection from the grave proves it. Many Christians do not struggle with this concept as a doorway into heaven and the church, but we frequently misunderstand that this is the path to holiness as well as salvation. We believe that Jesus is Lord for the purpose of saving us from damning sin, but not for the purpose of making us righteous today. For righteousness, we believe we must “work out our salvation” on our own (Philippians 2:12). “The spiritual reality is that it is God who is in us doing the work,” Jared explains. “The gospel is not just power for regeneration; it is power for sanctification and for glorification [as if these ideas can be separated-pw]. It is eternal power; it is power enough for life that is eternal.” Continue reading Gospel Wakefulness by Jared Wilson →

Deadly Stillwater, by Roger Stelljes

It’s generally a pleasure for me to read novels set on my home turf. Not only do I enjoy being able to visualize known locations as I follow the story, but for some reason I have a childish conviction that places are somehow validated, made more interesting, because they’ve been laminated between the covers of a book.

There was lots of that for me in Deadly Stillwater, by Roger Stelljes. The action ranges around eastern Minnesota and western Wisconsin, but most of it happens in the Twin Cities, and the climax is set near Stillwater, just to the east.

The hero is Mac McRyan, a St. Paul police detective. As one of the police chief’s “boys,” a decorated group of smart and effective cops, he’s called in from a vacation day (this all takes place over the Fourth of July holiday) when Shannon Hisle, daughter of one of the city’s most prominent—and wealthy—attorneys, is kidnapped. There’s added urgency because Shannon is a Type 1 diabetic. The police are already going all out when the criminals up the ante—they kidnap the police chief’s daughter as well. These are smart and organized villains who plan with military precision. It will take hard work, some luck, and a lot of ruthlessness to save the girls and bring a very motivated gang to justice. Continue reading Deadly Stillwater, by Roger Stelljes →

Jonathan Strange and Mr Norrell, by Susanna Clarke


To young men of a studious turn of mind, who did not desire to go into the Church or the Law, magic was very appealing, particularly since Strange had triumphed on the battlefields of Europe. It is, after all, many centuries since clergymen distinguished themselves on the field of war, and lawyers never have.

It is my settled custom to delay discovering great novels until everybody else has already praised the life out of them. And so it is with Susanna Clarke’s Jonathan Strange and Mr Norrell. A marvelous, original conception carried off with what looks like effortless grace, Jonathan Strange and Mr Norrell is a sprawling, lengthy epic in the heroic fantasy vein, but set in early 19th Century England and narrated in a style reminiscent of Charles Dickens and Jane Austen (and probably other Victorian authors of whom I’m ignorant. I was always a little weak on my 19th Century English fiction). If you’re looking for headlong, fast-paced adventure, this is not the book for you. This is a leisurely book, whose pleasures are subtle ones. I found it totally delightful.

(I might also add that I forgot the author’s name, and could not recall throughout my reading whether the author was a man or a woman. Coming from me, that’s high praise.) Continue reading Jonathan Strange and Mr Norrell, by Susanna Clarke →