Category Archives: Reviews

Denial, by Stuart M. Kaminsky

I’ve written about the Lew Fonesca books before, perhaps my favorite of the late Stuart M. Kaminsky’s detective series. It occurs to me that my personal fondness for Lew may rise in part from the fact that he’s a fellow depressive, and that some readers may be put off by that. Perhaps it should be noted that although the hero of these books is a depressive, the books are not necessarily depressing. There’s a lot of comedy here (some of it pretty black), and wry humor. Lew is sad, but he knows when he’s being ridiculous.

In any case, I want to do what I can to raise Kaminsky’s profile in the world, while some of his books are still in print. They’re worth reading.

Denial begins with Lew locked in the office which is also his home, refusing to speak to any of his friends. Finally his therapist talks her way in, persuading him to tell her what’s kneecapped his spirits even more than usual.

The body of the story is his account of two detective jobs he was hired for (Lew isn’t actually a private investigator. He’s a retired prosecutor’s investigator from Chicago, now eking out a living as a process server in Sarasota, Florida. But people keep bringing problems to him). One job is a serious one, trying to find out who fatally ran down a teenage boy with a car. The other is almost comic—a lady in a nursing home insists she saw someone murdered in one of their rooms, and wants him to prove she’s not senile.

Lew sets about the jobs in his usual quiet, methodical way, with his friend Ames McKinney, a latter-day Gary Cooper from Texas, providing backup and bodyguard service.

Feathers will be ruffled. Secrets will be uncovered.

People will die.

In the end, Lew makes a life-changing resolution. I’m going to order the next book tonight, because I really want to find out how that goes.

Highly recommended.

No Second Chance, by Harlan Coben

I like Harlan Coben better with each novel of his I read. I found No Second Chance a superior thriller, dispensing big doses of those truths of the heart that mean so much to me in a story.

Dr. Marc Seidman was a successful plastic surgeon (the kind who repairs cleft palates for Third World children) when he was shot and nearly killed in his home. He has no memory of his attacker. All he knows is that when he regained consciousness in the hospital, his wife was dead (also from a gunshot wound) and their six-month-old daughter Tara had vanished without a trace.

The police have nothing. Marc himself is a suspect, but only under one of many scenarios, all of them unsatisfactory.

Then there’s a ransom call. He’s to bring a sum of money to a certain location, and not to involve the police. “There will be no second chance.”

In consultation with his wealthy father-in-law, who provides the cash, he decides to bring the police in. The result is disastrous. The money is taken, but Tara is not returned. The kidnappers call to say that’s because they called the cops.

Marc clings to the dream that Tara is alive somewhere. He begins an investigation of his own, bringing in a friend from the past, a former girlfriend recently fired by the FBI.

The plot of this book is extremely convoluted, and (to be honest) objectively unlikely. But the author’s strength is in his examination of the passions, loves, fears and hopes that drive the characters to make their different choices. The story has emotional logic, and it kept me turning the pages, anguishing with the protagonist.

Highly recommended.

Your Jesus Is Too Safe, by Jared Wilson


Jared Wilson is, among other things, a pastor, a writer, and a participant at one of our favorite blogs, The Thinklings. Phil has already reviewed his recent book, Your Jesus is Too Safe, but I’d like to say a few things about it too.
I picked it up without great anticipation, assuming from the title that it would probably be lots of things I already knew, plus a guilt trip on a deeper Christian life which would only depress me. But I read it with great interest (almost the same as if it had been a novel), and benefited it from it. Continue reading Your Jesus Is Too Safe, by Jared Wilson →

At First Sight, by Stephen J. Cannell

Author Stephen J. Cannell explains, in his Acknowledgments at the beginning of At First Sight, that he came up with the idea for the book while reading Andrew Klavan’s interesting and risk-taking novel, Man and Wife. He decided he needed to take some risks of his own in novel-writing, and so sat down to write a book different from his usual output. The result is nothing like Man and Wife, but it’s entertaining (and valuable, I think) in its own way.

The main character and primary narrator is Chick Best, a California dot com millionaire. He has a beautiful home, expensive cars, a beautiful wife and daughter. At first he seems a decent, amusing guy, too, with a self-deprecating sense of humor.

But gradually the picture darkens. His business is on the downslide, and he blames everyone but himself. He’s sick of his wife, and his daughter is a disaster waiting to happen (he never wonders why). He’s living far beyond his means, desperately trying to sustain the exterior trappings and the envy of others that, he imagines, are all that make life worthwhile.

While on a vacation in Hawaii, he and his wife meet Paige Ellis and her husband, and Chick is bowled over. Paige is naturally beautiful and sweet, in a way that his wife, for all her expensive physical training, can’t match. After they return to their separate homes, Chick can’t stop obsessing about Paige. Continue reading At First Sight, by Stephen J. Cannell →

The Girl Who Played With Fire, by Stieg Larsson

If there was ever an author whose work I ought not to enjoy, it would be the late Stieg Larsson. A Swedish journalist whose field of concentration was right-wing and “hate” groups, he was (as far as I can determine from net research) a lifelong, devoted Communist.

And yet I loved his first mystery, The Girl With the Dragon Tattoo, and I snapped up The Girl Who Played With Fire as soon as it came out in paperback, zipping through its 724 pages in a couple days.

I think it’s a case of “the enemy of my enemy.” Both I and the author view contemporary Sweden as an unsatisfactory country, but from opposite viewpoints.

The central character of this book, even more than of the first in the series, is Lisbeth Salander, a brilliantly realized character. Lisbeth is a tiny young woman, often mistaken for a teenager, multipally tattooed and pierced (though we’re told she’s removed one tattoo now, and stopped wearing most of her studs and rings). She’s an off-the-charts genius who works on Fermat’s Last Theorem in pencil, in a notebook, in her spare time. She’s also a world-class computer hacker, skilled in self-defense, socially inept, and slightly crazy, having been the victim of horrendous betrayal and abuse as a child—a history that forms an important element of the plot of this book. Continue reading The Girl Who Played With Fire, by Stieg Larsson →

A History of Christianity: The First Three Thousand Years



I think I can give a rough outline of church history, and I don’t mean the founding of my own church. The BBC has a six DVD set which promises to fill in many of the details I would miss. It’s called A History of Christianity: the First Three Thousand Years. Hosted by Dairmaid MacCulloch, professor of history of the church and fellow at St. Cross College, Oxford, this historical overview looks well-worth your time, though I can’t tell if MacCulloch will lead viewers down a dark road of doubting the supernatural and God’s testimony in the world or leave the faith examined but uncondemned. After watching only the first disc, I believe he will remain respectful, if nothing else.

Here’s a list of disc titles:

Program 1: The First Christianity

Program 2: Catholicism: The Unpredictable Rise of Rome

Program 3: Orthodoxy: From Empire to Empire

Program 4: Reformation: The Individual Before God

Program 5: Protestantism: The Evangelical Explosion

Program 6: God in Dock

I received the first disc for review. Ambrose Video is distributing the DVDs and has a trailer on their product page.

“The First Christianity” was beautiful filmed, as you’d expect. Professor MacCulloch says he won’t shy away from controversy, but he doesn’t delve deeply into it either. His explanation of the major argument over the divine vs. human nature of Jesus did not attempt to settle it with Scripture. He only presented the proponents with their claims and described how the arguments fell out.

In this part of the series, MacCulloch describes what he calls the eastern road out of Jerusalem. Continue reading A History of Christianity: The First Three Thousand Years →

Passover greetings

I don’t know what church did this, but apparently it’s in Texas, and this clip is pretty cool.

To our Jewish friends (we have at least one), greetings and best wishes.

Tip: Moe Lane at Red State, by way of Wizbang.

DVD Review: Dark Kingdom: The Dragon King

I finally broke down and joined Netflix a while back, and am taking the opportunity to catch up on some Viking (and Viking-related) films I haven’t seen before. This weekend I watched the European made-for-TV movie, Dark Kingdom: The Dragon King. As I understand it, it was originally broadcast in longer form, as a two-parter, so this American version is missing some material.

I found it a somewhat enjoyable, correspondingly frustrating film. In a nutshell, the production values were excellent, and some of the acting was good. Unfortunately, in a strange dramatic inverted pyramid, the better the actor, the smaller (in general) was their part. Continue reading DVD Review: Dark Kingdom: The Dragon King →

God's Battalions, by Rodney Stark


Sad to say, it is no surprise that the massacre of Antioch is barely reported in many recent Western histories of the Crusades. Steven Runciman gave it eight lines, Hans Eberhard Mayer gave it one, and Christopher Tyerman, who devoted several pages to lurid details of the massacre of Jerusalem during the First Crusade, dismissed the massacre of Antioch in four words. Karen Armstrong devoted twelve words to reporting this massacre, which she then blamed on the crusaders since it was their dire threat that had created a “new Islam” with a “desperate determination to survive.” Armstrong also noted that because Baibars [the Mamluk commander] was a patron of the arts, he “was not simply a destroyer . . . [but also] a great builder.”

This excerpt from page 232 of Rodney Stark’s God’s Battalions: The Case for the Crusades, is characteristic of his approach to his subject. He takes a hard look at the bulk of recent historiography on the Crusades, and finds most of it shamefully biased.

He identifies four great lies that have become common wisdom in recent decades, all of which (he insists) are demonstrably false: Continue reading God's Battalions, by Rodney Stark →

Film review: Gone Baby Gone



Gone Baby Gone
is my favorite of Dennis Lehane’s novels, which is saying a great deal. Fan of series that I am, I especially enjoy his series books about detectives Patrick Kenzie and Angie Genero, of which this one is (in my opinion) the best. I missed the movie when it was released (briefly) in theaters, but I finally rented it from Netflix and watched it this past weekend.

The movie is very faithful to the book. Kenzie (Casey Affleck) and Genero (Michelle Monaghan) are called in by the family to investigate the high profile disappearance of a little girl, kidnapped while her drug user/alcoholic mother was distracted. In cooperation with the police, they follow various leads, trying to pry the lid off a story that seems at once too neat, and infested with too many loose ends. The final payoff prompts a heartbreaking choice for Kenzie.

It’s a well-done movie, worthy of its source. The performances are excellent, the Boston locations perfect. I think (my memory may be fooling me) that the final crisis may have been presented with more ambivalence in the book. As it stands here, Kenzie’s ultimate decision seems a little hard to understand.

I don’t remember the language in the book being as rough as it was in the movie. I suspect that’s only because it’s less jarring on the page than when the words actually fall on your ears in your own living room.

But I wonder if that didn’t contribute to the movie’s lackluster box office performance.

Somebody (it may have been Michael Medved, or one of his guests) has pointed out that there’s really no economic incentive for film makers to use a lot of profanity in their movies.

Other vices have (let’s admit it) market appeal. A sex scene with a nude actress will admittedly sell tickets. Extreme, graphic violence will put lots of bodies in theater seats.

But nobody thinks, “Boy! I sure want to see this movie! I’ll get to hear a lot of F Bombs!”

I suppose the makers of Gone Baby Gone would have felt they were selling out if they’d toned the language down. But I have an idea they might have made money by it.