Category Archives: Reviews

‘No More Lies,’ by James Scott Bell

I’ve become a big fan of James Scott Bell, one of the very few really good Christian mystery writers out there. So I picked up No More Lies, a newly released revision of one of his earlier works. The book shows obvious signs of a writer still in the learning stages, but it also showcases a lot of the virtues that make Bell such a good storyteller.

The location is the small town of Pack Canyon, once the site of Old West movie sets, in the western San Fernando Valley. Arty Towne is out hiking in a wilderness area with his new wife, Liz. Arty has recently become a born-again Christian, and has left a good-paying job on principle. Liz doesn’t get this. Money is everything to Liz. It makes her very angry. Tragedy follows.

Caught up in the ensuing drama is Arty’s sister “Rocky,” an insurance investigator whose life has been blighted by a facial scar she acquired in childhood. And “Mac” MacDonald, an ex-con and new Christian who’s trying to keep straight in spite of numerous pressures, including recurring headaches from wartime injuries.

No More Lies is a tight, convoluted tale with lots of surprises (some of them a little far-fetched). Lots of “Noir” elements – weak-willed people wading into crime and getting caught in the undertow. I liked the characters, and the book contained moments of laughter as well as pathos.

What didn’t work – and it pains me to say it – is the “God talk.” One of the hardest things for a Christian writer trying to write for a secular audience is making the God talk sound natural. And it’s strained here. (No doubt it’s often strained in my own books.)

Also, there’s a weird anticlimax scene that serves no dramatic purpose I can discern.

But other than that, No More Lies is a lot of fun. Excellent entertainment. No cautions for language or themes.

Amazon Prime viewing report: ‘Vinland Saga

My curiosity got the better of me. I couldn’t resist sampling Vinland Saga, a Japanese anime series about Vikings set at precisely the point in history I’ve been writing about in my Erling books. What follows isn’t exactly a review, because I don’t think I’ll be finishing the series, but it’s certainly interesting enough to tell you about. You may be surprised to learn that I have a lot of positive things to say.

When we think of Vinland and the Norse discovery of America, the name we generally think of is Leif Eriksson. But in many ways the real hero of the saga (at least in one of its two versions) is another man, an Icelander called Thorfinn Karlsefni (the nickname means “quite a guy” or “manly stuff”). Though it’s not plainly stated, I’m pretty sure the Thorfinn portrayed in Vinland Saga is that guy – but during an imagined childhood and youth.

As the series tells it, Thorfinn is the son of Thors, the Troll of Jomsborg, a former Jomsviking (a legendary order of Vikings based in Poland) who grew to hate war and deserted, fleeing to the peace of Icelandic farming. A friend of theirs is Leif (Eriksson, one assumes, portrayed here as a wandering blowhard rather than chieftain of the Greenland colony, as he actually was), who regales Thorfinn with tales of the rich soil and mild climate he encountered when he visited Vinland, years ago.

Then the Jomsvikings show up at their home, extorting through threats of violence Thors’ agreement to join them in enlisting in the army of Svein Forkbeard of Denmark in his conquest of England. Thorfinn stows away on the ship, eager to see war. On the way to England, Thors (who’s all but invulnerable) is murdered by the pirate leader Askeladd (a name borrowed from a figure from Norwegian folklore, something like Jack the Giant Killer). Improbably, Askeladd is amused by Thorfinn’s attempts to avenge his father, and keeps him with his army, promising to kill him in a proper duel when he’s old enough.

The next episodes deal with the Danish conquest of England, as Thorfinnn grows to be a feared warrior. At that point, I kind of lost interest. Not that the story wasn’t interesting, but the whole thing got too weird for me. I think there’s a whole artistic sensibility surrounding anime as an art form that I’m too old to adjust to.

Nevertheless, I have to say that there were elements of surprising authenticity. I’d say Vinland Saga is at least 50% more faithful to history than the History Channel Vikings series. Costumes and props are surprisingly good in a lot of cases. The history follows actual chronology. Real persons show up all the time – though sometimes in bizarre ways. Thorkell the Tall is an actual giant here. King Svein’s son Knut, later to become King Canute the Great, is presented as a guy who looks like a girl (and how they’re going to develop that story line I have no wish to discover).

In short, you can learn some genuine history by watching Vinland Saga. I did not expect to be able to say that. If you appreciate anime as an entertainment form, you just might enjoy it.

‘Shaking the Tree,’ by Mike Donohue

Max Strong works as a baker in a diner in the small town of Essex (which I learned, about half way through the story, is in Minnesota). That’s not his real name, though. He’s in the federal witness protection program. He has a history in organized crime that’s not clearly explicated. But he’s trying to make a fresh start, to keep his nose clean. He likes the place and the people. That’s the setup for the thriller, Shaking the Tree.

One of the people Max likes is his roommate Stevie, an inveterate runner who is nearly beheaded by a briefcase falling from the sky, one morning out in a country road. When he gets the case open, he finds it contains millions of dollars.

Meanwhile, a man’s body is found impaled on an apple tree in a farmer’s orchard.

Suddenly a shady DEA agent and a Russian hit team show up in town. The local sheriff, who’s involved in cooking meth, is trying to figure a way to keep the heat off his operation while locating the missing money for himself. He will lie, bully, torture or kill to make his pile and get out of this town.

Innocent people are going to die. And that will make Max Strong mad.

There was a lot about Shaking the Tree that intrigued me. The story was complex, and the shifting points of view through which it was told were well-realized.

But I found the book hard to like. It was grim, grim, grim. Noir-ish in the sense that sin is punished brutally. It reminded me of No Country for Old Men. I didn’t like Max Strong well enough to care about reading the next book.

There are odd, obscure references to the Bible through the story, but I’m not sure what we’re supposed to make of them.

Cautions for language, violence, and mature themes.

Amazon Prime review: ‘The Terminal List’

I finally got around to watching Chris Pratt’s critically panned but commercially popular miniseries, The Terminal List, on Amazon Prime. In case you’re even slower on the uptake than I am, I’ll review it here.

James Reece (Pratt) is a Navy Seal lieutenant whose platoon is cornered and nearly wiped out in a botched operation. Returning home, he learns that the other survivor has been killed, and an attempt is made on his own life. At the same time, he starts noticing problems with his memory – blank spots and certain recollections of things that apparently never happened.

As he grows increasingly frightened of threats to his family, he starts to believe he’s the object of a conspiracy – but can he even trust his own thinking?

The Terminal List is violent and loud and full of dramatic tension and pathos. Critics have panned it, but the audience loved it, and I agree with the audience. I strongly suspect the critics reacted to Chris Pratt’s politics rather than to the story itself. Government conspiracy stories have been common since the 70s, after all, and many have come from filmmakers on the left. What the production lacks, I think, is the obligatory sermons about Woke doctrines that are expected in today’s productions.

I was expecting the final surprise, I must admit, simply based on the process of elimination.

Recommended, for adults with high tolerances for violent scenes and language you’d expect from the military.

‘Best. State. Ever.’ by Dave Barry

When you enter Gatorland, the first wildlife you see is—Spoiler Alert—alligators. A buttload of alligators, dozens and dozens of them on wooden platforms surrounded by water. They are sprawled haphazardly, often on top of each other, as if they’re having a wild reptile orgy, except that they are not moving. Some of them look like they have not moved since the Reagan administration. It’s like the Department of Motor Vehicles, but with alligators.

I spent 11 years of my own life in Florida, so I feel a certain ownership in the place. Thus I share with Dave Barry the slight pang that comes when I read yet another story about “Florida Man,” the archetypal doofus who does something magnificently stupid and self-destructive in the sun. In his book, Best. State. Ever., Barry provides both an apologia for, and an appreciation of, the state where he’s made his home. And, oh yes, it’s also very funny.

Most of the “Florida Men” you read about, Barry notes, actually come from someplace else, and it’s Florida’s misfortune that having water on three sides makes it difficult for them to find their way out. But that doesn’t alter the fact that strange things do go on in Florida. He proceeds to provide “A Brief History of Florida” and then to report on personal visits to a series of tourist sites that I, though I lived there a while, never got around to myself:

  • The Skunk Ape [Research Center]
  • Weeki Wachee and Spongeorama
  • Cassadaga
  • The Villages
  • Gatorland
  • Lock & Load Miami
  • LIV (a Miami nightclub that was hot at the time), and
  • Key West.

The book is, as mentioned, very funny, featuring Barry’s signature style of strategic exaggeration. It might have been funnier if it were crueler, but Barry seems to genuinely like the people he meets, and he has no intention of humiliating them.

The most striking part of the book, for this reader, was the description of The Villages, a group of large, planned communities for the elderly. All the houses look alike, and all the people seem to be alike too – they live for golf and early bird specials, and they dance – a lot – like nobody’s watching. It almost comes out sounding like a pleasant gulag, where dying people go to deny their mortality.

Kind of the perfect finale for Baby Boomers, when you think about it.

Best. State. Ever. is a very funny book. Cautions for language, drugs and mature themes.

What Would You Do If You Could Become Invisible?

Heist movies have many examples of criminals slipping into a crowd and becoming essentially invisible. Either there are too many similarly looking people to spot the ones the cops want or there are too many people period. Without an identifier of some kind, the criminals have gotten away without consequences, at least for the moment.

In H.G. Wells’s The Invisible Man, a gifted chemist works out his theory for making things invisible. Recklessly, he applies his experiment to his own body and becomes an inhuman and invisible man.

His glassy essence, like an angry ape
Plays such fantastic tricks before high heaven
As makes the angels weep.

“Measure for Measure” Act 2, scene 2

When the invisible man tells his own story, you see his arrogance runs deep. He attempts to live without any social obligations, taking food or clothing for himself without payment, assuming these things would simply disappear like he has. He quickly learns it won’t work that way, because he isn’t an incorporeal ghost; he’s a naked man that no one can see. If he weren’t such a hot-tempered fool, he might have worked more methodically and converted a set of clothes into invisibility before converting himself.

After a few months of experimental living as an invisible man, the chemist wants to terrorize people. He wants to pursue his scientific interests without having to earn anyone’s favor or deal with normal social pressures. He probably blames his father, his old boss, and all of his research colleagues for his jaded view of the world, but I think Wells may intend these people to represent everyone. There are no contrasting noble characters in this story. Even the chemist’s closest friend may have been just as self-seeking as everyone else.

Wells provokes readers to ask what anyone would do if he or she could be invisible, or to put it another way, what would you do if there were no consequences to pay? Would you plagiarize? Steal someone’s research? Slander someone’s character to get rid of them?

Photo by Dim Hou on Unsplash

‘Fortuitous Justice,’ by Dennis Carstens

I continue to follow Dennis Carstens’ Minneapolis-located Marc Kadella series of legal mysteries. I also continue a kind of love/hate relationship with the books. The writing doesn’t impress me a lot, but the storytelling is good, and I generally like the characters.

Marc Kadella, as you may recall, is a Minneapolis attorney. He is now engaged to Maddy Rivers, the uber-hot private detective. In Fortuitous Justice, we pick up several plot threads, which had appeared to be tied up, from the previous book, Twisted Justice. That book involved a group of former Minnesota Vikings cheerleaders who’d formed a prostitution ring, and who found themselves way out of their depth when they became a security risk to some of the richest – and most ruthless – movers and shakers in Minnesota politics (which means, in case you’re not familiar with my state, Democrats. It’s not stated in so many words in the book, but that’s the way it is).

At the end of Twisted Justice, Burt Chayson, a local political fixer who knew too much, was reported dead, an apparent suicide. But now the police say murder, and they have their eyes on one of the Housewife Hookers, Hope Slade, the last person seen with him. Hope had enough on her plate already with prostitution charges and public humiliation. Her husband has left her. Now she’s facing Murder One. She goes to Marc Kadella for defense.

The investigation will be complicated, really scary hired guns will come to town to shut people’s mouths, and the final resolution will be a surprise.

As a mystery, I thought Fortuitous Justice was pretty good. I was annoyed by too many typos (a common problem these days, alas), and by Carstens’ habit of inserting paragraph breaks at unexpected places in the midst of chunks of dialogue, leaving the reader wondering who’s talking now.

I was also peeved when one unpleasant character was identified as a member of the “far right religious bunch.” That peeve turned to utter confusion as the character was later identified as a Democrat. (Insert image of Leonard Nimoy here, with one eyebrow cocked: “Highly illogical.”) Honestly, I think the author just lost track.

Not a great book, Fortuitous Justice was entertaining and fun. Cautions for language and mature themes.

‘Those Who Remain,’ by Chris Culver

Good writing. Fully rounded characters. Love, pathos, and moral horror. Chris Culver’s Those Who Remain is a fascinating and disturbing book. I can’t say I loved it, because it left me troubled. But it’s darn good.

Homer Watson is a sheriff’s detective in St. Louis County, Missouri. He’s a family man, and happy in his life. But there are pressures. One of his small sons is autistic, and doing poorly in school. He and his wife would love to put the boy in a special school, but their salaries just won’t stretch that far.

One day he’s called to the site of a possible suicide. He recognizes the victim. It’s Hailey Bowman, a young woman who killed a policeman a year ago. She claimed he’d tried to rape her and was found not guilty. There are a lot of cops who’d have liked to see her dead.

But Homer’s a straight arrow. When the death proves to be murder, he looks to his fellow cops for suspects. That doesn’t pan out, but he gets a tip that Hailey has been living as the kept girlfriend of her defense lawyer, a man Homer has personal reasons to despise.

And when Homer gets an offer of a good-paying job from someone he cleared as a suspect, and he accepts it for his son’s sake, all his colleagues suspect the worst about him.

But the reader knows from the very beginning that Homer’s on the wrong track. The person really responsible is Pilar Garcia, a loving grandmother. Pilar runs an ostensibly legitimate cleaning business, but her main work force is composed of illegal aliens. She brings these people in and pays them below minimum wage to maximize profits. On the other hand, she makes sure they’re well fed, healthy, and housed, and helps them get established once their indentures are over. She is full of good will, and cares about her family above all things. She cares so much for her family that she’s willing to kill innocent outsiders to protect them – or to keep them in line.

Pilar is a masterfully painted portrait of how even a human’s best natural instincts can lead to appalling evil. I don’t know what the author intended, but one can’t help thinking of the doctrine of Original Sin.

Those Who Remain was well-written, compelling, and horrifying. I’m not sure I’m brave enough to read the next Homer Watson book. But I can recommend this one highly.

‘Hunting Rabbits, by Mark Gilleo

Here in the Midwest (which is actually the North Central US, but why be pedantic?), when we encounter something that’s unlike anything we’ve seen before, but still doesn’t impress us much, we damn it with faint praise by saying, “Well, that’s different.”

I’d describe Mark Gilleo’s Hunting Rabbits as “different.” I can honestly say I haven’t ever read anything quite like it before.

Charlie Gates is chief of police in Williamsburg, Virginia, home of Colonial Williamsburg. One day there’s a holdup at a local drug store, and the culprit is thwarted, getting his arm broken by a bystander who knows how to handle himself. The bystander then disappears.

The next part of the story confused me a little. Williamsburg isn’t a big town, as far as I know. But the police resources that are now devoted to this non-lethal crime struck me as implausible in any police department these days. Charlie is even able to secure the assistance of a big-city homicide detective, Luis “Quags” Millares, who becomes his trusty right-hand man.

Studying surveillance camera footage, they learn that the crime-stopping bystander soon left the area on a bus, along with a couple other drug store customers. A little inquiry reveals that this bus is one of a private fleet whose sole purpose is to transport CIA trainees to and from “The Farm,” the nearby, high-security federal training facility.

Even more intriguing, a fingerprint on the robber’s gun, touched by the crime-stopper, matches a print from the scene of an old murder – that of Charlie’s own sister, one of the victims of a still-unidentified serial killer decades ago.

What confronts them then is what I’d describe as a “black box” investigation. Because of security regulations, the cops find themselves unable to interrogate either their suspect or any witnesses. What they end up doing is to present various threats of bad publicity to the Farm authorities, and then watch as they themselves clean up their own mess — not always getting it right, either.

I found the story unsatisfactory in several ways. The decisive stuff in the narrative happens mostly offstage. Our heroes are just spectators, sometimes unsatisfied spectators.

Also I thought the characterization was clumsy, especially at the beginning, where characters commit the common literary sin of telling people too much at their first meetings. And there were some homophone spelling problems.

The book wasn’t bad, but it didn’t leave me wanting more.

‘Dark Peak,’ by Adam J. Wright

A good psychological thriller can be great entertainment, if the psychology is plausible. How does Dark Peak, by Adam J. Wright, stack up?

Mitch Walker is an English landscaper, a hard-working divorced father. Thirty years ago, his sister was abducted and murdered by a serial killer in Derbyshire, where his family lived at the time. His mother was so traumatized that she took him and fled away, and he never had contact with his father again.

Now he receives notice that his father has died, leaving him the Gothic-style mansion where they lived at the time, plus a fortune. Mitch doesn’t mind the money, but he doesn’t look forward to going back to the mansion. He still has nightmares about the place.

Elly Cooper is also divorced. She’s a former journalist who wrote a bestselling book about a serial killer and has been living off the royalties for some time. But book sales have fallen off, and her agent offers her a deal to do a new book, about a series of unsolved murders in Derbyshire, one of which is the murder of Mitch’s sister.

They will arrive around the same time, and their arrival will stir up old memories and old evil. It soon becomes apparent that the murders have not stopped – and someone in Mitch’s own family may be responsible.

The great weakness in Dark Peak was characterization – which ought to be the first thing you need to get right in a book of this type. If you don’t understand your own characters, how are we to believe you about psychopaths? The characters in Dark Peak commit the common fictional character error of keeping secrets from the police for reasons that advance the plot but seem unnatural in the real world. They also tell each other too much – real people rarely spill their guts to each other like these people do. It provides an excuse for information dumps, but again it rings hollow.

Also, for this reader, the murderer’s motivation, when finally revealed, didn’t seem very plausible.

The book is free for Kindle as of this review, so you might want to check it out, but I was rather disappointed. Cautions for disturbing content.